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structures. She continued with these experimental tendencies in her later puppet designs. With her experimentation across many mediums, Ekster started to take the concept of her costume design and integrate it into everyday life. In 1921, Ekster's work in fashion design began. Though her mass production designs were wearable, most of her fashion design was highly decorative and innovative, usually falling under the category of haute couture.
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441:, "In Parisian household there was a conspicuous peculiar combination of European culture with Ukrainian life. On the walls between Picasso and Braque paintings, there was Ukrainian embroidery; on the floor was a Ukrainian carpet, at the table they served clay pots, colorful majolica plates of dumplings."
599:. Most of Ekster's works were not exposed but were part of the exhibition catalogue. Yet, she also created a special painting inspired by Venice at the entrance hall on the second floor of the Soviet Pavilion. Several pieces of research on this painting are now in international and private collections.
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Through her costume work, she experimented with the transparency, movement, and vibrancy of fabrics. Ekster's movement of her brushstroke in her artwork is reflected in the movement of the fabric in her costumes. Ekster's theatrical sets used multi-coloured dimensions and experimented with spatial
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With her assimilation of many different genres, her essential futurist and cubist ideas were always in tandem with her attention to colour and rhythm. Ekster uses many elements of geometric compositions, which reinforce the core intentions of dynamism, vibrant contrasts, and free brushwork. Ekster
727:'s Académie d'Art Contemporain. In 1933, she began creating beautiful and original illuminated manuscripts (gouache on paper), perhaps the most important works of the last phase of her life. The "Callimaque" manuscript (c. 1939, the text being a French translation of a hymn by Hellenistic poet
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In line with her eclectic avant-garde-like style, Ekster's early paintings strongly influenced her costume design as well as her book illustrations, which are scarcely noted. All of Ekster's works, no matter the medium, stick to her distinct style. Her works are vibrant, playful, dramatic, and
680:, a researcher of Aleksandra Ekster's work, the time in Verbivka was the determining factor in the artist's painting, her colourful poem and became a source of imagery: "She conducted real scientific expeditions in search of ancient peasant embroideries, liturgical sewing, and weaving items,"
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During World War II, she and her husband lived in harsh poverty. After her husband died in 1945, her last work was a sculpture of an angel, which would be placed above what would be their joint grave site. She died in Paris in 1949 and is buried at the cemetery of
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stretched the dynamic intentions of her work across all mediums. Ekster's theatrical works such as sculptures, costume design, set design, and decorations for the revolutionary festivals, strongly reflect her work with geometric elements and vibrant intentions.
1411:Хидекель Р. П. О трех художниках Камерного театра. // Искусство. – 1971. – No. 5. С. 37–43. (Khidekel R.P. About three artists of the Kamerny Theatre. Alexandra Exter, Georgy Yakulov and Alexander Vesnin// Iskusstvo. – 1971. – No. 5. p. 37–43)
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In 1908, Aleksandra
Grigorovich married a successful Kiev lawyer, Nikolai Evgenyevich Ekster. The Eksters belonged to the cultural and intellectual elite of Kiev. She spent several months with her husband in Paris, and there she attended
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Her painting studio in the attic at 27 Funduklievskaya Street, now
Khmelnytsky Street, was a rallying stage for Kiev's intellectual elite. In the attic in her studio, there worked future luminaries of world decorative art
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theatrical in composition, subject matter, and color. Ekster constantly stayed true to her composition aesthetic across all mediums. Furthermore, each medium only enhanced and influenced her work in other mediums.
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Young
Aleksandra received an excellent private education, studying languages, music, art, and taking private drawing lessons. Soon her parents moved to Kiev, and Asya, as called by her friends, attended
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During the past few decades, her reputation has increased dramatically, as have the prices of her works. As a consequence, several fakes have appeared on the market in recent years.
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456:. Ekster absorbed from many sources and cultures in order to develop her own original style. In 1915–1916, she worked in the peasant craft cooperatives in the villages
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Under the avant-garde umbrella, Ekster has been noted to be a suprematist and constructivist painter as well as a major influencer of the Art Deco movement.
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672:. It was there that the artist, who is now considered a representative of European Cubism, Futurism, Ukrainian avant-garde, one of the founders of the
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1024:"Exhibit catalog for Salon de "La Section d'Or", 1912, p. 16, nos. 180–185. Walter Pach papers, Archives of American Art, Smithsonian Institution"
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As a young woman, her studio in Kiev attracted all the city's creative luminaries, and she became a figure of the Paris salons, mixing with
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In 1924, Aleksandra Ekster and her husband emigrated to France and settled in Paris, where she initially became a professor at the
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Ekster and
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and other French and
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family. Her father, Aleksandr
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While not confined within a particular movement, Ekster was one of the most experimental women of the
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among many others. In 1908, she participated in an exhibition together with members of the group
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style, discovered
Ukrainian folk art, that was one of the influences in her works. According to
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Kovalenko, G.F. (Autumn 2000 – Winter 2001). "Aleksandra Ekster: The Artist's Path and Times".
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In the spring of 1924, Alexandra Exter travelled to Venice to take part in organising the 14th
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and others. Ekster later founded a teaching and production workshop (MDI) in Kiev (1918–1920).
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and Kiev Art School, where she studied with other future stars of avant-garde movement
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worked there. Also during this period, she was one of the leading stage designers of
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and Boris
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In 1923, she continued her work in many media in addition to collaborating with
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Under the name
Alexandra d'Exter she exhibited six works at the Salon de la
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Russian/Ukrainian avant-garde, as a
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Thanks to the connections of her husband, Mykola Ekster, Aleksandra met
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and P. Tchelitchew. There she was visited by poets and writers, such as
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in American public collections, on the French Sculpture Census website
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and in Paris. She was a book illustrator for the publishing company
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259:. Aleksandra graduated in painting from Kiev Art School in 1906.
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in Rome. In 1915, she joined the group of avant-garde artists
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Bowlt, John E. (1981). "The Marionettes of Alexandra Exter".
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1314:(Press release). Alexandra Exter Association. 2 July 2006
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In 1921, she became a director of the elementary course
708:. From 1908 to 1924, she intermittently lived in Kiev,
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Notice de personne: Èkster, Aleksandra Eleksandrovna
255:. Her teachers included prominent Ukrainian painter
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547:style for Revolution Festivities. She worked with
164:; 18 January 1882 – 17 March 1949), also known as
935:"Aleksandra Aleksandrovna Ekster. Russian artist"
168:, was a Russian and French painter and designer.
640:Alexandra Exter, sketch, Lobanov-Rostovsky coll.
1129:. Victoria & Albert Museum. 13 January 2011
723:. From 1926 to 1930, Ekster was a professor at
374:, Galerie La Boétie, Paris, October 1912, with
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2622:Alumni of the Académie de la Grande Chaumière
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1380:"Crossroads: Modernism in Ukraine, 1910–1930"
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1127:"Design for a Constructivist stage setting"
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2447:Estorick Collection of Modern Italian Art
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191:movement. She was the teacher of several
1284:"Георгій Коваленко. "Олександра Екстер""
739:and went on to have solo exhibitions in
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433:. Her friend introduced her to the poet
1334:"The Faking of the Russian Avant-Garde"
980:Bowlt, John E.; Drutt, Matthew (eds.).
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559:. One of her students in her studio in
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2084:Drama in the Futurists' Cabaret No. 13
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2133:Dynamism of a Speeding Horse + Houses
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55:Aleksandra Aleksandrovna Grigorovich
2238:Unique Forms of Continuity in Space
592:exhibition held in Moscow in 1921.
397:In 1914, Exter participated in the
393:Theatre curtain designed by Ekster.
2612:20th-century Russian women artists
1174:"Yitzhak Alexander Frenkel Frenel"
162:Олекса́ндра Олекса́ндрівна Е́кстер
154:Алекса́ндра Алекса́ндровна Эксте́р
27:Russian-French painter (1882–1949)
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2607:White Russian emigrants to France
1115:(in Russian). Советский Художник.
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425:International Futurist Exhibition
2077:Development of a Bottle in Space
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2119:Dynamism of a Human Body: Boxer
702:Académie de la Grande Chaumière
142:Aleksandra Aleksandrovna Ekster
2189:Mercury Passing Before the Sun
961:"Alexandra Alexandrovna Exter"
603:Revolutionising costume design
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2532:People from Belostoksky Uyezd
1003:www.encyclopediaofukraine.com
531:In 1919, together with other
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2496:Verbovka Village Folk Centre
2112:Dynamism of a Dog on a Leash
1112:Александр Григорьевич Тышлер
982:"Amazons of the avant-garde"
567:, who would later become an
346:Costumes designed by Ekster.
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2627:Academic staff of Vkhutemas
2210:The Street Enters the House
2126:Dynamism of a Soccer Player
1374:Alexandra Exter Association
1365:Andrei Nakov, Art Historian
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2602:Suprematism (art movement)
1988:Italian futurism in cinema
1549:Francesco Balilla Pratella
1148:Lodder, Christina (2003).
716:, Paris, Rome and Moscow.
301:, as well as many artists
235:(now Poland) to a wealthy
2567:Russian costume designers
2161:The Hand of the Violinist
2154:Girl Running on a Balcony
1665:Vladimir Baranoff-Rossine
1090:. Oxford University Press
941:. Encyclopædia Britannica
656:Ukrainian folk influences
307:Wladimir Baranoff-Rossine
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1930:Valentine de Saint-Point
1915:José de Almada Negreiros
966:Encyclopædia Universalis
684:wrote in his monograph.
363:, who introduced her to
309:, and students, such as
187:, and influencer of the
2582:Ukrainian women artists
1950:Frances Simpson Stevens
1945:Amadeo de Souza Cardoso
1262:10.1163/187633181x00110
1109:Сыркина, Ф. Я. (1966).
733:Cubism and Abstract Art
626:M.T. Abraham Foundation
203:and the film directors
2632:Artists from Białystok
2577:Russian women painters
2290:Luisa, Marchesa Casati
2035:Abstract Speed + Sound
1969:Techniques, sub-genres
1336:. ARTnews. 1 July 2009
1178:www.frenkel-frenel.org
1088:MoMA, Grove Art Online
933:Andrei D. Sarabianov.
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584:Constructivist artists
400:Salon des Indépendants
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2491:Ukrainian avant-garde
2469:Robert René Meyer-Sée
2175:Manifesto of Futurism
2105:Dynamism of a Cyclist
1993:Futurist architecture
1685:Kseniya Boguslavskaya
1369:about Alexandra Exter
939:britannica.com Online
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2252:Victory over the Sun
1655:Alexander Archipenko
1385:The Ukrainian Museum
861:Still Life with Eggs
786:Three Female Figures
764:Representative works
565:Isaac Frenkel Frenel
470:Yevgenia Pribylskaya
409:Alexander Archipenko
339:and others in Kiev.
253:Alexander Archipenko
201:Isaac Frenkel Frenel
2597:Russian avant-garde
2474:Russian avant-garde
2295:Gabriele D'Annunzio
2259:Vladimir Mayakovsky
2196:The Poem of the End
2003:Futurist literature
1810:Vadim Shershenevich
1780:Vladimir Mayakovsky
1740:Aleksei Kruchyonykh
1680:Alexander Bogomazov
1514:Nikolay Diulgheroff
1424:Harry Ransom Center
1042:Woman's Art Journal
999:"Ekster, Alexandra"
616:Costume design for
557:Bronislava Nijinska
445:Russian avant-garde
417:Sonia Delaunay-Terk
303:Alexander Bogomazov
295:Bronislava Nijinska
249:Oleksandr Bohomazov
2592:Ukrainian Futurism
1935:Jules Schmalzigaug
1815:Nadezhda Udaltsova
1755:Aristarkh Lentulov
1730:Velimir Khlebnikov
1715:Natalia Goncharova
1622:Konstantin Olimpov
1082:Christina Lodder.
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494:Nadezhda Udaltsova
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92:Fontenay-aux-Roses
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2486:Sackville Gallery
2329:Groups influenced
2283:Associated people
2098:Dynamism of a Car
2049:The Art of Noises
1978:Anti-neutral suit
1920:C. R. W. Nevinson
1889:Enrico Prampolini
1775:Mikhail Matyushin
1765:Benedikt Livshits
1710:Nina Genke-Meller
1705:Aleksandra Ekster
1642:Russian Futurists
1564:Antonio Sant'Elia
1467:Italian Futurists
1401:Aleksandra Ekster
1084:"Alexandra Exter"
541:Nina Genke-Meller
498:Alexander Tyshler
323:Abraham Mintchine
311:Grigori Kozintsev
245:St.Olha Gymnasium
205:Grigori Kozintsev
197:Abraham Mintchine
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16:(Redirected from
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2396:Soyuz Molodyozhi
2366:Jack of Diamonds
2361:Grosvenor School
2305:Benito Mussolini
2300:Sergei Diaghilev
2217:The Street Light
2147:The Knifegrinder
1998:Futurist cooking
1940:Mykhaylo Semenko
1925:Emilio Pettoruti
1864:Fortunato Depero
1854:Giuseppe Caselli
1770:Kazimir Malevich
1750:Mikhail Larionov
1695:Vladimir Burliuk
1617:Dmitri Kryuchkov
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1519:Luigi De Giudici
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689:Kazimir Malevich
678:Georgy Kovalenko
662:Natalia Davydova
619:Romeo and Juliet
553:costume designer
522:Alexander Tairov
506:Anatol Petrytsky
474:Natalia Davidova
466:Kazimir Malevich
405:Kazimir Malevich
337:Vladimir Burliuk
315:Sergei Yutkevich
293:, choreographer
279:Anatol Petrytsky
263:Artistic periods
257:Mykola Pymonenko
209:Sergei Yutkevich
195:artists such as
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2315:Léonide Massine
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2231:Tango with Cows
2027:Selected output
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1898:Other Futurists
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1879:Sante Monachesi
1869:Gerardo Dottori
1849:Benedetta Cappa
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1785:Boris Pasternak
1725:Vasily Kamensky
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1597:Vasilisk Gnedov
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1574:Ardengo Soffici
1554:Antonio Russolo
1524:F. T. Marinetti
1509:Franco Casavola
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1494:Anton Bragaglia
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84:17 March 1949
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2386:Precisionism
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1983:Intonarumori
1905:Alice Bailly
1859:Tullio Crali
1760:El Lissitzky
1704:
1602:Boris Gusman
1534:Bruno Munari
1415:Oxford Index
1390:. Retrieved
1383:
1358:
1340:16 September
1338:. Retrieved
1328:
1318:16 September
1316:. Retrieved
1303:
1291:. Retrieved
1288:kontur.media
1287:
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1231:. Retrieved
1227:
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1202:
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1131:. Retrieved
1121:
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1092:. Retrieved
1087:
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1006:. Retrieved
1002:
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975:
969:(in French).
964:
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943:. Retrieved
938:
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650:Vera Mukhina
647:
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549:Vadym Meller
530:
502:Vadym Meller
451:
448:
439:Alice Coonen
428:
424:
413:Vadym Meller
398:
396:
386:and others.
372:Section d'Or
369:
354:
328:Zveno (Link)
326:
275:Vadym Meller
271:
241:
220:
218:
170:
165:
145:
141:
140:
112:stage design
108:graphic arts
86:(1949-03-17)
29:
2527:1949 deaths
2522:1882 births
2501:Zveno (art)
2464:Primitivism
2459:Pointillism
2442:Divisionism
2401:Suprematism
2381:Panfuturism
2013:Noise music
1955:Mary Swanzy
1884:Marisa Mori
1831:Aeropittura
1627:Rurik Ivnev
1529:Marisa Mori
1504:Carlo Carrà
1233:11 November
1208:11 November
1183:11 November
1008:13 December
729:Callimachus
533:avant-garde
516:, Shifrin,
514:Tchelitchew
464:along with
454:avant-garde
435:Apollinaire
299:Elsa Kruger
297:and dancer
146:Grigorovich
2516:Categories
2341:Agit-train
1735:Ivan Kliun
1720:Elena Guro
1670:Lilya Brik
1544:Ugo Piatti
1387:, New York
884:References
816:Still Life
746:Flammarion
478:Nina Genke
237:Belarusian
215:Early life
61:1882-01-18
2453:Le Chahut
2411:Vorticism
2056:BÏF§ZF+18
1844:"Barbara"
1800:Ivan Puni
1675:Osip Brik
1484:"Barbara"
1270:0094-288X
1048:(2): 64.
918:ignored (
908:cite book
682:Kovalenko
666:Verbivtsi
580:VKhUTEMAS
571:painter.
486:Ivan Puni
227:, in the
225:Białystok
158:Ukrainian
69:Białystok
2420:See also
2406:Supremus
2391:Rayonism
2336:Agitprop
1910:Mina Loy
1822:(Iliazd)
1460:Futurism
1293:23 March
737:New York
674:Art Deco
670:Cherkasy
545:abstract
535:artists
518:Nikritin
462:Verbovka
430:Supremus
421:Rozanova
189:Art Deco
126:Futurism
122:Movement
104:Painting
94:, France
2351:Dadaism
2266:Zangezi
2168:Lacerba
2070:Cyclist
1422:at the
1392:9 March
1224:"ABOUT"
1203:Arthive
1062:1358761
945:9 March
586:at the
458:Skoptsi
423:in the
231:of the
173:Picasso
150:Russian
2437:Cubism
2432:5x5=25
2376:Oberiu
2203:Poesia
1874:Fillìa
1268:
1060:
878:, 1919
863:, 1915
848:, 1915
846:Venice
833:, 1914
818:, 1913
803:, 1912
788:, 1910
741:Prague
714:Odessa
624:1921.
589:5x5=25
561:Odessa
289:, and
177:Braque
130:cubism
2224:Thaïs
1312:(PDF)
1058:JSTOR
985:(PDF)
668:near
576:Color
551:as a
351:Paris
144:(née
2018:Zaum
1394:2015
1342:2012
1320:2012
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