Knowledge (XXG)

Album cover

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different theories on this, such as the "forbidden fruit" and "tainted fruit" theories. The "forbidden fruit" theory states that when a child sees the parental advisory label on an album cover they will be more likely to listen to it because there is an increased attractiveness to the music. There are many adolescents that follow the "forbidden fruit" theory as a way to either lash out at their parents or to make themselves feel more mature than they are. They may use explicit music as a way to be rebellious and to appear cooler to their friends, even if they are much too young to be exposed to that kind of music. The "tainted fruit" theory states that the child will see the label and immediately know to avoid this kind of content because it is inappropriate for their age. These children are the ones who see the label and do not even acknowledge this album or these songs because they know that it is not made for them. The Recording Industry Association of America (RIAA) introduced this warning label and it is now a requirement on any explicit music. However, the RIAA is unable to actually control whether or not adolescents will be listening to the music but as of now there is no way to fully control what these children are doing.
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album covers is only displayed that way because this is what the white audience seemed to appreciate the most. This version of the reggae artists is what many people take notice of and what makes them unique in regards to other genres. However, these album covers do not accurately represent the core values of typical people in Jamaica but they deal with this representation because they know that the audience is familiar with the stereotypical rasta depiction. These album covers tend to display inauthentic versions of their considerations of style and sexuality and do not accurately display "Uptown" Jamaica.
27: 1108:) sleeve. Especially in the case of vinyl records with paperboard sleeves, these packages are prone to wear and tear, although wear and tear does often take place to some degree on covers contained within plastic cases. A variety of treatments could be applied to improve both their appearance and durability, such as clear plastic wrap. Many products have been available for the storage of vinyl albums, often clear plastic sleeves. 3147: 230: 3134: 1255: 135: 364:, which included a photograph by Seeff as a poster insert, is an early example of LP artwork quickly becoming a collector's item. The move to the small (less than 1/4 the size of a record) CD format lost that impact, although attempts have been made to create a more desirable packaging for the CD format, for example the reissue of 1120:. These quite often have a circular cut out so that the record label can be read without directly handling the record, though when the inner sleeve is printed with lyrics, which became quite common, then there is usually no hole. Decca Records used a system of colour-coding on these sleeves where a blue color denoted a 156:
producer or the retailer's name. These were invariably made out of acid paper, limiting conservability. Generally the sleeves had a circular cutout allowing the record label to be seen. Records could be laid on a shelf horizontally or stood upright on an edge, but because of their fragility, many broke in storage.
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Album covers are one of the various ways in which first impressions affect an audience's perception of a given musician or band, or other content of the album. Album covers' design cover may also add to how an audience forms an opinion of them and their music. There are various ways in which an album
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measuring 12 in (30 cm) by 6 in (15 cm), which provided more space for album artwork than the jewel cases they contained, but were seen as harmful to the environment since the cardboard box was typically discarded by the buyer soon after purchase. Major record labels in the United
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In 1938, Columbia Records hired Alex Steinweiss as its first art director. He is credited with inventing the concept of album covers and cover art, replacing the plain covers used before. After his initial efforts at Columbia, other record companies followed his lead. By the late 1940s, record albums
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Starting in the 1930s, record companies began issuing collections of 78-rpm records by one performer or of one type of music in specially assembled collections. These albums of several 78-rpm records could include a collection of popular songs related by either performer or style, or extended-length
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Beginning in the 1920s, bound collections of empty sleeves with a plain paperboard or leather cover were sold as "record albums" (similar to a photograph album) that customers could use to store their records. (The name "record album" was printed on some covers.) These empty albums were sold in both
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A genre of music that people have found issues in album covers is reggae. There are certain reggae artists that feel that the way they are displayed on their own album covers is not an accurate way of describing themselves and their culture. The stereotypical rasta lifestyle depicted on many reggae
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Parental advisory labels are warning labels that are required to be placed on album covers when the music on the album contains explicit content such as vulgar language. These labels have been known to be controversial when it comes to keeping underage audiences from this content. There are a few
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sleeve, there is usually an inner protective cover to protect against dust and handling. This is normally shaped to allow it to readily slide within the outer cover. The inner sleeve is either thin white paper, either plain or printed with information on other recordings available from the same
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Around 1910, 78-rpm records replaced the phonograph cylinder as the medium for recorded sound. The 78-rpm records were issued in both 10- and 12-inch diameter sizes and were usually sold separately, in brown paper or cardboard sleeves that were sometimes plain and sometimes printed to show the
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When the 10- and 12-inch long-playing records (LPs) came along in 1948, and box sets of 45-rpm records soon followed (see gramophone record), the name "album" was used for the new format of collections, and the creation of artistic original album covers continued.
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by Tchaikovsky on four double-sided discs in a specially designed package. (It is not indicated what the specially designed package was.) The practice of issuing albums does not seem to have been taken up by other record companies for many years.
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10- and 12-inch sizes. The covers of these bound books were wider and taller than the records inside, allowing the record album to be placed on a shelf upright, like a book, and suspending the fragile records above the shelf, protecting them.
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A number of artists and bands feature members who are, in their own right, accomplished illustrators, designers and photographers and whose talents are exhibited in the artwork they produced for their own recordings. Examples include
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format for interactive album artwork introduced by Apple in 2009. Resolution for digital album covers should be at least 800×800 (1:1 aspect ratio); lower resolutions might not look good on newer devices.
2900: 192:. The LP format remains in use for occasional new releases, though other formats have largely supplanted it. The size of the typical cardboard LP sleeve cover is 12.375 in (31.43 cm) square. 2908: 1074:
had a front cover that contained a revolving disc which brought different images into view through small cut-outs in the outer sleeve. A similar effect was used for the band's later album
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cover is visualized. Some examples include artists choosing to put a photo of themselves, which is one of the factors that add to the observation of the band, the musician, and the music.
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for all the major companies featured their own colorful paper covers in both 10- and 12-inch sizes. Some featured reproductions of classic art while others utilized original designs.
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The talents of many photographers and illustrators from both inside and outside of the music industry have been used to produce a vast array of memorable LP/CD covers. Photographer
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A number of record covers have also used images licensed (or borrowed from the public domain) from artists of bygone eras. Well-known examples of this include the cover of
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Huss, Hasse. “The ‘Zinc-Fence Thing’: When Will Reggae Album Covers Be Allowed out of the Ghetto?” Black Music Research Journal, vol. 20, no. 2, 2000, pp. 181–194. JSTOR,
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Peter Christenson, The Effects of Parental Advisory Labels on Adolescent Music Preferences, Journal of Communication, Volume 42, Issue 1, March 1992, Pages 106–113,
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vary, including the jewel case (which since 1982 has been the most popular form of CD packaging), and the cardboard and plastic combination commonly known as a
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recording (the mono record players of the time were not always compatible with stereo records). This system was begun in the 1960s to reduce packaging costs.
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Besides the practicalities of identifying specific records, album covers serve the purpose of advertising the musical contents on the LP, through the use of
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format) music files can contain embedded digital album artworks (called cover images or simply covers) in jpeg format. One digital solution is the
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form; and the album title. Occasionally, though more common on historical vinyl records, the cover may include a reference number; a branding (the
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of the package, the artist, title, and reference number are usually repeated so that albums can be identified while tightly packed on a shelf.
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The importance of design was such that some cover artists specialised or gained fame through their work. Such people include the design team
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nominations. In addition to the examples mentioned previously, a number of world-renowned graphic artists and illustrators such as
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had a black-and-white design on the centre label that produced a hypnotic optical effect when the disc revolved on the turntable.
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From the 1950s through to the 1980s, the 12" LP record and the 45 rpm record became the major formats for the distribution of
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widened the variety of presentations as well, even as the size of the CD meant that album covers were no longer so large.
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as a free download on the band's website, attaching separate but thematically connected images to each individual track.
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suggested that the album cover was dead. Album art is still considered a vital part of the listening experience to many.
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The album cover is a component of the overall packaging of an album. These could be done in a single or a multiple (
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The album cover eventually became an important part of the culture of music. Under the influence of designers like
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Some album covers have been banned due to depicting violence, nudity, or other offensive imagery. For instance,
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by the Rolling Stones had an actual zipper incorporated into the picture of the crotch area of a pair of jeans.
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was originally issued in an opaque plastic package through which a design (a Leonardo sketch) could be seen.
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album had a Warhol-designed cardboard banana on the cover that could be peeled back. The record company
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each contained a cover photograph designed to further the musical artist's public image. Author
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Legends from photography and video/film who have also produced record cover images include
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In the 1980s and early 1990s, CDs were often sold as jewel cases enclosed within cardboard
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Some artists have used Internet technology to generate even more cover art. For instance,
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The Record as Artwork: from Futurism to Conceptual Art, the Collection of Germano Celant
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The physical design of album covers has been the subject of creative innovation.
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German record company Odeon pioneered the "album" in 1909 when it released the
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For all tangible records, the album art also serves as part of the protective
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s cover depicted a robot rapist about to be punished by a metal avenger, and
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with cut-outs of the windows of a brownstone building. The original issue of
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produced some of the most iconographic album covers of the 1970s, including
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The surface of a vinyl record is readily damaged, so aside from the outer
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Electric Shock: From the Gramophone to the iPhone: 125 Years of Pop Music
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Designed for Dancing: How Midcentury Records Taught America to Dance
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Designed for Dancing: how midcentury records taught America to dance
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Designed for hi-fi living : the vinyl LP in midcentury America
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also contained a generous supply of posters and printed material.
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States stopped distributing CDs in longboxes as of April 1, 1993.
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Verna, Paul (April 10, 1993). "No-Longbox Era Has Smooth Start".
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Total records : photography and the art of the album cover
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album; and the darkened hues applied to the Rolling Stones on
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Designed for Hi-Fi Living: The Vinyl LP in Midcentury America
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Album cover art was the subject of a 2013 documentary film,
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sets of 10 in (25 cm) and 12 in (30 cm)
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Glossary of Art, Architecture & Design since 1945
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The term can refer to: 1530:Spampinato, Francesco; Wiedemann, Julius (2017). 1673:"Digital album packaging should improve in 2008" 172:classical music, including complete symphonies. 1388: 1386: 1384: 1382: 1284:Category:Album-cover and concert-poster artists 460:and in addition to his many cover photographs ( 1351:Borgerson, Janet; Schroeder, Jonathan (2021). 1044:by the Beatles was first released as a double 82:(either in several connected sleeves or a box) 30:Album cover for the North American release of 1783: 1239:depicted West naked and being straddled by a 1116:company, or a paper sleeve supporting a thin 8: 1243:with her bare breasts and buttocks showing. 1018:was originally in a circular metal tin, and 72:singles and sets of 12 in (30 cm) 1052:contained a cardboard sheet of images, and 2723: 2262: 1811: 1790: 1776: 1768: 1592:"Film puts lively spin on album cover art" 1562:: CS1 maint: location missing publisher ( 1511:: CS1 maint: location missing publisher ( 1464:"Andy Warhol & the Velvet Underground" 428:(recreated for their classic music video " 1758:Borgerson, Janet and Jonathan Schroeder, 1749:Borgerson, Janet and Jonathan Schroeder. 1629:"Peter Saville Says Album Cover is Dead" 1397:. London: The Bodley Head. p. 393. 1713:"Rock Art / Rock Design / Rock Fashion" 1468:Cross-Overs: Art into Pop, Pop into Art 1295: 1649:. Albumartexchange.com. Archived from 1555: 1504: 1173:In August 2008, album cover designer 498:Big Brother & the Holding Company 331:Sgt. Pepper's Lonely Hearts Club Band 7: 1048:with a booklet between the records. 651:Émile ThĂ©odore Frandsen de Schomberg 16:Photo on the front cover of an album 3017:Global Recording Artist of the Year 2985:Highest-grossing live music artists 1578:https://www.jstor.org/stable/779466 1132:Packaging formats for compact discs 646:Layla and Other Assorted Love Songs 114:of the album (or of its individual 3193:Advertising publications by format 1746:; an interview with artist Ioannis 1671:Bruno, Antony (31 December 2007). 452:. From 1972 to 1975, photographer 63:covers typically used to package: 14: 1764:. Cambridge, MA: MIT Press, 2021. 1451:Photographer lives the Rock dream 1303:Schoenherr, Steve (6 July 2005). 1236:My Beautiful Dark Twisted Fantasy 110:the primary image accompanying a 3146: 3145: 3132: 2162:Artists and repertoire (A&R) 1893:Universal Music Publishing Group 1755:. Cambridge, MA: MIT Press, 2017 1453:BBC News. Retrieved May 26, 2011 1253: 938:Crosby, Stills, Nash & Young 936:and several others) as well for 876:(credited as "Tchocky" on misc. 225:Cover art § Album cover art 2583:Entertainment Monitoring Africa 1212:List of controversial album art 1089:The Velvet Underground and Nico 968:(all albums released to date), 195:Starting in the mid-1990s, the 3083:Largest recorded music markets 2990:Highest-grossing concert tours 1305:"Recording Technology History" 1124:recording while red denoted a 408:We're Only in It for the Money 1: 1196:initially released its album 1028:was in an octagonal package. 1021:Happy to Meet – Sorry to Part 614:Mike Bloomfield and Al Kooper 294:also highlights the cover of 279:The Times They Are a-Changin' 3139:Record production portal 1955:Independent UK record labels 3007:Most-attended concert tours 2156: 87:the front-facing panel of: 38:the Jimi Hendrix Experience 3211: 3022:Wealthiest musical artists 2875:Best-selling music artists 1590:Sam Whiting (2013-01-20). 1209: 999:The Cover Story: Album Art 706:Liberty Leading the People 542:Emerson, Lake & Palmer 222: 142:'s 1941 compilation album 18: 3126: 2593:New Zealand singles chart 1418:Borgerson, Janet (2017). 1001:, by Eric Christensen, a 488:, many of which received 456:was creative director at 351:The Dark Side of the Moon 307:Bringing It All Back Home 3063:Christian music industry 2578:GfK Entertainment charts 2222:Professional audio store 1261:Record production portal 1223:Appetite for Destruction 262:During the early 1960s, 19:Not to be confused with 2470:Music streaming service 1903:Disney Music Publishing 1393:Doggett, Peter (2015). 1309:University of San Diego 948:(credited variously on 920:and most solo albums), 288:self-titled debut album 3012:Most-attended concerts 2980:Highest-paid musicians 1011:Ogden's Nut Gone Flake 1003:San Francisco Bay Area 634:The Velvet Underground 620:(The Rolling Stones), 240: 152: 40: 3093:Most valuable records 3088:Most expensive albums 3043:Album-equivalent unit 2573:Italian singles chart 2430:Promotional recording 1898:Warner Chappell Music 1888:Sony Music Publishing 1883:BMG Rights Management 1737:Album Art Is NOT Dead 1515:) CS1 maint: others ( 1462:Walker, John. (1987) 834:David Michael Kennedy 641:Derek and the Dominos 232: 137: 47:(also referred to as 29: 3068:Environmental impact 2968:Best-selling singles 1981:Digital music stores 1041:Magical Mystery Tour 956:, her records), and 486:Exile on Main Street 337:Exile on Main Street 3098:Music certification 3078:Largest music deals 2956:Best-selling albums 2789:The Country Network 2568:Irish Singles Chart 2217:Musical instruments 1180:MP3, WMA, and M4A ( 971:Music from Big Pink 810:Robert Mapplethorpe 687:Pure Prairie League 618:John Van Hamersveld 33:Are You Experienced 3188:Visual arts genres 2611:SNEP singles chart 2386:Extended play (EP) 2157:Album cover design 1742:2014-07-04 at the 1718:2013-05-25 at the 1005:record collector. 854:Pleased to Meet Me 822:Francesco Scavullo 679:John Steuart Curry 550:Gottfried Helnwein 398:Trout Mask Replica 284:the Rolling Stones 241: 153: 41: 3160: 3159: 3103:Parental Advisory 3058:Bootleg recording 3048:A-side and B-side 2905: 2858: 2857: 2774:The Music Factory 2616:Sverigetopplistan 2540:Argentina Hot 100 2506:Music competition 2496:Concert residency 2435:Phonograph record 2405: 2365: 2364: 2192:Music and fashion 2177:Entertainment law 2045: 2044: 2006:Virgin Megastores 1808:and organizations 1693:Celant, Germano, 1532:Art record covers 1364:978-0-262-04433-2 1077:Physical Graffiti 984:Walls and Bridges 958:Captain Beefheart 862:Lest We Forget... 766:David LaChappelle 762:Teddy Pendergrass 746:Bruce Springsteen 699:, which features 439:The Madcap Laughs 430:Bohemian Rhapsody 393:Captain Beefheart 379:, famous for his 201:Packaging formats 74:long-play records 3200: 3149: 3148: 3137: 3136: 3135: 2903: 2724: 2621:UK singles chart 2553:Canadian Hot 100 2445:Compact cassette 2383: 2330:Session musician 2305:Hip hop producer 2263: 2197:Music journalism 2129:Rhythm and blues 1847:IFPI (worldwide) 1812: 1792: 1785: 1778: 1769: 1681: 1680: 1668: 1662: 1661: 1659: 1658: 1643: 1637: 1636: 1624: 1618: 1612: 1606: 1605: 1603: 1602: 1587: 1581: 1574: 1568: 1567: 1561: 1553: 1527: 1521: 1520: 1510: 1502: 1477: 1471: 1460: 1454: 1448: 1442: 1441: 1415: 1409: 1408: 1390: 1377: 1376: 1348: 1342: 1341: 1331: 1325: 1324: 1322: 1320: 1315:on 29 March 2007 1311:. Archived from 1300: 1263: 1258: 1257: 1256: 1228: 1071:Led Zeppelin III 974:(for The Band), 701:EugĂšne Delacroix 671:on the cover of 661:on the cover of 471:Hotter than Hell 358:'s 1970 release 269:With the Beatles 253:Columbia Records 161:Nutcracker Suite 112:digital download 3210: 3209: 3203: 3202: 3201: 3199: 3198: 3197: 3163: 3162: 3161: 3156: 3133: 3131: 3122: 3026: 2854: 2793: 2713: 2708:Top of the Pops 2673:Musica e dischi 2625: 2510: 2474: 2394:Cassette single 2372: 2361: 2315:Record producer 2261: 2232:Radio promotion 2202:Music publisher 2187:Music executive 2182:Music education 2149: 2143: 2041: 2010: 1964: 1907: 1871: 1815:Representatives 1807: 1806:Major companies 1801: 1796: 1744:Wayback Machine 1720:Wayback Machine 1708: 1690: 1688:Further reading 1685: 1684: 1670: 1669: 1665: 1656: 1654: 1645: 1644: 1640: 1627:Jason Gregory. 1626: 1625: 1621: 1613: 1609: 1600: 1598: 1589: 1588: 1584: 1575: 1571: 1554: 1542: 1529: 1528: 1524: 1503: 1491: 1479: 1478: 1474: 1461: 1457: 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Pepper 1016:Small Faces 988:John Lennon 962:Cat Stevens 926:Linkin Park 814:Patti Smith 806:The Hollies 794:Karl Ferris 786:The Killers 750:Patti Smith 742:John Lennon 685:'s cowboy ( 674:Fleet Foxes 664:Deep Purple 655:Renaissance 630:Andy Warhol 590:David Bowie 582:Miles Davis 538:H. R. Giger 534:Iron Maiden 530:Derek Riggs 506:Johnny Cash 449:Transformer 434:Syd Barrett 403:Frank Zappa 366:Sgt. Pepper 313:Rubber Soul 264:the Beatles 236:The Beatles 140:Bing Crosby 45:album cover 21:Cover album 3167:Categories 2973:by country 2961:by country 2719:Television 2701:Smash Hits 2606:Sino Chart 2479:Live shows 2390:12" single 2278:Songwriter 2266:Production 2074:Electronic 2015:Live music 1876:Publishers 1857:PROMUSICAE 1726:, 3rd. ed. 1657:2013-06-19 1601:2013-06-13 1373:1230460986 1290:References 1269:Book cover 1231:Kanye West 1210:See also: 1126:monophonic 1113:paperboard 954:The Menace 880:records), 874:Thom Yorke 870:Accelerate 868:(R.E.M.'s 850:Chris Mars 842:Jimmy Page 826:Diana Ross 774:Elton John 711:The Louvre 594:Jamie Reid 385:Greenslade 377:Roger Dean 346:Pink Floyd 223:See also: 150:78 records 138:Cover for 61:paperboard 36:(1967) by 3178:Packaging 3038:Album era 2932:Brazilian 2904:(Females) 2835:The Voice 2808:franchise 2769:MuchMusic 2734:Channel V 2652:Hot Press 2638:Billboard 2546:Billboard 2538:Billboard 2530:Billboard 2398:CD single 2295:Conductor 2247:Road crew 2227:Promotion 2150:and roles 2032:LiveStyle 1969:Retailers 1932:Universal 1558:cite book 1550:952207403 1507:cite book 1499:948670847 1438:958205262 1337:Billboard 1186:iTunes LP 1145:, and/or 1100:Packaging 928:albums), 924:(various 886:Ringorama 878:Radiohead 566:Ken Kelly 562:Aerosmith 416:Mick Rock 373:Hipgnosis 319:Aftermath 301:Otis Blue 274:Bob Dylan 212:longboxes 145:Crosbyana 49:album art 3151:Category 2995:by women 2828:The Four 2814:Popstars 2727:Channels 2659:Kerrang! 2288:Lyricist 2283:Composer 1740:Archived 1716:Archived 1247:See also 1199:The Slip 1106:gatefold 1026:Horslips 950:Elastica 902:Surprise 836:others. 770:No Doubt 691:Coldplay 626:The Cars 606:Megadeth 602:Ed Repka 462:The Band 444:Lou Reed 425:Queen II 387:covers; 356:The Band 249:Bob Cato 92:cassette 78:sets of 2947:Swedish 2942:Italian 2937:British 2927:Belgian 2913:Genre: 2891:Germany 2886:Finland 2601:Top 100 2532:Hot 100 2486:Concert 2460:Airplay 2418:Mixtape 2373:formats 2371:Release 2148:Sectors 2114:New Age 2094:Hip hop 2064:Country 2001:Kaspien 1950:Concord 1677:Reuters 1647:"About" 1633:Gigwise 1470:(1987). 1241:phoenix 1094:Vertigo 1066:The Who 1014:by the 944:), and 894:Queen I 802:Donovan 689:), and 669:Breugel 628:), and 586:Rex Ray 578:Santana 344:); and 205:Digipak 184:Formats 104:package 3173:Albums 2881:Brazil 2798:Series 2516:Charts 2381:Single 2124:Reggae 2089:Gospel 1976:Amazon 1937:Warner 1596:SFGate 1548:  1538:  1497:  1487:  1436:  1426:  1401:  1371:  1361:  1036:Family 1031:Anyway 946:M.I.A. 942:So Far 820:) and 514:R.E.M. 481:Hejira 442:, and 391:, for 219:Design 124:sleeve 116:tracks 95:J-card 3031:Other 3000:Latin 2917:Latin 2896:Japan 2409:Album 2139:World 2109:Metal 2104:Latin 2059:Blues 1921:Major 1695:et al 1466:. 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Index

Cover album

Are You Experienced
the Jimi Hendrix Experience
studio album
paperboard
78 rpm records
long-play records
45 rpm records
cassette
J-card
CD
package
digital download
tracks
sleeve

Bing Crosby
Crosbyana
78 records
popular music
compact disc
Packaging formats
Digipak
longboxes
Cover art § Album cover art

The Beatles
Bob Cato
Columbia Records

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