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Aleksandra Ekster

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structures. She continued with these experimental tendencies in her later puppet designs. With her experimentation across many mediums, Ekster started to take the concept of her costume design and integrate it into everyday life. In 1921, Ekster's work in fashion design began. Though her mass production designs were wearable, most of her fashion design was highly decorative and innovative, usually falling under the category of haute couture.
390: 44: 691:, Ivan Puni, Ksenia Boguslavska, drew supremacist designs for embroideries on bags, pillows, carpets, and belts. Later, they created the Kiev handicraft society and also presented embroideries from Verbivtsi at exhibitions in Kiev and European countries. In 1917, more than 400 works were exhibited in Moscow, from where they never returned. 441:, "In Parisian household there was a conspicuous peculiar combination of European culture with Ukrainian life. On the walls between Picasso and Braque paintings, there was Ukrainian embroidery; on the floor was a Ukrainian carpet, at the table they served clay pots, colorful majolica plates of dumplings." 599:. Most of Ekster's works were not exposed but were part of the exhibition catalogue. Yet, she also created a special painting inspired by Venice at the entrance hall on the second floor of the Soviet Pavilion. Several pieces of research on this painting are now in international and private collections. 644:
Through her costume work, she experimented with the transparency, movement, and vibrancy of fabrics. Ekster's movement of her brushstroke in her artwork is reflected in the movement of the fabric in her costumes. Ekster's theatrical sets used multi-coloured dimensions and experimented with spatial
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With her assimilation of many different genres, her essential futurist and cubist ideas were always in tandem with her attention to colour and rhythm. Ekster uses many elements of geometric compositions, which reinforce the core intentions of dynamism, vibrant contrasts, and free brushwork. Ekster
727:'s Académie d'Art Contemporain. In 1933, she began creating beautiful and original illuminated manuscripts (gouache on paper), perhaps the most important works of the last phase of her life. The "Callimaque" manuscript (c. 1939, the text being a French translation of a hymn by Hellenistic poet 607:
In line with her eclectic avant-garde-like style, Ekster's early paintings strongly influenced her costume design as well as her book illustrations, which are scarcely noted. All of Ekster's works, no matter the medium, stick to her distinct style. Her works are vibrant, playful, dramatic, and
680:, a researcher of Aleksandra Ekster's work, the time in Verbivka was the determining factor in the artist's painting, her colourful poem and became a source of imagery: "She conducted real scientific expeditions in search of ancient peasant embroideries, liturgical sewing, and weaving items," 752:
During World War II, she and her husband lived in harsh poverty. After her husband died in 1945, her last work was a sculpture of an angel, which would be placed above what would be their joint grave site. She died in Paris in 1949 and is buried at the cemetery of
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stretched the dynamic intentions of her work across all mediums. Ekster's theatrical works such as sculptures, costume design, set design, and decorations for the revolutionary festivals, strongly reflect her work with geometric elements and vibrant intentions.
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In 1908, Aleksandra Grigorovich married a successful Kiev lawyer, Nikolai Evgenyevich Ekster. The Eksters belonged to the cultural and intellectual elite of Kiev. She spent several months with her husband in Paris, and there she attended
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Her painting studio in the attic at 27 Funduklievskaya Street, now Khmelnytsky Street, was a rallying stage for Kiev's intellectual elite. In the attic in her studio, there worked future luminaries of world decorative art
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theatrical in composition, subject matter, and color. Ekster constantly stayed true to her composition aesthetic across all mediums. Furthermore, each medium only enhanced and influenced her work in other mediums.
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Young Aleksandra received an excellent private education, studying languages, music, art, and taking private drawing lessons. Soon her parents moved to Kiev, and Asya, as called by her friends, attended
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During the past few decades, her reputation has increased dramatically, as have the prices of her works. As a consequence, several fakes have appeared on the market in recent years.
2616: 456:. Ekster absorbed from many sources and cultures in order to develop her own original style. In 1915–1916, she worked in the peasant craft cooperatives in the villages 731:) is widely regarded as her masterpiece. From 1933 her work was limited as her health was declining with heart disease. In 1936, she participated in the exhibition 981: 449:
Under the avant-garde umbrella, Ekster has been noted to be a suprematist and constructivist painter as well as a major influencer of the Art Deco movement.
2611: 1414: 854: 779: 2606: 672:. It was there that the artist, who is now considered a representative of European Cubism, Futurism, Ukrainian avant-garde, one of the founders of the 2446: 2083: 1024:"Exhibit catalog for Salon de "La Section d'Or", 1912, p. 16, nos. 180–185. Walter Pach papers, Archives of American Art, Smithsonian Institution" 2132: 794: 2536: 2531: 2139: 2125: 2541: 749:. She drew illustrations for several poetry books and for three of Marie Colmont's children's books, which were published from 1939 to 1940. 701: 171:
As a young woman, her studio in Kiev attracted all the city's creative luminaries, and she became a figure of the Paris salons, mixing with
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In 1924, Aleksandra Ekster and her husband emigrated to France and settled in Paris, where she initially became a professor at the
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Ekster and Davydova with other researchers searched for folk motifs, reinterpreted them, modernized them and, together with
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and other French and Russian artists. In that same year, she participated with the "Russians" Archipenko, Koulbine and
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family. Her father, Aleksandr Grigorovich, was a wealthy Belarusian businessman. Her mother was Greek.
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While not confined within a particular movement, Ekster was one of the most experimental women of the
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among many others. In 1908, she participated in an exhibition together with members of the group
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style, discovered Ukrainian folk art, that was one of the influences in her works. According to
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Kovalenko, G.F. (Autumn 2000 – Winter 2001). "Aleksandra Ekster: The Artist's Path and Times".
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In the spring of 1924, Alexandra Exter travelled to Venice to take part in organising the 14th
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and others. Ekster later founded a teaching and production workshop (MDI) in Kiev (1918–1920).
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and Kiev Art School, where she studied with other future stars of avant-garde movement
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worked there. Also during this period, she was one of the leading stage designers of
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and Boris Gladkov in Moscow on the decor of the All Russian Exhibition pavilions.
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In 1923, she continued her work in many media in addition to collaborating with
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Under the name Alexandra d'Exter she exhibited six works at the Salon de la
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and others. She is identified with the Russian/Ukrainian avant-garde, as a
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Thanks to the connections of her husband, Mykola Ekster, Aleksandra met
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and P. Tchelitchew. There she was visited by poets and writers, such as
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in American public collections, on the French Sculpture Census website
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and in Paris. She was a book illustrator for the publishing company
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in Rome. In 1915, she joined the group of avant-garde artists
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Bowlt, John E. (1981). "The Marionettes of Alexandra Exter".
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In 1921, she became a director of the elementary course
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Notice de personne: Èkster, Aleksandra Eleksandrovna
255:. Her teachers included prominent Ukrainian painter 2419: 2328: 2282: 2026: 1968: 1897: 1829: 1640: 1582: 1466: 355:In Paris, Ekster became personally acquainted with 121: 99: 80: 50: 34: 1361:, Georgiy Kovalenko, 1993, Galart, Moscow, Russia. 547:style for Revolution Festivities. She worked with 164:; 18 January 1882 – 17 March 1949), also known as 935:"Aleksandra Aleksandrovna Ekster. Russian artist" 168:, was a Russian and French painter and designer. 640:Alexandra Exter, sketch, Lobanov-Rostovsky coll. 1129:. Victoria & Albert Museum. 13 January 2011 723:. From 1926 to 1930, Ekster was a professor at 374:, Galerie La Boétie, Paris, October 1912, with 1420:W.H. Crain Costume and Scene Design Collection 2622:Alumni of the Académie de la Grande Chaumière 1444: 1380:"Crossroads: Modernism in Ukraine, 1910–1930" 8: 2617:Emigrants from the Russian Empire to France 1127:"Design for a Constructivist stage setting" 1035: 1033: 578:at the Higher Artistic-Technical Workshop ( 1451: 1437: 1429: 1404: 664:, who had an estate with craftsmanship in 42: 31: 2447:Estorick Collection of Modern Italian Art 1160:10.1093/gao/9781884446054.article.t027185 191:movement. She was the teacher of several 1284:"Георгій Коваленко. "Олександра Екстер"" 739:and went on to have solo exhibitions in 635: 610: 433:. Her friend introduced her to the poet 1334:"The Faking of the Russian Avant-Garde" 980:Bowlt, John E.; Drutt, Matthew (eds.). 889: 775: 770: 559:. 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Советский Художник. 555:in a ballet studio of the dancer 425:International Futurist Exhibition 2077:Development of a Bottle in Space 868: 853: 838: 823: 808: 793: 778: 2182:Manifesto of Futurist Musicians 2119:Dynamism of a Human Body: Boxer 702:Académie de la Grande Chaumière 142:Aleksandra Aleksandrovna Ekster 2189:Mercury Passing Before the Sun 961:"Alexandra Alexandrovna Exter" 603:Revolutionising costume design 1: 2537:20th-century Russian painters 2532:People from Belostoksky Uyezd 1003:www.encyclopediaofukraine.com 531:In 1919, together with other 2542:20th-century French painters 2496:Verbovka Village Folk Centre 2112:Dynamism of a Dog on a Leash 1112:Александр Григорьевич Тышлер 982:"Amazons of the avant-garde" 567:, who would later become an 346:Costumes designed by Ekster. 2637:20th-century women painters 2627:Academic staff of Vkhutemas 2210:The Street Enters the House 2126:Dynamism of a Soccer Player 1374:Alexandra Exter Association 1365:Andrei Nakov, Art Historian 2653: 2602:Suprematism (art movement) 1988:Italian futurism in cinema 1549:Francesco Balilla Pratella 1148:Lodder, Christina (2003). 716:, Paris, Rome and Moscow. 301:, as well as many artists 235:(now Poland) to a wealthy 2567:Russian costume designers 2161:The Hand of the Violinist 2154:Girl Running on a Balcony 1665:Vladimir Baranoff-Rossine 1090:. Oxford University Press 941:. Encyclopædia Britannica 656:Ukrainian folk influences 307:Wladimir Baranoff-Rossine 161: 153: 41: 2572:Russian scenic designers 1930:Valentine de Saint-Point 1915:José de Almada Negreiros 966:Encyclopædia Universalis 684:wrote in his monograph. 363:, who introduced her to 309:, and students, such as 187:, and influencer of the 2582:Ukrainian women artists 1950:Frances Simpson Stevens 1945:Amadeo de Souza Cardoso 1262:10.1163/187633181x00110 1109:Сыркина, Ф. Я. (1966). 733:Cubism and Abstract Art 626:M.T. Abraham Foundation 203:and the film directors 2632:Artists from Białystok 2577:Russian women painters 2290:Luisa, Marchesa Casati 2035:Abstract Speed + Sound 1969:Techniques, sub-genres 1336:. ARTnews. 1 July 2009 1178:www.frenkel-frenel.org 1088:MoMA, Grove Art Online 933:Andrei D. Sarabianov. 641: 629: 584:Constructivist artists 400:Salon des Indépendants 394: 347: 2587:Ukrainian avant-garde 2491:Ukrainian avant-garde 2469:Robert René Meyer-Sée 2175:Manifesto of Futurism 2105:Dynamism of a Cyclist 1993:Futurist architecture 1685:Kseniya Boguslavskaya 1369:about Alexandra Exter 939:britannica.com Online 639: 614: 392: 345: 2252:Victory over the Sun 1655:Alexander Archipenko 1385:The Ukrainian Museum 861:Still Life with Eggs 786:Three Female Figures 764:Representative works 565:Isaac Frenkel Frenel 470:Yevgenia Pribylskaya 409:Alexander Archipenko 339:and others in Kiev. 253:Alexander Archipenko 201:Isaac Frenkel Frenel 2597:Russian avant-garde 2474:Russian avant-garde 2295:Gabriele D'Annunzio 2259:Vladimir Mayakovsky 2196:The Poem of the End 2003:Futurist literature 1810:Vadim Shershenevich 1780:Vladimir Mayakovsky 1740:Aleksei Kruchyonykh 1680:Alexander Bogomazov 1514:Nikolay Diulgheroff 1424:Harry Ransom Center 1042:Woman's Art Journal 999:"Ekster, Alexandra" 616:Costume design for 557:Bronislava Nijinska 445:Russian avant-garde 417:Sonia Delaunay-Terk 303:Alexander Bogomazov 295:Bronislava Nijinska 249:Oleksandr Bohomazov 2592:Ukrainian Futurism 1935:Jules Schmalzigaug 1815:Nadezhda Udaltsova 1755:Aristarkh Lentulov 1730:Velimir Khlebnikov 1715:Natalia Goncharova 1622:Konstantin Olimpov 1082:Christina Lodder. 755:Fontenay-aux-Roses 642: 630: 494:Nadezhda Udaltsova 395: 348: 229:Grodno Governorate 92:Fontenay-aux-Roses 73:Grodno Governorate 2562:Modernist theatre 2557:Abstract painters 2509: 2508: 2486:Sackville Gallery 2329:Groups influenced 2283:Associated people 2098:Dynamism of a Car 2049:The Art of Noises 1978:Anti-neutral suit 1920:C. 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Retrieved 1383: 1358: 1340:16 September 1338:. Retrieved 1328: 1318:16 September 1316:. Retrieved 1303: 1291:. Retrieved 1288:kontur.media 1287: 1278: 1253: 1249: 1243: 1231:. Retrieved 1227: 1218: 1206:. Retrieved 1202: 1193: 1181:. Retrieved 1177: 1168: 1150: 1143: 1133:16 September 1131:. Retrieved 1121: 1111: 1104: 1094:16 September 1092:. Retrieved 1087: 1045: 1041: 1018: 1006:. Retrieved 1002: 993: 975: 969:(in French). 964: 955: 943:. Retrieved 938: 928: 902:(in French). 898: 892: 875: 860: 845: 830: 815: 800: 785: 759: 751: 744: 732: 720: 718: 706:Montparnasse 698: 686: 659: 650:Vera Mukhina 647: 643: 631: 621: 615: 606: 594: 587: 575: 573: 549:Vadym Meller 530: 502:Vadym Meller 451: 448: 439:Alice Coonen 428: 424: 413:Vadym Meller 398: 396: 386:and others. 372:Section d'Or 369: 354: 328:Zveno (Link) 326: 275:Vadym Meller 271: 241: 220: 218: 170: 165: 145: 141: 140: 112:stage design 108:graphic arts 86:(1949-03-17) 29: 2527:1949 deaths 2522:1882 births 2501:Zveno (art) 2464:Primitivism 2459:Pointillism 2442:Divisionism 2401:Suprematism 2381:Panfuturism 2013:Noise music 1955:Mary Swanzy 1884:Marisa Mori 1831:Aeropittura 1627:Rurik Ivnev 1529:Marisa Mori 1504:Carlo Carrà 1233:11 November 1208:11 November 1183:11 November 1008:13 December 729:Callimachus 533:avant-garde 516:, Shifrin, 514:Tchelitchew 464:along with 454:avant-garde 435:Apollinaire 299:Elsa Kruger 297:and dancer 146:Grigorovich 2516:Categories 2341:Agit-train 1735:Ivan Kliun 1720:Elena Guro 1670:Lilya Brik 1544:Ugo Piatti 1387:, New York 884:References 816:Still Life 746:Flammarion 478:Nina Genke 237:Belarusian 215:Early life 61:1882-01-18 2453:Le Chahut 2411:Vorticism 2056:BÏF§ZF+18 1844:"Barbara" 1800:Ivan Puni 1675:Osip Brik 1484:"Barbara" 1270:0094-288X 1048:(2): 64. 918:ignored ( 908:cite book 682:Kovalenko 666:Verbivtsi 580:VKhUTEMAS 571:painter. 486:Ivan Puni 227:, in the 225:Białystok 158:Ukrainian 69:Białystok 2420:See also 2406:Supremus 2391:Rayonism 2336:Agitprop 1910:Mina Loy 1822:(Iliazd) 1460:Futurism 1293:23 March 737:New York 674:Art Deco 670:Cherkasy 545:abstract 535:artists 518:Nikritin 462:Verbovka 430:Supremus 421:Rozanova 189:Art Deco 126:Futurism 122:Movement 104:Painting 94:, France 2351:Dadaism 2266:Zangezi 2168:Lacerba 2070:Cyclist 1422:at the 1392:9 March 1224:"ABOUT" 1203:Arthive 1062:1358761 945:9 March 586:at the 458:Skoptsi 423:in the 231:of the 173:Picasso 150:Russian 2437:Cubism 2432:5x5=25 2376:Oberiu 2203:Poesia 1874:Fillìa 1268:  1060:  878:, 1919 863:, 1915 848:, 1915 846:Venice 833:, 1914 818:, 1913 803:, 1912 788:, 1910 741:Prague 714:Odessa 624:1921. 589:5x5=25 561:Odessa 289:, and 177:Braque 130:cubism 2224:Thaïs 1312:(PDF) 1058:JSTOR 985:(PDF) 668:near 576:Color 551:as a 351:Paris 144:(née 2018:Zaum 1394:2015 1342:2012 1320:2012 1295:2023 1266:ISSN 1235:2023 1210:2023 1185:2023 1135:2012 1096:2012 1010:2019 947:2016 920:help 563:was 539:and 460:and 359:and 321:and 268:Kiev 251:and 81:Died 51:Born 1644:and 1258:doi 1156:doi 1050:doi 735:in 704:in 524:'s 223:in 148:) ( 2518:: 1382:. 1367:, 1286:. 1264:. 1252:. 1226:. 1201:. 1176:. 1154:. 1086:. 1070:^ 1056:. 1046:21 1044:. 1032:^ 1001:. 963:. 937:. 912:: 910:}} 906:{{ 757:. 712:, 528:. 512:, 508:, 504:, 500:, 492:, 488:, 484:, 480:, 476:, 472:, 468:, 415:, 411:, 407:, 382:, 378:, 367:. 335:, 317:, 313:, 305:, 285:, 277:, 207:, 199:, 183:, 175:, 160:: 156:, 152:: 132:, 128:, 114:, 110:, 106:, 71:, 1480:) 1476:( 1452:e 1445:t 1438:v 1396:. 1344:. 1322:. 1297:. 1272:. 1260:: 1254:8 1237:. 1212:. 1187:. 1162:. 1158:: 1137:. 1098:. 1064:. 1052:: 1026:. 1012:. 987:. 949:. 922:) 628:. 622:. 63:) 59:( 20:)

Index

Alexandra Exter

Białystok
Grodno Governorate
Fontenay-aux-Roses
Painting
graphic arts
stage design
costume design
Futurism
cubism
constructivism
Russian
Ukrainian
Picasso
Braque
Cubo-futurist
Constructivist
Art Deco
School of Paris
Abraham Mintchine
Isaac Frenkel Frenel
Grigori Kozintsev
Sergei Yutkevich
Białystok
Grodno Governorate
Russian Empire
Belarusian
St.Olha Gymnasium
Oleksandr Bohomazov

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