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271:, in 1876, when he was 20 and his wife was 41. He became stepfather to her five children. He continued as a deep-sea fisherman on the Newfoundland run in the early days of his marriage, which allowed him to earn a good wage. After the death of his two infant children Alfred switched to local fishing and labouring in Penzance.
278:, in 1890 where he established himself as a marine stores dealer, buying scrap iron, sails, rope and other items. In 1912, his business, "Wallis, Alfred, Marine Stores Dealer" closed and Alfred kept busy with odd jobs and worked for a local antiques dealer, Mr Armour, which provided some insight into the world of
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came to St Ives and established an artist colony. They were delighted to find Wallis and celebrated his direct approach to image-making. Nicholson commented later that "to Wallis, his paintings were never 'paintings' but actual events". Wallis was propelled into a circle of some of the most
252:, in 1850, to find work. Alfred and his brother Charles were born in Devonport. Later, when Jane Wallis died, the family returned to Penzance. Upon leaving school, Alfred was apprenticed to a basketmaker before becoming a mariner in the merchant service by the early 1870s. He sailed on
327:. As he put it, his subjects were "what use To Bee out of my memory what we may never see again ..." Having little money, Wallis used what materials were immediately available, mostly painting on cardboard torn from packing boxes and using a limited palette of paint bought from
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i am thinkin of givin up The paints all to gether i have nothin But
Persecution and gelecy and if you can com down for an hour or 2 you can take them with you and give what they are worf afterwards. These drawers and shopes are all jealous of
216:. Having no artistic training, he began painting at the age of 70, using household paint on scraps of cardboard. He achieved little commercial success, although his work was championed by progressive artists such as
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The influence, however, was all one way; Wallis continued to paint as he always had. Nicholson later termed Wallis's art "something that has grown out of the
Cornish seas and earth and which will endure".
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Through
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Wallis thought his neighbours resented his fame, and that they believed him to be secretly rich. In one of his last letters, to Ede, he wrote:
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is often based on its relative importance in the scene, giving many of his paintings a resemblance to early maps. Wallis painted
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By fortunate coincidence, in 1928, a few years after he had started painting,
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Following his wife's death in 1922, Wallis took up painting, as he later told
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and depicting a tiny mariner at the foot of a huge lighthouse – a popular
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Wallis's grave in St Ives decorated in the style of his paintings by
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gallery. An elaborate gravestone, made from tiles by the potter
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known for his port landscapes and shipping scenes painted in a
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The Hold House Port Mear Square Island Port Mear Beach
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progressive artists working in
Britain in the 1930s.
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Alfred's parents, Charles and Jane Wallis, were from
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470:. Series 8. Episode 3. 17 April 2013. BBC
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23:. For the Australian trade unionist, see
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554:160 artworks by or after Alfred Wallis
544:Alfred Wallis Paintings by Max Wildman
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446:Letter to H.S. Ede, 6 April 1935
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425:. Bristol: Redcliffe. p. 54.
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609:English landscape artists
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423:Alfred Wallis, Primitive
403:List of St Ives artists
594:British marine artists
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142:50.213445°N 5.484258°W
604:English male painters
421:Berlin, Sven (1992).
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568:Categories
524:26 October
409:References
325:steamships
195:Susan Ward
130:50°12′48″N
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25:Alf Wallis
355:workhouse
317:seascapes
305:naïve art
254:schooners
236:St Ives,
206:fisherman
165:Fisherman
133:5°29′03″W
110:, England
83:, England
474:17 April
397:See also
359:Penzance
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108:Cornwall
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389:and at
287:Jim Ede
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558:Art UK
548:Images
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210:artist
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186:Naïve
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