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opinions offended many of his aristocratic patrons in a politically charged
Edinburgh, leading to a falling off in commissions for portraits, and in 1792 he completely abandoned the genre, turning instead to landscape painting. He also began painting scenery for theatres, an activity he continued for
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636:"(178) - Scottish Post Office Directories > Towns > Edinburgh > 1805-1834 – Post Office annual directory > 1832-1833 – Scottish Directories - National Library of Scotland"
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100:, Nasmyth left in 1782 for Italy, where he remained two years furthering his studies. In Italy he devoted most of his attention to landscape painting, and is recorded as having copied a work by
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His landscapes are all of actual places, and architecture is usually an important element. Some works were painted to illustrate the effects that new buildings would have on an area, such as
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Painting in
Scotland: The Golden Age: [Talbot Rice Art Centre, University of Edinburgh, 8-31 August 1986: Tate Gallery, London, 15 October 1986-4 January 1987]
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107:
Nasmyth returned to
Scotland where for the next few years he continued his career as a portraitist. He painted some works in the style of Ramsay, but most were
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Nasmyth set up a drawing school and "instilled a whole generation with the importance of drawing as a tool of empirical investigation"; his pupils included
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where he worked on subordinate parts of Ramsay's works. Nasmyth returned to
Edinburgh in 1778, where he worked as a portrait painter. Offered a loan by
58:
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He was employed by members of the
Scottish nobility in the improvement and beautification of their estates. He designed the circular temple covering
489:
Macmillan 1986, p.142. Macmillan suggests that his interest in
Classical landscape painting may have been due to the example of the Scottish artist
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884:
192:) learned to paint as a schoolboy in Edinburgh in the later 1790s. Another successful pupil was the painter, teacher, art dealer and connoisseur
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557:"St Bernard's Well, off St Bernard's Bridge, including Stair, Walls, Railings and Plaque (Category A Listed Building) (LB27905)"
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169:, Kirkcudbrightshire. In 1815 he was one of those invited to submit proposals for the expansion of Edinburgh New Town.
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Nasmyth had a great interest in engineering, and proposed several ideas that were later widely used, although he never
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any of them. In
October 1788, when Patrick Miller sailed the world's first successful steamship, designed by
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Nasmyth obtained several commissions as architect (in terms of a masterplan and artistic concept): notably
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262:, studied under his father, then went to London and attracted attention as a landscapist. Another son,
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at the west end of
Princes Street. The grave lies in the southern section towards the south-west.
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and was apprenticed to a coachbuilder. Aged sixteen, he was taken to London by portrait painter
196:, who had his first art training under Nasmyth. Nasmyth was not only the tutor to the polymath
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Nasmyth's eldest six daughters all became notable artists. His daughters were
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454:. Vol. 19 (11th ed.). Cambridge University Press. pp. 248–249.
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For an account of Andrew Wilson see "The
Scottish Claude" by John Ramm,
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Alexander
Nasmyth H.R.S.A. 1758-1840: a Man of the Scottish Renaissance
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but he also introduced her to the leading intellectuals in Edinburgh.
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Nasmyth died at home, 47 York Place (roughly opposite the house of
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Endnote: For an account of the Nasmyth family see James Nasmyth's
20:
188:; and it was probably from him that John James Ruskin (father of
35:(9 September 1758 – 10 April 1840) was a Scottish
135:, painted for the Duke of Argyll to show the setting a proposed
270:. He had three other children, Alexander, George and Mary.
76:
The grave of Alexander Nasmyth, St Cuthbert's Churchyard
50:. He also undertook several architectural commissions.
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Cooksey, J. C. B. "Nasmyth family (per. 1788–1884)".
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Stage design for Heart of Midlothian; Deans' Cottage
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People educated at the Royal High School, Edinburgh
674:. London: John Murray, Albemarle Street. p. 32
150:, on Dalswinton Loch, Nasmyth was one of the crew.
663:
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406:Robert Burns, 1759 – 1796. Poet
290:as part of the Almondell Estate, now in the
124:the next thirty years, and in 1796 painted a
8:
699:(online ed.). Oxford University Press.
860:Works in the National Galleries of Scotland
796:, National Galleries of Scotland, Edinburgh
219:He married Barbara Foulis, the daughter of
115:, who became a close friend, is now in the
850:100 artworks by or after Alexander Nasmyth
770:James Nasmyth, Engineer: An Autobiography
671:James Nasmyth, Engineer: An Autobiography
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611:Mary Somerville and the World of Science
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815:No. 19, Winter 1984, pp. 25 – 27,
696:Oxford Dictionary of National Biography
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111:with outdoor settings. His portrait of
84:on 9 September 1758. He studied at the
16:Scottish portrait and landscape painter
597:. Tate Gallery Publishing. p. 13.
595:Ruskin, Turner and the Pre-Raphaelites
779:Antique Dealer & Collectors Guide
655:Grant's Old and New Edinburgh vol.III
292:Almondell and Calderwood Country Park
7:
935:People of the Scottish Enlightenment
930:19th-century Scottish male artists
890:18th-century Scottish male artists
794:Scots in Italy in the 18th Century
474:Scots in Italy in the 18th Century
207:), in Edinburgh. He was buried in
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331:A View of Edinburgh from the West
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900:Alumni of the Trustees' Academy
119:. Eventually, Nasmyth's strong
895:19th-century Scottish painters
885:18th-century Scottish painters
478:National Galleries of Scotland
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804:Scottish Painting: The Later
767:(1885). Samuel Smiles (ed.).
553:Historic Environment Scotland
221:Sir James Foulis, 5th Baronet
63:View of the City of Edinburgh
713:UK public library membership
98:Patrick Miller of Dalswinton
915:Scottish landscape painters
781:, July 1997, Vol 50, No. 12
286:. In 1810, he designed the
186:John Thomson of Duddingston
67:Yale Center for British Art
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925:Scottish portrait painters
809:, in Parker, Geoff (ed.),
743:Macmillan, Duncan (1986).
445:"Nasmyth, Alexander"
362:A Highland Loch landscape
274:Architectural commissions
117:Scottish National Gallery
614:. Springer. p. 17.
493:, then resident in Rome.
209:St Cuthbert's Churchyard
905:Painters from Edinburgh
792:Skinner, Basil (1966),
668:Nasmyth, James (1885).
608:Chapman, Allan (2014).
451:Encyclopædia Britannica
161:(1789), and bridges at
920:Scottish male painters
726:Scotland's Lost Houses
705:10.1093/ref:odnb/75558
593:; et al. (eds.).
576:Macmillan 1986, p.142.
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589:Warrell, Ian (2000).
542:Macmillan 1986, p.145
528:Macmillan 1986, p.141
519:Macmillan 1986, p.144
507:Macmillan 1986, p.142
133:Inverary from the Sea
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832:(Southampton, 1991)
165:, West Lothian, and
80:Nasmyth was born in
109:conversation pieces
480:, Edinburgh, p. 25
258:. His eldest son,
182:Clarkson Stanfield
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70:
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800:Macmillan, Duncan
749:. Phaidon Press.
711:(Subscription or
621:978-3-319-09399-4
205:Sir Henry Raeburn
155:St Bernard's Well
148:William Symington
90:Trustees' Academy
86:Royal High School
33:Alexander Nasmyth
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560:. Retrieved
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390:Robert Burns
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268:steam hammer
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113:Robert Burns
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94:Allan Ramsay
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48:Allan Ramsay
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880:1840 deaths
875:1758 births
190:John Ruskin
25:Nasmyth by
869:Categories
838:B00166WSIY
812:Cencrastus
728:by Ian Gow
715:required.)
491:Jacob More
137:lighthouse
821:0264-0856
317:Bass Rock
256:Charlotte
248:Elizabeth
229:3 January
163:Almondell
82:Edinburgh
54:Biography
41:landscape
802:(1984),
678:9 August
562:18 March
472:(1966),
333:(1822–6)
315:and the
311:View of
244:Margaret
225:Colinton
167:Tongland
144:patented
126:panorama
88:and the
37:portrait
736:Sources
298:Gallery
240:Barbara
157:by the
121:Liberal
44:painter
854:Art UK
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460:(1883)
393:(1787)
350:, 1825
231:1786.
215:Family
641:7 May
413:Notes
227:, on
856:site
834:ASIN
817:ISSN
751:ISBN
680:2017
643:2016
616:ISBN
564:2019
282:and
254:and
252:Anne
236:Jane
184:and
39:and
701:doi
223:of
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