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136:, the younger brother of Duke Cesare who had banished him from Modena, and continued his musical life in Rome. By 1605 he had repaired his ties with Duke Cesare, and became the official representative of the Este family in Rome. Whether he repented of the murder, or was retained because of his exceptional skill as a diplomat, is not known.
232:; unlike Gesualdo, however, the chromaticism is not a defining feature of his music. Most of Fontanelli's pieces are short, requiring less than three minutes to perform. None are obviously intended for arrangement for solo voice and accompaniment by a plucked chordal instrument (as are many of Luzzaschi's madrigals), being
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in 1611 and 1612 as the Este representative. By 1615 he evidently had settled in Rome, becoming prominent in the musical life there; however no works of his from these years seem to have survived. Many surviving letters between members of the Roman aristocracy and church hierarchy however survive,
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After the Este family moved to Modena, Fontanelli followed them there, maintaining his capacity as a diplomat: in 1600 and 1601 he went to Rome and
Florence on their behalf. In November 1601, he discovered that his wife had been having an affair, and he murdered her lover (unlike Gesualdo, who in
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Fontanelli probably wrote most of his surviving compositions during the 1590s, and immediately after 1600. Not only was he active as a musician at the
Ferrara court during the earlier part of this period, but he was active as a diplomat and statesman, traveling to the
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similar circumstances murdered them both, Fontanelli spared his wife); as a punishment he was stripped of his possessions and banished from the Este lands. He found refuge with the opulent Roman household of
Cardinal
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and disjunct in texture, and avoiding a dominant soprano line. Many of his madrigals, particularly from his first book, are written for two or three soprano voices, suggesting that they were written for the
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of composition, aspects of whose style appear in his music. His diplomatic activity while in Rome enhanced his reputation greatly, for in 1588 he received two honors: he was named "music counselor" to the
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giving many details of the musical life there, and
Fontanelli's prominent position within it. Fontanelli became a priest in 1621, and died in early 1622 from an insect bite while in the Oratorio della
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survives, containing much information on musical practice of the period. In 1591 Fontanelli's first wife died, and he married again, to Maria
Biancoli, a marriage which was to prove troublesome.
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Fontanelli apparently wrote only madrigals; neither sacred music nor specifically instrumental music has survived, even though he seems to have written some sacred music for the
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in
Ferrara, and he was made a gentleman of the Ferrara court. He rose steadily in influence between then and its dissolution in 1597, when the ruling Este family was removed to
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The second book of madrigals (1604), some of which must have been written in Rome (but were published in Venice), contains some pieces in a simpler
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Like
Gesualdo and Luzzaschi, Fontanelli wrote madrigals which were intended to be appreciated by a small audience of connoisseurs, particularly the
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composers, performers, and listeners, who were more conservative than the esoteric
Ferrara school, and unaccustomed to its experimental music.
188:, praised him as being the finest of the nobleman-composers at the end of the 16th century, a category that would include Gesualdo as well as
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composition in the last decade of the 1590s. His music was long neglected, coming again to light again towards the end of the 20th century.
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court in Mantua and the Medici in
Florence, and mingling with local musicians in each place. In 1594 he traveled extensively with
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at the Chiesa Nuova towards the end of his life. He published two books of madrigals, both for five voices: the first in
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22:(15 February 1557 – 11 February 1622) was an Italian composer, writer, diplomat, courtier, and nobleman of the late
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He married for the first time in 1580, and in 1584 began his career as a courtier, statesman, and musician to the
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During the next ten years he traveled widely, including a stay in
Florence to try to mediate conflicts among the
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style, recalling the madrigalian style of decades before. This style was harmonious with the tastes of the
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of Alfonso II d'Este. Stylistically his music uses the most progressive techniques of the time, including
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with the notorious composer and murderer. A correspondence from himself to his patron
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326:: "Alfonso Fontanelli," Grove Music Online, ed. L. Macy (Accessed January 3, 2006),
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Newcomb, Anthony. "Carlo Gesualdo and a musical correspondence of 1594" in
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in the late 16th century, and one of the earliest composers in the
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26:. He was one of the leading figures in the musically progressive
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71:. It was in the employ of the Este family that he first went to
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168:, Fontanelli was one of the leaders of the Ferrarese school of
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in 1586; while there he probably met the renowned madrigalist
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92:and the region of Ferrara was absorbed into the
56:. His early musical education was with composer
301:The New Grove Dictionary of Music and Musicians
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2355:People from the Province of Reggio Emilia
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2360:Deaths due to insect bites and stings
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143:court musicians, and a sojourn in
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2190:historically informed performance
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36:style at the transition to the
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2335:Italian Renaissance composers
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380:List of Renaissance composers
79:, as well as members of the
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1010:Petrus Phalesius the Elder
825:English Virginalist School
286:"A musical correspondence"
180:, never mentions him, yet
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1168:List of Baroque composers
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792:Jan Pieterszoon Sweelinck
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299:"Alfonso Fontanelli", in
320:. Princeton, N.J., 1949.
178:Music of the Renaissance
820:English Madrigal School
184:, in his comprehensive
48:Fontanelli was born in
2243:Common practice period
662:Tomás Luis de Victoria
466:Oswald von Wolkenstein
197:Oratorio dei Filippini
176:, in his encyclopedic
2165:British Baroque music
682:Transition to Baroque
627:Pierre de Manchicourt
328:(subscription access)
272:The Musical Quarterly
1583:Jacquet de La Guerre
1513:Bodin de Boismortier
712:Girolamo Frescobaldi
519:Cristóbal de Morales
318:The Italian Madrigal
240:concerto delle donne
207:, and the second in
186:The Italian Madrigal
86:Accademia de Parteni
2175:early music revival
1746:Frederick the Great
830:Florentine Camerata
802:Composition schools
461:Gaspar van Weerbeke
203:in 1595 printed by
190:Alessandro Striggio
156:Music and influence
52:, the son of Count
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456:Johannes Tinctoris
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333:2008-05-16 at the
162:Luzzasco Luzzaschi
50:Reggio nell'Emilia
20:Alfonso Fontanelli
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1952:Baroque orchestra
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446:Johannes Ockeghem
388:Early (1400–1470)
371:Renaissance music
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126:Alfonso II d'Este
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54:Emilio Fontanelli
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1966:Musical forms
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1761:Padre Martini
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1706:C. P. E. Bach
1704:
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1280:M. Praetorius
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1159:Baroque music
1153:
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1134:
1133:
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1118:
1114:
1110:
1108:
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1094:Baroque music
1089:
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975:Andrea Antico
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854:Musical forms
852:
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783:
780:
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773:
770:
768:
767:Thomas Morley
765:
763:
760:
758:
757:Luca Marenzio
755:
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652:Thomas Tallis
650:
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623:
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580:
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569:
567:
565:
561:
555:
552:
550:
547:
545:
544:John Taverner
542:
540:
537:
535:
532:
530:
529:Jacob Obrecht
527:
525:
522:
520:
517:
515:
512:
510:
507:
505:
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429:
427:
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419:
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409:
407:
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399:
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394:
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389:
385:
381:
376:
372:
365:
360:
358:
353:
351:
346:
345:
342:
336:
332:
329:
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319:
315:
312:
310:
309:1-56159-174-2
306:
302:
298:
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283:
281:
277:
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267:
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257:
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227:
223:
222:
216:
214:
210:
206:
202:
198:
193:
191:
187:
183:
179:
175:
174:Gustave Reese
171:
167:
163:
155:
153:
151:
146:
142:
137:
135:
129:
127:
123:
119:
115:
111:
107:
103:
97:
95:
91:
87:
82:
78:
77:Luca Marenzio
74:
70:
66:
61:
59:
55:
51:
43:
41:
39:
35:
34:
29:
25:
21:
2289:
2282:
2253:Architecture
2202:Folk baroque
2197:Figured bass
2170:counterpoint
2146:Other topics
2018:18th-century
2013:17th-century
1638:D. Scarlatti
1455:A. Scarlatti
1425:J. Pachelbel
1176:Transitional
1092:
1085:
1056:Architecture
990:Jacob Bathen
716:
707:John Dowland
577:William Byrd
451:Leonel Power
317:
300:
271:
266:
252:Roman School
245:
238:
234:contrapuntal
226:chromaticism
219:
217:
194:
185:
177:
159:
150:Chiesa Nuova
138:
130:
98:
94:Papal States
85:
81:Roman school
62:
47:
31:
19:
18:
2370:1622 deaths
2365:1557 births
2222:Style brisé
2158:Chamber pop
2153:Baroque pop
2097:grand motet
2070:passacaglia
1881:lautenwerck
1876:harpsichord
1846:double bass
1813:Instruments
1771:Mondonville
1603:A. Marcello
1533:F. Couperin
1480:Vejvanovský
1430:J. Playford
1410:J.-B. Lully
1375:Charpentier
1330:d'Anglebert
1215:Frescobaldi
1179:and early (
1046:Renaissance
1041:Early music
937:Netherlands
917:Elizabethan
772:Jacopo Peri
742:Alonso Lobo
702:John Cooper
564:Late (1530)
524:Jean Mouton
436:Jean Japart
426:Walter Frye
211:in 1604 by
160:Along with
108:, going to
24:Renaissance
2329:Categories
2236:Background
2122:recitative
2030:concertato
1998:canzonetta
1861:fortepiano
1836:clavichord
1786:Sammartini
1766:Mysliveček
1726:Boccherini
1716:W. F. Bach
1711:J. C. Bach
1508:J. S. Bach
1435:H. Purcell
1355:Cabanilles
1270:Monteverdi
1245:Kapsberger
1235:O. Gibbons
1230:C. Gibbons
1225:V. Galilei
1205:J. Dowland
1195:G. Caccini
1071:Philosophy
1066:Literature
1034:Background
900:Traditions
876:Magnificat
866:Intermedio
810:Burgundian
294:References
248:polyphonic
67:family in
2268:Sculpture
2185:ensembles
2180:festivals
2075:sarabande
2003:capriccio
1945:Ensembles
1776:L. Mozart
1678:de Zumaya
1613:Pergolesi
1593:Locatelli
1578:Heinichen
1563:Gorczycki
1558:Geminiani
1538:Delalande
1460:Stradella
1415:M. Marais
1395:Froberger
1360:Carissimi
1350:Buxtehude
1305:Sweelinck
886:Offertory
815:Colorists
677:Mannerism
2304:Category
2281: ←
2263:Painting
2127:ricercar
2102:madrigal
2082:fantasia
2050:courante
2035:concerto
2008:chaconne
1901:recorder
1826:carillon
1796:Telemann
1741:Corrette
1736:F. Brixi
1721:F. Benda
1653:Telemann
1618:Pisendel
1568:Graupner
1503:Albinoni
1440:Reincken
1405:Legrenzi
1390:Diletsky
1314:Middle (
1220:Gabrieli
1107:Category
1084: ←
947:Portugal
871:Madrigal
845:Venetian
331:Archived
170:madrigal
114:Florence
2294:→
2248:Baroque
2117:prelude
2055:gavotte
2025:chorale
1993:canzona
1983:cantata
1936:violone
1916:trumpet
1911:theorbo
1906:sackbut
1841:cornett
1821:bassoon
1811:Musical
1751:Galuppi
1673:Zelenka
1663:Vivaldi
1648:Tartini
1623:Porpora
1608:Pepusch
1548:Fischer
1523:Caldara
1470:Torelli
1465:Strozzi
1385:Corelli
1365:Cavalli
1335:Bassani
1290:Scheidt
1240:d'India
1190:Allegri
1097:→
927:Germany
907:British
201:Ferrara
102:Gonzaga
69:Ferrara
38:Baroque
2314:Portal
2207:monody
2065:minuet
1978:ballet
1931:violin
1866:guitar
1781:Quantz
1688:Galant
1643:Seixas
1633:Rameau
1628:Quantz
1573:Handel
1528:Campra
1445:Sabini
1420:Muffat
1380:Clarke
1325:Amodei
1300:Schütz
1295:Schein
1265:Merula
1260:Michna
1210:Franck
1200:Coelho
1117:Portal
942:Poland
922:France
912:Cyprus
891:Pavane
685:c.1600
307:
209:Venice
141:Medici
122:Venosa
120:, and
118:Naples
110:Venice
90:Modena
2258:Dance
2137:suite
2112:opera
2092:fugue
2087:folia
2060:gigue
2045:dance
1988:canon
1926:viola
1896:organ
1856:flute
1831:cello
1791:Soler
1756:Hasse
1731:Boyce
1694:1720)
1668:Weiss
1658:Vinci
1598:Lotti
1543:Fasch
1496:1700)
1400:Kerll
1370:Cesti
1318:1650)
1285:Rossi
1255:Lawes
1250:Landi
1183:1600)
1061:Dance
952:Spain
932:Italy
861:Carol
840:Roman
258:Notes
145:Spain
40:era.
2107:mass
1973:aria
1921:viol
1891:oboe
1886:lute
1871:harp
1851:drum
1801:Zach
1701:Arne
1490:Late
1450:Sanz
1345:Blow
1275:Peri
881:Mass
679:and
305:ISBN
228:and
164:and
73:Rome
65:Este
44:Life
1553:Fux
1051:Art
2331::
1692:c.
1494:c.
1316:c.
1181:c.
316:,
279:^
243:.
192:.
152:.
116:,
112:,
96:.
1690:(
1492:(
1151:e
1144:t
1137:v
363:e
356:t
349:v
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