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After Galin died in 1822 without publishing a full explanation of his ideas, several teachers led classes claiming to follow his methods. Paris decided to devote himself to propagating what he knew of Galin's methods, with a few minor modifications. He published numerous pamphlets on the technique,
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when he moved to Paris, and asked to be his business-manager, so Galin could work on setting his music education ideas into print. However, once admitted as Galin's successor, he plagiarized Galin's ideas and denied having known him.
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Paris studied mathematics and law, and became a lawyer. His techniques of memory were well known; at one point he was the "professeur de mnémonique" at the Athenée in Paris.
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for French. In 1820, after inventing his own method of stenography, he abandoned his career as a lawyer and traveled across France, as well as the
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by Aimé Paris from 1825. – 1: T, D; 2: N, GN; 3: M; 4: R; 5: L, ILL; 6:CH, J; 7: K, GH; 8: F, V; 9: P, B; 0: S, Z
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and toured schools widely, offering challenges to music teachers. According to
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87:(1798–1866) was a French scholar. He was the developer of a method of
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Aimé Paris was the first person to publish a version of the
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224:10.1093/gmo/9781561592630.article.20912
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106:In 1815, he learned the system of
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285:Creators of writing systems
243:History of the Major System
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254:Some Great Music Educators
41:Music theorist and scholar
16:French scholar (1798–1866)
210:Rainbow, Bernarr (2001).
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132:Inventions of Aimé Paris
93:Galin-Paris-Chevé system
73:Inventions of Aimé Paris
50:Galin-Paris-Chevé system
280:French music educators
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166:, married the surgeon
128:History of Stenography
112:Théodore-Pierre Bertin
69:History of Stenography
191:mnemonic major system
183:Mnemonic major system
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142:Music system advocacy
193:in its modern form.
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168:Emile Chevé
124:Switzerland
116:Netherlands
102:Stenography
89:stenography
264:Categories
229:2023-02-25
197:References
85:Aimé Paris
23:Aimé Paris
174:Mnemonics
120:Belgium
122:, and
157:Fétis
130:and
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