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Alila (film)

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29: 253:. The rest of the movie is made up of forty individual single-shot scenes depicting the lives of several Israelis. The character's lives overlap and collide. Gabi, a bobbed haired sexpot, and her lover Hezi—who is older, balding and married—rent a room to have an affair, while Ezra, a pot bellied divorcee, supervises an illegal construction site next door. All this racket drives Schwartz, a 261:. Other characters include illegal immigrants, a teenage boy who's afraid to serve in the army, and a corrupt police officer. In each scene the camera moves through walls, over desks, and around rooms in order to keep focused on the character it is following, in moments of drama as well as in moments of mundane daily activity. 349:
Many reviews also comment on the sense of chaos in Gitai's film. Noisy people, their excitement and clamor, and the hop scotch from one story line to another creates a bustle in the film that's consistent throughout. Lewis Beale, of Film Journal International, writes, "It's a very Mediterranean
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received mostly mixed reviews, with a score of 57 on Metacritic and a 41% "rotten" rating on Rotten Tomatoes. The film is said to have an "Altman-esque fabric" and a "Kiarostamian spirit"
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atmosphere, in which everyone seems to love hard, hate with intensity and speak at the top of their lungs." This chaos, however, was not to all reviewers tastes. Peter Howell, of the
212:. The drama follows half a dozen very different characters through their lives in modern-day Israel, giving Gitai an opportunity to comment on his country's top social issues. 889: 237:
stated: "There really isn't a likable character in the movie, which opens today in Manhattan. The filmmaker's jaundiced view of humanity is matched by his eye for the ugly".
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Some reviewers point to the film's political tone and social commentary about modern Israel. One reviewer goes so far as to compare Gitai to
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Instead of written credits at the beginning of the film, Gitai reads out the credits, introduces himself to the viewer, and explains that
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called it, "sexy, colorful, courageous and boldly entertaining," and the
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was nominated for two awards from the Israeli Film Academy in 2003:
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Archived from the original on January 20, 2013 610: 464:"Alila Reviews, Ratings, Credits, and More at Metacritic" 178: 168: 154: 144: 121: 113: 103: 93: 73: 63: 48: 38: 21: 656: 8: 356:simply stated that "It's a bit of a mess". 890:Israeli avant-garde and experimental films 663: 649: 641: 27: 18: 870:2000s avant-garde and experimental films 486: 484: 428: 555: 390:Valladolid International Film Festival 227:called the director "Israel's one man 784:(segment "The Dybbuk of Haifa"; 2007) 407:was nominated for one award from the 388:was nominated for one award from the 7: 816:(segment "The Book of Amos"; 2014) 14: 215:The film received mixed reviews. 543:"Chaos in the heart of Tel Aviv" 515:Atkinson, Michael (2004-02-17). 523:from the original on 2008-09-15 701:Golem, the Spirit of the Exile 541:Kirkland, Bruce (2004-06-30). 436:Holden, Stephen (2004-02-27). 1: 895:Films based on Israeli novels 875:Films directed by Amos Gitai 865:2000s Hebrew-language films 130:12 September 2003 911: 583:Film Journal International 378:Best Supporting Actress - 709:Metamorphosis of a Melody 679: 562:: CS1 maint: unfit URL ( 438:"FILM IN REVIEW; 'Alila'" 324:Kobi Zahavi - Kiosk owner 33:Theatrical release poster 26: 744:(segment "Israel"; 2002) 327:Eyal Elhadad - Locksmith 297:Lupo Berkowitch - Aviram 312:Lyn Hsiao Zamir - Linda 16:2003 film by Amos Gitai 781:To Each His Own Cinema 309:Amit Mestechkin - Eyal 249:is based on the novel 880:Films set in Tel Aviv 741:11′09″01 September 11 577:Beale, Lewis (2005). 318:Carmel Betto - Carmel 315:Tomer Russo - Officer 231:"; Stephen Holden of 885:Films shot in Israel 797:Lullaby to My Father 418:—director Amos Gitai 409:Venice Film Festival 321:Dalit Kahan - Sharon 208:, Uri Klauzner, and 829:Rabin, the Last Day 288:Uri Klauzner - Ezra 251:Returning Lost Love 671:Films directed by 613:The Jewish Channel 611:Alila's review on 443:The New York Times 234:The New York Times 847: 846: 519:. Village Voice. 375:- Laura Dinolesko 300:Liron Levo - Ilan 200:film directed by 186: 185: 902: 693:Berlin-Jerusalem 665: 658: 651: 642: 598: 597: 595: 594: 585:. 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Retrieved 587:the original 572: 547:. Retrieved 536: 525:. Retrieved 510: 499:. Retrieved 472:. Retrieved 470:. 2004-02-27 458: 447:. 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Index


Amos Gitai
Amos Gitai
Yehoshua Kenaz
Alain Mamou-Mani
Yael Abecassis
Hanna Laslo
Ronit Elkabetz
Renato Berta
Israel
France
Hebrew
2003
Israeli
Amos Gitai
Yaël Abecassis
Hanna Laslo
Newsday
Village Voice
new wave
The New York Times
Holocaust
mental breakdown
Yael Abecassis
Hanna Laslo
Ronit Elkabetz
Amos Lavi
Yosef Carmon
Michael Moore
Toronto Star

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