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126:. Platt was considered “unusually intelligent, witty and broad-minded.” At her studio, she gave classes and held open houses. She summered in England (particularly Devonshire), France (frequently Brittany), Germany, and the Netherlands as well as in the Adirondacks, Maine, Woodstock, N.Y., the Berkshires, and Sharon, Conn.
129:
Her characteristic subject matters were cottage gardens, villagers in workshops and kitchens, sunlit woods, harbor workers, and rocky seacoasts. Sitters for her handful of portraits included her father, her brother
William Popham Platt, and her nephew Stuart Dean Platt. She belonged to organizations
69:
Alethea (pronounced uh-LEE-thee-uh) Platt was one of about nine children of Laura
Sherbrook Popham (1826-1905) and Lewis Canfield Platt (1818-1893), a judge in White Plains, N.Y. Laura's grandmother Mary Morris was a daughter of the judge and politician
150:, New York Society of Painters (which she helped run), and Yonkers Art Association. “Self-sufficient and resourceful,” Platt remained prolific throughout her career. She died suddenly following an operation (her estate was valued at $ 81,574).
268:, 2002.0183). Archival repositories with her correspondence include the Jones Library in Amherst, Mass. (John and Ruth Burgess Collection) and the Archives of American Art's Macbeth Gallery records (Series I, correspondence files).
86:
in Paris. As a child, she “showed a preference for drawing pictures beyond all other interests.” She studied Snell's scrub technique for watercolors, “boldly smashing in the masses of color on the dry paper with bristle brushes.”
41:(December 31, 1860 – May 23, 1932) was an American artist and educator. Her paintings of rural landscapes in France, England, the Adirondacks, and New England were displayed in about 200 exhibitions at venues including the
218:, and Yonkers Art Association. Her artworks appeared at state fairs as well and the Louisiana Purchase Exposition. Among the galleries that displayed her work in group shows were Arlington Galleries,
240:
Reviewers praised the "forceful appeal" and “atmospheric qualities” of her dappled glades and rustic hearths. She was also known for achieving “rhythm of line, beauty of color and general charm.”
226:, Modern Art Gallery in London, and Powell Art Gallery. She had solo shows at Georges A. Glaenzer's gallery and Powell Art Gallery. She organized two-woman shows with colleagues including
286:
230:(Arlington Galleries), Fanny Griswold Ely (Ellespie Studio in Sharon, a Platt family home), Gladys Brannigan (Arts Club of Washington), and Arabella Locke Wyant (Van Dyck Studios).
98:. After Kennedy's death, a nephew maneuvered to disinherit Platt, and she moved to the Van Dyck Studios at 939 Eighth Avenue. Her circle of artist friends and neighbors included
214:, National Association of Women Artists, New York Society of Painters, New York Water Color Club, Pen and Brush Club, Philadelphia Watercolor Club, Salons of America,
968:
546:
958:
948:
237:(Brodie art prize, 1928). Students influenced by her include the painters Marion Hastings and Grace Russell and the designer and educator Dorothy Ross Carmer.
233:
She received awards from organizations including the
Minnesota State Art Society (1909), National Association of Women Artists (watercolor prize, 1903), and
90:
Until 1898, Platt lived and worked at 41 Fifth Avenue, the
Manhattan home of a relative, the philanthropist Rachel Lenox Kennedy (1827-1898), a daughter of
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74:. (The family's 18th-century ancestral homes are extant in Scarsdale at 60 Crane Road and 1015 Post Road.) Platt trained with the artists
95:
405:
730:
373:
134:, Art Alliance of America, Art Workers' Club for Women (which provided support for artists' models), National Academy of Design,
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94:. Kennedy treated Platt like a daughter, and they supported charitable causes including the
91:
223:
211:
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179:
178:, National Academy of Design, National Arts Club, Pennsylvania Academy of the Fine Arts,
248:
Institutions that own Platt's artworks include the
Anderson Public Library in Indiana (
119:
75:
510:
932:
30:
190:. Group shows with her work were presented by the Allied Artists of America,
865:
Rainey, Ada (April 27, 1930). "Fine
Paintings On Exhibition At Arts Club".
219:
57:
found a "quality of serenity, even a kind of nobility" in her work, and
551:. Washington, D.C.: American Federation of Arts. 1920. p. 187.
29:
18:
158:
Her works appeared in group shows at institutions including the
61:
placed her "in the ranks of
America's leading women painters."
26:
by
Alethea Hill Platt, Zimmerli Art Museum, Rutgers University
378:. Washington, D.C.: American Federation of Arts. p. 450.
194:, American Water Color Society, Art Alliance of America,
748:
Merrick, Lula (May 1, 1918). "New York Art
Galleries".
580:
Merrick, Lula (December 15, 1930). "In the Art World".
459:
Merrick, Lula (December 15, 1930). "In the Art World".
389:
Merrick, Lula (December 15, 1930). "In the Art World".
361:. New York: Tobias A. Wright. pp. Chart E IV.
82:, Columbia University's Teachers College and the
34:Alethea Hill Platt photographed by Mary Tannahill
307:New York at the Louisiana Purchase Exposition
8:
629:"Exhibitors Are Feted at Graduate Club Tea"
310:. Albany, N.Y.: J. B. Lyon Co. p. 269.
285:Kahn, Eve and Hanna Wells (November 2020).
359:Descendants of Lewis Morris of Morrisania
130:including the Allied Artists of America,
122:, and Arabella Locke Wyant, the widow of
880:"Scarsdale Theater Exhibits Seascapes".
16:American artist and educator (1860–1932)
895:Townsend, James B. (January 29, 1910).
679:"Exhibition of American Water Colors".
277:
78:and Ben Foster and took courses at the
969:Art Students League of New York alumni
235:National League of American Pen Women
140:National Association of Women Artists
47:Pennsylvania Academy of the Fine Arts
7:
959:20th-century American women painters
949:19th-century American women painters
357:Lefferts, Elizabeth Morris (1907).
287:"Serenity, even a kind of nobility"
208:General Federation of Women's Clubs
96:Presbyterian Rest for Convalescents
14:
668:. January 7, 1912. pp. M15.
646:"Romance as Told in Landscape".
850:"Mrs. Burgess and Miss Platt".
785:. January 23, 1916. p. 21.
650:. November 24, 1923. p. 7.
535:. December 20, 1906. p. 5.
481:. December 10, 1910. p. 3.
964:20th-century American painters
954:19th-century American painters
854:. January 26, 1924. p. 3.
839:. January 30, 1910. p. 4.
517:. November 5, 1908. p. 3.
511:"Her Summer Studio in England"
448:. December 4, 1915. p. 7.
216:Society of Independent Artists
1:
763:"New York Water Color Club".
442:"Mrs. Coman's Birthday Party"
430:. April 25, 1899. p. 14.
404:Snell, Henry B. (June 1909).
198:, Baltimore Watercolor Club,
51:Louisiana Purchase Exposition
915:"Watercolor Club Exhibition"
821:. April 11, 1908. p. 6.
797:"New York Water-Colour Club"
569:. April 30, 1921. p. 5.
406:"Scrub Water Color Painting"
346:. March 23, 1912. p. 3.
328:. April 11, 1908. p. 6.
132:American Water Color Society
974:Painters from New York City
897:"Alethea Platt at Powell's"
884:. April 4, 1941. p. 7.
815:"Alethea Hill Platt's Work"
783:The New York Times Magazine
779:"A Group of Women Painters"
617:. June 2, 1933. p. 38.
602:. May 26, 1932. p. 25.
529:"Surrogate Platt's Picture"
322:"Alethea Hill Platt's Work"
192:American Federation of Arts
995:
499:. May 27, 1916. p. 5.
43:National Academy of Design
979:Académie Delécluse alumni
204:Catharine Lorillard Wolfe
176:Detroit Institute of Arts
160:Albright-Knox Art Gallery
144:New York Water Color Club
695:"Art at Home and Abroad"
681:St. Louis Globe-Democrat
662:"Art at Home and Abroad"
475:"In and Out the Studios"
340:"In and Out the Studios"
304:Ellis, Delancey (1907).
196:Art Club of Philadelphia
164:Art Institute of Chicago
635:: 4. November 12, 1930.
596:"Miss Alethea H. Platt"
424:"Rachel Kennedy's Will"
372:Levy, Florence (1915).
266:Shore Landscape at Dusk
264:at Rutgers University (
170:, Columbia University,
154:Exhibitions and reviews
24:Shore Landscape at Dusk
803:: 417. March 24, 1905.
767:: 7. November 4, 1899.
701:: S15. April 28, 1912.
493:"Notes of the Studios"
124:Alexander Helwig Wyant
102:, Fanny Griswold Ely,
35:
27:
713:"Wolfe Art Club Show"
613:"Estates Appraised".
291:The Magazine Antiques
168:Cincinnati Art Museum
120:Mary Harvey Tannahill
104:Rhoda Holmes Nicholls
33:
22:
735:International Studio
719:: 3. March 18, 1911.
683:: 39. June 23, 1907.
188:Toledo Museum of Art
184:St. Louis Art Museum
118:, C. Helen Simpson,
108:Clara Weaver Parrish
92:David Sproat Kennedy
921:. November 8, 1919.
737:: xxiv. March 1913.
548:American Art Annual
515:Owingsville Outlook
375:American Art Annual
262:Zimmerli Art Museum
256:in Macon, Georgia (
250:An Old World Garden
112:Helen Watson Phelps
80:Art Students League
882:Scarsdale Inquirer
819:The New York Times
731:"In the Galleries"
699:The New York Times
666:The New York Times
633:Columbia Spectator
615:The New York Times
600:The New York Times
428:The New York Times
326:The New York Times
228:Ruth Payne Burgess
148:Pen and Brush Club
136:National Arts Club
100:Charlotte B. Coman
55:The New York Times
39:Alethea Hill Platt
36:
28:
919:American Art News
901:American Art News
852:American Art News
833:"Art and Artists"
801:The Building News
717:American Art News
648:American Art News
567:American Art News
533:Bronxville Review
497:American Art News
479:American Art News
446:American Art News
410:Palette and Bench
344:American Art News
116:Emily Maria Scott
84:Delécluse academy
59:American Art News
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944:1932 deaths
939:1860 births
933:Categories
272:References
206:Art Club,
65:Biography
750:The Spur
582:The Spur
461:The Spur
391:The Spur
174:of Art,
260:), and
412:: 197.
244:Legacy
186:, and
49:, and
752:: 52.
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