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Ajrara gharana

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are rare. The stress is on Ad and Barabar laya. It specializes in the three-time pattern. The position of the left drum is not changed, but its face is touched with the thumb.
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The Major Traditions of North Indian Tabla Drumming: A Survey Presentation Based on Performances by India's Leading Artists
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patterns than the Delhi gharana. This is because it also uses the third finger. Bols like
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This school was founded in the 19th century by Miru Khan and Kallu Khan, disciples of
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Gheginak, gheghe, Dhadagena, Nadagena, Tadagena, etc. are used in the kayadas.
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etc. are most frequently used. These bols create a certain resonance.
297:. A notable representative of gharana has been Ustad Habibuddin Khan. 91: 290: 259: 351:, by Robert S. Gottlieb. Pub. Musikverlag E. Katzbichler, 1977. 162: 67: 26: 95: 309:The Ajrara gharana style includes more complicated 301:, son and student of Ustad Habibuddin Khan Sahib. 258:, is one of the six main traditional schools in 190:but its sources remain unclear because it lacks 8: 100:introducing citations to additional sources 61:Learn how and when to remove these messages 239:Learn how and when to remove this message 221:Learn how and when to remove this message 90:Relevant discussion may be found on the 329:bols are rarely used in this gharana. 7: 25: 42:This article has multiple issues. 167: 83:relies largely or entirely on a 72: 31: 335:Ajrada is known for its bayan ( 50:or discuss these issues on the 1: 266:use complex Bols and Meend. 396: 176:This article includes a 205:more precise citations. 380:Music of Uttar Pradesh 96:improve this article 178:list of references 357:978-3-8739-7300-8 249: 248: 241: 231: 230: 223: 161: 160: 146: 65: 16:(Redirected from 387: 299:Manju Khan Sahib 244: 237: 226: 219: 215: 212: 206: 201:this article by 192:inline citations 171: 170: 163: 156: 153: 147: 145: 111:"Ajrara gharana" 104: 76: 68: 57: 35: 34: 27: 21: 395: 394: 390: 389: 388: 386: 385: 384: 365: 364: 345: 319:Ghe Ghe Tit Kit 307: 279: 245: 234: 233: 232: 227: 216: 210: 207: 196: 182:related reading 172: 168: 157: 151: 148: 105: 103: 89: 77: 36: 32: 23: 22: 15: 12: 11: 5: 393: 391: 383: 382: 377: 375:Tabla gharanas 367: 366: 361: 360: 344: 341: 306: 303: 278: 275: 256:Ajrada gharana 252:Ajrara gharana 247: 246: 229: 228: 211:September 2011 186:external links 175: 173: 166: 159: 158: 152:September 2011 94:. Please help 80: 78: 71: 66: 40: 39: 37: 30: 24: 18:Ajrada gharana 14: 13: 10: 9: 6: 4: 3: 2: 392: 381: 378: 376: 373: 372: 370: 363: 358: 354: 350: 347: 346: 342: 340: 338: 333: 330: 328: 324: 320: 316: 312: 305:Playing style 304: 302: 300: 296: 295:Uttar Pradesh 292: 288: 287:Delhi gharana 284: 276: 274: 272: 269: 265: 261: 257: 253: 243: 240: 225: 222: 214: 204: 200: 194: 193: 187: 183: 179: 174: 165: 164: 155: 144: 141: 137: 134: 130: 127: 123: 120: 116: 113: –  112: 108: 107:Find sources: 101: 97: 93: 87: 86: 85:single source 81:This article 79: 75: 70: 69: 64: 62: 55: 54: 49: 48: 43: 38: 29: 28: 19: 362: 348: 334: 331: 322: 318: 314: 308: 280: 255: 251: 250: 235: 217: 208: 197:Please help 189: 149: 139: 132: 125: 118: 106: 82: 58: 51: 45: 44:Please help 41: 283:Shitab Khan 203:introducing 369:Categories 343:References 323:Dha Ge Na, 315:Dhina GiNa 122:newspapers 47:improve it 337:bass drum 92:talk page 53:talk page 327:Pakhawaj 268:Pakhawaj 285:of the 277:History 264:Gharana 199:improve 136:scholar 355:  291:Ajrara 262:drum. 138:  131:  124:  117:  109:  289:, in 260:tabla 254:, or 184:, or 143:JSTOR 129:books 353:ISBN 271:bols 115:news 311:bol 98:by 371:: 321:, 317:, 293:, 188:, 180:, 56:. 359:. 242:) 236:( 224:) 218:( 213:) 209:( 195:. 154:) 150:( 140:· 133:· 126:· 119:· 102:. 88:. 63:) 59:( 20:)

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Ajrada gharana
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tabla
Gharana
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bols
Shitab Khan
Delhi gharana
Ajrara

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