159:
being as a revelation to me, each offering a deeper understanding of self-exploration, of death, of rebirth, and of the existence of eternity.” After spending three-weeks in India, she returned to Santa Fe where a friend was dying from a terminal illness. “I spent three weeks in India --- slowing down, getting very still. Boats and water appeared in my painting when I returned. I see the boats as symbols of being guided on the waters of the collective unconscious. There is a watery feeling to the work in the technique as well as in the images. Everything is dissolving as the new self insists on being born.” Although her images are infused with meanings, Eldridge has said, "It is tempting, perhaps even comforting, to want to nail images down with meaning. But that can kill an image's ability to grow and to instruct.” Eldridge says much of her work is spontaneous. "It's amazing how much the unconscious is always at play. This self-discovery is always going on. This stuff comes through and then you stand back and you look and say, 'Look at who you are now.'"
107:. The farm and arts organization which also included an establishment for the handmade book, was called Golgonooza after Blakes’ visionary city of art. During that period at Golgonooza, Eldridge gave birth to two boys, Saxon and Sebastian. She painted, ran the arts program, grew organic vegetables and became immersed in reading Blake's works. On weekends, students and travelers came for readings, plays, pageants and outdoor performances. “It was our land and our property, but was somewhat communal. Our life was about the discussion of art, and the discussion of art and spirituality…People came from all over just to be in the midst of this sort of thing." Her life at Golgonooza lasted 17 years. “I had to leave that situation --- the community and my husband. I had to leave to become my own teacher. I went to see a psychic for the first time in my life. She told me that I was going to the Southwest. I said that I knew nothing about it. She said that the Southwest is where you need to be.”
168:
the ‘aimless stroller’---vigilant, alert, with no destination, moving easily from the interior to the exterior worlds---was my sensibility.” During her time in Paris, she was invited to paint a mural in the city’s 17th century Palace des Vosges. While elements of her travels appear in her work, Eldridge says she does not paint pictures of foreign lands. Rather, her images are of inner landscapes, to look at her paintings is as if to interrupt a fairy tale or dream. Often, parts of the places she visits emerge in her work. For example, when she was staying in a medieval monastery on the Island of Elba off the coast of Italy, she mixed the beach’s black sand into the plaster of one painting. In
Morocco, she bought pigments at a marketplace and stirred them into a new work. Other bits of Morocco began to appear in her work in the colors of pink and red, as well as the inclusion of old doors.
150:
itself to me -- what's going on with me. Tears start coming up and all the other strong feelings. All this conspires and works together. I'm in a state of joy -- near ecstasy -- when I'm painting. Art is about an encounter with something -- whether it be the unseen, an emotion, a feeling -- and then you have to have the courage to collaborate with that. My work also has a lot to do with the need to sensually connect to another or to my own deepest regions. Love motivates me enormously."
167:
Eldridge has said travelling is an important part of her creative process. She has had artist residencies on the Island of Elba, Italy and the
Valparaiso Foundation in Almeria, Spain. While spending a month in Paris, she said she took on the role of a wanderer. “I came to see that this sensibility of
158:
Eldridge has been credited with creating her own vocabulary of symbols. Ordinary objects like birthday cakes, rabbits, ladders, and eggs often appear in her works. After the death of close friend in 2011, Eldridge said she found significance an image of a triptych of ladders. “Each ladder came into
149:
Eldridge has described the process as an attempt to seek the unknown, "to go deeply in to the heart of the mystery, to make the soul fly out of things. I’ll go into the studio and begin. I may be in some curious state of being. I'll paint for a number of hours, and then, all of a sudden it reveals
145:
Eldridge works in mixed media on paper or panel. She uses
Venetian plaster and creates images with pigment, pencil, and elements of collage. She rarely uses paint, instead she scratches through layers of the plaster to make lines. She burnishes the final layer to make the work shine and reveal the
93:
and Wende Devlin, who wrote and illustrated 27 children's books and collaborated on two nationally syndicated comic strips: Fullhouse, which was based on the life of their busy household; and
Raggmopp, which told the family's story through their dog's eyes. Eldridge's parents were both portrait
102:
Eldridge attended Ohio
University, where she was in the Honors Cutler Program majoring in fine arts and creative writing and graduated summa cum laude. In 1969, she married her art professor, Aethelred Eldridge, and settled into a 70-acre farm near Athens, Ohio that was based on the writings,
209:
on a project called "There Is No Such Thing As The End," which re-imagined those images on vintage
Chinese scrolls through a palimpsest of painting, printing, collage and drawing. Eldridge described the project as a way to bridge the world of the living with that of the dead.
176:
Eldridge has had dozens of solo exhibitions and participated in many group shows throughout the United States and abroad, including New York, Paris, Belgrade and London. Her work has been used on covers of eight books of poetry. Celebrity collectors include actors
124:
Eldridge has described her work as metaphorical and mytho-poetic. She says she is influenced by mysticism and has adopted many of Blake's views of spirituality and its connection to art. She has also cited influences such as Carl Jung, the poetry of
115:
In 1987, following her divorce, she moved to Santa Fe to raise her children and pursue her career in art with studies at the Santa Fe
Institute of Fine Art and workshops in Florence, Cambridge, and New York. She continues to reside in Santa Fe.
189:
who said, “there are two tides, one of light and another of muffling, suffocating...absence. Alexandra is clearly in the light." She has also been featured on an “Art in Santa Fe” feature by television personality Rachel Ray.
201:. Eldridge acquired the plates from a friend, and once cleaned from 100 years of dust, they revealed images of fairy-like children from a Texas portrait studio from around 1900. Eldridge partnered with
146:
colors beneath. The colorful surfaces are distressed and incised with symbols, words, phrases and collage. Eldridge has said her paintings have a narrative, but without a beginning or end.
81:(born 1948) is an American contemporary painter. Her mixed-media paintings have been acclaimed for their symbolic imagery, rich colors, textures, and devotion to the written word.
409:
404:
399:
227:
394:
389:
89:
Alexandra
Eldridge was born in Mountainside, New Jersey and spent her childhood in a large Victorian house as one of seven children of
35:
384:
379:
60:
126:
346:
130:
206:
373:
178:
104:
50:
39:
186:
90:
193:
In 2011, About 20 Victorian glass plates were discovered in an attic of a home in
182:
94:
painters and Harry wrote and illustrated books on
American architecture.
194:
202:
362:
70:
198:
134:
103:
teachings and philosophy of
Romantic-era poet and painter
293:
Finding Blake in the Symbology of Alexandra Eldridge
66:
56:
46:
28:
21:
267:Artisan finds beauty in chaos has ethereal effect
269:, p. 41. The Albuquerque Tribune, June 21, 2002.
8:
324:, pgs. 48,65. The Magazine, September 2011.
249:, p. 26. The New Mexican, August 21, 2006.
18:
247:Isolation in Europe unifies art and life
218:
311:, p. 7. The Magazine, September 2011.
303:
301:
282:, p. 11. The Magazine, November 1999.
261:
259:
257:
255:
7:
410:21st-century American women painters
405:20th-century American women painters
295:, p. 7. The Bachelor, February 1999.
337:, p. 69. Santa Fe Trend, June 2008.
14:
400:Artists from Santa Fe, New Mexico
395:21st-century American painters
390:20th-century American painters
1:
235:. Visions West Contemporary.
229:Alexandra Eldridge Interview
426:
265:Richard Garriott-Stejskal.
36:Mountainside, New Jersey
133:and the teachings of
71:AlexandraEldridge.com
347:blog.huskmagazine.de
61:Contemporary Artist
127:Rainer Maria Rilke
79:Alexandra Eldridge
23:Alexandra Eldridge
76:
75:
417:
366:
365:
363:Official website
349:
344:
338:
331:
325:
318:
312:
305:
296:
289:
283:
280:Artist Spotlight
276:
270:
263:
250:
243:
237:
236:
234:
226:Predrag Pajdic.
223:
131:Andrei Tarkovsky
32:November 2, 1948
19:
16:American painter
425:
424:
420:
419:
418:
416:
415:
414:
370:
369:
361:
360:
357:
352:
345:
341:
335:Artist’s Studio
332:
328:
319:
315:
306:
299:
290:
286:
277:
273:
264:
253:
244:
240:
232:
225:
224:
220:
216:
174:
165:
156:
143:
122:
113:
100:
87:
42:
33:
24:
17:
12:
11:
5:
423:
421:
413:
412:
407:
402:
397:
392:
387:
382:
372:
371:
368:
367:
356:
355:External links
353:
351:
350:
339:
333:Sunamita Lim.
326:
313:
297:
284:
271:
251:
238:
217:
215:
212:
207:Predrag Pajdic
173:
170:
164:
161:
155:
152:
142:
139:
121:
118:
112:
109:
99:
96:
86:
83:
74:
73:
68:
64:
63:
58:
57:Known for
54:
53:
48:
44:
43:
34:
30:
26:
25:
22:
15:
13:
10:
9:
6:
4:
3:
2:
422:
411:
408:
406:
403:
401:
398:
396:
393:
391:
388:
386:
385:Living people
383:
381:
378:
377:
375:
364:
359:
358:
354:
348:
343:
340:
336:
330:
327:
323:
317:
314:
310:
304:
302:
298:
294:
288:
285:
281:
275:
272:
268:
262:
260:
258:
256:
252:
248:
242:
239:
231:
230:
222:
219:
213:
211:
208:
204:
200:
196:
191:
188:
184:
180:
179:Steve Buscemi
171:
169:
162:
160:
153:
151:
147:
140:
138:
136:
132:
128:
119:
117:
110:
108:
106:
105:William Blake
97:
95:
92:
84:
82:
80:
72:
69:
65:
62:
59:
55:
52:
49:
45:
41:
40:United States
37:
31:
27:
20:
342:
334:
329:
321:
316:
308:
292:
287:
279:
274:
266:
246:
241:
228:
221:
192:
187:William Hurt
175:
166:
157:
148:
144:
129:, filmmaker
123:
114:
101:
91:Harry Devlin
88:
78:
77:
380:1948 births
291:Evan West.
278:Bill Ward.
245:Lynn Cline.
85:Early years
47:Nationality
374:Categories
214:References
183:Edie Falco
120:Influences
98:Golgonooza
154:Symbolism
322:Previews
309:Previews
111:Santa Fe
51:American
205:artist
195:Houston
172:Acclaim
67:Website
203:London
163:Travel
233:(PDF)
199:Texas
141:Style
185:and
135:Rumi
29:Born
376::
320:.
307:.
300:^
254:^
197:,
181:,
137:.
38:,
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.