356:
in 1992. He remained tenured at the U of L up until 2007 when he chose early retirement and began work as department head of Indian Fine Art at the First
Nations University of Canada in Regina, Saskatchewan. In addition to his teaching activities at the First Nations University, Young Man also worked as archival curator and custodian of the school's 1500 piece art collection. In August 2010 his employment at FNUC was terminated along with approximately 52 other professors and support staff, due to financial exigency budget cuts. He was appointed in 2015 Adjunct Professor to the Art Department, University of Calgary.
328:, University College London in London, England, for four years (1968–72), where he met many famous and influential artists and musicians, amongst these were Pop artist's Richard Hamilton and David Hockney who were visiting artists and who stopped by his painting studio on random occasions. While at the Slade, Young Man was tutored and mentored for two years (1970–1972) by Bernard Cohen; another tutor was landscape painter William Townsend (1909–1973). The director of the Slade during Young Man's time at the school was Sir William Coldstream, founder of the
308:
occurrence and Cree and
Blackfeet traditions and customs were illegal to practise under US government law. Young Man stayed in government Indian boarding schools at various times and places until he was 20 years old when he went to the Slade School of Art in London, England, in 1968, which was the first time ever that he attended an all-white school for any length of time. His memory of the Cree language is sparse and he speaks and understands only a little.
25:
93:
324:(1963–1968) where the German painter Fritz Scholder was his painting teacher for two years (1966–68). The IAIA Museum of Contemporary Native Arts retains a considerable number of Young Man's paintings in its collection from the five years he spent there. Young Man went on to study painting, film history and photography at the
299:
as a child in the late 19th century, as many
Blackfeet children of his generation were, rendering him mute. Theresa and Deafy communicated their entire married lives using Indian sign-language. Theresa outlived Deafy to the approximate age of 113 years. Young Man's maternal grandfather Edward Boushie
355:
in 1977, where he eventually became chair of Native
American studies (1999–2010). He taught in the Faculty Exchange Program at the University of Lethbridge/Leeds University Leeds, UK, in 1985 and the Faculty Exchange Program University of Lethbridge/Hokkai Gakuen University Sapporo, Hokkaido, Japan,
307:
and spoke Cree as a child. Like nearly all Indian children of his generation, when Alfred was six years old he and his siblings were taken away to Cut Bank
Boarding School, a Bureau of Indian Affairs government school located a short distance north of Browning. Physical punishment was an everyday
359:
Most recently in terms of his lifetime, Young Man did an artist/writer's residency at the Lab 26 Tejiendo
Identitdad Entre Las Culturas Originarias de America, Galeria de Arte Contemporaneo Paul Bardwell, Centro Colombo Americano de Medellin, Medellin, Colombia in 2011. He has spoken at numerous
545:"A Critique of Anthropology from the Native Perspective", Native American Studies Across Time and Space: Essays on the Indigenous Americas, Oliver Scheiding (ed.), American Studies Monograph Series v. 191, Mainz, Germany: Universitatsverlag Heidelberg, Johannes Gutenberg University, Winter 2010.
350:
Young Man has been an art teacher since the early 1970s, beginning on his home reservation at the Rocky Boy
Elementary School (1973–1974), after which he moved to the K.W. Bergan Elementary School in Browning, Montana, on the Blackfeet Indian reservation for a short time. He continued on to the
363:
Pedagogically Young Man teaches his courses from the Native perspective, something unheard of when he began teaching Indian fine art at the
University of Lethbridge in 1977 and something that, even today, very few if any Native art professionals of whatever category claim to do.
332:. While in London, Young Man met Jimi Hendrix just a month before the famous rock musician died in September 1970, introduced to Hendrix by Steven Stills of CSN&Y, who was cutting what Stills described as his pink giraffe album in a sound studio in London.
294:
Young Man's paternal Cree grandmother
Theresa Ground Woman Big Springs spoke Cree only and was married to Don't Talk Many White Horses, a Blackfeet Indian man. Since Don't Talk was deaf, he went by the nickname Deafy (pronoun: Deé-fee). Deafy was stricken with
760:. Canadian/Communications Research Group: University of Calgary, Calgary, Alberta. (The unabridged version of "An Historical Overview and Perception of Native Art, Culture, and the Role of the Native Curator: Non-fiction Story") 1994
339:(1972–74), where George Longfish (Seneca-Tuscarora) was his teacher and mentor in the Graduate Program in American Indian Art. He graduated with his doctor of philosophy degree (Ph.D.) in anthropology from
291:, Young Man is the ninth child of fifteen brothers and sisters. His father Joseph Young Man White Horse (Sau-sti-qua-Ĺ„is) and mother Lillian Katherine Boushie were both Cree and fluent in Cree and English.
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Flathead Valley
Community College in Kalispell, Montana (1975–1977), where he helped found the Total Community Education television training program. When that program came to a close, he moved on to the
551:"Edward Poitras: Showing Us The Way", Art Quantum, The Eiteljorg Fellowship for Native American Fine Art, Eiteljorg Museum of American Indians and Western Art, Indianapolis, Indiana, November 2009
913:
1029:
798:"The Savage Civilian: The Work of Rebecca Belmore". (abridged) Between Views exhibition catalogue. Walter Phillips Gallery: Banff, Alberta. June–September 1991 (pp36–39)
1034:
475:. Co-authored with Gerald McMaster and Lee Ann Martin et al. Canadian Museum of Civilization: Ottawa, Ontario and Douglas & McIntyre: Vancouver/Toronto. 1992
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449:"The Socialization and Art-Politics of Native Art". UMI Dissertation Services: Ann Arbour, Michigan. (Doctoral Thesis microfilm facsimile book)(604 pages) 1997
994:
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and former Chair (1999–2007) of Native American Studies, University of Lethbridge, Lethbridge, Alberta, Canada. He is Professor Emeritus at the
1024:
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676:"Bradlee LaRocque: Electric Catalogue". Internet site. (Estevan, SK: Estevan National Exhibition Centre, Art Gallery and Museum), 2000. URL:
673:. (Co-eds.) Annette Hurtig and Trish Keegan. (Kamloops, BC: Kamloops Art Gallery & Confederation Art Gallery & Museum, January 2001.)
548:"Racism & the Politics of Indian Art Study" CAUT BULLETIN, Vol 57, No 6, Ottawa: Canadian Association of University Teachers, June 2010.
954:
869:
1009:
646:. edited by Marijo Moore, (New York: Nation Books, in conjunction with AMERINDA, a nonprofit American Indian organization, Fall 2003).
455:. The Mackenzie Art Gallery and the University of Regina: Regina, Saskatchewan. (multi-lingual text in English, French and Cree) 1994
260:
420:(Co-eds.) Annette Hurtig and Trish Keegan. Kamloops: Kamloops Art Gallery & Confederation Art Gallery & Museum, January 2001
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Eating Fire, Tasting Blood: Breaking the Silence of the American Indian Holocaust. An Anthology of essays by American Indian Writers
589:
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500:
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444:
407:
373:
317:
144:
649:"Native American Art: Phonix aus der Asche?" for the Lebenszeichen 2001 Calendar, (Vienna: Gesellshaft fur bedrohte volker, 2001.)
784:"An Historical Overview and Perception of Native Art, Culture, and The Role of the Native Curator: Non-fiction Story". (abridged)
894:
690:
and Nancy Schuster. Department of Native Studies and Zoology, and Faculty of Graduate Studies, University of Manitoba, 2000.
659:"Kohkominahkasas: Grandmother Spider" in Craft Factor Magazine, v.25:2, (Saskatoon, Saskatchewan Craft Council, March 2001.)
495:. Co-authored with Bryce Kanbara and Ingo Hessel. York Quay Gallery/Leo Kamen Gallery, Harbourfront: Toronto, Ontario. 1991
989:
259:, his full sister, Shirley, is listed as 16/16ths. He is a former Department Head (2007–2010) of Indian Fine Arts at the
284:
248:
112:
788:
350/500 Years After. Pan-Canadian exhibition catalogue. Vision Planetaire: Montreal, Quebec. June 1992 (pp. 33–37)
542:, 1962–2012, 50th Anniversary book, Institute of American Indian Art, Santa Fe, NM. Sunstone Press, October 10, 2012
396:, being researched and to be published by J.Charlton Publishing Ltd. 3104 30th Ave., Suite 228, Vernon, BC V1T 9M9.
377:
304:
325:
148:
37:
694:
352:
268:
630:
The Challenges of Native American Studies: Essays in Celebration of The Twenty-Fifth American Indian Workshop
632:(Studia Anthropologica). Barbara Saunders and Lea Zuyderhoudt (eds.). Leuven University Press, Belgium 2004.
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conferences and other venues held on every continent on the planet throughout his long professional career.
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was Cree/MĂ©tis and Edward's wife Eliza was also Cree from the Erminskin Reserve in Hobbema, Alberta.
272:
264:
795:. Diamond, Beverly and Robert Witmer (eds.). Canadian Scholars' Press Inc.: Toronto, Ontario. 1994
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Indian Fine Art political movement 1960's, Institute of American Indian Arts, Santa Fe, New Mexico
666:. University of California, Davis, 2001. (Publication date and publisher still to be determined.)
340:
329:
256:
163:
805:. v.5, n.2, Salztorgasse 7/21, A-1014 Wien, Austria: Christian F. Feest. 1991 (pp. 11–14).
700:"Larry Abbott interview with Alfred Young Man". Abbot, Larry. Co-authored by Alfred Young Man.
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Professor of Indigenous Arts, Professor Emeritus, Mount Royal University; University of Calgary
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Genocide of the Mind An Anthology by Urban American Indians: One Spirit Living In Two Worlds
718:. v.14, n.1-2, University of Wollongong: New South Wales, Australia.1996 (pp. 179–206)
247:
artist, writer, educator, and an enrolled member of the Chippewa-Cree tribe located on the
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826:, v.13, n.3 Toronto. February/March 1988 (English: pp. 24–31; French: pp. 32–39)
24:
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413:
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Introduction by Donald Goodes. Southern Alberta Art Gallery: Lethbridge, Alberta. 1992
469:
v.3, n.2, Definitely Superior Art Gallery: Thunder Bay, Ontario. (ed. and writer) 1993
973:
682:"Native American Indian Art: Theory and Permutations in Western Cognitive Thinking".
439:. Kamloops Art Gallery: Kamloops, British Columbia. 1998 (Second printing Fall 2002)
296:
891:
746:. v.1, n.4, Circle Vision Arts Corporation: Regina, Saskatchewan. Indian Summer 1994
506:
A Dominican Experience: Three Aboriginal Artists of Canada in the Dominican Republic
716:
Australian -Canadian Studies: Music/Image/Text: A Special Issue On Indigenous Media
562:(Re)Inventing the Wheel: Advancing the Dialogue on Contemporary American Indian Art
711:
AEC. v.18, n.2-3, Association for Canadian Studies: Montreal, Quebec. Su-Fa 1996.
521:. (ed.) Graphcom Printers: Lethbridge, Alberta. Copyright Alfred Young Man. 1988
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inventing the Wheel: Advancing the Dialogue on Contemporary American Indian Art.
570:, Lowry Stokes Sims (eds) Prestel Publishing Munich Berlin London New York 2008
774:. v.1, n. 2, Circle Vision Arts Corporation: Regina, Saskatchewan. Winter 1994.
616:
Beyond the Reach of Time and Change: The Frank A. Rinehart Collection Revisited
560:"Segregation of Native art by ethnicity: is it self-imposed or superimposed?",
721:"Native Arts in Canada: the State, Academia, and the Cultural Establishment".
344:
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725:. McGill-Queen's University Press: Montreal, Quebec. 1995 (pp. 218–248)
92:
526:
513:
425:
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v.16, n.2 Brandon University: Brandon, Manitoba. 1996 (pp. 315–362)
540:
Celebrating Differences, Fifty Years of Contemporary Native Arts at IAIA
714:"First Nations Art, 'Canada', and the CIA: A Short Non-fiction Story".
598:, edited by Marijo Moore, New York: Thunders Mouth Press, Spring 2007.
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in 1997, where he studied anthropology as a student of William Powers.
255:, US. His Montana birth certificate lists him as being 13/16th Cree by
252:
960:"Towards A Political History of Native Art," essay by Alfred Young Man
767:. v.1, n.2, Circle Vision Arts Corporation: Regina, Saskatchewan. 1994
756:"First Nations Art, 'Canada' and the CIA: A Short Non-fiction Story".
433:. Westphalian State Museum of Natural History: Muenster, Germany. 1999
230:
Joseph Young Man White Horse (Saustiquanis), Lillian Katherine Boushie
781:. n.73, Sapporo-shi, Hokkaido, Japan. September 1992 (pp. 71–82)
732:. v.29, n.12, The University of Lethbridge: Lethbridge, Alberta. 1994
564:, January 28, 2006. Denver: Denver Art Museum 2008. (includes cd-rom)
815:"Issues and Trends in Contemporary Native Art". (abridged feature)
662:"Teaching North American Indian Art in Native American Studies" in
625:. Fedora Giordano and Enrico Coma (eds.) Torino: Otto Editore, 2004
222:
Former Board Chair, Society of Canadian Artists of Native Ancestry
777:"Teaching North American Indian Art in Native American Studies".
400:
The Buckskin Ceiling: A Native perspective on Native art politics
206:
visual languaging, non-fiction, rock/country/folk/American Indian
244:
728:"Silencing the Native Voice at the University of Lethbridge".
431:
Indian Reality Today: Contemporary Indian Art of North America
18:
611:
Banff, AB: Aboriginal New Works Residency, Banff Centre, 2005
584:, Canadian Museum of Civilization/MacKenzie Art Gallery 2008
735:"Institution/Revolution: Contemporary Native American art".
555:
IndiVisible: African-Native American Lives in the Americas
508:. (ed.) Om niiak Native Arts Group: Ottawa, Ontario. 1989
808:"On A Contemporary Ecological Anthropology". Commentary.
678:
http://www.cap.estevan.sk.ca/enec/stretched/youngman.html
402:. Aboriginal Issues Press, University of Manitoba. 2012.
817:
Artscraft. A National Indian Arts and Crafts Publication
812:. Summer 1990 v.4, n.2 (4 pages/insert+ pp. 15,16)
618:. Simon Ortiz (ed.). University of Arizona Press, 2004.
557:, Washington, D.C.: Museum of the American Indian, 2009
519:
Networking: National Native Indian Artists Symposium IV
437:
North American Indian Art: It's a Question of Integrity
42:
779:
Gakuen Ronshu: The Journal of Hokkai-Gakuen University
394:
The Last Great Indian Art Movement of the 20th Century
819:, v.1, n.1 (NIAC): Ottawa. Winter 1989 (pp. 5–8)
654:
aboriginal times: National Business and News Magazine
642:"Indians as Mascots: Perpetuating the Stereotype" in
628:"Indians as Mascots: Perpetuating the Stereotype" in
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Native Art Studies Association of Canada Newsletter
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753:. CoverSTORY/7. Lethbridge, Alberta. May 15, 1994
652:"Full Circle". Last Word (editorial) written for
465:"The co-Existence of non-Contemporary Realities"
833:. v.11, n.6, Toronto. July 1988 (pp. 46–48)
822:"Issues and Trends in Contemporary Native Art".
791:"The Metaphysics of North American Indian Art".
763:"To: John Bentley Mays From: Alfred Young Man".
955:Interview with Alfred Young Man by Larry Abbott
793:Canadian Music: Issues of Hegemony and Identity
374:Society of Canadian Artists of Native Ancestry
372:Young Man served as chair of the board of the
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829:"Token and Taboo: Academia vs. Native Art".
801:"Token and Taboo: Academia vs. Native Art".
697:v.14 n.2, University of Minnesota Press 1999
693:"Token and Taboo: Native Art in Academia".
635:"Landscaping the political environment" in
965:http://www.myspace.com/video/vid/107727108
803:European Review of Native American Studies
772:Talking Stick: First Nations Arts Magazine
765:Talking Stick: First Nations Arts Magazine
473:Indigena: Contemporary Native Perspectives
65:
684:Aboriginal Health, Identity and Resources
1030:Institute of American Indian Arts alumni
742:"Savage Graces & Cultural Amnesty".
914:"Native perspective not easily taught."
892:"Faculty Profile #1: Alfred Young Man."
861:
859:
849:
847:
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453:Kiskayetum: Allen Sapp, a Retrospective
376:, which was involved in convincing the
1035:Alumni of the Slade School of Fine Art
702:The Canadian Journal of Native Studies
686:. Edited by Jill Oakes, Skip Koolage,
887:
885:
723:Beyond Quebec: Taking Stock of Canada
664:Indigenous Intellectual Sovereignties
487:Jeff Funnell: Notes From the Inquest.
7:
1020:21st-century Native American writers
995:20th-century First Nations painters
919:14 June 2010 (retrieved 9 Dec 2010)
707:"Indian Art Centre Retrospective".
639:, vol. 1, n. 2, Spring-Summer 2003.
538:"IAIA 1962-70: Where It All Began"
1040:21st-century First Nations writers
1015:20th-century First Nations writers
904:13 Feb 2010 (retrieved 9 Dec 2010)
749:"Savage Graces Raises Questions".
669:"Edward Poitras: Lost Homelands".
261:First Nations University of Canada
14:
936:Denver: Denver Art Museum, 2008.
568:Fritz Scholder: Indian Not Indian
335:Young Man earned his M.A. at the
318:Institute of American Indian Arts
145:Institute of American Indian Arts
623:Indian Stories, Indian Histories
91:
23:
16:American Cree artist (born 1948)
770:"Challenge to the Status Quo".
384:and artists in its collection.
243:(Eagle Chief) (born 1948) is a
1000:20th-century Canadian painters
614:"The Primitive White Mind" in
1:
1025:People from Browning, Montana
758:Studies In Critical Practises
174:Artist, writer, and educator.
162:, 1974; Ph.D., Anthropology,
1045:Indigenous studies in Canada
917:University of Regina Report.
285:Blackfeet Indian Reservation
249:Rocky Boy Indian Reservation
113:Blackfeet Indian Reservation
656:, v. 5, Issue 8, June 2001.
485:"Banana Republic North" in
158:M.A., American Indian Art,
36:to comply with Knowledge's
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582:Bob Boyer: His Life's Work
378:National Gallery of Canada
305:East Glacier Park, Montana
143:Cut Bank Boarding School,
1010:Native American academics
902:First Nations University.
867:"Alfred Young Man, Cree."
326:Slade School of Fine Arts
149:Slade School of Fine Arts
90:
77:
1005:Native American painters
932:Blomberg, Nancy J., ed.
824:Parallelogramme Magazine
388:Selected published works
353:University of Lethbridge
269:University of Lethbridge
198:painting, writing, music
49:may contain suggestions.
34:may need to be rewritten
316:Young Man attended the
237:Alfred Young Man, Ph.D.
879:(retrieved 9 Dec 2010)
744:Talking Stick Magazine
580:"Bob Boyer and SCANA"
751:The Lethbridge Herald
737:The Lethbridge Herald
416:: Lost Homelands" in
368:Community involvement
337:University of Montana
303:Young Man grew up in
160:University of Montana
99:Bonneville Salt Flats
990:Chippewa Cree people
621:"Lost Homelands" in
594:"Majesties Lost" in
322:Santa Fe, New Mexico
283:Born in 1948 on the
273:University of Regina
265:Regina, Saskatchewan
219:Board member of
135:United States/Canada
739:. November 18, 1994
533:Articles and essays
897:2011-07-18 at the
872:2016-05-29 at the
341:Rutgers University
330:Euston Road School
164:Rutgers University
942:978-0-914738-59-6
382:First Nations art
289:Browning, Montana
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179:Years active
117:Browning, Montana
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38:quality standards
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43:You can help
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985:1948 births
380:to include
187:Employer(s)
132:Citizenship
124:Nationality
84:Eagle Chief
974:Categories
838:References
345:New Jersey
279:Background
527:231867842
514:948715148
426:948714116
241:Kiyugimah
227:Parent(s)
140:Education
80:Kiyugimah
47:talk page
895:Archived
870:Archived
211:Movement
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45:. The
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422:OCLC
404:ISBN
271:and
245:Cree
127:Cree
109:1948
106:Born
343:in
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239:or
182:45+
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