40:; a series of garments imprinted with life-size digital photographs of her own skin. After an exhibition in 1999, critics stated she depicted nudity as fashionable, provoked voyeurism, and made skin (the external body) just another interface in a world. In addition to her own work, D'Urbano has been a critic and an art philosopher. Since 1995, D'Urbano has been a professor at
219:
are inspired by feminist standpoints: there, the body is portrayed as a matrix inscribed into which are identities as a cultural and social construct. For the two women artists, it is always about the process of allocating normative attitudes and behaviour patterns. In a series of intermedia projects
175:
In the 1990s, Alba D'Urbano turned to "interactive video and computer installations, to which her creative, complex, experimentally enhancing and problem-conscious approach gave significant impetus as a means of artistic impression". In her projects, some of which featured a multiplicity of media
64:
from 1974 to 1978. Her work as an artist was influenced by her affiliation with the 'Distracted
Avantgarde' (Klemens Gruber), which sought to bring about a paradigm shift in the relationship between art, politics and mass communication. It was against this backdrop that Alba D'Urbano produced
195:
In a bid to counter an overwhelming array of media images, she began to toy with the viewer's expectations. She substituted images with illegible strings of characters and drew the viewer's attention towards the way in which media images are created and the processes they involve. She gained
126:
for one academic year. Since 2000, she has curated numerous exhibitions at the national and international level as part of her university duties, addressing political and social issues and incorporating both process-orientated and media-reflective methods.
135:
In the 1980s, Alba D'Urbano's artistic interest focused on the drastic changes in the perception of reality brought about by the increasingly influential glut of virtual images, which are generated by the
770:
413:
383:
192:, 1995â98) she raised the viewer's awareness of mass media and their 'problematic nature without polemic and without affecting the aesthetic evocative force of various media' .
885:
427:
398:
902:
204:, in which she digitally processed images of her own body and then had them printed onto fabric and transformed into items of clothing to be showcased by models on
119:
1396:
122:
in 1995, where she has since held a professorship in computer graphics, and has taught the class for intermedia since 1998. In 2003â2004, she taught at the
1391:
1386:
1381:
148:. Berlin's urban space with its partly truncated communication paths and its insular status provided the setting for her first video works from the series
1332:
1242:
298:
288:
483:
41:
989:
774:
631:
421:
407:
391:
377:
88:, graduating in 1983. Experimental works in collaboration with other artists date from that period. One such fellow artist was composer
1024:
569:
1254:
115:
882:
123:
1291:
1268:
906:
1116:
1081:
742:
453:
1105:
Lenoir, Timothy (Fall 2002). "Makeover: Writing the body into the posthuman technoscape: Part two: corporeal axiomatics".
96:
1311:
707:
228:
the artists also referenced biographical material. A new added element incorporated by Tina Bara is the subject of the
81:
61:
1351:
795:
693:
229:
1324:
212:, she literally exposed the commercial exploitation of women's bodies in the mass media and the fashion industry.
1263:
Le
Multiple et les «autres» multiples. Histoire d'une mutation artistique, Europe et Amérique du Nord (1984-2006)
661:
1376:
1107:
1072:
1341:
104:
99:
in 1985. In 1989, she graduated as a master student (MeisterschĂŒler-Degree) in experimental film design under
1295:
242:
1306:
1371:
1182:
509:
In: LIVRAISON T.11 Multiples et autres/and other
Multiples (S. 16-25), Rhinoceros, Strasbourg, 2008/2009.
140:
and susceptible to manipulation. At the core of her artistic exploration was the relationship between the
1067:
955:
1366:
1052:
737:
1203:
1009:
934:
963:
273:
Collection of the
Contemporary Art Gallery in Termoli, Italy (Galleria Civica d'Arte Contemporanea)
89:
95:
Alba D'Urbano moved to (West) Berlin in 1984 and began her studies in visual communication at the
1128:
1093:
679:
153:
533:
867:
593:
639:
565:
559:
161:
1120:
1085:
45:
100:
1328:
1258:
1251:
889:
457:
417:
387:
92:
with whom she created performances, Super-8 films, and artistic events in public spaces.
756:
1033:
1360:
1198:
Kunstkleider. Die PrÀsenz des Körpers in textilen Kunst-Objekten des 20. Jahrhunderts
1097:
431:
402:
267:
57:
1316:
1132:
903:"FördergrundsĂ€tze der Kulturstiftung des Bundes fĂŒr die Allgemeine Projektförderung"
141:
108:
17:
853:
85:
448:
839:
619:
Die zerstreute
Avantgarde. Strategische Kommunikation im Italien der 70er Jahre
168:
she focused on local communication media; in the series of paintings entitled
137:
1070:(Spring 2002). "Getting under the skin, or, How faces have become obsolete".
172:
she addressed the impoverished human communications and the loss of writing.
111:. It was during that time that she met her future husband, Nicolas Reichelt.
493:, exhibition catalogue, Hochschule fĂŒr Grafik und Buchkunst, Leipzig, 2006.
216:
209:
145:
1337:
1124:
1089:
825:
803:
721:
1321:
205:
65:
experimental radio programmes for the alternative broadcasting station
665:
293:
236:(2003) for instance features former elite GDR athletes. The project
1245:
Media and New
Capitalism in the Digital Age: The Spirit of Networks
1239:, (exhibition catalogue), Goethe-Institute, Saint Petersburg, 2009.
497:
1301:
1224:. In: Manuel Lucena Giraldo, Ignacio Gonzales Casasnovas (ed.):
561:
When clothes become fashion : design and innovation systems
516:. In KUNSTmagazin 1005 (p. 8-13), KUNSTverlag, Berlin 2011.
502:, exhibition catalogue Fotohof Salzburg Edition, Salzburg, 2008.
80:
In 1979, she enrolled in a course of visual arts studies at the
1226:
Amazonas y modelos: Universo femenino y cultura en el siglo XX
1173:
Die
Anwesenheit der Abwesenden Alba DâUrbano â Eine AnnĂ€herung
733:
731:
264:
Deutsche
Gesellschaft fĂŒr Wertpapiere (DWS), Frankfurt am Main
1346:
1006:, (exhibition catalogue), Transit I â IV, DG eV, Munich 1999.
1279:
Alba DâUrbano & Dagmar Varady »wissen â ein
Werkkatalog«
1215:
When
Clothes become Fashion. Design & Innovation Systems
970:, (exhibition catalogue), Bibliothek der Provinz, Linz 1998.
442:
1023:. In: Barbara Hoffer, Valeria Schulte-Fischedick (ed.):
1014:
Haut. Literaturgeschichte â Körperbilder â Grenzdiskurse
336:
2006 Project grant of the Kulturstiftung des Bundes for
1281:, in: Kunstforum 225, MarchâApril 2014, p. 320-323
514:
Erschreckend Schön: Körperpoetik und Körperkonstruktion
1273:; Frankfurt University Press, Frankfurt am Main, 2010.
1228:, Instituto de Cultura, FundacĂŹon Mafre, Madrid, 2008.
1208:
Wann ist Mode? Strukturen, Strategien und Innovationen
1049:, (exhibition catalogue), Prestel Verlag, Munich 2002.
994:, (exhibition catalogue), Dako Verlag, Stuttgart 1999.
1347:
Website of the artist duo Tina Bara and Alba D'Urbano
1147:, Vol. 2(2): 205-228, SAGE Publications, London 2003.
471:, (exhibition catalogue), Salon Verlag, Cologne 1997.
196:
international renown through her multi-part projects
33:(born April 13, 1955) is a textile and video artist.
1063:, Vol. 31, p. 181ff., Saur Verlag, Munich 2002.
164:, 1987). For the video installations for the series
840:"Medien Kunst Netz | D\'Urbano, Alba: Hautnah"
489:Alba DâUrbano/Tina Bara/Susanne Holschbach (ed.):
342:2009 Project grant of the Stiftung Kunstfonds for
323:NaFög-grant of the UniversitĂ€t der KĂŒnste, Berlin
1141:Affect as medium, or the âdigital-facial-imageâ.
478:. In: Andreas Broekman, *Rudolf Frieling (ed.):
746:, Vol. 31, Saur Verlag, Munich 2002, p. 181 ff.
662:"Alba d'Urbano :: Touch Me [1995]"
447:, Kunstforumverlag Ruppichteroth 1995; also in
564:(English ed.). Oxford: Berg. p. 54.
1342:Institut fĂŒr Neue Medien in Frankfurt am Main
1179:, Verlag fĂŒr Moderne Kunst, Nuremberg, 2006.
1045:. In: Wilhelm Hornbostel, Nils Jockel (ed.):
467:. In: Reindl; Dietzler; Ummels; Broch (Hg.):
289:Art Fund of the Free State of Saxony, Dresden
8:
1193:, Verlag fĂŒr Moderne Kunst, Nuremberg, 2006.
480:Bandbreite-Medien zwischen Kunst und Politik
116:Offenbach University of Art and Design (HfG)
680:"Alba D'Urbano »Esposizione Impraticabile«"
258:Collection of the City of Frankfurt am Main
240:(2007-2009) looks at the opposition group
232:'s past. The series of portraits entitled
1292:Literature by and about Alba D'Urbano
326:Project grant of the Röhm GmbH, Darmstadt
771:"Rosa Binaria - Albina Mirella DÂŽUrbano"
208:. In the interplay between clothing and
103:. In 1990 she held a scholarship at the
69:in Tivoli (modelled on stations such as
36:D'Urbano's most notable work was 1995's
1210:, Dietrich Reimer Verlag, Berlin, 2007.
525:
317:(ZDF) for the realization of the video
294:Kunsthalle Dominikanerkirche, OsnabrĂŒck
246:, of which Tina Bara is also a member.
77:in Rome) and founded a feminist group.
1237:Bewegte Welt â ErzĂ€hlte Zeit 1989-2009
1038:, (exhibition catalogue), Merano 2001.
1029:, (exhibition catalogue), Berlin 2000.
977:. In: Hermann, Mertin, Valting (ed.):
880:Museum fĂŒr Kunst und Gewerbe Hamburg:
250:Works in public collections (selected)
1247:, Palgrave Macmillan, New York, 2010.
1200:, Transcript-Verlag, Bielefeld, 2008.
708:"Hochschule fĂŒr Grafik und Buchkunst"
694:"Hochschule fĂŒr Grafik und Buchkunst"
215:The works she developed jointly with
7:
1397:Berlin University of the Arts alumni
1035:Die Zweite Haut â Kunst und Kleidung
374:(exhibition catalogue), Berlin 1991.
299:Museum fĂŒr Kunst und Gewerbe Hamburg
118:, she was appointed to teach at the
1312:Intermedia class at the HGB Leipzig
981:, Wilhelm Fink Verlag, Munich 1998.
422:Gerbel, Karl; Weibel, Peter (ed.):
392:Gerbel, Karl; Weibel, Peter (ed.):
42:Hochschule fĂŒr Grafik und Buchkunst
1392:21st-century Italian women artists
1387:20th-century Italian women artists
1382:Sapienza University of Rome alumni
1233:Tina Bara/Alba DâUrbano, Covergirl
975:Experimentum Loci: Virtuelle RĂ€ume
363:(exhibition catalogue), Sora 1990.
261:Collection of the Town of Fellbach
25:
854:"Il Sarto Immortale: The Project"
826:"Il Sarto Immortale: The Project"
507:Private Property: all you need...
1307:Alba D'Urbano at the HGB Leipzig
757:"INM - Institut fĂŒr Neue Medien"
460:, Verlag der Kunst, Munich 1995.
308:Prizes and scholarships / awards
124:Free University of Bozen-Bolzano
107:in Frankfurt am Main, headed by
1217:, Berg Publisher, Oxford, 2008.
1158:, Böhlau Verlag, Cologne, 2004.
1154:. In: Christian Janecke (ed.):
1016:, Rowohlt Verlag, Reinbek 1999.
496:Alba DâUrbano/Tina Bara (ed.):
474:Dieter Daniels, Alba DâUrbano:
313:1987 Grant from the editors of
82:Accademia di Belle Arti in Rome
1167:, Guerini Verlag, Milan, 2004.
1117:Johns Hopkins University Press
1082:Johns Hopkins University Press
952:, Prestel Verlag, Munich 1997.
722:"Videography of Alba d'Urbano"
450:Fotografie nach der Fotografie
120:Academy of Visual Arts Leipzig
60:and studied philosophy at the
1:
1047:Nackt. Die Ăsthetik der BlöĂe
883:Inside Out. Einblicke in Mode
621:, Böhlau-Verlag, Vienna 2010.
476:Utopie: Ursprung aller Medien
282:Medienhaus, Frankfurt am Main
279:ZKM | Medienmuseum, Karlsruhe
222:Portrait Alba / Tina Ritratto
105:Institute for New Media (INM)
97:Berlin University of the Arts
38:"hautnah" (close to the skin)
27:Italian artist and professor
1265:, LâHarmattan, Paris, 2010.
1235:. In: Ralf Eppenede (ed.):
1061:Allgemeines KĂŒnstlerlexikon
1059:. In GĂŒnter MeiĂner (ed.),
1000:Il Sarto Immortale: Display
931:Neues aus der Raumforschung
743:Allgemeines KĂŒnstlerlexikon
594:"Gender and representation"
538:Design Writing Research.org
534:"Erotics of the Artificial"
499:Eine Frage (nach) der Geste
361:Il recinto e il luogo sacro
338:Eine Frage (nach) der Geste
285:Deutsche Guggenheim, Berlin
178:L'esposizione impraticabile
166:Berlin Kulturstadt Europas,
114:After a lectureship at the
62:Sapienza University of Rome
1413:
1271:Die Made in der Schokolade
868:"Goethe-Institut Russland"
230:German Democratic Republic
1302:Website von Alba D'Urbano
1145:Journal of Visual Culture
968:Skulptur, Figur, Weiblich
941:, Frankfurt am Main 1995.
1352:Couture â The Collection
1191:Whoami: In ordine Sparso
1177:Whoami: In ordine Sparso
632:">> Edison Studio"
558:Loschek, Ingrid (2009).
444:Kunstforum International
303:Museum Bellerive, Zurich
276:Deutsche Bank, Darmstadt
1296:German National Library
979:Die Gegenwart der Kunst
950:Medien-Kunst-Geschichte
315:Das kleine Fernsehspiel
255:Gutenberg-Museum, Mainz
1222:La Moda: sublime menor
1187:Einmal hören. FĂŒr Alba
1183:Hubertus von Amelunxen
1165:. In: Estetica Mediale
1152:OberflÀchen mit Körper
1068:Wegenstein, Bernadette
592:Hammerstingl, Werner.
344:Covergirl: Wespen-Akte
333:of Eurocréation, Paris
243:Frauen fĂŒr den Frieden
238:Covergirl: Wespen-Akte
1189:. In: Alba D'Urbano:
1175:. In: Alba DâUrbano:
1125:10.1353/con.2004.0003
1090:10.1353/con.2003.0018
990:Heike Strelow (ed.):
944:Schwarz, Hans-Peter:
56:D'Urbano was born in
424:Ars Electronica 1994
394:Ars Electronica 1993
150:Nur die Augen können
1338:About Alba D'Urbano
1322:About Alba D'Urbano
1171:Alexandra Kolossa:
1032:Elisabeth Hartung:
998:Gebhard Streicher:
984:Alexandra Kolossa:
636:www.edisonstudio.it
484:Kulturverlag Kadmos
372:Videoinstallationen
90:Alessandro Cipriani
18:Alba D' Urbano
1327:2014-07-15 at the
1257:2016-03-04 at the
986:Il Sarto Immortale
888:2014-07-25 at the
456:2015-11-18 at the
416:2016-03-03 at the
386:2014-03-06 at the
202:Il Sarto Immortale
190:Il sarto immortale
162:Ernst-Reuter-Platz
154:Checkpoint Charlie
75:Radio CittĂ Futura
1269:Constanze KĂŒsel:
1041:Michaela Völkel:
1010:Benthien, Claudia
1004:It's now or never
469:Art Hansa Spezial
410:Der negierte Raum
368:Al Caro Scomparso
101:Wolfgang Ramsbott
16:(Redirected from
1404:
1317:Intermedia class
1213:Ingrid Loschek:
1161:Lorella Scacco:
1136:
1101:
956:Ingrid Mössinger
918:
917:
915:
914:
905:. Archived from
899:
893:
878:
872:
871:
864:
858:
857:
850:
844:
843:
836:
830:
829:
822:
816:
815:
813:
811:
802:. Archived from
792:
786:
785:
783:
782:
773:. Archived from
767:
761:
760:
753:
747:
735:
726:
725:
718:
712:
711:
704:
698:
697:
690:
684:
683:
676:
670:
669:
664:. Archived from
658:
652:
651:
649:
647:
638:. Archived from
628:
622:
617:Klemens Gruber:
615:
609:
608:
606:
604:
589:
583:
582:
580:
578:
555:
549:
548:
546:
544:
530:
463:DâUrbano, Alba:
437:DâUrbano, Alba:
408:DâUrbano, Alba:
378:DâUrbano, Alba:
366:DâUrbano, Alba:
355:DâUrbano, Alba:
46:Leipzig, Germany
21:
1412:
1411:
1407:
1406:
1405:
1403:
1402:
1401:
1377:Italian artists
1357:
1356:
1329:Wayback Machine
1288:
1277:Paolo Bianchi:
1259:Wayback Machine
1252:Océane Delleaux
1196:Cora von Pape:
1150:Petra Leutner:
1104:
1066:
992:Natural Reality
935:Steiger, Charly
929:Wolff, Thomas:
926:
924:Further reading
921:
912:
910:
901:
900:
896:
890:Wayback Machine
879:
875:
866:
865:
861:
852:
851:
847:
838:
837:
833:
824:
823:
819:
809:
807:
794:
793:
789:
780:
778:
769:
768:
764:
755:
754:
750:
736:
729:
720:
719:
715:
706:
705:
701:
692:
691:
687:
678:
677:
673:
660:
659:
655:
645:
643:
630:
629:
625:
616:
612:
602:
600:
591:
590:
586:
576:
574:
572:
557:
556:
552:
542:
540:
532:
531:
527:
523:
512:Alba DâUrbano:
505:Alba DâUrbano:
458:Wayback Machine
418:Wayback Machine
388:Wayback Machine
352:
310:
252:
133:
73:in Bologna and
54:
28:
23:
22:
15:
12:
11:
5:
1410:
1408:
1400:
1399:
1394:
1389:
1384:
1379:
1374:
1369:
1359:
1358:
1355:
1354:
1349:
1344:
1335:
1319:
1314:
1309:
1304:
1299:
1287:
1286:External links
1284:
1283:
1282:
1275:
1266:
1249:
1240:
1231:Reuter, Jule:
1229:
1220:Jorge Lozano:
1218:
1211:
1204:Ingrid Loschek
1201:
1194:
1180:
1169:
1159:
1148:
1137:
1108:Configurations
1102:
1073:Configurations
1064:
1053:GĂŒnter MeiĂner
1050:
1039:
1030:
1017:
1007:
996:
982:
973:Wendt, Karin:
971:
953:
942:
925:
922:
920:
919:
894:
873:
859:
845:
831:
817:
806:on 4 June 2002
787:
762:
748:
738:GĂŒnter MeiĂner
727:
713:
699:
685:
671:
668:on 2014-10-30.
653:
623:
610:
584:
571:978-1847883667
570:
550:
524:
522:
519:
518:
517:
510:
503:
494:
487:
472:
461:
435:
430:2012-12-02 at
405:
401:2012-11-29 at
396:, Vienna 1993.
375:
364:
351:
348:
347:
346:
340:
334:
327:
324:
321:
309:
306:
305:
304:
301:
296:
291:
286:
283:
280:
277:
274:
271:
265:
262:
259:
256:
251:
248:
234:Siegerehrungen
132:
129:
67:Radio Gulliver
53:
50:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
1409:
1398:
1395:
1393:
1390:
1388:
1385:
1383:
1380:
1378:
1375:
1373:
1372:Living people
1370:
1368:
1365:
1364:
1362:
1353:
1350:
1348:
1345:
1343:
1339:
1336:
1334:
1330:
1326:
1323:
1320:
1318:
1315:
1313:
1310:
1308:
1305:
1303:
1300:
1297:
1293:
1290:
1289:
1285:
1280:
1276:
1274:
1272:
1267:
1264:
1260:
1256:
1253:
1250:
1248:
1246:
1243:Eran Fisher:
1241:
1238:
1234:
1230:
1227:
1223:
1219:
1216:
1212:
1209:
1205:
1202:
1199:
1195:
1192:
1188:
1184:
1181:
1178:
1174:
1170:
1168:
1164:
1163:Alba DâUrbano
1160:
1157:
1153:
1149:
1146:
1142:
1139:Mark Hansen:
1138:
1134:
1130:
1126:
1122:
1118:
1114:
1110:
1109:
1103:
1099:
1095:
1091:
1087:
1083:
1079:
1075:
1074:
1069:
1065:
1062:
1058:
1057:Alba D'Urbano
1054:
1051:
1048:
1044:
1040:
1037:
1036:
1031:
1028:
1027:
1022:
1021:Alba DâUrbano
1019:Gertje MaaĂ:
1018:
1015:
1011:
1008:
1005:
1001:
997:
995:
993:
987:
983:
980:
976:
972:
969:
965:
964:Barbara Wally
961:
960:Alba DâUrbano
957:
954:
951:
947:
943:
940:
936:
932:
928:
927:
923:
909:on 2014-07-30
908:
904:
898:
895:
892:
891:
887:
884:
877:
874:
869:
863:
860:
855:
849:
846:
842:. 2019-07-16.
841:
835:
832:
827:
821:
818:
805:
801:
797:
791:
788:
777:on 2014-03-06
776:
772:
766:
763:
758:
752:
749:
745:
744:
739:
734:
732:
728:
723:
717:
714:
709:
703:
700:
695:
689:
686:
681:
675:
672:
667:
663:
657:
654:
642:on 7 May 2006
641:
637:
633:
627:
624:
620:
614:
611:
599:
595:
588:
585:
573:
567:
563:
562:
554:
551:
539:
535:
529:
526:
520:
515:
511:
508:
504:
501:
500:
495:
492:
488:
485:
481:
477:
473:
470:
466:
462:
459:
455:
452:
451:
446:
445:
440:
436:
433:
432:archive.today
429:
426:
425:
419:
415:
412:
411:
406:
404:
403:archive.today
400:
397:
395:
389:
385:
382:
381:
376:
373:
369:
365:
362:
358:
354:
353:
349:
345:
341:
339:
335:
332:
328:
325:
322:
320:
316:
312:
311:
307:
302:
300:
297:
295:
292:
290:
287:
284:
281:
278:
275:
272:
269:
268:Dresdner Bank
266:
263:
260:
257:
254:
253:
249:
247:
245:
244:
239:
235:
231:
227:
223:
218:
213:
211:
207:
203:
199:
193:
191:
187:
183:
180:, 1992, '96;
179:
173:
171:
167:
163:
159:
155:
151:
147:
143:
139:
130:
128:
125:
121:
117:
112:
110:
106:
102:
98:
93:
91:
87:
83:
78:
76:
72:
68:
63:
59:
51:
49:
47:
43:
39:
34:
32:
31:Alba D'Urbano
19:
1278:
1270:
1262:
1244:
1236:
1232:
1225:
1221:
1214:
1207:
1197:
1190:
1186:
1176:
1172:
1166:
1162:
1156:Haare Tragen
1155:
1151:
1144:
1140:
1112:
1106:
1077:
1071:
1060:
1056:
1046:
1043:Inszenierung
1042:
1034:
1025:
1020:
1013:
1003:
999:
991:
985:
978:
974:
967:
959:
949:
945:
938:
930:
911:. Retrieved
907:the original
897:
881:
876:
862:
848:
834:
820:
808:. Retrieved
804:the original
799:
790:
779:. Retrieved
775:the original
765:
751:
741:
716:
702:
688:
674:
666:the original
656:
644:. Retrieved
640:the original
635:
626:
618:
613:
601:. Retrieved
597:
587:
575:. Retrieved
560:
553:
541:. Retrieved
537:
528:
513:
506:
498:
490:
486:Berlin 2004.
479:
475:
468:
465:Stoffwechsel
464:
449:
443:
438:
434:, Linz 1994.
423:
409:
393:
380:Rosa Binaria
379:
371:
367:
360:
356:
350:Publications
343:
337:
330:
318:
314:
241:
237:
233:
225:
221:
214:
201:
197:
194:
189:
185:
182:Rosa Binaria
181:
177:
174:
169:
165:
157:
156:, 1985) and
149:
142:written word
134:
113:
109:Peter Weibel
94:
86:Enzo Brunori
79:
74:
70:
66:
55:
37:
35:
30:
29:
1367:1955 births
1119:: 373â385.
1084:: 221â259.
1026:Crossfemale
329:1990 Grant
184:, 1993â96;
160:(filmed on
152:(filmed at
71:Radio Alice
1361:Categories
913:2014-08-27
800:www.inm.de
781:2014-08-27
646:14 January
603:29 October
598:Olinda.com
577:29 October
543:29 October
491:Bellissima
331:PĂ©piniĂšres
319:Kreis, der
226:Bellissima
170:Prometheus
158:Kreis, der
138:mass media
52:Early life
1298:catalogue
1098:145787626
796:"Couture"
521:Footnotes
217:Tina Bara
210:nakedness
146:new media
1325:Archived
1255:Archived
1133:39712576
946:Touch me
886:Archived
454:Archived
428:Archived
414:Archived
399:Archived
384:Archived
357:La Porta
270:, Munich
220:such as
206:catwalks
144:and the
131:Artistry
1340:at the
1331:at the
1294:in the
966:(Hg.),
939:Sequenz
937:(ed.):
740:(ed.):
439:Hautnah
420:. In:
390:. In:
198:Hautnah
186:Hautnah
1131:
1096:
1002:. In:
988:. In:
962:. In:
948:. In:
933:. In:
810:22 May
568:
441:. In:
370:. In:
359:. In:
176:(e.g.
84:under
58:Tivoli
1129:S2CID
1115:(3).
1094:S2CID
1080:(2).
44:, in
1143:In:
812:2022
648:2022
605:2014
579:2014
566:ISBN
545:2014
224:and
200:and
188:and
1333:ZKM
1121:doi
1086:doi
1363::
1261::
1206::
1185::
1127:.
1113:10
1111:.
1092:.
1078:10
1076:.
1055::
1012::
958::
798:.
730:^
634:.
596:.
536:.
482:,
48:.
1135:.
1123::
1100:.
1088::
916:.
870:.
856:.
828:.
814:.
784:.
759:.
724:.
710:.
696:.
682:.
650:.
607:.
581:.
547:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.