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Aksak

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59:, these metres occur mainly in vocal and instrumental dance music, though they are found also in some folksongs. Strictly speaking, in Turkish music theory the term refers only to the grouping of nine pulses into a pattern of 26:
is a rhythmic system in which pieces or sequences, executed in a fast tempo, are based on the uninterrupted reiteration of a matrix, which results from the juxtaposition of
48:, etc. The name literally means "limping", "stumbling", or "slumping", and has been borrowed by Western ethnomusicologists to refer generally to irregular, or 366: 501: 480: 453:
Bektaş, Tolga. 2005. "Relationships between Prosodic and Musical Meters in the Beste Form of Classical Turkish Music".
492: 552: 557: 338: 534:
Tanrikorur, Cinugen. 1990. "Concordance of Prosodic and Musical Meters in Turkish Classical Music".
56: 471:
Fracile, Nice. 2003. "The 'Aksak' Rhythm, a Distinctive Feature of the Balkan Folklore".
49: 546: 488: 334: 27: 17: 354: 342: 408: 406: 30:
based on the alternation of binary and ternary quantities, as in
516:
Arom, Simha. 2004. "L'aksak: Principes et typologie".
483:, Martin Stokes, and Ursula Reinhard. 2001. "Turkey". 412: 504:”. Jazz Academy website (accessed 16 September 2016). 473:
Studia Musicologica Academiae Scientiarum Hungaricae
525:Cler, Jérôme. 1994. "Pour une théorie de l'aksak". 485:The New Grove Dictionary of Music and Musicians 462:Brăiloiu, Constantin. 1951. "Le rythme Aksak" 8: 385: 67: 466:33, nos. 99 and 100 (December): 71–108. 397: 378: 424: 7: 436: 413:Reinhard, Stokes & Reinhard 2001 353:The Belgian experimental rock group 518:Cahiers de Musiques Traditionnelles 367:Additive rhythm and divisive rhythm 299:(3+2+2) + (3+2+2) + (2+2+3) + (2+2) 357:take their name from this rhythm. 14: 65:. Some examples are shown below. 457:36, no. 1 (Winter–Spring): 1-26. 495:. London: Macmillan Publishers. 333:is prominently featured in the 1: 520:17 (Formes musicales): 11–48. 487:, second edition, edited by 574: 502:The Music of Dave Brubeck 475:44, nos. 1 and 2:197–210. 226: 201: 151: 109: 81: 536:Turkish Music Quarterly 18:Ottoman musical theory 285:(3+2+2) + (2+2+3+2+2) 527:Revue de Musicologie 464:Revue de Musicologie 339:Blue Rondo à la Turk 260:Şarkı Devr-i Revâni 529:80, no. 2:181–210. 57:Turkish folk music 307: 306: 565: 553:Rhythm and meter 539: 530: 521: 505: 496: 476: 467: 458: 440: 434: 428: 422: 416: 410: 401: 395: 389: 383: 332: 331: 330: 329: 301: 287: 273: 256: 245: 234: 220: 209: 195: 184: 173: 159: 142: 131: 117: 103: 89: 68: 64: 47: 41: 35: 573: 572: 568: 567: 566: 564: 563: 562: 558:Music of Turkey 543: 542: 533: 524: 515: 512: 510:Further reading 499: 479: 470: 461: 452: 449: 444: 443: 435: 431: 423: 419: 411: 404: 396: 392: 384: 380: 375: 363: 351: 328: 323: 322: 321: 320: 319: 312: 297: 283: 269: 252: 241: 230: 216: 205: 191: 180: 169: 155: 138: 127: 113: 99: 85: 60: 50:additive meters 43: 37: 31: 12: 11: 5: 571: 569: 561: 560: 555: 545: 544: 541: 540: 538:3, no. 1: 1–7. 531: 522: 511: 508: 507: 506: 497: 481:Reinhard, Kurt 477: 468: 459: 448: 445: 442: 441: 429: 417: 402: 390: 377: 376: 374: 371: 370: 369: 362: 359: 350: 347: 324: 311: 308: 305: 304: 302: 295: 291: 290: 288: 281: 277: 276: 274: 267: 263: 262: 257: 249: 248: 246: 238: 237: 235: 228: 224: 223: 221: 213: 212: 210: 203: 199: 198: 196: 188: 187: 185: 177: 176: 174: 166: 165: 160: 153: 149: 148: 143: 135: 134: 132: 124: 123: 118: 111: 107: 106: 104: 96: 95: 90: 83: 79: 78: 75: 72: 28:rhythmic cells 13: 10: 9: 6: 4: 3: 2: 570: 559: 556: 554: 551: 550: 548: 537: 532: 528: 523: 519: 514: 513: 509: 503: 500:User. 2015. “ 498: 494: 490: 489:Stanley Sadie 486: 482: 478: 474: 469: 465: 460: 456: 451: 450: 446: 438: 433: 430: 426: 421: 418: 414: 409: 407: 403: 399: 394: 391: 387: 386:Brăiloiu 1951 382: 379: 372: 368: 365: 364: 360: 358: 356: 348: 346: 344: 340: 336: 335:jazz standard 327: 317: 309: 303: 300: 296: 293: 292: 289: 286: 282: 279: 278: 275: 272: 271:2+2+2+2+3+2+2 268: 265: 264: 261: 258: 255: 251: 250: 247: 244: 240: 239: 236: 233: 229: 225: 222: 219: 215: 214: 211: 208: 204: 200: 197: 194: 190: 189: 186: 183: 179: 178: 175: 172: 168: 167: 164: 161: 158: 154: 150: 147: 144: 141: 137: 136: 133: 130: 126: 125: 122: 119: 116: 112: 108: 105: 102: 98: 97: 94: 91: 88: 84: 80: 76: 73: 70: 69: 66: 63: 58: 53: 51: 46: 40: 34: 29: 25: 24: 19: 535: 526: 517: 493:John Tyrrell 484: 472: 463: 454: 432: 420: 398:Fracile 2003 393: 381: 355:Aksak Maboul 352: 343:Dave Brubeck 325: 315: 313: 298: 284: 270: 259: 253: 242: 231: 217: 206: 192: 181: 170: 162: 156: 146:Devr-i Hindi 145: 139: 128: 121:Devr-i Turan 120: 114: 100: 92: 86: 74:Subdivision 61: 54: 44: 38: 32: 22: 21: 15: 455:Asian Music 447:Works cited 425:Bektaş 2005 243:2+2+2+3+2+2 232:2+2+2+2+2+3 93:Türk Aksağı 547:Categories 373:References 437:User 2015 415:, §II, 4. 218:2+2+3+2+2 207:2+2+2+2+3 361:See also 77:Name(s) 349:In rock 318:rhythm 310:In jazz 254:3+4+4+2 193:2+3+2+2 182:2+2+3+2 171:3+2+2+2 157:2+2+2+3 62:2+2+2+3 427:, 6–7. 400:, 198. 71:Units 341:" by 316:aksak 163:Aksak 140:3+2+2 129:2+3+2 115:2+2+3 45:2+3+3 39:2+2+3 23:aksak 491:and 314:The 294:25 280:18 266:15 227:13 202:11 101:3+2 87:2+3 55:In 33:2+3 16:In 549:: 405:^ 345:. 152:9 110:7 82:5 52:. 42:, 36:, 20:, 439:. 388:. 337:" 326:8

Index

Ottoman musical theory
rhythmic cells
additive meters
Turkish folk music
jazz standard
Blue Rondo à la Turk
Dave Brubeck
Aksak Maboul
Additive rhythm and divisive rhythm
Brăiloiu 1951
Fracile 2003


Reinhard, Stokes & Reinhard 2001
Bektaş 2005
User 2015
Reinhard, Kurt
Stanley Sadie
John Tyrrell
The Music of Dave Brubeck
Categories
Rhythm and meter
Music of Turkey

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