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Act 5: Alcyone is full of foreboding. Peleus confesses his love for her and is so ashamed he offers to commit suicide. Alcyone sees a body washed up on the beach and, believing it is Ceyx, runs herself through with a sword. But
409:, are due to be married. Peleus, the best friend of Ceyx, is also in love with Alcyone. The wedding ceremony is disrupted by the magic of Phorbas, whose ancestors once ruled Trachis and who is bent on revenge against Ceyx.
423:. Phorbas tells Peleus that he has arranged the voyage so Peleus can be free to woo Alcyone for himself. But Peleus's conscience is troubled when he sees Alcyone faint at the departure of Ceyx.
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decides a musical competition between Pan and Apollo in favour of the latter. Apollo wishes for a return to the reign of peace over the world, symbolised by the
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Act 2: Ceyx goes to
Phorbas's cave to entreat him to stop his evil spells. But Phorbas tells Ceyx he must journey to the oracle of Apollo on the island of
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to pray for the safe return of Ceyx. She falls asleep and in a dream conjured up by
Sommeil (Sleep) she sees a ship in trouble on a stormy sea.
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171:) in act 4. The "Marche pour les Matelots", from act 3, became popular as a dance tune and is the basis of the Christmas carol "
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498:(Pelée), Cyril Auvity (Ceix), Lea Desandre (Alcione) Le Concert des Nations, conducted by Jordi Savall, (3 SACD Alia Vox 2020)
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received its first stage production since the composer's death as the first work to appear at the newly refurbished
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to hear the god's verdict. In reality, this is a plan by
Phorbas to bring about the death of Ceyx.
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restores the lovers to life and makes them responsible for calming the seas.
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581:, August 2017, vol. 68, no. 8, pp. 1018–1019. (The opera is spelt
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in Paris. The score is particularly famous for the storm scene (
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159:. The opera was first performed on 18 February 1706 by the
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Act 1: Ceyx, King of
Trachis, and Alcyone, daughter of
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in Paris on 25 April 2017; directed by Louise Moaty,
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631:International Music Score Library Project
768:Opera world premieres at the Paris Opera
575:Blanmont, Nicolas. "Report from Paris".
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419:Act 3: Ceyx sets sail from the port of
426:Act 4: Alcyone goes to the temple of
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613:Booklet notes to the above recording
527:. L'Almanacco di Gherardo Casaglia
551:. Sydney. May 2005. Archived from
210:and Antonio Abete among the cast.
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220:Roles, voice types, premiere cast
137:in a prologue and five acts. The
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474:Alcione, Suites des Airs Ă joĂĽer
234:Premiere cast, 18 February 1706
145:, is based on the Greek myth of
603:Le magazine de l'opéra baroque
1:
773:Operas based on Metamorphoses
542:"Marin Marais and the Dance"
44:Portrait of Marin Marais by
394:Prologue: The mountain god
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515:Casaglia, Gherardo (2005).
484:, (CD Astrée-Auvidis 1994)
161:Académie royale de musique
143:Antoine Houdar de la Motte
93:18 February 1706
58:Antoine Houdar de la Motte
284:Gabriel-Vincent Thévenard
131:. It takes the form of a
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178:Having been recorded by
609:Del Teatro (in Italian)
460:Les Musiciens du Louvre
165:Théâtre du Palais-Royal
127:by the French composer
104:Théâtre du Palais-Royal
758:Operas by Marin Marais
743:French-language operas
585:with an i throughout.)
478:Le Concert des Nations
250:Marie-Louise Desmatins
202:in the title role and
196:Le Concert des Nations
79:, recounted in Ovid's
605:by Jean-Claude Brenac
456:Philippe Huttenlocher
16:Opera by Marin Marais
748:Tragédies en musique
266:Marin Boutelou fils
173:Masters in This Hall
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134:tragédie en musique
549:The Marais Project
383:Jacques Cochereau
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682:Ariane et Bacchus
525:18 February 1706"
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368:Louis Mantienne
354:Sailor/Morphée (
337:Charles Hardouin
296:Pierre Chopelet
290:Sommeil (Sleep)
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206:, Cyril Auvity,
149:as recounted by
147:Alcyone and Ceyx
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327:/ High Priest/
308:/ Chief sailor
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558:on 2011-07-06
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599:Work details
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560:. Retrieved
553:the original
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529:(in Italian)
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482:Jordi Savall
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262:haute-contre
200:Lea Desandre
192:Jordi Savall
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129:Marin Marais
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32:Marin Marais
753:1706 operas
46:André Bouys
737:Categories
562:2009-09-26
503:References
442:Recordings
343:Phosphore
230:Voice type
194:conducted
97:1706-02-18
54:Librettist
373:Apollon (
363:baritenor
182:in 1990,
627:(Marais)
476:(1706),
400:Halcyons
390:Synopsis
361:taille (
356:Morpheus
317:Jean Dun
279:baritone
139:libretto
123:) is an
89:Premiere
75:Myth of
72:Based on
64:Language
690:Alcyone
625:Alcyone
583:Alcione
519:Alcyone
488:Alcione
470:, 1991)
448:Alcione
436:Neptune
421:Trachis
329:Neptune
319:"pére"
306:Phorbas
271:Pelée (
245:soprano
240:Alcyone
198:, with
184:Alcyone
169:tempĂŞte
163:at the
153:in his
121:Alcione
116:Alcyone
106:, Paris
95: (
22:Alcyone
763:Operas
713:Portal
701:(1709)
698:Sémélé
693:(1706)
685:(1696)
523:
466:(3 CD
414:Claros
407:Aeolus
396:Tmolus
375:Apollo
273:Peleus
67:French
48:, 1704
727:Opera
674:Opera
578:Opera
556:(PDF)
545:(PDF)
468:Erato
333:bass
325:Tmole
226:Role
214:Roles
180:Erato
141:, by
125:opera
28:Opera
428:Juno
312:bass
257:Ceyx
151:Ovid
119:(or
302:Pan
175:".
30:by
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601:,
547:.
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402:.
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304:/
275:)
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659:e
652:t
645:v
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531:.
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517:"
99:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
