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38:. He had a great aversion to the trade, and his predilection for art was so strong that he was accustomed to sketch figures upon the cloth on which he was occupied at the loom. When his leisure permitted him to resort to the sea-shore, Chisholm found great pleasure in sketching on the smooth sand. When about fourteen years of age, Chisholmwalked from Peterhead to
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and frequently sent works to that
Institution. His favourite department of art was history, but he also painted portraits with eminent success. Having suffered from severe illness during nine years before his death, his later productions do not exhibit that degree of vigour which characterize his
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46:, the members of which he was permitted to sketch. Chisholm's work gave such satisfaction, that he was forthwith commissioned to paint it, but this he was compelled to decline, as he was totally ignorant of the use of colours.
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65:. In 1818, he went to London, still under the patronage of the Earl of Buchan, and met with much encouragement. In 1829, Chisolm became an Associate Exhibitor of the
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Baptism of Ben Jonson's
Daughter (wiih portraits of Shakespeare, Jonsonj Beaumont, Fletcher and Raleigh)
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42:, where he received his first lessons in light and shade. At this time, there was a meeting of the
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Chisholm must have employed his leisure profitably, for when about twenty years of age he went to
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in the year 1792 or 1793; at an early age, he was apprenticed by his father to a weaver at
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The following are some of his most important works exhibited at the Royal
Academy:
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Paintings for Fisher's
Drawing Room Scrap Books with poetical illustrations by
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162: This article incorporates text from a publication now in the
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The
Minister and his Wife concealing the Scottish Regalia in the Church
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earlier works. 'The Pedlar,' a water-colour painting by him, is in the
188: This article incorporates text from a publication now in the
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179:. Vol. I (3rd ed.). London: George Bell & Sons.
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The Lords of the
Congregation taking the oath of the Covenant
22:(1792?–1847) was a British portrait and historical painter.
208:. Vol. 10. London: Smith, Elder & Co. p. 259.
61:, and was subsequently appointed an instructor at the
177:Bryan's Dictionary of Painters and Engravers (A–K)
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175:. In Graves, Robert Edmund (ed.).
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309:19th-century British male artists
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205:Dictionary of National Biography
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194:Graves, Robert Edmund (1887). "
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299:19th-century British painters
249:Timothy Stansfeld Engleheart
263:., engraved by P Lightfoot.
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235:., engraved by E Portbury.
98:Boys with a Burning Glass
289:People from Elgin, Moray
221:Letitia Elizabeth Landon
294:British watercolourists
245:Black Linn of Linklater
72:South Kensington Museum
261:The Fair Maid of Perth
124:(his last work). 1846.
85:, on 3 October 1847.
63:Royal Scottish Academy
304:British male painters
173:"Chisholm, Alexander"
30:Chisholm was born at
67:Water-Colour Society
196:Chisholm, Alexander
20:Alexander Chisholm
77:Chisholm died at
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273:Categories
152:References
81:, in the
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171:(1886).
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40:Aberdeen
202:(ed.).
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129:Notes
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26:Life
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