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602:. Zubeida performed mostly the rest of the songs. The credit of the film, however, did not mention both the music director and lyricist. According to Ferozshah Mistri's son Kersi Mistri, all of the songs were composed by his father; in contrast, the film's booklets mentioned B. Irani as the composer. Ardeshir Irani said that he did not know who the music directors are, adding that he had only a
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to find out what went wrong. As a result, Qamar comes alive every night when
Dilbahaar removes the necklace from her neck and later dies when she wears it in the morning. Apart from that, Ara knows about her innocent father's suffering, vowing to release him from prison. On her visit to the place one
328:
was released on 14 March 1931 and performed well at the box office. Critics were appreciative, with the performance and songs getting the most attention, though some of whom criticised the sound recording. In addition to the successes, the film was also widely considered a major breakthrough for the
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to be the male lead, but later changed his mind and wanted a "more commercially-viable" actor, an opportunity taken by Master Vithal—one of the most successful filmmakers of Indian silent cinema. In later years, Khan would admit that it left him unhappy. When Vithal decided to star in the film, he
551:
Irani and Rustom
Bharucha, a lawyer and the manager of his other production company, Imperial Studios, worked as sound technicians for the film. Before the shooting started, they learned the basics of sound recording from American expert Wilford Deming. When Deming came to Mumbai to give them the
462:
at
Excelsior Theatre in Bombay (present-day Mumbai), Ardeshir Irani was inspired to make his next project a sound film which he would direct and produce. Although having no experience creating this type of film, he determined to make it and decided to not follow any precedential sound films. The
781:
added, "... edging out the advantage enjoyed by imported films in the silent era, when the largest share of the Indian market was taken by
American films ... this transition also made for the rise of a host of new operators, who would become the industry’s vanguard in the first talkie era." The
563:
30,000 or US$ 360 in 2023), which Irani considered a large number at the time. Irani could not fulfill his demand and later finished it by himself and
Bharucha. They used Tanar, a single-system recording by which sound is recorded at the same time of shooting. After filming ended,
724:, praising the performance of the cast but some of whom criticising the sound recording; they have noted that it has "shared many of the common defects of Indian productions" and ended a trend where the previous Indian films always promoting social values in their plot. On 2 April 1931,
349:
tells
Navbahaar she will give birth to a boy but she must find a necklace tied around a fish's neck—which will appear once at the palace's lake—if she wants her son to live past his 18th birthday. The boy is named Qamar. Besides that, Dilbahaar has an affair with the palace's
377:
night, Ara sees the alive Qamar and falls for him. Everyone in the palace subsequently learns about
Dilbahaar's foul play and finally retrieve the real necklace, with Adil being released. The film ends with Qamar and Ara living happily together.
490:, was unable to join the cast due to her inability to speak the film's language. This left Myers disappointed and she took a one-year hiatus from acting, perfecting her ability to speak Hindustani. Irani initially wanted the debutant
354:
Adil. The king finds out about this, and
Dilbahaar tells him it was Adil who seduced her first. Therefore, the king arrests him and evicts his pregnant wife, Mehar Nigar, from the palace; Nigar gives birth to Alam Ara and dies when a
730:
took note of Irani's "thoughtful" direction and applauded the performances from Vithal, Zubeida and Kapoor, which the reviewer thought had evolved dramatic values that silent films could not do. In the magazine's June 1932 issue,
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gave a scathing review, saying that "hroughout, the blindest groping for fundamental facts was evident"; the reviewer wrote that the laboratory processing and sound recording were the biggest issues of the film. A writer of
802:, Indian cinema prove two things—that films could now be made in a regional language that the local viewers could understand; and that songs and music integral part of the entire form and structure of the Indian film."
372:. When the necklace appears on Qamar's 18th birthday, she secretly replaces it with a fake one, which soon results in Qamar's death. His family, however, does not bury his body and starts looking for the
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1972:
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observed that the film's commercial performance "dealt a body blow to the careers of the reining stars of cinema", including Vithal especially since he was not fluent in
Hindustani language.
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1936:
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672:, reported: " is proving to a great attraction at the Majestic Cinema, and crowded houses have been the order of the day." It was also the first film to be screened at Imperial Cinema in
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interviewed him in 2006, he recalled it as "a moment in history, when the public coming out of the show wouldn't stop talking about the film they'd seen, that also talked!" According to
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12 million or US$ 150,000 in 2023). Principal photography was completed by Adi M. Irani at Jyoti
Studios in Bombay within four months, using equipment that was bought from
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329:
Indian film industry and Ardeshir Irani's career with its status as the country's first sound film. Although no print or gramophone record of the film is known to survive, making it a
2807:
892:, and confirmed that he had received several photographs of the film from Irani and his son Shapoorji. Nair estimated that 70 percent of pre-1950 Indian films are lost. In 2017, the
790:, said she believed that it has made later films produced in the country more dependent on songs "in a way that has differentiated Indian cinema from most world cinema". Writing for
888:, declined the reports, clarifying in 2011 that it has been lost before the archive itself was established in 1964. He added the fire only destroyed mostly the nitrate negatives of
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am—to avoid noise from the active trains, which according to Ardeshir Irani would pass every several minutes. Microphones were placed at concealed locations around the actors.
851:(2014). In the same year, a 2015 calendar titled "The Beginnings of Indian Cinema" was released, featuring the poster of its. The film has been remade at least four times: by
638:
premiered at Majestic Cinema, Bombay on 14 March 1931, and the screenings ran for eight weeks. Ramesh Roy, an office boy of IFC, brought the film's reel to the theatre. When
540:, Bharucha, Gidwani, and Pessi Kerani were the assistant directors. As the studio was located near a railway track, the film was shot mostly during the nighttime—between 1:00
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265:), but the child will die following his 18th birthday if Navbahaar cannot find the necklace he asks for. Meanwhile, the king finds out that Dilbahaar falls for the
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The film is also considered as a turning point of Ardeshir Irani's career and gave him a reputation as the "father of Indian talkies". Impressed by it, producer
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318:, it was filmed mostly during the nighttime to avoid noise from the active trains. Following filming, Ardeshir Irani finished the sound recording using the
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Freitag, Sandra B. (2001). "Visions of the Nation: Theorizing the Nexus between Creation, Consumption, and Participation in the Public Sphere". In
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794:(1999), Mark Ellingham reported that the film's success has influenced India, Sri Lanka, and Myanmar. In 2003, the scholar
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to celebrate its 80th release anniversary, featuring Vithal and Zubeida. Writer Renu Saran features the film in the book
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observed how the actors lacked experience in talking near microphones, which made them sound like they were screaming.
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reported that the cast and crew were pleased to be parts of the film and ready to receive lesser pays for their work.
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689:-directed musical film that was released around two months later. Exact figures for the box-office earnings of
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is known to have survived, but several stills and posters are available. According to an article published by
442:
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1843:"85 years of 'Alam Ara': How India's first talkie paved the way for song-dance routines in our films forever"
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of the same name, while the screenplay was done by Irani. The dialogue was written in Hindustani, a mix of
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261:(Muhammad Wazir Khan) tells the king that the former wife will give birth to a boy, later named Qamar (
1920:
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and produced by Irani for Imperial Film Company (IFC), an entertainment studio he co-founded with the
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stated that it became an "instant hit". Similar thoughts were given by Roy Armes, in his book titled
2710:
Industrial Networks and Cinemas of India: Shooting Stars, Shifting Geographies and Multiplying Media
813:(present-day Kolkata). Irani used the sets of the film to shoot his next production venture, titled
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1941:
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275:), leading the king to arrest him and evicts his pregnant wife, who later gives birth to Alam Ara (
255:. It revolves around a king and his two wives, Navbahaar and Dilbahaar, who are childless; soon, a
244:
2145:
Chakravorty, Pallabi (2016). "Bombay Filmi Nach to Bollywood Dance". In Douglas, Rosenberg (ed.).
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Abdulally Esoofally in 1926. The story was adapted from the Bombay-based dramatist Joseph David's
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was handled by Adi M. Irani within four months in Bombay. Because the studio was located near a
2014:
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are not available, but many historians believed that the film performed well. According to the
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is widely regarded as the first sound film of India. It has been described as the rise of the
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1967:
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499:, at which he started his career, causing him legal issues as the studio believed he was in
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Vithal and Zubeida in a scene of the film. The scene was later re-created by Google into a
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Pleasure and the Nation: The History, Politics, and Consumption of Public Culture in India
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Zubeida was cast in the title role after Irani's frequent collaborator and first choice,
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3378:[This is the actress of the first sound film, people ate lathis for her film].
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acquired the recording equipment of the film and contacted Deming to work with him in
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player. Furthermore, he confessed that the lyrical composition was done by himself.
536:, Ardeshir Irani confessed that he kept the project a secret during its production.
17:
3134:(1996). "Indian Cinema: Origins to Independence". In Nowell-Smith, Geoffrey (ed.).
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to control the crowds and traffic. Sharmistha Gooptu, in her article published in
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1989:
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had mistakenly stated that the film's last print was destroyed by a fire at the
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713:(1987), calling the film "an enormous popular success". In 2012, the writer of
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3376:"ये है पहली बोलती फिल्म की एक्ट्रेस, इनकी फिल्म के लिए लोगों ने खाई लाठियां"
2772:
2539:
877:
705:
673:
330:
2976:"India's first talkie 'silent forever'—All Alam-Ara prints lost, govt [
299:-based dramatist Joseph David's play of the same name. Made on a budget of
1490:
1488:
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pm. As a solution, police were assigned to the theatre and allowed to use
357:
345:
A king and his two wives, Navbahaar and Dilbahaar, are childless. Soon, a
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Dilbahaar is jealous of Navbahaar and knows about her agreement with the
267:
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declared it as the most important of any lost films produced in India.
276:
101:
517:, which was funded by the business tycoon Seth Badriprasad Dube, cost
2493:
1847:
840:
423:
419:
296:
2761:"Film Remakes as Cross-cultural Connections Between North and South"
2066:
333:, surviving artefacts include its stills and posters. In 2017, the
1869:"Aazaad's Rashtraputra premiered at the 72nd Cannes Film Festival"
757:
750:
from 1931 to 1956) called the film "the birth cry of the talkie".
617:
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476:
441:
257:
2396:
The British in India: Three Centuries of Ambition and Experience
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length was 10,500 ft (3,200 m). In 2012, the magazine
573:
480:
322:. Firozshah Mistry and B. Irani served as the music directors.
2468:"The Talkie Revolution, 1931, and the rise of 'Indian' cinema"
3303:"Meanwhile: In India's name game, cities are the big losers"
507:, he won the case and moved to IFC to play the male lead of
2631:"Alam Ara long lost, was never with NFAI: founder-director"
2067:"India's first talkie 'Alam Ara' and Jinnah's role in it"
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1100:
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1682:
2879:"The internationalism of P.K. Nair, the celluloid man"
2334:"Making of Alam Ara: An Interview with Ardeshir Irani"
1505:
1503:
2565:"A New Year calendar with film posters of yesteryear"
2448:
Indian Popular Cinema: A Narrative of Cultural Change
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833:in 2014, and "70 Iconic Films of Indian Cinema" by
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2197:Datta, Kausik; Dutt, Ishita Ayan (21 April 2005).
2171:
1337:
3357:Dadamoni: The Authorized Biography of Ashok Kumar
3204:The Ashgate Research Companion to Cosmopolitanism
310:12 million or US$ 150,000 in 2023),
2445:Gokulsing, K. Moti; Dissanayake, Wimal (2004) .
1904:. No. 739–746. Business India Publications.
1655:
654:, crowds of people would stand in line from 9:00
2122:"Indian cinema@100: 40 Firsts in Indian cinema"
876:, several publications and the film's entry on
2036:"India's cities flex muscle by changing names"
1741:
3064:"Prints of first sound movie 'Alam Ara' lost"
1413:
1199:
823:is listed in "40 Firsts in Indian Cinema" by
8:
2351:So Many Cinemas: The Motion Picture in India
1756:
1124:
1033:
777:of the early 1930s, and in its 2013 report,
458:'s 1929 American romantic drama part-talkie
3201:Rovisco, Maria; Nowicka, Magdalena (2013).
2226:"The untold story of Jews in Indian cinema"
1613:
1521:
699:in 2003, the film was more successful than
658:am although the first show occurred at 3:00
3418:
2928:"No prints of several epic films: PK Nair"
2765:The Journal of International Communication
2707:Mehta, Monika; Mukherjee, Madhuja (2020).
2148:The Oxford Handbook of Screendance Studies
1601:
1597:
1293:
1211:
900:as the most important lost film of India.
361:tells her about her husband's affair. The
40:
31:
3180:Ramachandran, T. M.; Rukmini, S. (1985).
2664:Shashi Kapoor Presents the Prithviwallahs
2034:Badam, Ramola Talwar (26 December 2004).
1557:
1370:
1266:
3250:"India's first talkie Alam Ara all gone"
2759:Murthy, C. S. H. N. (13 November 2012).
2019:. Noida, India: Om Books International.
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3109:The Hundred Luminaries of Hindi Cinema
3094:: CS1 maint: ref duplicates default (
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2877:Narayanswamy, Shruti (22 March 2017).
2850:Narasimham, M. L. (9 September 2012).
2823:Narasimham, M. L. (8 September 2006).
2689:The Oxford Companion to Indian Theatre
2595:: CS1 maint: ref duplicates default (
2588:
2432:from the original on 24 September 2015
2132:from the original on 18 September 2015
1975:from the original on 29 September 2014
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1534:Gulzar, Nihalani & Chatterjee 2003
1495:Gulzar, Nihalani & Chatterjee 2003
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1464:Gulzar, Nihalani & Chatterjee 2003
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1173:Gulzar, Nihalani & Chatterjee 2003
1149:Gulzar, Nihalani & Chatterjee 2003
1129:Gulzar, Nihalani & Chatterjee 2003
1072:
1053:Gulzar, Nihalani & Chatterjee 2003
418:Other supporting roles were played by
3315:from the original on 17 December 2020
3183:70 Years of Indian Cinema (1913–1983)
3076:from the original on 18 December 2020
3008:"A reel revolution from 85 years ago"
2796:Narasimham, M. L. (24 October 2010).
2577:from the original on 26 December 2014
2052:from the original on 17 December 2020
1881:from the original on 17 December 2020
1855:from the original on 18 December 2020
1787:from the original on 18 December 2020
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7:
3341:from the original on 5 December 2020
3301:Tharoor, Shashi (6 September 2002).
3019:from the original on 7 December 2020
2904:"Best films of all time (1913–1951)"
2810:from the original on 14 January 2021
2734:"Talking images: 75 years of cinema"
2606:"On a heritage trail at Opera House"
2547:from the original on 31 January 2020
2238:from the original on 23 October 2013
1991:Third World Film Making and the West
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1640:
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1227:
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711:Third World Film Making and the West
3260:from the original on 7 January 2021
2732:Miglani, Surendra (26 March 2006).
2616:from the original on 7 January 2021
2211:from the original on 8 January 2021
2079:from the original on 15 August 2015
1813:from the original on 18 August 2017
1152:
720:Critics were generally positive of
237:
3288:from the original on 28 March 2015
3137:The Oxford History of World Cinema
2992:from the original on 1 August 2020
2974:Paul, Chitara (18 February 2009).
2889:from the original on 21 March 2017
2837:from the original on 15 April 2014
2746:from the original on 23 April 2006
1896:"The father of the Indian talkies"
1801:"70 iconic films of Indian cinema"
27:1931 Indian film by Ardeshir Irani
25:
2641:from the original on 5 March 2016
2466:Gooptu, Sharmishta (3 May 2013).
2199:"EMI pulls out of HMV's Saregama"
295:. The story was adapted from the
286:after watching the 1929 American
3456:Films directed by Ardeshir Irani
3388:from the original on 5 June 2018
3005:Poorvaja, S. (1 November 2016).
2940:from the original on 5 June 2021
2914:from the original on 1 July 2018
2120:Chakravarty, Riya (3 May 2013).
1775:"100 Filmfare Days, 2: Alam Ara"
1695:Rajadhyaksha & Willemen 2014
1546:Gokulsing & Dissanayake 2004
1460:Rajadhyaksha & Willemen 2014
924:
910:
896:'s Shruti Narayanswamy declared
827:in 2013, "100 Filmfare Days" by
495:ended his ongoing contract with
463:project was subsequently titled
2956:Hindi Cinema Year Book Volume 1
2902:Nihalani, Akash (1 July 2018).
2604:Ismat, Tasheen (22 June 2018).
2534:"Draupadi Vastrapaharanam 1934"
2480:from the original on 5 May 2019
2224:Dev, Atul (21 September 2013).
1833:. Vol. 9, no. 17–22.
1570:Ramachandran & Rukmini 1985
3228:101 Hit Films of Indian Cinema
3186:. Cinema India-International.
2629:Jain, Amrita (17 March 2011).
2418:Goddard, John (30 July 2003).
2254:The Rough Guide to World Music
2065:Bali, Karan (15 August 2015).
1996:University of California Press
882:National Film Archive of India
849:101 Hit Films of Indian Cinema
792:The Rough Guide to World Music
251:film directed and produced by
1:
3471:Indian romantic fantasy films
3278:"Delhi's cinematic monuments"
3162:Encyclopedia of Indian Cinema
3032:Pradeep, K. (17 March 2006).
2512:Encyclopædia Britannica, Inc.
2507:Encyclopaedia of Hindi Cinema
1963:"Alam Ara's 80th Anniversary"
798:hailed, "With the release of
746:(a magazine published by the
696:Encyclopaedia of Hindi Cinema
3461:Indian black-and-white films
3446:1930s romantic fantasy films
3106:; Kothari, Jitendra (1996).
2959:. Screen World Publication.
2781:10.1080/13216597.2012.739573
2340:. Vol. 1, no. 2–4.
2170:Chatterjee, Gayatri (2002).
1683:Indo-Asian News Service 2014
532:. When being interviewed by
503:. With help from his lawyer
450:, recording the film's sound
241: Ornament of the World
3384:(in Hindi). 14 March 2017.
3165:. Oxford University Press.
3140:. Oxford University Press.
2692:. Oxford University Press.
2378:. Oxford University Press.
2348:Garga, Bhagwan Das (1996).
2314:. Oxford University Press.
1909:Ahmed, Rauf (4 June 2012).
1827:"75 years of Indian cinema"
945:List of Hindi films of 1931
863:in Hindi in 1956 and 1973.
552:sound machines, he charged
282:Irani was inspired to make
3502:
3481:Urdu-language Indian films
3441:1930s Hindi-language films
3330:"The pioneering cameraman"
2826:"A leader and a visionary"
2375:Pakistan Cinema, 1947–1997
1945:. May 2003. Archived from
3486:1930s Urdu-language films
3354:Valicha, Kishore (1996).
2013:Ausaja, S. M. M. (2009).
1831:Bombay: The City Magazine
1711:Press Trust of India 2008
1384:Bombay: The City Magazine
1200:Raheja & Kothari 1996
859:in 1942 and 1967, and by
622:A promotional poster for
410:Muhammad Wazir Khan as a
46:Theatrical release poster
39:
3230:. Diamond Pocket Books.
2251:Ellingham, Mark (1999).
1034:Kapoor & Gahlot 2004
748:Film Federation of India
734:American Cinematographer
3034:"When the stars talked"
2953:Ojha, Rajendra (2002).
2799:"Bhaktha Prahlada 1931"
2561:Indo-Asian News Service
2393:Gilmour, David (2018).
2153:Oxford University Press
320:single-system recording
178:14 March 1931
3155:Rajadhyaksha, Ashish;
2883:British Film Institute
2612:. Times News Network.
2281:British Film Institute
2180:British Film Institute
1911:"The Ghost Who Talked"
1894:Advani, A. H. (2006).
1338:British Film Institute
894:British Film Institute
884:in 2003. Its founder,
767:
679:The film clashed with
627:
451:
335:British Film Institute
1371:Datta & Dutt 2005
853:Chitrapu Narayana Rao
761:
703:; a 2006 report from
621:
614:Release and reception
446:Irani at the sets of
445:
312:principal photography
154:Imperial Film Company
3274:Soofi, Mayank Austen
3226:Saran, Renu (2014).
3132:Rajadhyaksha, Ashish
3060:Press Trust of India
2715:Taylor & Francis
2686:Lal, Ananda (2004).
2563:(15 December 2014).
2124:. New Delhi, India:
2098:Bollywood: A History
2016:Bollywood in Posters
1127:, pp. 398–403;
890:Prabhat Film Company
727:The Bombay Chronicle
407:as Alam Ara's friend
18:Alam Ara (1931 film)
3046:on 8 September 2006
2852:"Wake up, industry"
2354:. Eminence Design.
2338:Cinema Vision India
2306:Pinney, Christopher
2287:on 17 December 2020
2231:The Sunday Guardian
1988:Armes, Roy (1987).
807:Birendranath Sircar
788:Nasreen Munni Kabir
505:Muhammad Ali Jinnah
243:) is a 1931 Indian
3308:The New York Times
3209:Ashgate Publishing
3062:(7 October 2008).
2864:on 18 January 2014
2635:The Indian Express
2610:The Times of India
2570:The Indian Express
2502:Chatterjee, Saibal
2473:The Times of India
2451:. Trentham Books.
2330:Garga, Bhagwan Das
1809:. 18 August 2017.
1261:, pp. 11–12;
1143:, pp. 11–12;
1090:, pp. 11–12;
940:List of lost films
873:The Indian Express
839:in 2017. In 2011,
779:The Times of India
768:
740:The Times of India
669:The Times of India
628:
626:at Majestic Cinema
590:The soundtrack to
501:breach of contract
452:
414:(cameo appearance)
365:later adopts Ara.
249:historical fantasy
3476:Lost Indian films
3466:Indian epic films
3367:978-06-70872-71-8
3276:(26 March 2015).
3248:(14 March 2011).
3237:978-93-50836-53-8
3218:978-14-09494-52-2
3193:978-08-61320-90-5
3172:978-11-35943-18-9
3147:978-01-98742-42-5
3123:978-81-75080-07-2
2966:978-81-90025-83-6
2724:978-10-002933-1-9
2699:978-01-95644-46-3
2678:978-81-74363-48-0
2520:978-81-7991-066-5
2420:"Missouri Masala"
2410:978-02-410045-3-1
2385:978-01-95778-17-5
2361:978-81-90060-21-9
2321:978-01-95650-90-7
2268:978-18-582863-6-5
2162:978-01-99981-61-8
2103:The History Press
2041:Los Angeles Times
2026:978-81-87108-55-9
2005:978-05-20056-90-9
1971:. 14 March 2011.
1851:. 14 March 2016.
1783:. 22 April 2014.
1757:Narayanswamy 2017
1125:Rajadhyaksha 1996
1111:, pp. 11–12.
784:Indian Film Music
534:Bhagwan Das Garga
530:Bell & Howell
399:Prithviraj Kapoor
273:Prithviraj Kapoor
229:
228:
16:(Redirected from
3493:
3422:
3397:
3395:
3393:
3371:
3350:
3348:
3346:
3332:
3324:
3322:
3320:
3297:
3295:
3293:
3269:
3267:
3265:
3241:
3222:
3197:
3176:
3151:
3127:
3114:India Book House
3099:
3093:
3085:
3083:
3081:
3055:
3053:
3051:
3045:
3040:. Archived from
3028:
3026:
3024:
3010:
3001:
2999:
2997:
2970:
2949:
2947:
2945:
2936:. 26 July 2013.
2923:
2921:
2919:
2898:
2896:
2894:
2873:
2871:
2869:
2863:
2858:. Archived from
2846:
2844:
2842:
2828:
2819:
2817:
2815:
2801:
2792:
2755:
2753:
2751:
2728:
2703:
2682:
2650:
2648:
2646:
2625:
2623:
2621:
2600:
2594:
2586:
2584:
2582:
2556:
2554:
2552:
2536:
2531:(23 July 2011).
2524:
2498:Nihalani, Govind
2489:
2487:
2485:
2462:
2441:
2439:
2437:
2425:Riverfront Times
2414:
2389:
2365:
2341:
2325:
2296:
2294:
2292:
2283:. Archived from
2272:
2247:
2245:
2243:
2220:
2218:
2216:
2193:
2177:
2166:
2141:
2139:
2137:
2116:
2088:
2086:
2084:
2061:
2059:
2057:
2046:Associated Press
2030:
2009:
1984:
1982:
1980:
1968:Business Insider
1958:
1956:
1954:
1932:
1930:
1928:
1923:on 15 March 2013
1919:. Archived from
1905:
1890:
1888:
1886:
1864:
1862:
1860:
1838:
1822:
1820:
1818:
1796:
1794:
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1727:
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1686:
1680:
1674:
1668:
1662:
1657:Business Insider
1653:
1647:
1638:
1632:
1623:
1617:
1614:Chakravarty 2013
1611:
1605:
1591:
1585:
1579:
1573:
1567:
1561:
1555:
1549:
1543:
1537:
1531:
1525:
1522:Chakravorty 2016
1519:
1513:
1507:
1498:
1492:
1483:
1477:
1471:
1457:
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1445:
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1301:
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1185:
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1164:
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1106:
1095:
1085:
1076:
1062:
1056:
1046:
1037:
1027:
1021:
1011:
1005:
999:
986:
980:
974:
968:
934:
932:Bollywood portal
929:
928:
920:
915:
914:
913:
661:
657:
594:was released by
562:
558:
556:
547:
543:
527:
523:
521:
456:Harry A. Pollard
309:
305:
303:
242:
239:
224:
185:
183:
135:Firozshah Mistry
44:
32:
21:
3501:
3500:
3496:
3495:
3494:
3492:
3491:
3490:
3451:1931 lost films
3426:
3425:
3405:
3400:
3391:
3389:
3374:
3368:
3353:
3344:
3342:
3337:. 14 May 2012.
3327:
3318:
3316:
3300:
3291:
3289:
3272:
3263:
3261:
3254:Hindustan Times
3246:Shekhar, Mayank
3244:
3238:
3225:
3219:
3200:
3194:
3179:
3173:
3154:
3148:
3130:
3124:
3102:
3086:
3079:
3077:
3058:
3049:
3047:
3031:
3022:
3020:
3004:
2995:
2993:
2980:] clueless"
2973:
2967:
2952:
2943:
2941:
2926:
2917:
2915:
2901:
2892:
2890:
2876:
2867:
2865:
2849:
2840:
2838:
2822:
2813:
2811:
2795:
2758:
2749:
2747:
2731:
2725:
2706:
2700:
2685:
2679:
2653:
2644:
2642:
2637:. Pune, India.
2628:
2619:
2617:
2603:
2587:
2580:
2578:
2559:
2550:
2548:
2527:
2521:
2492:
2483:
2481:
2465:
2459:
2444:
2435:
2433:
2417:
2411:
2392:
2386:
2370:Gazdar, Mushtaq
2368:
2362:
2347:
2328:
2322:
2299:
2290:
2288:
2275:
2269:
2250:
2241:
2239:
2223:
2214:
2212:
2196:
2190:
2169:
2163:
2144:
2135:
2133:
2119:
2113:
2091:
2082:
2080:
2064:
2055:
2053:
2033:
2027:
2012:
2006:
1987:
1978:
1976:
1961:
1952:
1950:
1935:
1926:
1924:
1908:
1893:
1884:
1882:
1877:. 3 June 2019.
1867:
1858:
1856:
1841:
1825:
1816:
1814:
1799:
1790:
1788:
1773:
1769:
1764:
1763:
1755:
1751:
1740:
1736:
1728:
1724:
1709:
1705:
1697:, p. 253;
1693:
1689:
1681:
1677:
1673:, pp. 1–2.
1669:
1665:
1654:
1650:
1639:
1635:
1624:
1620:
1612:
1608:
1602:Narasimham 2010
1598:Narasimham 2012
1592:
1588:
1580:
1576:
1568:
1564:
1556:
1552:
1544:
1540:
1532:
1528:
1520:
1516:
1508:
1501:
1493:
1486:
1478:
1474:
1466:, p. 170;
1462:, p. 253;
1458:
1454:
1446:
1442:
1434:
1427:
1412:
1408:
1400:
1396:
1381:
1377:
1369:
1365:
1357:
1348:
1336:
1332:
1324:
1320:
1308:
1304:
1294:Narasimham 2006
1292:
1288:
1280:, p. 138;
1276:, p. 194;
1257:
1253:
1242:
1238:
1226:
1222:
1212:Chatterjee 2002
1210:
1206:
1198:
1194:
1186:
1179:
1171:
1167:
1151:, p. 170;
1139:
1135:
1119:
1115:
1107:
1098:
1086:
1079:
1063:
1059:
1047:
1040:
1028:
1024:
1012:
1008:
1000:
989:
981:
977:
969:
958:
953:
930:
923:
916:
911:
909:
906:
796:Shoma Chatterji
756:
659:
655:
645:Hindustan Times
632:Sagar Movietone
630:Distributed by
616:
588:
560:
559:(equivalent to
554:
553:
545:
541:
525:
524:(equivalent to
519:
518:
497:Saradhi Studios
454:After watching
440:
383:
343:
307:
306:(equivalent to
301:
300:
240:
222:
195:
188:
181:
179:
172:
164:Sagar Movietone
155:
150:
148:
141:
106:
77:by Joseph David
76:
47:
28:
23:
22:
15:
12:
11:
5:
3499:
3497:
3489:
3488:
3483:
3478:
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3463:
3458:
3453:
3448:
3443:
3438:
3428:
3427:
3424:
3423:
3404:
3403:External links
3401:
3399:
3398:
3372:
3366:
3351:
3325:
3298:
3270:
3242:
3236:
3223:
3217:
3198:
3192:
3177:
3171:
3157:Willemen, Paul
3152:
3146:
3128:
3122:
3104:Raheja, Dinesh
3100:
3056:
3029:
3002:
2971:
2965:
2950:
2933:The Hans India
2924:
2899:
2874:
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2655:Kapoor, Shashi
2651:
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2010:
2004:
1985:
1959:
1949:on 5 July 2003
1933:
1906:
1901:Business India
1891:
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1823:
1797:
1770:
1768:
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1749:
1743:The Hans India
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1703:
1687:
1675:
1663:
1648:
1633:
1618:
1606:
1586:
1574:
1562:
1560:, p. 105.
1558:Ellingham 1999
1550:
1538:
1536:, p. 561.
1526:
1524:, p. 130.
1514:
1499:
1497:, p. 170.
1484:
1482:, p. 111.
1472:
1452:
1440:
1425:
1406:
1394:
1388:, p. 36;
1375:
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1302:
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1236:
1220:
1214:, p. 14;
1204:
1192:
1177:
1165:
1147:, p. 74;
1133:
1131:, p. 170.
1123:, p. 54;
1113:
1096:
1077:
1057:
1055:, p. 280.
1038:
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902:
861:Nanubhai Vakil
755:
752:
640:Mayank Shekhar
615:
612:
587:
584:
572:and its final
568:was edited by
439:
436:
416:
415:
408:
402:
396:
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342:
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253:Ardeshir Irani
227:
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160:Distributed by
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111:Cinematography
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85:Ardeshir Irani
83:
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65:Ardeshir Irani
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56:Ardeshir Irani
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3431:
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3407:
3406:
3402:
3387:
3383:
3382:
3381:Daily Bhaskar
3377:
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3110:
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3057:
3044:
3039:
3035:
3030:
3018:
3014:
3009:
3003:
2991:
2987:
2986:
2985:The Telegraph
2981:
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2701:
2695:
2691:
2690:
2684:
2680:
2674:
2670:
2666:
2665:
2660:
2659:Gahlot, Deepa
2656:
2652:
2640:
2636:
2632:
2627:
2615:
2611:
2607:
2602:
2598:
2592:
2576:
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2509:
2508:
2503:
2499:
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2479:
2475:
2474:
2469:
2464:
2460:
2458:1-85856-329-1
2454:
2450:
2449:
2443:
2431:
2427:
2426:
2421:
2416:
2412:
2406:
2402:
2401:Penguin Books
2398:
2397:
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2381:
2377:
2376:
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2363:
2357:
2353:
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2344:
2339:
2335:
2331:
2327:
2323:
2317:
2313:
2312:
2307:
2303:
2302:Dwyer, Rachel
2298:
2286:
2282:
2278:
2274:
2270:
2264:
2260:
2256:
2255:
2249:
2237:
2233:
2232:
2227:
2222:
2210:
2206:
2205:
2200:
2195:
2191:
2189:0-85170-917-6
2185:
2181:
2176:
2175:
2168:
2164:
2158:
2154:
2150:
2149:
2143:
2131:
2127:
2123:
2118:
2114:
2112:81-7436-508-7
2108:
2104:
2100:
2099:
2094:
2090:
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2074:
2073:
2068:
2063:
2051:
2047:
2043:
2042:
2037:
2032:
2028:
2022:
2018:
2017:
2011:
2007:
2001:
1997:
1993:
1992:
1986:
1974:
1970:
1969:
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1944:
1943:
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1934:
1922:
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1917:
1912:
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1902:
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1892:
1880:
1876:
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1870:
1866:
1854:
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1849:
1844:
1840:
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1832:
1828:
1824:
1812:
1808:
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1802:
1798:
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1776:
1772:
1771:
1766:
1758:
1753:
1750:
1746:
1744:
1738:
1735:
1731:
1726:
1723:
1719:
1717:
1712:
1707:
1704:
1701:, p. 20.
1700:
1696:
1691:
1688:
1684:
1679:
1676:
1672:
1667:
1664:
1660:
1658:
1652:
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1637:
1634:
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1619:
1615:
1610:
1607:
1603:
1599:
1595:
1594:Poorvaja 2016
1590:
1587:
1584:, p. 46.
1583:
1578:
1575:
1572:, p. 63.
1571:
1566:
1563:
1559:
1554:
1551:
1548:, p. 48.
1547:
1542:
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1535:
1530:
1527:
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1518:
1515:
1512:, p. 72.
1511:
1506:
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1496:
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1430:
1426:
1422:
1418:
1416:
1415:Daily Bhaskar
1410:
1407:
1403:
1398:
1395:
1392:, p. 22.
1391:
1387:
1385:
1379:
1376:
1372:
1367:
1364:
1360:
1355:
1353:
1351:
1347:
1343:
1339:
1334:
1331:
1328:, p. 11.
1327:
1322:
1319:
1316:, p. 11.
1315:
1311:
1306:
1303:
1300:, p. 11.
1299:
1295:
1290:
1287:
1284:, p. 72.
1283:
1279:
1275:
1271:
1269:
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1260:
1255:
1252:
1248:
1246:
1240:
1237:
1233:
1229:
1224:
1221:
1218:, p. 98.
1217:
1213:
1208:
1205:
1202:, p. 13.
1201:
1196:
1193:
1189:
1184:
1182:
1178:
1175:, p. 45.
1174:
1169:
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1154:
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1146:
1142:
1137:
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1070:
1066:
1061:
1058:
1054:
1050:
1049:Nihalani 2018
1045:
1043:
1039:
1036:, p. 10.
1035:
1031:
1026:
1023:
1019:
1015:
1010:
1007:
1003:
998:
996:
994:
992:
988:
985:, p. 12.
984:
979:
976:
972:
967:
965:
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961:
957:
950:
946:
943:
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826:
822:
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812:
808:
803:
801:
797:
793:
789:
785:
780:
776:
775:Indian cinema
772:
765:
760:
753:
751:
749:
745:
744:Indian Talkie
741:
736:
735:
729:
728:
723:
718:
716:
712:
708:
707:
702:
701:Shirin Farhad
698:
697:
692:
688:
684:
683:
682:Shirin Farhad
677:
675:
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670:
665:
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652:
651:Daily Bhaskar
647:
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433:
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428:Jagdish Sethi
425:
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68:
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62:Screenplay by
60:
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50:
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38:
33:
30:
19:
3409:
3390:. Retrieved
3379:
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3253:
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3136:
3108:
3078:. Retrieved
3067:
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3043:the original
3037:
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3012:
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2931:
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2907:
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2866:. Retrieved
2861:the original
2855:
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2830:
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2803:
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2737:
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2634:
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2609:
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2471:
2447:
2434:. Retrieved
2423:
2395:
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2350:
2337:
2310:
2289:. Retrieved
2285:the original
2259:Rough Guides
2253:
2240:. Retrieved
2229:
2213:. Retrieved
2202:
2174:Mother India
2173:
2147:
2134:. Retrieved
2097:
2081:. Retrieved
2070:
2054:. Retrieved
2039:
2015:
1990:
1977:. Retrieved
1966:
1951:. Retrieved
1947:the original
1940:
1925:. Retrieved
1921:the original
1914:
1899:
1883:. Retrieved
1872:
1857:. Retrieved
1846:
1835:Living Media
1830:
1815:. Retrieved
1804:
1789:. Retrieved
1778:
1752:
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1715:
1706:
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1541:
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1455:
1443:
1421:Goddard 2003
1414:
1409:
1402:Shekhar 2011
1397:
1383:
1378:
1366:
1342:Miglani 2006
1333:
1321:
1305:
1289:
1267:
1254:
1244:
1239:
1223:
1207:
1195:
1168:
1161:Miglani 2006
1157:Pradeep 2006
1136:
1121:Valicha 1996
1116:
1075:, p. 9.
1069:Miglani 2006
1065:Pradeep 2006
1060:
1030:Pradeep 2006
1025:
1018:Pradeep 2006
1014:Miglani 2006
1009:
1002:Miglani 2006
978:
971:Pradeep 2006
918:India portal
897:
871:
867:
866:No print of
865:
848:
834:
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629:
623:
600:Hindi cinema
591:
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565:
550:
514:
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492:Mehboob Khan
485:
469:tent showman
464:
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432:L. V. Prasad
417:
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373:
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194:Running time
171:Release date
114:Adi M. Irani
73:
29:
2814:20 November
2739:The Tribune
2551:20 November
2529:Guy, Randor
2093:Bose, Mihir
1699:Murthy 2012
1468:News18 2016
1436:Gooptu 2013
1278:Advani 2006
1073:Gazdar 1997
544:am and 4:00
538:H. M. Reddy
422:, Sushila,
395:as Alam Ara
288:part-talkie
198:124 minutes
82:Produced by
52:Directed by
3436:1931 films
3430:Categories
3360:. Viking.
2669:Roli Books
2277:"Ezra Mir"
2204:Rediff.com
1937:"Alam Ara"
1671:Saran 2014
1510:Garga 1996
1480:Armes 1987
1448:Soofi 2015
1359:Ahmed 2012
1326:Garga 1980
1314:Garga 1980
1310:Ahmed 2012
1298:Garga 1980
1282:Garga 1996
1259:Garga 1980
1232:Ahmed 2012
1141:Garga 1980
1109:Garga 1980
1088:Garga 1980
983:Garga 1980
951:References
886:P. K. Nair
782:author of
687:J.J. Madan
604:pump organ
586:Soundtrack
488:Ruby Myers
473:Parsi play
438:Production
247:-language
245:Hindustani
214:Hindustani
182:1931-03-14
147:Production
3335:The Hindu
3292:9 January
3264:7 January
3159:(2014) .
3090:cite news
3038:The Hindu
3013:The Hindu
2893:8 January
2856:The Hindu
2831:The Hindu
2804:The Hindu
2789:144092306
2773:Routledge
2620:7 January
2591:cite news
2540:The Hindu
2436:8 January
2215:8 January
1927:7 January
1730:Jain 2011
1582:Bose 2006
1390:Ojha 2002
1274:Bose 2006
1268:The Hindu
1263:Bali 2015
1228:Bali 2015
1216:Bose 2006
1188:Bali 2015
1145:Bose 2006
1092:Bali 2015
878:Knowledge
706:The Hindu
674:Paharganj
460:Show Boat
331:lost film
292:Show Boat
119:Edited by
3410:Alam Ara
3386:Archived
3339:Archived
3313:Archived
3286:Archived
3258:Archived
3074:Archived
3017:Archived
2990:Archived
2938:Archived
2912:Archived
2908:Filmfare
2887:Archived
2835:Archived
2808:Archived
2771:(1–42).
2744:Archived
2661:(2004).
2639:Archived
2614:Archived
2575:Archived
2545:Archived
2504:(2003).
2478:Archived
2430:Archived
2372:(1997).
2332:(1980).
2308:(eds.).
2236:Archived
2209:Archived
2130:Archived
2095:(2006).
2077:Archived
2050:Archived
1973:Archived
1942:Stardust
1879:Archived
1853:Archived
1811:Archived
1785:Archived
1780:Filmfare
1716:Stardust
1627:Filmfare
1153:Dev 2013
904:See also
898:Alam Ara
868:Alam Ara
830:Filmfare
821:Alam Ara
811:Calcutta
800:Alam Ara
786:(1991),
771:Alam Ara
722:Alam Ara
691:Alam Ara
636:Alam Ara
624:Alam Ara
596:Saregama
592:Alam Ara
570:Ezra Mir
566:Alam Ara
515:Alam Ara
509:Alam Ara
465:Alam Ara
448:Alam Ara
389:as Qamar
352:senapati
326:Alam Ara
284:Alam Ara
268:senapati
233:Alam Ara
211:Language
138:B. Irani
129:Music by
123:Ezra Mir
90:Starring
74:Alam Ara
70:Based on
35:Alam Ara
3069:Outlook
2343:Alt URL
1916:Outlook
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1767:Sources
1245:Mid Day
843:made a
816:Kalidas
766:in 2011
715:Outlook
642:of the
579:Outlook
401:as Adil
393:Zubeida
363:shikari
358:shikari
277:Zubeida
238:transl.
203:Country
180: (
149:company
102:Zubeida
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2996:31 May
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1817:31 May
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841:Google
764:doodle
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