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different theories on this, such as the "forbidden fruit" and "tainted fruit" theories. The "forbidden fruit" theory states that when a child sees the parental advisory label on an album cover they will be more likely to listen to it because there is an increased attractiveness to the music. There are many adolescents that follow the "forbidden fruit" theory as a way to either lash out at their parents or to make themselves feel more mature than they are. They may use explicit music as a way to be rebellious and to appear cooler to their friends, even if they are much too young to be exposed to that kind of music. The "tainted fruit" theory states that the child will see the label and immediately know to avoid this kind of content because it is inappropriate for their age. These children are the ones who see the label and do not even acknowledge this album or these songs because they know that it is not made for them. The
Recording Industry Association of America (RIAA) introduced this warning label and it is now a requirement on any explicit music. However, the RIAA is unable to actually control whether or not adolescents will be listening to the music but as of now there is no way to fully control what these children are doing.
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album covers is only displayed that way because this is what the white audience seemed to appreciate the most. This version of the reggae artists is what many people take notice of and what makes them unique in regards to other genres. However, these album covers do not accurately represent the core values of typical people in
Jamaica but they deal with this representation because they know that the audience is familiar with the stereotypical rasta depiction. These album covers tend to display inauthentic versions of their considerations of style and sexuality and do not accurately display "Uptown" Jamaica.
27:
1108:) sleeve. Especially in the case of vinyl records with paperboard sleeves, these packages are prone to wear and tear, although wear and tear does often take place to some degree on covers contained within plastic cases. A variety of treatments could be applied to improve both their appearance and durability, such as clear plastic wrap. Many products have been available for the storage of vinyl albums, often clear plastic sleeves.
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364:, which included a photograph by Seeff as a poster insert, is an early example of LP artwork quickly becoming a collector's item. The move to the small (less than 1/4 the size of a record) CD format lost that impact, although attempts have been made to create a more desirable packaging for the CD format, for example the reissue of
1120:. These quite often have a circular cut out so that the record label can be read without directly handling the record, though when the inner sleeve is printed with lyrics, which became quite common, then there is usually no hole. Decca Records used a system of colour-coding on these sleeves where a blue color denoted a
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producer or the retailer's name. These were invariably made out of acid paper, limiting conservability. Generally the sleeves had a circular cutout allowing the record label to be seen. Records could be laid on a shelf horizontally or stood upright on an edge, but because of their fragility, many broke in storage.
1157:), and possibly a track listing. Other information is seldom included on the cover, and is usually contained on the rear or interior of the packaging, such as a track listing together with a more detailed list of those involved in making the record, band members, guest performers, engineers and producer. On the
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Album covers are one of the various ways in which first impressions affect an audience's perception of a given musician or band, or other content of the album. Album covers' design cover may also add to how an audience forms an opinion of them and their music. There are various ways in which an album
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measuring 12 in (30 cm) by 6 in (15 cm), which provided more space for album artwork than the jewel cases they contained, but were seen as harmful to the environment since the cardboard box was typically discarded by the buyer soon after purchase. Major record labels in the United
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In 1938, Columbia
Records hired Alex Steinweiss as its first art director. He is credited with inventing the concept of album covers and cover art, replacing the plain covers used before. After his initial efforts at Columbia, other record companies followed his lead. By the late 1940s, record albums
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Starting in the 1930s, record companies began issuing collections of 78-rpm records by one performer or of one type of music in specially assembled collections. These albums of several 78-rpm records could include a collection of popular songs related by either performer or style, or extended-length
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Beginning in the 1920s, bound collections of empty sleeves with a plain paperboard or leather cover were sold as "record albums" (similar to a photograph album) that customers could use to store their records. (The name "record album" was printed on some covers.) These empty albums were sold in both
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A genre of music that people have found issues in album covers is reggae. There are certain reggae artists that feel that the way they are displayed on their own album covers is not an accurate way of describing themselves and their culture. The stereotypical rasta lifestyle depicted on many reggae
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Parental advisory labels are warning labels that are required to be placed on album covers when the music on the album contains explicit content such as vulgar language. These labels have been known to be controversial when it comes to keeping underage audiences from this content. There are a few
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sleeve, there is usually an inner protective cover to protect against dust and handling. This is normally shaped to allow it to readily slide within the outer cover. The inner sleeve is either thin white paper, either plain or printed with information on other recordings available from the same
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Around 1910, 78-rpm records replaced the phonograph cylinder as the medium for recorded sound. The 78-rpm records were issued in both 10- and 12-inch diameter sizes and were usually sold separately, in brown paper or cardboard sleeves that were sometimes plain and sometimes printed to show the
207:(which has been a popular alternative form of packaging in recent years, but remains supplanted by the jewel case due to higher manufacturing costs and lower durability). Typically the album cover component of these packages is approximately 4.75 in (12.1 cm) square.
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When the 10- and 12-inch long-playing records (LPs) came along in 1948, and box sets of 45-rpm records soon followed (see gramophone record), the name "album" was used for the new format of collections, and the creation of artistic original album covers continued.
304:, containing a photo of a young white woman, as a design that "played a dual role: she represented the transcendent power of the music, and obscured the race of its creator." The standard portrait-based LP cover was further challenged over 1965â66 by Dylan's
163:
by
Tchaikovsky on four double-sided discs in a specially designed package. (It is not indicated what the specially designed package was.) The practice of issuing albums does not seem to have been taken up by other record companies for many years.
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10- and 12-inch sizes. The covers of these bound books were wider and taller than the records inside, allowing the record album to be placed on a shelf upright, like a book, and suspending the fragile records above the shelf, protecting them.
1701:. Fort Worth, Tex.: Fort Worth Art Museum, 1977. N.B'khauhelo. This is the illustrated catalogue of an exhibition which first showed from 4 Dec. to 15 Jan. 1977 in Fort Worth and then in art galleries at Philadelphia, Montréal, and Chicago.
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A number of artists and bands feature members who are, in their own right, accomplished illustrators, designers and photographers and whose talents are exhibited in the artwork they produced for their own recordings. Examples include
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format for interactive album artwork introduced by Apple in 2009. Resolution for digital album covers should be at least 800Ă800 (1:1 aspect ratio); lower resolutions might not look good on newer devices.
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192:. The LP format remains in use for occasional new releases, though other formats have largely supplanted it. The size of the typical cardboard LP sleeve cover is 12.375 in (31.43 cm) square.
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had a front cover that contained a revolving disc which brought different images into view through small cut-outs in the outer sleeve. A similar effect was used for the band's later album
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cover is visualized. Some examples include artists choosing to put a photo of themselves, which is one of the factors that add to the observation of the band, the musician, and the music.
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for all the major companies featured their own colorful paper covers in both 10- and 12-inch sizes. Some featured reproductions of classic art while others utilized original designs.
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The talents of many photographers and illustrators from both inside and outside of the music industry have been used to produce a vast array of memorable LP/CD covers. Photographer
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259:, album covers became renowned for being a marketing tool and an expression of artistic intent. Album art has also been discussed as an important postwar cultural expression.
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A number of record covers have also used images licensed (or borrowed from the public domain) from artists of bygone eras. Well-known examples of this include the cover of
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Huss, Hasse. âThe âZinc-Fence Thingâ: When Will Reggae Album Covers Be
Allowed out of the Ghetto?â Black Music Research Journal, vol. 20, no. 2, 2000, pp. 181â194. JSTOR,
278:
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Peter
Christenson, The Effects of Parental Advisory Labels on Adolescent Music Preferences, Journal of Communication, Volume 42, Issue 1, March 1992, Pages 106â113,
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vary, including the jewel case (which since 1982 has been the most popular form of CD packaging), and the cardboard and plastic combination commonly known as a
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recording (the mono record players of the time were not always compatible with stereo records). This system was begun in the 1960s to reduce packaging costs.
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Besides the practicalities of identifying specific records, album covers serve the purpose of advertising the musical contents on the LP, through the use of
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328:(a folded double cover) and inserts, often with lyric sheets, made the album cover a desirable work in its own right. Notable examples are the Beatles'
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format) music files can contain embedded digital album artworks (called cover images or simply covers) in jpeg format. One digital solution is the
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form; and the album title. Occasionally, though more common on historical vinyl records, the cover may include a reference number; a branding (the
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of the package, the artist, title, and reference number are usually repeated so that albums can be identified while tightly packed on a shelf.
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The importance of design was such that some cover artists specialised or gained fame through their work. Such people include the design team
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1058:(often referred to as the White Album) contained four large glossy photos of the individual Beatles along with a poster-sized collage.
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1483:. Antoine de Beaupré, Serge Vincendet, Sam Stourdzé, Jacques Denis, Jean-Baptiste Mondino (1st Aperture ed.). New York. 2016.
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nominations. In addition to the examples mentioned previously, a number of world-renowned graphic artists and illustrators such as
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had a black-and-white design on the centre label that produced a hypnotic optical effect when the disc revolved on the turntable.
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From the 1950s through to the 1980s, the 12" LP record and the 45 rpm record became the major formats for the distribution of
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334:, which had cut-out inserts, printed lyrics, and a gatefold sleeve, even though it was a single album; the Rolling Stones'
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widened the variety of presentations as well, even as the size of the CD meant that album covers were no longer so large.
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as a free download on the band's website, attaching separate but thematically connected images to each individual track.
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suggested that the album cover was dead. Album art is still considered a vital part of the listening experience to many.
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The album cover is a component of the overall packaging of an album. These could be done in a single or a multiple (
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The album cover eventually became an important part of the culture of music. Under the influence of designers like
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Some album covers have been banned due to depicting violence, nudity, or other offensive imagery. For instance,
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by the
Rolling Stones had an actual zipper incorporated into the picture of the crotch area of a pair of jeans.
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was originally issued in an opaque plastic package through which a design (a
Leonardo sketch) could be seen.
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album had a Warhol-designed cardboard banana on the cover that could be peeled back. The record company
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each contained a cover photograph designed to further the musical artist's public image. Author
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Legends from photography and video/film who have also produced record cover images include
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In the 1980s and early 1990s, CDs were often sold as jewel cases enclosed within cardboard
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Some artists have used
Internet technology to generate even more cover art. For instance,
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The Record as
Artwork: from Futurism to Conceptual Art, the Collection of Germano Celant
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636:, The Rolling Stones) have all applied their talents to memorable music packages.
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The physical design of album covers has been the subject of creative innovation.
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German record company Odeon pioneered the "album" in 1909 when it released the
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For all tangible records, the album art also serves as part of the protective
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s cover depicted a robot rapist about to be punished by a metal avenger, and
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with cut-outs of the windows of a brownstone building. The original issue of
960:, 'Mona Bone Jakon', 'Tea for the Tillerman' and 'Teaser and the Firecat' by
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produced some of the most iconographic album covers of the 1970s, including
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368:, which had a cardboard box and booklet, or the use of oversized packaging.
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653:), "The Downfall of Icarus" by Genisson on the cover of the first album by
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The surface of a vinyl record is readily damaged, so aside from the outer
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Electric Shock: From the Gramophone to the iPhone: 125 Years of Pop Music
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649:(from the painting "La Fille au Bouquet" by French painter and sculptor
199:(CD) was the most common form of physically distributed music products.
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1422:. Schroeder, Jonathan E., 1962-. Cambridge, Massachusetts: MIT Press.
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677:; the cover of Kansas's debut album, adapted from a mural by painter
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94:
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Designed for Dancing: How Midcentury Records Taught America to Dance
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Designed for Dancing: how midcentury records taught America to dance
1420:
Designed for hi-fi living : the vinyl LP in midcentury America
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also contained a generous supply of posters and printed material.
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States stopped distributing CDs in longboxes as of April 1, 1993.
133:
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20:
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Verna, Paul (April 10, 1993). "No-Longbox Era Has Smooth Start".
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Total records : photography and the art of the album cover
713:) with the words "VIVA LA VIDA" brushed on top in white paint.
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1995:
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1149:. An album cover normally has the artist's name, sometimes in
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album; and the darkened hues applied to the Rolling Stones on
1752:
Designed for Hi-Fi Living: The Vinyl LP in Midcentury America
997:
Album cover art was the subject of a 2013 documentary film,
66:
sets of 10 in (25 cm) and 12 in (30 cm)
781:
484:, etc.), he art directed dozens of album covers including
239:, aka "The White Album", cited for its innovative design
51:) is the front packaging art of a commercially released
375:, through their work on Pink Floyd albums and others;
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Glossary of Art, Architecture & Design since 1945
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2014:
1968:
1911:
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1814:
1805:
1616:https://doi.org/10.1111/j.1460-2466.1992.tb00772.x
1169:Album covers in the age of downloads and streaming
55:or other audio recordings. The term can refer to:
1530:Spampinato, Francesco; Wiedemann, Julius (2017).
1673:"Digital album packaging should improve in 2008"
172:classical music, including complete symphonies.
1388:
1386:
1384:
1382:
1284:Category:Album-cover and concert-poster artists
460:and in addition to his many cover photographs (
1351:Borgerson, Janet; Schroeder, Jonathan (2021).
1044:by the Beatles was first released as a double
82:(either in several connected sleeves or a box)
30:Album cover for the North American release of
1783:
1239:depicted West naked and being straddled by a
1116:company, or a paper sleeve supporting a thin
8:
1243:with her bare breasts and buttocks showing.
1018:was originally in a circular metal tin, and
72:singles and sets of 12 in (30 cm)
1052:contained a cardboard sheet of images, and
2723:
2262:
1811:
1790:
1776:
1768:
1592:"Film puts lively spin on album cover art"
1562:: CS1 maint: location missing publisher (
1511:: CS1 maint: location missing publisher (
1464:"Andy Warhol & the Velvet Underground"
428:(recreated for their classic music video "
1758:Borgerson, Janet and Jonathan Schroeder,
1749:Borgerson, Janet and Jonathan Schroeder.
1629:"Peter Saville Says Album Cover is Dead"
1397:. London: The Bodley Head. p. 393.
1713:"Rock Art / Rock Design / Rock Fashion"
1468:Cross-Overs: Art into Pop, Pop into Art
1295:
1649:. Albumartexchange.com. Archived from
1555:
1504:
1173:In August 2008, album cover designer
498:Big Brother & the Holding Company
331:Sgt. Pepper's Lonely Hearts Club Band
7:
1048:with a booklet between the records.
651:Ămile ThĂ©odore Frandsen de Schomberg
16:Photo on the front cover of an album
3017:Global Recording Artist of the Year
2985:Highest-grossing live music artists
1578:https://www.jstor.org/stable/779466
1132:Packaging formats for compact discs
646:Layla and Other Assorted Love Songs
114:of the album (or of its individual
3193:Advertising publications by format
1746:; an interview with artist Ioannis
1671:Bruno, Antony (31 December 2007).
452:. From 1972 to 1975, photographer
63:covers typically used to package:
14:
1764:. Cambridge, MA: MIT Press, 2021.
1451:Photographer lives the Rock dream
1303:Schoenherr, Steve (6 July 2005).
1236:My Beautiful Dark Twisted Fantasy
110:the primary image accompanying a
3146:
3145:
3132:
2162:Artists and repertoire (A&R)
1893:Universal Music Publishing Group
1755:. Cambridge, MA: MIT Press, 2017
1453:BBC News. Retrieved May 26, 2011
1253:
938:Crosby, Stills, Nash & Young
936:and several others) as well for
876:(credited as "Tchocky" on misc.
225:Cover art § Album cover art
2583:Entertainment Monitoring Africa
1212:List of controversial album art
1089:The Velvet Underground and Nico
968:(all albums released to date),
195:Starting in the mid-1990s, the
3083:Largest recorded music markets
2990:Highest-grossing concert tours
1305:"Recording Technology History"
1124:recording while red denoted a
408:We're Only in It for the Money
1:
1196:initially released its album
1028:was in an octagonal package.
1021:Happy to Meet â Sorry to Part
614:Mike Bloomfield and Al Kooper
294:also highlights the cover of
279:The Times They Are a-Changin'
3139:Record production portal
1955:Independent UK record labels
3007:Most-attended concert tours
2156:
87:the front-facing panel of:
38:the Jimi Hendrix Experience
3211:
3022:Wealthiest musical artists
2875:Best-selling music artists
1590:Sam Whiting (2013-01-20).
1209:
999:The Cover Story: Album Art
706:Liberty Leading the People
542:Emerson, Lake & Palmer
222:
142:'s 1941 compilation album
18:
3126:
2593:New Zealand singles chart
1418:Borgerson, Janet (2017).
1001:, by Eric Christensen, a
488:, many of which received
456:was creative director at
351:The Dark Side of the Moon
307:Bringing It All Back Home
3063:Christian music industry
2578:GfK Entertainment charts
2222:Professional audio store
1261:Record production portal
1223:Appetite for Destruction
262:During the early 1960s,
19:Not to be confused with
2470:Music streaming service
1903:Disney Music Publishing
1393:Doggett, Peter (2015).
1309:University of San Diego
948:(credited variously on
920:and most solo albums),
288:self-titled debut album
3012:Most-attended concerts
2980:Highest-paid musicians
1011:Ogden's Nut Gone Flake
1003:San Francisco Bay Area
634:The Velvet Underground
620:(The Rolling Stones),
240:
152:
40:
3093:Most valuable records
3088:Most expensive albums
3043:Album-equivalent unit
2573:Italian singles chart
2430:Promotional recording
1898:Warner Chappell Music
1888:Sony Music Publishing
1883:BMG Rights Management
1737:Album Art Is NOT Dead
1515:) CS1 maint: others (
1462:Walker, John. (1987)
834:David Michael Kennedy
641:Derek and the Dominos
232:
137:
47:(also referred to as
29:
3068:Environmental impact
2968:Best-selling singles
1981:Digital music stores
1041:Magical Mystery Tour
956:, her records), and
486:Exile on Main Street
337:Exile on Main Street
3098:Music certification
3078:Largest music deals
2956:Best-selling albums
2789:The Country Network
2568:Irish Singles Chart
2217:Musical instruments
1180:MP3, WMA, and M4A (
971:Music from Big Pink
810:Robert Mapplethorpe
687:Pure Prairie League
618:John Van Hamersveld
33:Are You Experienced
3188:Visual arts genres
2611:SNEP singles chart
2386:Extended play (EP)
2157:Album cover design
1742:2014-07-04 at the
1718:2013-05-25 at the
1005:record collector.
854:Pleased to Meet Me
822:Francesco Scavullo
679:John Steuart Curry
550:Gottfried Helnwein
398:Trout Mask Replica
284:the Rolling Stones
241:
153:
41:
3160:
3159:
3103:Parental Advisory
3058:Bootleg recording
3048:A-side and B-side
2905:
2858:
2857:
2774:The Music Factory
2616:Sverigetopplistan
2540:Argentina Hot 100
2506:Music competition
2496:Concert residency
2435:Phonograph record
2405:
2365:
2364:
2192:Music and fashion
2177:Entertainment law
2045:
2044:
2006:Virgin Megastores
1808:and organizations
1693:Celant, Germano,
1532:Art record covers
1364:978-0-262-04433-2
1077:Physical Graffiti
984:Walls and Bridges
958:Captain Beefheart
862:Lest We Forget...
766:David LaChappelle
762:Teddy Pendergrass
746:Bruce Springsteen
699:, which features
439:The Madcap Laughs
430:Bohemian Rhapsody
393:Captain Beefheart
379:, famous for his
201:Packaging formats
74:long-play records
3200:
3149:
3148:
3137:
3136:
3135:
2903:
2724:
2621:UK singles chart
2553:Canadian Hot 100
2445:Compact cassette
2383:
2330:Session musician
2305:Hip hop producer
2263:
2197:Music journalism
2129:Rhythm and blues
1847:IFPI (worldwide)
1812:
1792:
1785:
1778:
1769:
1681:
1680:
1668:
1662:
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1659:
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1606:
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1587:
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1561:
1553:
1527:
1521:
1520:
1510:
1502:
1477:
1471:
1460:
1454:
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1415:
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1390:
1377:
1376:
1348:
1342:
1341:
1331:
1325:
1324:
1322:
1320:
1315:on 29 March 2007
1311:. Archived from
1300:
1263:
1258:
1257:
1256:
1228:
1071:Led Zeppelin III
974:(for The Band),
701:EugĂšne Delacroix
671:on the cover of
661:on the cover of
471:Hotter than Hell
358:'s 1970 release
269:With the Beatles
253:Columbia Records
161:Nutcracker Suite
112:digital download
3210:
3209:
3203:
3202:
3201:
3199:
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3197:
3163:
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3133:
3131:
3122:
3026:
2854:
2793:
2713:
2708:Top of the Pops
2673:Musica e dischi
2625:
2510:
2474:
2394:Cassette single
2372:
2361:
2315:Record producer
2261:
2232:Radio promotion
2202:Music publisher
2187:Music executive
2182:Music education
2149:
2143:
2041:
2010:
1964:
1907:
1871:
1815:Representatives
1807:
1806:Major companies
1801:
1796:
1744:Wayback Machine
1720:Wayback Machine
1708:
1690:
1688:Further reading
1685:
1684:
1670:
1669:
1665:
1656:
1654:
1645:
1644:
1640:
1627:Jason Gregory.
1626:
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1478:
1474:
1461:
1457:
1449:
1445:
1430:
1417:
1416:
1412:
1405:
1404:978-1-847922182
1392:
1391:
1380:
1365:
1357:. : MIT Press.
1350:
1349:
1345:
1333:
1332:
1328:
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1316:
1302:
1301:
1297:
1292:
1259:
1254:
1252:
1249:
1226:
1214:
1208:
1194:Nine Inch Nails
1171:
1102:
934:Miles of Aisles
890:Freddie Mercury
882:Michael Brecker
852:(Replacements'
846:Led Zeppelin IV
758:Whitney Houston
738:Annie Leibovitz
709:(a favorite in
683:Norman Rockwell
610:Norman Rockwell
598:The Sex Pistols
326:Gatefold covers
227:
221:
186:
132:
24:
17:
12:
11:
5:
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3158:
3157:
3155:
3154:
3142:
3127:
3124:
3123:
3121:
3120:
3115:
3113:Surprise album
3110:
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3095:
3090:
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3055:
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2906:
2901:United Kingdom
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2548:Brasil Hot 100
2542:
2534:
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2520:
2518:
2512:
2511:
2509:
2508:
2503:
2501:Music festival
2498:
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2480:
2476:
2475:
2473:
2472:
2467:
2465:Music download
2462:
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2406:
2377:
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2357:Sound engineer
2354:
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2320:Rhythm section
2317:
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2297:
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2259:
2254:
2252:Talent manager
2249:
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2126:
2121:
2116:
2111:
2106:
2101:
2096:
2091:
2086:
2081:
2076:
2071:
2069:Easy listening
2066:
2061:
2055:
2053:
2047:
2046:
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2040:
2039:
2034:
2029:
2024:
2018:
2016:
2012:
2011:
2009:
2008:
2003:
1998:
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1978:
1972:
1970:
1966:
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1799:Music industry
1797:
1795:
1794:
1787:
1780:
1772:
1766:
1765:
1756:
1747:
1734:
1733:search engine;
1727:
1711:Walker, John.
1707:
1706:External links
1704:
1703:
1702:
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1264:
1248:
1245:
1233:'s 2010 album
1220:'s 1987 album
1207:
1204:
1170:
1167:
1139:graphic design
1101:
1098:
1083:Sticky Fingers
982:by Bob Dylan,
910:Who By Numbers
906:John Entwistle
898:Lynsey De Paul
858:Marilyn Manson
754:Richard Avedon
734:The Beach Boys
730:Iron Butterfly
622:Alberto Vargas
554:Marilyn Manson
522:Frank Frazetta
510:Howard Finster
502:Shepard Fairey
458:United Artists
257:United Artists
233:The cover for
220:
217:
185:
182:
148:issued on six
131:
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120:
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85:
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80:45 rpm records
76:
70:
68:78 rpm records
15:
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2923:Nationality:
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2909:United States
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2698:
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2694:Rolling Stone
2691:
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2599:Rolling Stone
2596:
2594:
2591:
2589:
2588:Oricon charts
2586:
2584:
2581:
2579:
2576:
2574:
2571:
2569:
2566:
2564:
2563:G-Music chart
2561:
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2374:
2368:
2358:
2355:
2351:
2348:
2346:
2343:
2341:
2338:
2336:
2335:Backup singer
2333:
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2328:
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2284:
2281:
2280:
2279:
2276:
2274:
2271:
2270:
2268:
2264:
2258:
2257:Tour promoter
2255:
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2250:
2248:
2245:
2243:
2240:
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2235:
2233:
2230:
2228:
2225:
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1912:Record labels
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1696:
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1667:
1664:
1653:on 2015-10-13
1652:
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1597:
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1547:
1543:
1541:9783836540292
1537:
1533:
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1500:
1496:
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1490:9781597113847
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1429:9780262036238
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1279:Record sleeve
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1232:
1225:
1224:
1219:
1218:Guns N' Roses
1213:
1206:Banned covers
1205:
1203:
1201:
1200:
1195:
1190:
1187:
1183:
1178:
1176:
1175:Peter Saville
1168:
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1062:
1061:Live at Leeds
1057:
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1033:
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1027:
1023:
1022:
1017:
1013:
1012:
1006:
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1000:
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989:
985:
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977:
976:Self Portrait
973:
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967:
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947:
943:
939:
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931:
930:Joni Mitchell
927:
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903:
899:
895:
891:
887:
883:
879:
875:
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867:
866:Michael Stipe
863:
859:
856:and others),
855:
851:
847:
843:
837:
835:
831:
827:
823:
819:
818:Peter Gabriel
815:
811:
807:
803:
799:
795:
791:
787:
783:
779:
778:Anton Corbijn
775:
771:
767:
763:
759:
755:
751:
747:
743:
739:
736:and others),
735:
731:
727:
723:
722:Black Sabbath
719:
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574:Mati Klarwein
571:
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559:
558:Al Hirschfeld
555:
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527:
526:Molly Hatchet
523:
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518:Talking Heads
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190:popular music
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130:Early history
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3183:Illustration
3144:
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3108:Record sales
3073:Hidden track
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2821:Star Academy
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2558:Circle Chart
2545:
2537:
2529:
2491:Concert tour
2414:Double album
2340:Ghost singer
2325:Orchestrator
2310:Horn section
2237:Record label
2172:Distribution
2079:Experimental
2051:Major genres
2037:Ticketmaster
1985:iTunes Store
1942:
1941:
1919:
1918:
1837:Music Canada
1759:
1751:
1731:Album Covers
1723:
1698:
1694:
1676:
1666:
1655:. Retrieved
1651:the original
1641:
1632:
1622:
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1595:
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1329:
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1298:
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917:
914:Graham Coxon
909:
901:
893:
885:
869:
861:
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838:
830:Edgar Winter
798:Jimi Hendrix
790:Depeche Mode
726:Alice Cooper
718:Drew Struzan
715:
704:
703:'s painting
696:Viva La Vida
694:
672:
662:
644:
638:
546:Debbie Harry
494:Robert Crumb
490:Grammy Award
485:
479:
469:
454:Norman Seeff
447:
437:
423:
413:
406:
396:
389:Cal Schenkel
370:
365:
361:Stage Fright
359:
349:
342:Norman Seeff
335:
329:
324:
317:
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305:
299:
296:Otis Redding
277:
267:
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197:compact disc
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143:
121:
59:the printed
53:studio album
48:
44:
42:
31:
3118:White label
3053:Backmasking
2870:Music award
2849:Rising Star
2645:HitQuarters
2524:ARIA Charts
2440:Eight-track
2425:Music video
2402:Maxi single
2350:Ghostwriter
2345:Vocal coach
2300:Disc jockey
2273:Arrangement
2242:Record shop
2212:Music venue
2207:Music store
2167:Disc jockey
2027:Live Nation
2022:CTS Eventim
1944:Independent
1729:All iTunes
1274:Liner notes
1143:photography
1118:plastic bag
1055:The Beatles
1050:Sgt. Pepper
1016:Small Faces
988:John Lennon
962:Cat Stevens
926:Linkin Park
814:Patti Smith
806:The Hollies
794:Karl Ferris
786:The Killers
750:Patti Smith
742:John Lennon
685:'s cowboy (
674:Fleet Foxes
664:Deep Purple
655:Renaissance
630:Andy Warhol
590:David Bowie
582:Miles Davis
538:H. R. Giger
534:Iron Maiden
530:Derek Riggs
506:Johnny Cash
449:Transformer
434:Syd Barrett
403:Frank Zappa
366:Sgt. Pepper
313:Rubber Soul
264:the Beatles
236:The Beatles
140:Bing Crosby
45:album cover
21:Cover album
3167:Categories
2973:by country
2961:by country
2719:Television
2701:Smash Hits
2606:Sino Chart
2479:Live shows
2390:12" single
2278:Songwriter
2266:Production
2074:Electronic
2015:Live music
1876:Publishers
1857:PROMUSICAE
1726:, 3rd. ed.
1657:2013-06-19
1601:2013-06-13
1373:1230460986
1290:References
1269:Book cover
1231:Kanye West
1210:See also:
1126:monophonic
1113:paperboard
954:The Menace
880:records),
874:Thom Yorke
870:Accelerate
868:(R.E.M.'s
850:Chris Mars
842:Jimmy Page
826:Diana Ross
774:Elton John
711:The Louvre
594:Jamie Reid
385:Greenslade
377:Roger Dean
346:Pink Floyd
223:See also:
150:78 records
138:Cover for
61:paperboard
36:(1967) by
3178:Packaging
3038:Album era
2932:Brazilian
2904:(Females)
2835:The Voice
2808:franchise
2769:MuchMusic
2734:Channel V
2652:Hot Press
2638:Billboard
2546:Billboard
2538:Billboard
2530:Billboard
2398:CD single
2295:Conductor
2247:Road crew
2227:Promotion
2150:and roles
2032:LiveStyle
1969:Retailers
1932:Universal
1558:cite book
1550:952207403
1507:cite book
1499:948670847
1438:958205262
1337:Billboard
1186:iTunes LP
1145:, and/or
1100:Packaging
928:albums),
924:(various
886:Ringorama
878:Radiohead
566:Ken Kelly
562:Aerosmith
416:Mick Rock
373:Hipgnosis
319:Aftermath
301:Otis Blue
274:Bob Dylan
212:longboxes
145:Crosbyana
49:album art
3151:Category
2995:by women
2828:The Four
2814:Popstars
2727:Channels
2659:Kerrang!
2288:Lyricist
2283:Composer
1740:Archived
1716:Archived
1247:See also
1199:The Slip
1106:gatefold
1026:Horslips
950:Elastica
902:Surprise
836:others.
770:No Doubt
691:Coldplay
626:The Cars
606:Megadeth
602:Ed Repka
462:The Band
444:Lou Reed
425:Queen II
387:covers;
356:The Band
249:Bob Cato
92:cassette
78:sets of
2947:Swedish
2942:Italian
2937:British
2927:Belgian
2913:Genre:
2891:Germany
2886:Finland
2601:Top 100
2532:Hot 100
2486:Concert
2460:Airplay
2418:Mixtape
2373:formats
2371:Release
2148:Sectors
2114:New Age
2094:Hip hop
2064:Country
2001:Kaspien
1950:Concord
1677:Reuters
1647:"About"
1633:Gigwise
1470:(1987).
1241:phoenix
1094:Vertigo
1066:The Who
1014:by the
944:), and
894:Queen I
802:Donovan
689:), and
669:Breugel
628:), and
586:Rex Ray
578:Santana
344:); and
205:Digipak
184:Formats
104:package
3173:Albums
2881:Brazil
2798:Series
2516:Charts
2381:Single
2124:Reggae
2089:Gospel
1976:Amazon
1937:Warner
1596:SFGate
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820:) and
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481:Hejira
442:, and
391:, for
219:Design
124:sleeve
116:tracks
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3031:Other
3000:Latin
2917:Latin
2896:Japan
2409:Album
2139:World
2109:Metal
2104:Latin
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1921:Major
1695:et al
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1182:Apple
1159:spine
1155:label
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2879:In:
2806:Idol
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2764:Tr3s
2759:MTV2
2749:Mnet
2744:Fuse
2666:Mojo
2134:Rock
2099:Jazz
2084:Folk
1991:Fnac
1960:AAMG
1927:Sony
1867:SNEP
1862:RIAA
1842:FIMI
1827:BVMI
1822:ARIA
1564:link
1546:OCLC
1536:ISBN
1534:. .
1517:link
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1495:OCLC
1485:ISBN
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1369:OCLC
1359:ISBN
1321:2012
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