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Houston, Texas (2007), Small
Paintings, Galerie Klaus Braun, Stuttgart, Germany (2008), Painting on Paper, Galerie Klaus Braun, Stuttgart, Germany (2003), Paintings, Charlotte Jackson Fine Art, Newport Beach, California (1999) New Paintings, Galerie Klaus Braun, Stuttgart, Germany (1998), Painting, Galerie Alf-Krister Job, Mainz, Germany (1998), Alan Ebnother, Charlotte Jackson Fine Art, Santa Fe, New Mexico (1997), Alan Ebnother, Galerie Orms, Innsbruck, Austrian (1997), Alan Ebnother-Kulturraum Kirche, Evangelische Kirche, Taunusstein-Bleidenstadt, Germany (1996).
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elevation, extension, and balance comes through in his dispersed composition and the agility of his paint handling. The high pigment-to-oil ratio and furrowed surfaces of these paintings combine to create an unusually saturated color with a grounded, concrete physicality. For a decade, he worked in monochromatic whites and greens, but his palette has diversified since 2008.
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Solo exhibitions (retrospective): Paintings, Room for
Painting Room for Paper. San Francisco, California (2009), Reduxion, Maria Elena Gonzalez- Alan Ebnother, Galerie Gisele Linder, Basel Switzerland (2009),Paintings on Paper, Imprints, Le Vieux Village, France (2008), Painting, Wade Wilson Art,
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Ebnother trained as a ballet dancer. He has said that he considers painting and dance to be similar art forms: "Painting is a very sensual and tactile experience, as is dance. Both rely on instinctual decisions, with the critical eye entering and judging after the act.” His understanding of
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Photographer Jennah Ward has extensively documented
Ebnother's unique painting techniques.
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since 2000. He mixes and grinds his own pigments. His oils, in hand-ground dry
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from the article and its talk page, especially if potentially
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437:. George Lawson Gallery. August 10, 2009. Archived from
407:"Alan Ebnother - 1 Artworks, Bio & Shows on Artsy"
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483:"Suspension in Blue – Alan Ebnother"
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363:on 22 February 2019
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