235:. He kept his studio in New York City for a year until the Shelter Island home became his permanent residence in 1972. He did not give up his SoHo loft until the mid-1980s, at which point he decided to raise his family, grow his own food, become a commercial fisherman and a licensed ferryboat captain. In 1983 he received his first license to operate a commercial watercraft for up to six passengers. He would go on to get a one-hundred ton boating license and become a captain for the North Ferry Company, connecting Shelter Island and Greenport, New York. He converted a greenhouse attached to his home into a studio space. He began to focus on print and papermaking, making over thirty editions between 1971 and 1974. During this period, he would receive the
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268:(1972) – The outer framework is constructed from industrial webbing and canvas enclosing a web of fishing line strung with beads. The work, which is in the collection of the Whitney Museum of American Art, refers to the "countercultural aesthetics of the time from tie-dye to love beads." The New York Times notes that Shields "reinvented painting" by doing away with stretcher bars, resulting in painted canvas elements combined with other media such as fishing nets, rope, and industrial materials.
255:
228:), Shields describes how he would first draw a grid in pencil on the back of a canvas, then stitch over the pencil lines with the colored thread in the bobbin and white thread on the top: "So what I did was utilize the fact that the sewing machine could...transcribe drawings that were on the back of the canvas to the front by using the bobbin threads." Shields saw the difference between painting and sewing as marginal, and used the two methods to similar ends.
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later that year and through 1991. He began his trademark three-dimensional, two-sided paintings in 1970. Shields was immediately distinct from his New York contemporaries, who at the time were largely concerned with minimalism. The vibrant, tactile, and labor intensive works placed him apart from the
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in 1969, Shields continued to exhibit there with solo shows until 1991. After this period he had two more solo exhibitions with the gallery, in 2013 and 2019. Throughout his life, Shields exhibited in commercial gallery spaces throughout the U.S., Europe, South
America, and Asia. In 2011 he had his
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In 1980, he went to the
Ahmadabad retreat in India. After becoming a ferryboat captain and pursuing an additional career as a commercial fisherman, Shields' passion for fishing began to have a dialectic relationship with his artmaking. The three-dimensional works that are suspended from the ceiling
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prevailing contemporary artists. His work was extremely gestural and focused on the physicality of materials. Unlike the minimalists, Shields held a great reverence for craft, sewing and beading are an essential component in
Shields' practice. In 1971, Shield's work was featured on the cover of
195:. When developing his practice, Shields referenced his studies on Fuller, pointing out that if Fuller's dome-style architecture were to become common, "...there wouldn't be any flat walls to hang a painting." After graduating he went on to participate in Summer Theater Workshops at the
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164:(February 4, 1944 – December 13, 2005) was an American painter, and for a time during the 1980s, had a secondary career as a commercial boat operator, including as ferryboat captain.
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installation in 2012 at their gallery space and in 2013 at SITELAB: 3. When the gallery became Van Doren Waxter
Shields continued to have solo exhibitions in 2016 with
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is described as "a cat’s cradle of intersecting beaded fishing line and tackle." The curvature of the fishing lines, weighted by tackle recalls the ocean waves.
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use the same ball bearing swivels used in fishing tackle and fishing gear, and he would also use backing line and monofilaments in the pieces.
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Alan
Shields print retrospective : an exhibition organized by the Cleveland Center for Contemporary Art, May 16 through June 21, 1986
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on the Great Plains. Shields often referenced his family in his own art-making. He grew up watching his mother and two younger sisters
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378:; later in 2014 and in 2017 the Parish Art Museum presented solo exhibitions of the artist. In 2016, another survey show of his work,
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and embroidering, living on a farm required a degree of frugality and recycling, which is where
Shields learned the crafts himself.
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Shields had two children, a daughter and son, from his first marriage. His companion later in life was Marla Gagnum.
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from 1963–66 where he studied civil engineering and studio art. In his art education he closely studied the work of
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Brienza, Jill; Halbreich, Kathy; Ratcliff, Carter; Shields, Jason; Weselk, Victoria; Zuckerman, Heidi (2016).
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In 1999, he decided to move again on
Shelter Island, and relocated to a ranch for the remainder of his life.
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first show with his subsequent New York gallery: Greenberg Van Doren, who would go on to exhibit his famous
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as a traveling exhibition covering 15 years of the artist's production. It traveled to
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742:. Toledo, OH: Toledo Museum of Art and the Toledo Modern Art Group. 1975. p. 26.
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386:. More recent exhibitions have been held at the Shelter Island Historical Society,
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to a farming family—his great-grandfather had been a cattle farmer who had been a
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Shields died in his sleep at his home on
Shelter Island on December 13, 2005.
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Image, Color, and Form: Recent
Paintings by Eleven Americans, exh. cat
355:. In 1986, a retrospective show of prints by Shields was shown at the
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presented a one person show of his work; followed by a solo show at
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754:"Outliers and American Vanguard Artist Biographies: Alan Shields"
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Shields' work can be found in the following public collections:
261:(1972) industrial webbing, canvas, paint, fishing line and beads
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In 1968, he moved to New York City where he began showing with
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presented his work, the show included an exhibition catalog.
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in 1978. In 1979, a one-person exhibition was held at the
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and travel to South
America for three months in 1973.
651:"Profile: Artist's daughter settles in to motherhood"
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In 1999, another survey exhibition of Shield's work,
1259:Hughes, Robert; Brienza, Jill; North, Bill (1999).
970:"Alan Shields Rolling Orbit: Prints from the 1970s"
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1436:"Lonely Night (From "New York Ten/69" Portfolio)"
295:Alan Shields Rolling Orbit: Prints from the 1970s
1157:"Alan Shields Of His Time and Ahead Of His Time"
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622:"Alan Shields, Artist of 70's Style, Dies at 61"
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392:Alan Shields: Of His Time and Ahead OF His Time
380:Alan Shields: Protracted Simplicity (1966-1985)
291:Alan Shields: Space Sisters work from the 1970s
1106:"Alan Shields: Where Art Life Met Island Life"
725:Alan Shields Space Sisters Work from the 1970s
101:Paintings, sculptures, prints, works on paper
8:
679:Longwell, Alicia G.; Sultan, Terrie (2017).
388:Alan Shields: Where Art Life Met Island Life
304:In 1973, Shields had a two-person show with
1263:. Manhattan, KS: Kansas State University.
920:"Old Belts and Fishing Tackle Transformed"
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216:magazine. In a 1975 interview with artist
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1079:. Cleveland Center for Contemporary Art.
334:Sterling and Francine Clark Art Institute
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783:""Tales of Brave Ulysses: Alan Shields""
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995:"Alan Shields Worms With Bedroom Eyes"
683:. Water Mill, NY: Parrish Art Museum.
357:Cleveland Center for Contemporary Arts
231:In 1971, Shields purchased a house on
1182:"Alan Shields New Side of the Tracks"
918:Beckenstein, Joyce (9 January 2015).
728:. Van Doren Waxter. 2016. p. 32.
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473:Hirshhorn Museum and Sculpture Garden
374:, in Southampton, New York presented
366:, was organized and presented by the
318:Museu de Arte Moderna, Rio de Janeiro
299:Alan Shields: Worms with Bedroom Eyes
7:
1787:People from Shelter Island, New York
789:. The Print Collector's Newsletter 5
376:Alan Shields: Stirring Up the Waters
312:. In 1975, Shields exhibited at the
220:(the two of whom are fundamental to
649:Galligan, Carol (18 October 2012).
620:Smith, Roberta (21 December 2005).
563:University of Arizona Museum of Art
341:1968-1983: The Work of Alan Shields
310:Museum of Contemporary Art, Chicago
1762:20th-century American male artists
1052:National Gallery of Art, Australia
1024:Museum of Contemporary Art Chicago
1020:"Richard Artschwager/Alan Shields"
843:Alan Shields Protracted Simplicity
509:Museum of Contemporary Art Chicago
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479:Jane Voorhees Zimmerli Art Museum
322:Musée d’Art Moderne de Strasbourg
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527:National Gallery of New Zealand
1757:Kansas State University alumni
1752:20th-century American painters
1690:uarizona.pastperfectonline.com
1236:allenartcollection.oberlin.edu
845:. Aspen, CO: Aspen Art Press.
575:Whitney Museum of American Art
455:Frances Lehman Loeb Art Center
339:In 1983 a survey of his work,
330:Williams College Museum of Art
1:
1797:People from Herington, Kansas
1073:Shields, Alan; Cohen, Ronny.
1207:"Objects by Alan J. Shields"
785:(Interview). Interviewed by
545:Solomon R. Guggenheim Museum
491:Memphis Brooks Museum of Art
345:Memphis Brooks Museum of Art
1792:Painters from New York City
1110:shelterislandhistorical.org
681:Alan Shields Common Threads
515:Museum of Fine Arts, Boston
398:Selected public collections
353:Nelson-Atkins Museum of Art
351:, Coral Gables, and to the
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1615:collections.tepapa.govt.nz
497:Metropolitan Museum of Art
280:After his first show with
894:"Can Craft Save America?"
653:. Shelter Island Reporter
461:Herbert F. Johnson Museum
419:Allen Memorial Art Museum
276:Selected solo exhibitions
28:
1285:"Explore the Collection"
168:Early life and education
73:Shelter Island, New York
1361:"Browse our collection"
1289:cincinnatiartmuseum.org
892:Wiggers, Namita Gupta.
758:National Gallery of Art
485:Kansas State University
437:Cleveland Museum of Art
343:, was organized by the
320:, Brazil. In 1977, the
189:Kansas State University
187:He eventually attended
92:Kansas State University
1767:American male painters
1511:"Tadinske B.O. Oviler"
1261:Alan Shields: A Survey
949:paulacoopergallery.com
364:Alan Shields: A Survey
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109:Pattern and decoration
1640:spencerartapps.ku.edu
1365:harvardartmuseums.org
1310:"Sun Moon Title Page"
1094:– via WorldCat.
551:Spencer Museum of Art
431:Cincinnati Art Museum
314:Spencer Museum of Art
293:, again in 2018 with
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237:Guggenheim Fellowship
1772:Painters from Kansas
1465:zimmerli.emuseum.com
1161:goyacontemporary.com
533:Nelson-Atkins Museum
521:Museum of Modern Art
503:Milwaukee Art Museum
443:Dallas Museum of Art
297:, and in 2020, with
282:Paula Cooper Gallery
209:Paula Cooper Gallery
172:Shields was born in
35:Alan Shields in 1984
1565:collections.mfa.org
1415:emuseum.cornell.edu
1340:collections.dma.org
1186:ackland.emuseum.com
898:Metropolis Magazine
425:Beach Museum of Art
368:Beach Museum of Art
306:Richard Artschwager
197:University of Maine
1515:collection.mam.org
1390:emuseum.vassar.edu
1211:akronartmuseum.org
999:vandorenwaxter.com
974:vandorenwaxter.com
924:The New York Times
873:. 27 February 2020
626:The New York Times
539:Parrish Art Museum
407:Ackland Art Museum
382:, was held at the
372:Parrish Art Museum
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193:Buckminster Fuller
141:Visual arts portal
1316:. 31 October 2018
852:978-0-934324-74-8
787:Howardena Pindell
781:(February 1975).
569:Walker Art Center
250:Significant works
218:Howardena Pindell
174:Herington, Kansas
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370:. In 2007, the
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203:Painting career
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162:Alan J. Shields
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1540:mcachicago.org
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