33:
101:
264:” ever recorded. He was also a soloist with “Orchestra Ortiz Guerrero”, a noted orchestra consisting of José Bragato, Aniceto Vera Ibarrola, Emilio Bobadilla Cáceres, Gumersindo Ayala Aquino, and others, directed by Flores. In 1943, he returned to Paraguay, with Jose Asuncion Flores, Francisco Alvarenga, and Emilio Vaesken. They were invited to participate in Asuncion's Foundation Day parade on August 15.
335:“Serenata”, “Viva la vida, viva el amor” and “Muchacha dorada” (over words by Augusto Roa Bastos), “Oimeva che roga”, “Oñomdiovemi” and “Reservista purahei” (with Félix Fernández), from his own production, lyrics and music, “Emociones de mi tierra” and “Ruego y camino”, “Sombras de ausencia” (with Enrique Ganoso), “Voz del viejo río” (with Aníbal Romero).
295:
In 1962, after settling in
Paraguay, he got married la singer, Yvera (Francisca Zayas), forming an artistic couple. In 1968, while in Europe, they formed the group “Los Barboza”. They recorded three long plays and did presentations on radio, television, in theaters, schools, universities and public
267:
He also formed a trio with Felix Perez
Cardozo and Eulogio Cardozo. In 1944, he continued his studies in the Music School of Rio de Janeiro University, thanks to a scholarship granted by the government. He also gave concerts and auditions in theaters and on radio. During this time, he studied with
276:
In 1947, he traveled from Brazil to Mexico, where he was invited by
Gumersindo Ayala Aquino to join the group “Los Guaireños”, with Luis Alberto del Paraná, Digno Garcia and Humberto Barua. They played in Mexico, Cuba and throughout Central America. In the early 1950s, he went on tour through the
334:
Barboza wrote approximately 80 compositions, among the following are noteworthy: “Alma vibrante”, “Flor de Pilar”, “Mi patria soñada”, “Sobre el Corazón de mi guitarra”, “Muchachita campesina” and “Mis joyas de Buenos Aires” (with verses from the poet Carlos Miguel
Gimenez), “Dulce tierra mía”,
280:
In 1954, Luis
Alberto del Paraná asked him to join the “Trio Los Paraguayos”, with the harpist Digno Garcia. In Europe, they signed a contract with Philips, a Dutch record company. This relationship lasted for many years. They were dubbed the “ambassadors of Paraguayan music”.
317:
In 1998, on turning 85 years old and celebrating 70 years of his musical career, he released a discography with the orchestration of his work. The Master, Oscar
Cardozo Ocampo, (distinguished musical arranger living in
244:, a ship flying the Argentine flag. Alternating his work of seaman with musical activities, he met Basilio Melgarejo Molinas (“Melga”). They formed a duo and later formed the trio of Melgarejo-Barboza-Feliu.
260:, the last two served as his mentors. In 1933, he sang with José Asunción Flores; a year later he recorded “Ñasaindype” with Flores based on a poem by Felix Fernandez. It was the first “
314:
In 1997 the national congress granted him the
National Award of Music in the popular music category, for his work “Mi patria soñada”, that has verses by Carlos Miguel Gimenez.
299:
In 1994, the government conferred on
Barboza the National Order of Merit award, for his work dedicated to the composition and the spreading of Paraguayan music.
382:
252:
In Buenos Aires, he worked with other singers such as Samuel Aguayo, Emilio
Bobadilla Cáceres and Diosnel Chase. He served as a soloist in the orchestras of
349:
Diccionario Biográfico "FORJADORES DEL PARAGUAY", Primera Edición Enero de 2000. Distribuidora
Quevedo de Ediciones. Buenos Aires, Argentina.
54:
387:
377:
277:
northern countries of South America and Central America, Mexico, the United States and Europe, as a soloist or with various groups.
76:
392:
372:
296:
entertainment houses. Their daughter, Diana Barboza, also loved popular singing and joined the family group in 1988.
47:
41:
58:
344:
323:
253:
326:) provided the instrumental accompaniment. He received unanimous accolades from his fellow countrymen.
367:
362:
257:
288:, Leonardo Figueroa and Carlos Centurion, continuing to spread his work through Europe and the
285:
261:
169:
268:
Carlos Lara Bareiro, who encouraged him to travel and help to popularize Paraguayan music.
197:
356:
100:
237:
289:
229:
155:
135:
17:
319:
233:
212:
159:
139:
284:
In 1957 he organized his own group “Barboza y sus compañeros”, with
26:
302:
In 1996 he wrote an anthological autobiographical book named
322:, son of the great Paraguayan composer and creator
193:
183:
175:
165:
145:
122:
112:
107:
91:
236:. While still an adolescent in 1929, he went to
8:
99:
88:
77:Learn how and when to remove this message
40:This article includes a list of general
211:(5 May 1913 – 18 December 1998) was a
7:
383:20th-century Paraguayan male singers
46:it lacks sufficient corresponding
25:
240:to work as a seaman aboard the
31:
345:Centro Cultural de la República
1:
409:
378:Paraguayan male composers
98:
388:Musicians from Asunción
324:Mauricio Cardozo Ocampo
61:more precise citations.
393:20th-century composers
272:Travels and popularity
108:Background information
215:singer and composer.
373:Paraguayan composers
228:Barboza was born in
256:, Juan Escobar and
254:Francisco Alvarenga
224:Childhood and youth
209:Agustín Pío Barboza
118:Agustín Pío Barboza
203:
202:
87:
86:
79:
16:(Redirected from
400:
262:Guarania (music)
186:
179:Singer, composer
152:
149:18 December 1998
132:
130:
115:
103:
89:
82:
75:
71:
68:
62:
57:this article by
48:inline citations
35:
34:
27:
21:
408:
407:
403:
402:
401:
399:
398:
397:
353:
352:
341:
332:
312:
274:
250:
226:
221:
206:
184:
154:
150:
134:
128:
126:
113:
94:
93:Agustín Barboza
83:
72:
66:
63:
53:Please help to
52:
36:
32:
23:
22:
18:Agustin Barboza
15:
12:
11:
5:
406:
404:
396:
395:
390:
385:
380:
375:
370:
365:
355:
354:
351:
350:
347:
340:
337:
331:
328:
311:
308:
304:Ruego y Camino
273:
270:
258:Julián Alarcón
249:
246:
225:
222:
220:
217:
205:Musical artist
204:
201:
200:
195:
191:
190:
187:
181:
180:
177:
173:
172:
167:
163:
162:
153:(aged 85)
147:
143:
142:
124:
120:
119:
116:
110:
109:
105:
104:
96:
95:
92:
85:
84:
39:
37:
30:
24:
14:
13:
10:
9:
6:
4:
3:
2:
405:
394:
391:
389:
386:
384:
381:
379:
376:
374:
371:
369:
366:
364:
361:
360:
358:
348:
346:
343:
342:
338:
336:
329:
327:
325:
321:
315:
309:
307:
305:
300:
297:
293:
291:
287:
286:Ramón Mendoza
282:
278:
271:
269:
265:
263:
259:
255:
247:
245:
243:
239:
235:
231:
223:
218:
216:
214:
210:
199:
196:
192:
188:
182:
178:
176:Occupation(s)
174:
171:
168:
164:
161:
157:
148:
144:
141:
137:
125:
121:
117:
111:
106:
102:
97:
90:
81:
78:
70:
60:
56:
50:
49:
43:
38:
29:
28:
19:
333:
316:
313:
303:
301:
298:
294:
283:
279:
275:
266:
251:
241:
238:Buenos Aires
227:
208:
207:
185:Years active
151:(1998-12-18)
73:
64:
45:
368:1998 deaths
363:1913 births
330:Other works
290:Middle East
248:First steps
59:introducing
357:Categories
339:References
310:Last years
213:Paraguayan
133:5 May 1913
129:1913-05-05
114:Birth name
42:references
320:Argentina
219:Biography
67:June 2020
234:Paraguay
230:Asunción
170:Guarania
160:Paraguay
156:Asunción
140:Paraguay
136:Asunción
198:Philips
55:improve
194:Labels
166:Genres
44:, but
242:Mixu
189:1998
146:Died
123:Born
359::
306:.
292:.
232:,
158:,
138:,
131:)
127:(
80:)
74:(
69:)
65:(
51:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.