374:, influenced by Andy Warhol's cinema, opts for "disintermediation" and direct communication with the audience, outside of commercial modes of production and established distribution circuits. Its double screen, which removes narrative causality, is also a materialist device that serves to defuse emotion, as in the sequence where, on one screen, the actor and co-author Tanyaradzwa recounts parental abuse, whereas on the other she laughs and talks inconsequentially while smoking weed. In the film, the protagonist is not the object of the camera, but rather a subject in possession of a discourse that challenges our ethnographic gaze.
406:(2010-2020) is a double-screen film which combines and compares two recording of a ruined house seemingly empty. On the left we see the images recorded on January 17 at 3:33pm, on the right the images recorded exactly to the minute ten years later. The decay and apparent abandonment of its façade contrasts with the smoke coming out of the chimney, which reveals life inside the ruins.
31:
410:
292:
548:
In his diptych "Glitches" Pagán tries to find the materiality of the digital image. The manipulations in the hexadecimal code of the video files caused glitches which the filmmaker had to fix by capturing the computer screen, as every video would stumble at differente moments on different glitches.
1582:
Redondo Neira, Fernando; Pérez
Pereiro, Marta, "Identidades buscadas e construídas: imaxes da emigración galega no cinema". Ledo 2018, p. 126. "Vense considerando como un título, en certo xeito, inaugural, ou cando menos pioneiro ou inspirador, do que finalmente callou na marca coñecida como Novo
355:
The filmmaker constructed the film from eighteen hours of improvised filmed material. It is a montage film, in the sense that it was not filmed to illustrate a story, but was improvised, so that the autonomous scenes, when spliced together, trigger the narration. It was the first film by Pagán to
287:
is "a forceful and, at times, enigmatic work", a collage of past and present, of Europe and
America, of documentary and experimentalism, in which Pagán recovers the oral history of his family, broken apart by emigration. The film intertwines family progression with political history. Its final
422:, winner of the Galiza Award in the Curtocircuito International Film Festival, connects with the cosmopolitan vocation of the New Galician Cinema, but can also be read as a vindication of the right to self-determination of both the Australian aboriginal peoples and those of Galicia.
633:
was heralded by critic literary Isaac
Lourido as one of the ten best Galician books of the previous decade. It combines essay with fiction and short story with novel. Each chapter can be read as an independent story or as part of the global development of the main character.
595:
into
Galician. Contrary to what is usually thought, Pagán has argued that "to say that is untranslatable is to say that it is illegible", and as it is legible, it follows that it can be translated. His chosen translation for the title of Joyce's novel is
165:
Alberte Pagán is a key figure among
Galician filmmakers. His films have a strong political bent, but are also concerned with "signifier-signified explorations" and "seriality, metanarration, hybridization of materials and subversion of codes", as in
399:
Pagán does not use the video camera in a realist way, but rather plays with it "as something much richer in nuances, capable of playing with the textures and effects derived from the incidence of light on the analog mechanism of the camera".
525:
of the same name, the projection surface (the leaves of a camphor tree) stands out against the projected image; the contrast between the two images causes a "strangeness in our gaze" that, all the same, "balances beauty and tension".
500:
creates a petrified sky through the projection of the image of a rock onto the same kind of rock; but it nevertheless has a "sociopolitical and cultural subtext", as ganite is traditionally used in
Galician stonemasonry.
370:, filmed in Zimbabwe, was defined as "anti-anthropological" and "antiethnographic", so as to avoid any temptation of an orientalist reading. It is divided in two parts: "Scenes of country life" and "Scenes of city life".
326:(2011). The film turned Pagán into a reference, a "touchstone" and a pioneer of the NGC. As Martínez writes, "without any doubt, Alberte Pagán embodies the figure of the patriarch of this group of creators."
433:
proves the essential difference between photography and cinema, the radical difference between a frame and a photograph – cinema is not movement (a single frame cannot reproduce movement) but visual time.
549:
As a result, "the photographic image serves as a documentary base to then be dismantled into painting" and "triggers different sensations through texture, color, concealment and unconcealment of form".
388:, hailed as one of the best short films of the year by Cahiers du Cinéma España, is film of "montage as organizer of discourse and of cinema as a militant and critical tool, but never as a pamphlet".
484:(2017), a brief film made by cutting up every single frame of an anonymous trailer and randomly reordering them. Part of the ongoing Proxecto Remolque (Project Trailer) coneived by Cris Lores,
377:
The filmmaker made a four-screen version for Play-Doc Film
Festival (where it won the Best Galician Film award), "redoubling its commitment to experimentation in the field of random editing".
540:
projects the image of a woman onto her own naked body; its pictorial nature and its "close and inaccurate sensuality" are reminiscent of the paintings of
Francis Bacon and Lucien Freud.
1868:
600:, suggesting "a funeral wake for plural Finnegans". His "meticulously annotated" translation appeared in 1993 and "still remains the most substantial Galician rendering of any part of
496:
In his series "Surfaces", started in 2014, Pagán investigates the behaviour of images once they are projected onto "unusual" surfaces, which achieve a "tactile feeling". His film
339:(2010) was Pagán's first foray into fiction filmmaking. Filmed in Galicia, Panama and Malta, it is "a raw, visceral and rough film". It is a "spacial" remake of the "temporal"
118:
Alberte Pagán is a recognized theorist and researcher. Writing in
Galician, Spanish and English, he has published many articles, chapters and books on experimental cinema. His
1445:
Castro de Paz, José Luis; Cerdán de los Arcos, Josetxo, "Razonables huellas documentales (2000-2006). Un variado, fértil y alentador panorama”. Rodríguez, Hilario J. (2006).
536:, which inaugurated the series "surfaces", are projected onto a carbon portrait and onto a layer of mold, respectively, to highlight "the physicality of the image".
1567:
Nogueira, Xosé (2023). "De la trabajosa artesanía a la artística autoría: el proceloso caso del documentalismo gallego" . Torreiro and
Alvarado 2023, p. 178.
1371:
Escudero, Antón (February 6, 2014). "Alberte Pagán, cineasta e escritor: 'Warhol foi un auténtico investigador e explorador da mecánica do cinematógrafo'",
2096:
1388:
Sermos Galiza, November 11, 2021. p. 11. "O conxunto das súas películas é case un manual de resistencias que abrangue desde o agit-prop máis urxente (
1183:
888:
2114:
173:
The whole of his work can be read as a "manual of resistance", from agit-prop to the deconstruction of inherited codes. The political strand of
919:
123:
1592:
Redondo Neira, Fernando; González, Xurxo. "As marcas do procesual nos límites da experimentación do Novo Cinema Galego". Nogueira 2021, p. 83.
1788:
1414:
Villarmea, Iván. "Políticas de representación no novo cinema galego. Do modelo Zeitun á estética da resistencia". Nogueira 2021, pp. 100-101.
138:, a "complete and rigorous" monograph which vindicates the materiality of the artist's films. He has collected his in-depth interviews with
2317:
170:(2007) or in the films from his series "Surfaces" and "Film Studies". His cinema combines "formal research with political implications".
195:. His films "generate controversy" and "provoke analysis and reflection" "while still achieving attractive and genuine visual results".
1686:
Oter, Jorge; Miquel Gual, Joan. "Miradas hacia el exterior: construcciones de una otredad alejada." Torreiro and Alvarado 2023, p. 392.
854:
1327:
517:, one urban, the other rural, projected onto wood. Its "conceptual and formal complexity" alludes to "the memory of space". In
1515:
1727:
1223:
454:
1992:
469:(2015), is already constructed from previous found footage, hence we can call these films "third generation" pieces. Both
304:
is the forerunner of the New Galician Cinema (NGC). Its dual composition, which would be retaken in other NGC films like
604:." It was the first complete translation of the first two chapters in any of the languages of the Iberian Peninsula".
438:
imposes its (minute) duration, which simultaneously shows and hides." The film is a denunciation of everyday fascism.
2185:
1385:
1635:
Salgado, Daniel (December 2, 2011). "Imaxes en colisión. O cineasta Alberte Pagán estréase na ficción coa 'áspera'
288:
14-minute-long tracking shot in Buenos Aires metro has been interpreted as a "descent into the hell of identity".
2198:
1516:"Documental autoetnográfico de posmemoria. Una aproximaciónal al pasado franquista desde la perspectiva de género"
429:
is the shortest film possible. It consists of a single frame which lasts 1/60th of a second (16.7 milliseconds). "
862:
151:
1869:"Alberte Pagán: "O filme 'Elefante' é unha metáfora do que ocorre co fascismo cotián do nacionalismo ucraíno""
2131:
Lopo, Mónica V. (October 28, 2018). "Cine experimental de la mano de Alberte Pagán. Do cinema á literatura".
1018:, Galeria Municipal do Porto (2022), chapter 5, pp. 13-15. (in Portuguese and English) ISBN 978-989-53480-7-7
238:(2011), which deals with the environmental disaster produced on the Galician coast by the oil spill from the
1355:
251:
1477:
1025:
2312:
1532:
Pérez Pereiro, Marta. "Filmar a tribo, filmar o íntimo no cinema galego contemporáneo". Ledo 2019, p. 200.
1305:
1190:
Villarmea Álvarez, Iván (2016). "Transnational Identities in Galician Documentary Film: Alberte Pagán's
2115:"Día do libro: estas son as dez mellores obras publicadas na última década, a ollos da crítica galega"
1184:
O cine de non ficción no Novo Cinema Galego (2006-2012): Conceptualización, contextos e singularidades
1001:"Formas del cine-poema (Los caminos de la poesía en el cine)", in Oter, Jorge and Zunzunegui, Santos.
2307:
309:
1839:
Villarmea, Iván. "Fóra de campo. Traumas históricos e persoais no cinema galego". Ledo 2019, p. 244.
457:
to deconstruct the original films and subvert their meanings. But the found footage Pagán reuses in
356:
receive financing (€10,735.33 net, €18,000 gross) from the Galician Agency of Cultural Industries.
2146:
1822:
1903:
Tenreiro Uzal, Cibrán. "Entre illas. Reciclaxe e arquivo no cinema galego." Ledo 2020, pp. 64-65.
1887:"Alberte Pagán preséntanos os seus últimos traballos: "estudos cinematográficos" e "superficies""
239:
1886:
1765:
Reviriego, Carlos; De Predro, Gonzalo (December 2007). "Cuando el cine pequeño se hace grande".
995:
2274:
2097:"Lina Pérez: "Esta sociedade está totalmente domada e somos nós os que nos poñemos as cadeas""
2051:
O'Neill, Patrick (December 2019), "Translators, Titles, Texts: Reading the First Two Words of
1784:
1653:
1459:
1163:
881:
623:, “Vim mais do que esperava”, was dramatized by AveLina Pérez in her theatrical production of
71:
2279:
1274:
962:(Fundación Eugenio Granell, 2007). (in Galician, Spanish and English) ISBN 978-84-89440-45-6
143:
1011:
568:
277:
131:
1003:
184:
107:
51:
2234:
1035:, Sevilla: Athenaica Ediciones (2024), pp. 367-411. (in Spanish) ISBN 978-84-19874-51-1
944:“Cinema Underground estadounidense”, in Cueto, Roberto and Weinrichter, Antonio (2004).
876:
1849:
1614:
Sande, José Manuel. "A década prodixiosa. O NCG en dez fitos." Nogueira (2021). p. 278.
581:
348:
282:
207:
1166:(2012). "Óperas primas: el caso del documental en México y España (Eugenio Polgovsky,
937:"Imágenes del sueño en libertad: Pulsaciones poéticas en el cine de Eugenio Granell".
611:(2013), a combination of "poetic avant-garde and political manifesto", and the novels
269:
156:
Emotional Materials / Personal Processes. Six Interviews with Experimental Filmmakers.
2301:
1022:
Emotional Materials / Personal Processes. Six Interviews with Experimental Filmmakers
560:
254:. His political films are "a lucid anthology of the chronic evils of today's world".
247:
139:
1572:
opera todavía hoy como obra seminal y referencial para la acuñación de la marca NCG.
2283:
1926:
1447:
Miradas para un nuevo milenio. Fragmentos para una historia futura del cine español
1031:"Documentos de un tiempo robado. Entrevista con Paulino Viota", en Viota, Paulino.
192:
188:
1214:
30:
2288:
586:
315:
2292:
2261:
2216:
591:
179:
147:
946:
Dentro y fuera de Hollywood. La tradición independiente en el cine americano.
199:
1392:) até o desvelamento do discurso sistémico a través da súa deconstrucción (
230:, 2012), but has also reflected on the political problems of Galicia as in
988:(Xunta de Galicia, 2013). (in Galician and English) ISBN 978-84-453-5074-4
480:
Also a found footage film, but made outside the "film studies" series, is
880:(script and essays on the film; 2015) (in Galician, Spanish, English and
514:
223:
215:
1328:"De Alberte Pagán a Alberto Gracia: cine gallego, un aire de renovación"
1007:(2019). Universidad del País Vasco. (in Spanish) ISBN 978-84-9082-833-5
948:
Festival Internacional de Cine de Gijón. (in Spanish) ISBN 84-482-3896-6
941:(Diputación Provincial de Málaga, 2003). (in Spanish) ISBN 0212-4378-235
409:
264:
His first film to receive recognition was the minimalist and conceptual
2270:
2167:
2055:", QORPUS, volume 9, No. 9: Especial James Joyce, p. 19. ISSN 2237-0617
1224:
Miradas cruzadas. Pintura e paisaxe no audiovisual galego contemporáneo
1215:
Cine, paisaje, pintura. Una mirada al audiovisual gallego contemporáneo
1200:
Global Genres, Local Films. The Transnational Dimension of Spanish Film
1004:
Ensayos de poética. Miradas sobre el contacto entre el cine y la poesía
522:
1232:
Para unha historia do cinema en lingua galega. A foresta e as árbores
1749:
1709:
975:(Cineclube de Compostela, 2010). (in Galician) ISBN 978-84-614-0937-2
579:
Alberte Pagán has translated the first two chapters of James Joyce’s
1496:
1129:
2021: Honorific Mention (Festival Primavera do Cine) (career award)
903:
Historias de Barbantia. 17 relatos de autoras e autores do Barbanza
453:(1957), inaugurated the series "film studies", in which Pagán uses
506:
488:
proves "the impossibility of replicating what has disintegrated".
408:
290:
242:
tanker. The inverted chromatism and the "depressed landscapes" of
1246:
Para unha historia do cinema en lingua galega. Lume na periferia
1239:
Para unha historia do cinema en lingua galega. De illas e sereas
1207:
Para unha historia do cinema en lingua galega. Marcas na paisaxe
958:"O ballets mecánicos de Eugenio Granell, cineasta experimental".
951:“Residuos experimentales en Arrebato”, in Cueto, Roberto (2006).
2265:
1174:, España/Galicia, 2009)". Berthier, Nancy; Fernández, Álvaro A.
981:(Edicións Positivas, 2013). (in Galician) ISBN 978-84-939812-9-7
968:(Edicións Positivas, 2007). (in Galician) ISBN 978-84-87783-89-0
905:, Vigo: Galaxia, pp. 23-32. (in Galician) ISBN 978-84-1176-206-9
291:
268:(2006), awarded at the Play-Doc Film Festival and winner of the
1522:(in Spanish). University of Massachusetts Amherst. p. 75.
1109:: Recipient of a subsidy for film creation by Xunta de Galicia
934:(Xunta de Galicia, 2003). (in Galician) ISBN 978-84-453-3478-2
2068:, University of Toronto Press, p. 187. ISBN 978-1-4875-4199-6
1781:
Peripheral Visions / Global Sounds. From Galicia to the World
1673:
Oliveira, V. (June 24, 2009). "O ollar 'antiantropolóxico'".
1198:". Oliete-Aldea, Elena; Oria, Beatriz, and Tarancón, Juan A.
971:"Eu vou ser como a toupeira ou Para que serve o cinema?", in
395:(2010) was one "of the most emblematic films of the NGC". In
1432:
Gil, Avelina R. (March 13, 2014). "Como ser Alberte Pagán".
1176:Ópera prima en el cine documental iberoamericano (1990-2010)
1116:: CAMIRA Jury Special Mention at Curtocircuito Film Festival
1102:
Recipient of a subsidy for film creation by Xunta de Galicia
2042:, University of Toronto Press, p. 4. ISBN 978-1-4426-4643-8
1601:
Salgado, Daniel (October 29, 2010). "A imaxe exploradora".
1449:, Festival de Cine de Alcalá de Henares. ISBN 84-87153-87-9
1044:
Pagán's sound sculptures were used in AveLina Pérez's play
2255:
986:
Eugenio Granell e o cine. Unha película de vinte minutos
932:
Imaxes do soño en liberdade: o cinema de Eugenio Granell
855:
Película urgente por Palestina (Obra dramática num acto)
128:
Imaxes do soño en liberdade. O cinema de Eugenio Granell
1253:
El documental en España. Historia, Estética e identidad
973:
Non conciliados. Argumentos para a resistencia cultural
1251:
Torreiro, Casimiro; Alvarado, Alejandro (ed.) (2023),
955:
Filmoteca de Valencia. (in Spanish) ISBN 84-482-4308-0
322:(Lois Patiño, 2013), also helped shape Xurxo Chirro's
177:(2012) is rooted in the anticolonialism of films like
2235:"Entrevista con Alberte Pagán, Premio Cineuropa 2021"
922:, 1999). (in Galician and Spanish) ISBN 84-453-2339-3
130:, a monograph on the film work of surrealist painter
1178:. Universidad de Guadalajara. ISBN 978-607-450-618-1
477:
are "a reflection on the vampiric power of images".
1126:: Best Galician Film at Curtocircuito Film Festival
928:(Laiovento, 2000). (in Galician) ISBN 84-89896-66-6
926:
A voz do trevón. Unha aproximación a Finnegans Wake
77:
67:
59:
44:
21:
1306:"La materia recobrada: Andy Warhol. Alberte Pagán"
1153:: A COLECTIVA Award at Intersección Film Festival
1927:"Sinais en curto 2018. Un salto a otra realidad"
1227:, Intersección, A Coruña, ISBN 978-84-949791-3-2
1139:: Special Mention at Curtocircuito Film Festival
1095:Best Galician Film at the Play-Doc Film Festival
246:remind us of the aesthetics of the paintings by
120:Introducción aos clásicos do cinema experimental
1912:Bernal, Fernando (junio 2016), "Walsed/Frank",
960:Congreso Interdisciplinar Eugenio Ganell. Actas
916:Introdución aos clásicos do cinema experimental
187:, 1950). Among his influences are Andy Warhol,
1361:(in Spanish). Caimán Cuadernos de Cine, p. 48.
1218:, PhD, Universidade de Santiago de Compostela.
1081:: Best Galician Film at Play-Doc film Festival
505:consists of a single overhead shot, filmed in
2029:, ano 2019 nº 15. pp. 269-314. ISSN 1889-0946
1356:"Otros estrenos: A realidade (Alberte Pagán)"
1088:: Winner of the Román Gubern Film-Essay Award
449:(2014), an interpretation of Eugene Deslaw's
110:in 1965, is a Galician filmmaker and writer.
8:
998:, 2014). (in Spanish) ISBN 978-84-376-3227-8
567:is reminiscent of the abstract paintings of
2081:. Compromiso e vanguarda. O mito da alma",
1783:. Liverpool University Press. p. 179.
1248:, Editorial Galaxia, ISBN 978-84-9151-766-5
1241:, Editorial Galaxia, ISBN 978-84-9151-488-6
1234:, Editorial Galaxia, ISBN 978-84-9151-335-3
1209:, Editorial Galaxia, ISBN 978-84-9151-172-4
1119:2016: Galician Critics Award (career award)
1016:Os novos Babilónios. Atravessar a fronteira
2258:Personal website (in Galician and English)
1545:de Alberte Pagán: A memoria dunha fenda".
1146:: Jury Award at Intersección Film Festival
901:"Feitos probados" (short story; 2024), en
29:
18:
2027:Barbantia. Anuario de estudos do Barbanza
872:(collection of plays; 2013) (in Galician)
1181:Martínez Martínez, María Isabel (2015),
870:Como foi o conto e outras peças teatrais
563:which is part of the "Surfaces" series.
509:, projected onto a flat plate of slate.
2241:(in Galician). RTVG. November 19, 2021.
1478:"Alberte Pagán - Bs. As. - Andy Warhol"
1265:
2186:"Alberte Pagán. Cine desde as marxes."
2066:Finnegans Wakes. Tales of Translations
1750:"Play-Doc 2010 de Tui. Jay Rosenblatt"
1386:"Alberte Pagán. Cine desde as marxes."
1304:Lombardo, Manuel J. (April 20, 2014).
1010:"Os caminhos da Severa / The paths of
2012:. University of Toronto Press, p. 28.
1969:
1967:
1761:
1759:
1694:
1692:
1669:
1667:
1631:
1629:
1237:Ledo Andión, Margarita (ed.) (2020),
1230:Ledo Andión, Margarita (ed.) (2019),
1205:Ledo Andión, Margarita (ed.) (2017),
889:Percorridos por unha teoria do desexo
613:Percorridos por unha teoría do desexo
96:Percorridos por unha teoría do desexo
7:
2095:Dopico, Montse (December 10, 2016).
1354:Sande, José Manuel (December 2013).
1321:
1319:
1290:
1288:
1202:. Bloomsbury. ISBN 978-1-5013-0298-5
1132:2021: Cineuropa Award (career award)
984:"Arqueologías cinematográficas", in
2199:"Mención Honorífica: Alberte Pagán"
2147:"Os cans non comprenden a Kandisky"
1993:"Contos contados de Finnegan e HCE"
1893:(in Galician). RTVG. March 1, 2021.
1748:Abruñeiras, Iván G. (May 9, 2010).
920:Centro Galego de Arte Contemporánea
585:and the first and last sections of
366:His three-hour-long, double screen
124:Centro Galego de Arte Contemporánea
2077:Arén, Román (February 28, 2014). "
1708:Ledo, Ramiro (November 12, 2009).
1326:Delgado, Mónica (March 30, 2013).
1046:Os cans non comprenden a Kandinsky
607:He self-published the poetry book
14:
2188:Sermos Galiza, November 11, 2021.
2040:Impossible Joyce. Finnegans Wakes
2010:Impossible Joyce: Finnegans Wakes
1867:Veiga, Laura (December 8, 2022).
1255:, Cátedra, ISBN 978-84-376-4572-8
739:Superfícies – Forgoselo (granito)
150:, Taka Iimura, Phil Hoffman, and
1823:"Palmarés de Curtocircuito 2018"
1728:"O suxeito atravesa a pantalla:
1279:(S8) Mostra de Cinema Periférico
1170:, México 2008 y Alberte Pagán,
2121:(in Galician). April 22, 2023.
1738:, June 25-July 1, 2009. p. 36.
1390:Película urgente por Palestina
1014:", in Romero, Pedro G. (ed.).
721:Película urgente por Palestina
513:constains two shots filmed in
1:
1495:Oroz, Elena (March 2, 2007).
1244:Nogueira, Xosé (ed.) (2021),
1055:(sound sculptures, 1996-2010)
781:Flora e fauna (shot on sight)
685:Puílha 17 janeiro 2010 15:33h
122:was published in 1999 by the
16:Galician writer and filmmaker
1925:Paris, Yago (May 30, 2018).
1514:Rams, Maribel (March 2018).
1187:, PhD, Universidade De Vigo.
1061:(Urro/Amaro Ferreiroa, 2013)
2318:People from Galicia (Spain)
2085:, A voz de Barbantia, p. 3.
1520:Scholar Works UMass Amherst
1212:Donoso Calvo, Sara (2018),
939:Litoral. La poesía del cine
898:(novel; 2022) (in Galician)
892:(novel; 2015) (in Galician)
866:(poems; 2013) (in Galician)
48:1965 (age 58–59)
2334:
858:(play; 2012) (in Galician)
757:Superfícies – Peter (tubo)
35:Alberte Pagán in his film
2064:O'Neill, Patrick (2022).
2038:O'Neill, Patrick (2012).
2008:O'Neill, Patrick (2013).
1914:Caimán Cuadernos de Cine.
619:(2022). Poem no. 37 from
175:Urgent Film for Palestine
28:
1767:Cahiers du Cinéma España
1698:Smith 2012, pp. 113-114.
667:A soluçom é o socialismo
311:Todos vós sodes capitáns
1982:Donoso 2018, pp. 227-9.
1779:Colmeiro, José (2017).
1294:Villarmea 2016, p. 236.
1275:"Sinais: Alberte Pagán"
1072:Awards and recognitions
511:Gongoriin bombani hural
134:. In 2014 he published
1623:Martínez 2015, p. 210.
1558:Martínez 2015, p. 210.
1436:, Faro Cultura, p. II.
1344:Martínez 2015, p. 213.
1107:A quem se lhe conte...
715:A quem se lhe conte...
416:
298:
244:A quem se lhe conte...
236:A quem se lhe conte...
1812:Donoso (2019), p. 58.
1549:, August 2007. p. 77.
1221:Donoso, Sara (2019),
412:
294:
1973:Donoso 2018, p. 227.
1961:Donoso 2018, p. 226.
1952:Donoso 2018, p. 225.
1943:Donoso 2018, p. 224.
1803:Donoso 2018, p. 230.
1541:Domínguez, Daniel. "
1405:Donoso 2018, p. 221.
1273:Sande, José Manuel.
953:Arrebato... 25 años.
763:Konfrontationen 2014
598:Velório de Finnegans
161:Political filmmaking
63:writer and filmmaker
2025:, de Andy Warhol".
1829:. November 8, 2018.
1464:Experimental Cinema
1423:Donoso 2019, p. 57.
1194:and Xurxo Chirro's
1114:A Fundamental Error
1033:La familia del cine
877:The Book of Bs. As.
769:A Fundamental Error
555:is a retake on his
553:A Fundamental Error
2266:Novo Cinema Galego
2221:Novo Cinema Galego
1164:Smith, Paul Julian
966:A mirada impasíbel
425:His award-winning
417:
299:
272:Film-Essay Award.
2203:Primavera do Cine
2184:Xestoso, Manuel.
2083:La Voz de Galicia
1790:978-1-78694-030-8
1654:"A Pedra do Lobo"
1384:Xestoso, Manuel.
1310:Diario de Sevilla
1053:A música da morte
841:Tristes tropiques
625:Campo de covardes
534:Sonho bolivariano
451:Visión fantástica
276:, modelled after
198:He has filmed in
101:
100:
72:Experimental film
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2145:Pérez, AveLina.
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2092:
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2019:
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1474:
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1467:
1460:"Pagán, Alberte"
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1283:
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1270:
1100:A Pedra do Lobo:
979:A mirada inqueda
679:Asahra hurratun!
559:, a portrait of
521:, filmed in the
341:Hour of the Wolf
212:Asahra hurratun!
144:Malcolm Le Grice
80:
33:
19:
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2256:albertepagan.eu
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1931:Cine Divergente
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1583:Cinema Galego."
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1059:A Pedra do Lobo
1042:
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912:
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697:A Pedra do Lobo
645:
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569:Gerhard Richter
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383:
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337:A Pedra do Lobo
334:
331:A Pedra do Lobo
278:Chantal Akerman
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132:Eugenio Granell
116:
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37:A Pedra do Lobo
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2250:External links
2248:
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2223:(in Galician).
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2205:(in Galician).
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2057:
2053:Finnegans Wake
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1714:Blogs&Docs
1700:
1688:
1679:
1677:, Maré, p. 36.
1663:
1645:
1643:, Luces, p. 7.
1625:
1616:
1607:
1605:, Luces, p. 9.
1594:
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1501:Blogs&Docs
1487:
1482:Visionary Film
1469:
1466:. 26 May 2015.
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386:Pó de estrelas
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320:Costa da Morte
283:News from Home
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252:Daniel Richter
208:Western Sahara
168:Pó de estrelas
162:
159:
126:. He authored
115:
114:Film criticism
112:
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68:Known for
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2280:Alberte Pagán
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2172:Alberte Pagán
2169:
2168:"Arte sonora"
2163:
2160:
2155:
2154:AveLina Pérez
2148:
2141:
2138:
2135:, Vida, p. 3.
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2079:Prosopagnosia
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1933:(in Spanish).
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1891:ZigZag Diario
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1710:"Tanyaradzwa"
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1484:. 3 May 2007.
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231:
227:
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219:
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193:Chris Marker
189:Michael Snow
185:René Vautier
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127:
119:
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108:O Carballiño
103:
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79:Notable work
52:O Carballiño
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2308:1965 births
1827:Otros Cines
1730:Tanyaradzwa
1172:Tanyaradzwa
992:Andy Warhol
910:Non-fiction
727:A realidade
709:Outrasvozes
673:Tanyaradzwa
643:Filmography
631:Percorridos
615:(2015) and
587:Andy Warhol
523:Somali city
465:(2014) and
414:Tanyaradzwa
381:Other films
372:Tanyaradzwa
361:Tanyaradzwa
316:Oliver Laxe
306:Tanyaradzwa
234:(2010) and
228:A realidade
220:Tanyaradzwa
136:Andy Warhol
88:Tanyaradzwa
2302:Categories
2293:Letterboxd
2119:Nós Diario
1873:Nós Diario
1850:"Elefante"
1332:Desistfilm
1196:Vikingland
1158:References
799:O caruncho
649:Os Waslala
538:Nyaungshwe
391:His short
368:Tanyaradwa
345:Vargtimmen
324:Vikingland
204:Os waslala
180:Afrique 50
152:Bill Brand
148:Ken Jacobs
106:, born in
2133:La Región
1040:Sound art
627:in 2016.
589:'s novel
530:Long Face
498:Forgoselo
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896:Jalundes
882:Asturian
829:Elefante
775:τεμενος³
745:Quim.com
617:Jalundes
544:Glitches
515:Mongolia
492:Surfaces
463:Quim.com
461:, as in
436:Elephant
431:Elephant
427:Elefante
240:Prestige
224:Colombia
216:Zimbabwe
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1641:El País
1603:El País
1570:Bs. As.
1543:Bs. As.
1192:Bs. As.
1086:Bs. As.
1079:Bs. As.
996:Cátedra
835:Bronwyn
823:Dolores
817:Oplezir
787:A mosca
691:Eclipse
655:Bs. As.
519:Berbera
486:A mosca
482:A mosca
397:Eclipse
393:Eclipse
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266:Bs. As.
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1142:2022:
1135:2022:
1122:2018:
1112:2016:
1105:2011:
1098:2010:
1091:2010:
1084:2007:
1077:2007:
1067:(2016)
1012:Severa
843:(2023)
837:(2023)
831:(2022)
825:(2021)
819:(2020)
813:(2019)
807:(2019)
801:(2018)
795:(2018)
789:(2017)
783:(2017)
777:(2017)
771:(2016)
765:(2015)
759:(2015)
753:(2015)
747:(2014)
741:(2014)
735:(2014)
733:Walsed
729:(2012)
723:(2012)
717:(2011)
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705:(2010)
699:(2010)
693:(2010)
687:(2010)
681:(2009)
675:(2009)
669:(2008)
663:(2007)
657:(2006)
651:(2005)
471:Walsed
459:Walsed
447:Walsed
404:Puilha
39:(2010)
2150:(PDF)
2101:Praza
1996:(PDF)
1394:Frank
1359:(PDF)
1260:Notes
1124:Uluru
1065:Frank
805:τέχνη
793:Uluru
751:Frank
638:Works
557:Peter
507:Pagan
503:Pagán
475:Frank
467:Frank
420:Uluru
2275:IMDb
1785:ISBN
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