Knowledge (XXG)

Aisha Tandiwe Bell

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people in the African Diaspora struggle with. Through her mixed media, Aisha Tandiwe Bell's art focuses on and looks at the societal constraints of sex, race, and class. She uses each piece of her art to look at the norms that society has created around sex, race, and class and the limitations that people have placed upon themselves when it comes to these ideas. As a Jamaican-American woman in the United States, Bell uses her art to represent the displacement that she feels and the alter egos that black women have to uphold publicly and privately. The sculptures that Bell creates are intentionally cracked, fragmented, and imperfect to reflect her fractured identity.
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known for her work that creates myth and ritual through mixed media including sculpture performance, video, sound, drawing, and installation that addresses themes of fragmentation, shape-shifting, code-switching, hyphenated identities and multiple consciousness, marginalization, and lack of agency
460: 258: 569: 467: 265: 316: 121:. She is a recipient of the 2017 DVCAI International Cultural Exchange to Guadeloupe. Bell has completed a number of residencies/ fellowships including Skowhegan, 631: 603: 543: 290: 30: 324: 133:
Ceramic Residency in 2013 and as the Artist In Residence in 2010 at Abron's Art Center Henry Street Settlement in New York, NY.
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Let them eat red earth. Let them eat dirt, Space One Eleven, Birmingham, AL, curated by
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Artist Ming Smith photographing artist Aisha Tandiwe Bell at Brooklyn Museum during
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A prerequisite for Rebellion, Ann Arbor Film Festival, Ann Arbor, MI, curated by
202:, Museum of Contemporary Art of Contemporary African Diaspora Arts, Brooklyn, NY 105: 240: 367: 492: 291:"CARIBBEAT: Small nations gear up for Labor Day's big West Indian Parade" 347:"Aisha Tandiwe Bell in Domestic Brutes at Pelham Art Center – Art Spiel" 93: 544:"Artists of the African Diaspora Cast Off the Legacy of Displacement" 90: 391: 39:
in honor of We Wanted a Revolution: Black Radical Women, 1965–85.
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BFA, Pratt Institute; MS Pratt Institute; MFA Hunter College
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Body and Soul, Venice Biennial, Venice Italy, curated by
129:, LMCC’s Swing Space, The Laundromat Project, BRIC, 86: 78: 70: 62: 54: 44: 21: 222:Skylight Gallery at Restoration Plaza, Jamaica, NY 212:The Laundromat Project Public Art Commission, NY 241:"Aisha Tandiwe Bell, Workspace 2017-18 - LMCC" 8: 29: 18: 232: 7: 192:Space One Eleven AIR, Birmingham, AL 542:Reis, Victoria (11 December 2015). 14: 461:"Welancora Gallery Press Release" 259:"Welancora Gallery Press Release" 183:BRIC Biennial, Brooklyn, New York 493:"Aisha Tandiwe "Bell Conjure"" 1: 117:Bell was born and resides in 632:21st-century American women 392:"DVCAI | I.C.E Guadelope" 151:, Brooklyn, NY, curated by 648: 171:National Gallery, Kinston 28: 622:American women artists 169:Jamaica Biennial 2017 16:American visual artist 123:Rush Corridor Gallery 368:"Aisha Tandiwe Bell" 366:admin (2017-01-15). 188:Rosie Gordan-Wallace 295:New York Daily News 473:on 21 October 2018 327:on 21 October 2018 271:on 21 October 2018 127:Abron's Art Center 102:Aisha Tandiwe Bell 82:Mixed media artist 23:Aisha Tandiwe Bell 497:www.nyartbeat.com 149:Welencora Gallery 99: 98: 37:Black Lunch Table 639: 600: 599: 597:Official website 582: 581: 579: 577: 566: 560: 559: 557: 555: 539: 533: 532: 530: 528: 513: 507: 506: 504: 503: 489: 483: 482: 480: 478: 472: 466:. Archived from 465: 457: 451: 450: 439: 433: 432: 430: 428: 413: 407: 406: 404: 402: 388: 382: 381: 379: 378: 363: 357: 356: 354: 353: 343: 337: 336: 334: 332: 323:. Archived from 313: 307: 306: 304: 302: 287: 281: 280: 278: 276: 270: 264:. Archived from 263: 255: 249: 248: 237: 33: 19: 647: 646: 642: 641: 640: 638: 637: 636: 612: 611: 595: 594: 591: 586: 585: 575: 573: 568: 567: 563: 553: 551: 550:. Hyperallergic 541: 540: 536: 526: 524: 515: 514: 510: 501: 499: 491: 490: 486: 476: 474: 470: 463: 459: 458: 454: 441: 440: 436: 426: 424: 421:BRIC Arts Media 415: 414: 410: 400: 398: 390: 389: 385: 376: 374: 365: 364: 360: 351: 349: 345: 344: 340: 330: 328: 315: 314: 310: 300: 298: 297:. July 10, 2016 289: 288: 284: 274: 272: 268: 261: 257: 256: 252: 239: 238: 234: 229: 219: 209: 199: 180: 144: 139: 115: 104:is an American 94:Twitter account 74:Pratt Institute 71:Alma mater 50: 40: 24: 17: 12: 11: 5: 645: 643: 635: 634: 629: 624: 614: 613: 610: 609: 605: 601: 590: 589:External links 587: 584: 583: 561: 534: 508: 484: 452: 449:. 10 May 2016. 434: 423:. May 10, 2016 408: 383: 358: 338: 321:news.hccfl.edu 308: 282: 250: 231: 230: 228: 225: 224: 223: 218: 215: 214: 213: 208: 205: 204: 203: 198: 195: 194: 193: 190: 184: 179: 176: 175: 174: 167: 165:Ingrid Lafleur 161: 155: 143: 140: 138: 135: 131:Hunter College 114: 111: 97: 96: 91:Artist website 88: 84: 83: 80: 76: 75: 72: 68: 67: 64: 60: 59: 56: 52: 51: 48: 46: 42: 41: 34: 26: 25: 22: 15: 13: 10: 9: 6: 4: 3: 2: 644: 633: 630: 628: 627:Living people 625: 623: 620: 619: 617: 608: 606: 604: 602: 598: 593: 592: 588: 571: 565: 562: 549: 548:Hyperallergic 545: 538: 535: 523:. 10 May 2016 522: 518: 512: 509: 498: 494: 488: 485: 469: 462: 456: 453: 448: 444: 438: 435: 422: 418: 412: 409: 397: 393: 387: 384: 373: 372:AFRICANAH.ORG 369: 362: 359: 348: 342: 339: 326: 322: 318: 312: 309: 296: 292: 286: 283: 267: 260: 254: 251: 246: 242: 236: 233: 226: 221: 220: 216: 211: 210: 206: 201: 200: 196: 191: 189: 185: 182: 181: 177: 172: 168: 166: 162: 160: 156: 154: 153:Derrick Adams 150: 146: 145: 141: 136: 134: 132: 128: 124: 120: 119:New York City 112: 110: 107: 106:visual artist 103: 95: 92: 89: 85: 81: 77: 73: 69: 65: 61: 57: 53: 49:New York City 47: 43: 38: 32: 27: 20: 574:. Retrieved 564: 552:. Retrieved 547: 537: 525:. Retrieved 520: 511: 500:. Retrieved 496: 487: 475:. Retrieved 468:the original 455: 446: 437: 425:. Retrieved 420: 411: 399:. Retrieved 395: 386: 375:. Retrieved 371: 361: 350:. Retrieved 341: 329:. Retrieved 325:the original 320: 311: 299:. Retrieved 294: 285: 273:. Retrieved 266:the original 253: 244: 235: 116: 101: 100: 427:October 21, 301:October 21, 159:Elga Wimmer 137:Exhibitions 55:Nationality 616:Categories 576:21 October 554:21 October 527:21 October 502:2018-10-21 477:21 October 401:21 October 377:2021-03-09 352:2021-03-09 331:21 October 275:21 October 227:References 396:dvcai.org 173:, Jamaica 147:CONJURE, 113:Biography 63:Education 58:American 87:Website 471:(PDF) 464:(PDF) 269:(PDF) 262:(PDF) 79:Style 578:2018 556:2018 529:2018 521:BRIC 479:2018 447:BRIC 429:2018 403:2018 333:2018 303:2018 277:2018 245:LMCC 217:2002 207:2012 197:2015 178:2016 142:2017 45:Born 618:: 546:. 519:. 495:. 445:. 419:. 394:. 370:. 319:. 293:. 243:. 125:, 580:. 558:. 531:. 505:. 481:. 431:. 405:. 380:. 355:. 335:. 305:. 279:. 247:.

Index


Black Lunch Table
Artist website
Twitter account
visual artist
New York City
Rush Corridor Gallery
Abron's Art Center
Hunter College
Welencora Gallery
Derrick Adams
Elga Wimmer
Ingrid Lafleur
National Gallery, Kinston
Rosie Gordan-Wallace
"Aisha Tandiwe Bell, Workspace 2017-18 - LMCC"
"Welancora Gallery Press Release"
the original
"CARIBBEAT: Small nations gear up for Labor Day's big West Indian Parade"
"Analogous Exhibit by Aisha Tandiwe Bell at the HCC Dale Mabry Gallery | Hillsborough Community College News"
the original
"Aisha Tandiwe Bell in Domestic Brutes at Pelham Art Center – Art Spiel"
"Aisha Tandiwe Bell"
"DVCAI | I.C.E Guadelope"
"2016 BRIC Visual Artist Residency Recipients Announced!"
"2016 BRIC Visual Artist Residency Recipients Announced!"
"Welancora Gallery Press Release"
the original
"Aisha Tandiwe "Bell Conjure""
"2016 BRIC Visual Artist Residency Recipients Announced!"

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