Knowledge (XXG)

Airplay

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335:, which is the illegal practice in U.S. law of paying a radio station for airplay without the station disclosing this information. Paying radio stations for airplay is a historical phenomenon. In the 1960s, it was a common practice for record companies to bribe radio station employees to increase a song's airplay. In 1934, U.S. Congress passed the Communications Act, which forbids radio stations from taking payment to air certain content unless the broadcast was commercial. However, the act did not restrict independent disc jockeys from taking payments in exchange for airplay. As a result, record labels would approach disc jockeys instead of directly contacting the radio stations. In 1960, the 519: 38: 527: 2456: 580: 588: 641: 729: 2443: 610: 96: 649: 273:
range between $ 1.5 to $ 2.4 billion annually. A significant portion of album and track sales are impacted by radio airplay, with a minimum of 14% and a high of 23%. Performing artists and record labels indirectly profit from airplay as it promotes, distributes and sells records. Airplay's impact on music sales links to the
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noted that radio stations had begun blacklisting the Dixie Chicks in response to the comment. As a result, the Dixie Chicks' total airplay across America dropped to one-fifth of what it was before the controversy, with their album no longer appearing on the charts. The radio response to the statement
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was impacted by radio airplay in America. In March 2003, the Dixie Chicks were number one on the Country and Adult Contemporary radio airplay charts, as published in the 'Radio and Records' trade journal. However, the band's presence on the charts dropped rapidly when lead singer Natalie Maines told
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and concert tickets to its listening audience. The record industry profits from the exposure provided by radio airplay. The amount of airplay a record receives may significantly impact other factors, including age, race, geographical location, and income. The effect of airplay on sales revenue can
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There is a distinction between sales charts and airplay charts. When a record label has a number one single, it earns that designation based on its position on a sales chart. If that record is number one on the radio station, it reaches that position based on its airplay, location of the radio
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is a common practice utilised by the record industry to pass money or goods to influence airplay. The transactions are directed through intermediaries ("indies") who are independent promoters for the record labels or artists. Relationships are formed by promoters with radio stations to enable
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may engage in calls with the radio station to request their record is treated favourably. Requesting a record to be played is an unlikely favour to ask without an established relationship. Informal relationships are formed between indies and stations to avoid
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was accused of corporate censorship, attributing the blacklisting as evidence of politically mobilising right-wing social movements. The controversy and response demonstrate the impact of airplay on an artist's popularity.
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There is a symbiotic relationship between the airplay of records and sales. The record industry utilises airplay on the radio to promote artists and records to radio listeners. Airplay can stimulate the purchase of
2209: 363:) is a U.S. broadcasting service that measures airplay according to these two attributes. In addition, airplay is tracked using a patented digital pattern recognition technology. The service, a unit of 2217: 426:
monitors 140 radio markets, over 1,600 radio stations to see over 100 million songs each year. To ensure airplay detection, label marketers must register their recorded music with the
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data. Since the service debuted in 1992, it has become a universal standard for measuring airplay due to its accuracy in detecting, tracking and monitoring songs and has provided the
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according to the amount of airplay they receive on monitored radio stations and the resulting size of the combined audience that heard the song being played.
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A, Montgomery; W, Moe; D, Hall. "Should Record Companies Pay for Radio Airplay? Investigating the Relationship Between Album Sales and Radio Airplay".
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monitors airplay in radio stations in more than 140 markets across the United States. The charts determine the position of a single based on airplay
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transactions, which may not include the direct transfer of funds or goods to conceal the nature of the deal. After developing a relationship, a
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the audience of a London nightclub, "Just so you know, we're ashamed the president of the United States is from Texas". Following this, the
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Consequently, what we ended up with was a turntable hit (so called because it received lots of play on disk jockeys' record turntables).
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is how frequently a song is being played through broadcasting on radio stations. A song which is being played several times every day (
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medium by allowing listeners to try out newly released music. This exposure typically links to an increase in sales.
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Bandookwala, M (2010). "Radio airplay, digital music sales and the fallacy of composition in New Zealand".
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Most countries have at least one radio airplay chart in existence, although larger countries such as
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has 25 airplay charts that detect airplay across 140 radio markets. To compile the airplay charts,
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amended the act to include the provision of illegal bribes for airplay, which became known as
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A song which was successful in the airplay charts but weak in sales was commonly known as a "
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Record Label Marketing: How Music Companies Brand and Market Artists in the Digital Era
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Dertouzos, J (2008). "Radio airplay and the record industry: An economic analysis".
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has the most widely used airplay charts and includes every significant music genre.
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Climbing the charts: What radio airplay tells us about the diffusion of innovation
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For commercial broadcasting, airplay is usually the result of being placed into
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websites it is an effective method that artists use to make their name known.
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model, airplay becomes similar to advertising and can be subject to scandal.
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Record companies and artists can pay for airplay from radio stations.
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This article is about the radio term. For the Apple software, see
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service. World recognizable video airplay service providers are
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Macy, Amy; Rolston, Clyde; Allen, Paul; Hutchinson, Tom (2015).
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Airplay is measured by the number of spins and detections. The
2092: 2062: 1988: 1763: 1304: 31: 1052: 933:"47 U.S. Code § 317 - Announcement of payment for broadcast" 229:" (2000) was the first song ever to reach number one on the 277:. The term describes a preference for familiar things. The 1002: 1000: 673:"New Zealand music achieves record level of local airplay" 900: 898: 896: 894: 892: 890: 855:"Pop - The Dixie Chicks - Shepherd's Bush Empire London" 56: 581:"Billboard's numbers game can make or break a record" 16:
Frequency that a song is broadcast on radio stations
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Archived from 281:is noticed when radio and airplay act as an 154:stations, it is often the selection by each 2032: 1571: 1120: 1099: 1085: 1077: 952:Working Paper, University of Pennsylvania 701:"Badger Beat: Wisconsin Bands and Combos" 126:, also called adding it to the station's 83:Learn how and when to remove this message 802:National Association of Broadcasters USA 963: 961: 574: 572: 454: 412:station, and how many singles it sold. 460: 458: 7: 2326:Global Recording Artist of the Year 2294:Highest-grossing live music artists 730:"The case of the airplay-poor hits" 239:Radio airplay is monitored through 491:Sharbutt, Jay (10 December 1977). 430:(BDS), the technology provider of 208:" when radio stations played only 14: 761:"Aaliyah's Top 10 Billboard Hits" 759:Ramirez, Erika (25 August 2011). 671:Trevett, Claire (15 March 2006). 520:"Radio deal puts spin on airplay" 194:have several, to cover different 2455: 2454: 2441: 1471:Artists and repertoire (A&R) 1202:Universal Music Publishing Group 699:Posniak, Alan (2 October 1968). 551:"Middlemen Put Price on Airplay" 549:Leeds, Jeff (27 December 2001). 518:Abbott, Jim (19 December 1998). 36: 1892:Entertainment Monitoring Africa 875:Leight, E (10 September 2019). 499:. Associated Press. p. TV9 466:"Aussie acts buck airplay snub" 2392:Largest recorded music markets 2299:Highest-grossing concert tours 1067:UK Radio and TV Airplay Charts 640:Barnes, Ken (3 January 2002). 579:DeKnock, Jan (6 August 1986). 134:, possibly as the result of a 1: 1072:daily Top10 Airplay by genres 842:. Princeton University Press. 728:DeKnock, Jan (17 July 1992). 441:s weekly airplay charts rank 245:automatic content recognition 2448:Record production portal 1264:Independent UK record labels 648:. p. D1. Archived from 526:. p. C1. Archived from 288: 243:technology with the help of 2316:Most-attended concert tours 911:(3rd ed.). CRC Press. 587:. p. 3. Archived from 289:Dixie Chicks' radio boycott 59:, discuss the issue on the 2500: 2331:Wealthiest musical artists 2184:Best-selling music artists 853:Clarke, B (17 June 2006). 292: 198:and areas of the country. 18: 2435: 1902:New Zealand singles chart 1008:"Billboard Charts Legend" 255:, BMAT, and Soundcharts. 2372:Christian music industry 1887:GfK Entertainment charts 1531:Professional audio store 295:Dixie Chicks controversy 99:A radio DJ playing music 25:Airplay (disambiguation) 1779:Music streaming service 1212:Disney Music Publishing 771:Prometheus Global Media 2321:Most-attended concerts 2289:Highest-paid musicians 678:The New Zealand Herald 428:Broadcast Data Systems 357:Broadcast Data Systems 299:The popularity of the 100: 23:. For other uses, see 2402:Most valuable records 2397:Most expensive albums 2352:Album-equivalent unit 1882:Italian singles chart 1739:Promotional recording 1207:Warner Chappell Music 1197:Sony Music Publishing 1192:BMG Rights Management 1058:Available for Airplay 705:The Milwaukee Journal 497:Eugene Register-Guard 98: 2377:Environmental impact 2277:Best-selling singles 1290:Digital music stores 359:(BDS, also known as 279:mere-exposure effect 275:mere-exposure effect 241:audio fingerprinting 65:create a new article 57:improve this article 47:may not represent a 2407:Music certification 2387:Largest music deals 2265:Best-selling albums 2098:The Country Network 1877:Irish Singles Chart 1526:Musical instruments 969:"Audio Measurement" 838:Rossman, G (2012). 1920:SNEP singles chart 1695:Extended play (EP) 1466:Album cover design 985:on 1 December 2020 937:Cornell Law School 652:on 31 January 2013 591:on 1 February 2013 530:on 25 October 2012 101: 2469: 2468: 2412:Parental Advisory 2367:Bootleg recording 2357:A-side and B-side 2214: 2167: 2166: 2083:The Music Factory 1925:Sverigetopplistan 1849:Argentina Hot 100 1815:Music competition 1805:Concert residency 1744:Phonograph record 1714: 1674: 1673: 1501:Music and fashion 1486:Entertainment law 1354: 1353: 1315:Virgin Megastores 1117:and organizations 555:Los Angeles Times 217:social networking 138:sponsored by the 93: 92: 85: 67:, as appropriate. 2489: 2458: 2457: 2446: 2445: 2444: 2212: 2033: 1930:UK singles chart 1862:Canadian Hot 100 1754:Compact cassette 1692: 1639:Session musician 1614:Hip hop producer 1572: 1506:Music journalism 1438:Rhythm and blues 1156:IFPI (worldwide) 1121: 1101: 1094: 1087: 1078: 1035: 1034: 1022: 1016: 1015: 1004: 995: 994: 992: 990: 984: 978:. 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In this 293:See also: 146:and other 118:Background 2347:Album era 2241:Brazilian 2213:(Females) 2144:The Voice 2117:franchise 2078:MuchMusic 2043:Channel V 1961:Hot Press 1947:Billboard 1855:Billboard 1847:Billboard 1839:Billboard 1707:CD single 1604:Conductor 1556:Road crew 1536:Promotion 1459:and roles 1341:LiveStyle 1278:Retailers 1241:Universal 1031:Billboard 1012:Billboard 776:25 August 766:Billboard 646:USA Today 615:USA Today 436:Billboard 432:Billboard 424:Billboard 420:Billboard 415:Billboard 397:downloads 385:streaming 232:Billboard 227:Try Again 203:turntable 184:Australia 162:Geography 112:jukeboxes 61:talk page 2476:Category 2460:Category 2304:by women 2137:The Four 2123:Popstars 2036:Channels 1968:Kerrang! 1597:Lyricist 1592:Composer 365:MRC Data 328:promoter 253:ACRCloud 128:playlist 124:rotation 55:You may 2256:Swedish 2251:Italian 2246:British 2236:Belgian 2222:Genre: 2200:Germany 2195:Finland 1910:Top 100 1841:Hot 100 1795:Concert 1769:Airplay 1727:Mixtape 1682:formats 1680:Release 1457:Sectors 1423:New Age 1403:Hip hop 1373:Country 1310:Kaspien 1259:Concord 1025:Stutz. 976:Nielsen 443:singles 401:streams 373:Nielsen 234:Hot 100 223:Aaliyah 213:singles 180:Germany 142:. For 130:by the 104:Airplay 21:AirPlay 2190:Brazil 2107:Series 1825:Charts 1690:Single 1433:Reggae 1398:Gospel 1285:Amazon 1246:Warner 989:25 May 915:  383:, and 341:payola 333:payola 196:genres 192:Brazil 190:, and 174:, the 170:, the 168:Canada 2340:Other 2309:Latin 2226:Latin 2205:Japan 1718:Album 1448:World 1418:Metal 1413:Latin 1368:Blues 1230:Major 1060:from 983:(PDF) 972:(PDF) 439:' 393:sales 381:sales 266:music 210:vinyl 188:Japan 108:spins 63:, or 2188:In: 2115:Idol 2088:Viva 2073:Tr3s 2068:MTV2 2058:Mnet 2053:Fuse 1975:Mojo 1443:Rock 1408:Jazz 1393:Folk 1300:Fnac 1269:AAMG 1236:Sony 1176:SNEP 1171:RIAA 1151:FIMI 1136:BVMI 1131:ARIA 1062:FMQB 991:2021 913:ISBN 778:2011 746:2010 712:2010 686:2010 658:2010 627:2010 597:2010 563:2010 536:2010 505:2010 478:2010 399:and 377:data 225:'s " 2093:VH1 2063:MTV 2048:CMT 1989:NME 1764:DVD 1428:Pop 1305:HMV 1161:PMB 1141:BPI 206:hit 150:or 2478:: 1759:CD 1725:, 1709:, 1705:, 1701:, 1697:, 1257:: 1234:: 1029:. 1010:. 999:^ 974:. 960:^ 935:. 889:^ 879:. 867:^ 857:. 828:^ 810:^ 786:^ 769:. 763:. 732:. 714:. 703:. 675:. 644:. 613:. 583:. 571:^ 553:. 522:. 495:. 457:^ 434:. 403:. 395:, 379:, 268:, 251:, 186:, 182:, 178:, 1996:Q 1713:) 1693:( 1296:) 1292:( 1100:e 1093:t 1086:v 1033:. 1014:. 993:. 954:. 939:. 921:. 883:. 861:. 822:. 804:. 780:. 748:. 688:. 660:. 629:. 599:. 565:. 538:. 507:. 480:. 86:) 80:( 75:) 71:( 53:. 27:.

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spins
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Pay for Play
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United States
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Germany
Australia
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