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Alois Carigiet

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309:, where, in his own words, he was immediately fascinated by the landscape's vastness and untouchedness and the feeling of a newly found, long lost paradise. He gave up his business in Zürich, and, in October 1939, rented a small farm house without electricity or running water, the "Hüs am Bach" ("house at the creek") in Platenga. Carigiet wished to dedicate his life to art and observation, spending hours a day, equipped with a pair of binoculars and a sketch book, tracking down the alpine fauna. 475: 20: 487: 256:, Switzerland’s annual national agricultural fair, in 1946 and 1952 received acclaim from art critics and questions from more conservative farmers, to which he succinctly replied that the cow was green because it had eaten grass. Carigiet's paintings increasingly depicted everyday motifs from his home canton Graubünden and occasionally Zürich, but also from further trips to France, Spain, and 499: 149:
acquaintances and family. Räth noticed the apprentice's talent as well, and one of Carigiet's appointed creations, an assembly of decorated vases for the Siebler & Co. shop windows, seems to have received particular appreciation. Carigiet finished his apprenticeship in 1923, with the highest grade in every subject.
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and was hired as a regular employee. After having won several competitions and having gained a reputation, Carigiet opened his own graphic atelier in Zürich in 1927, employing up to six people at times, due to the constantly large volume of orders his business received. Carigiet created numerous
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whom he had met in Germany. After their first daughter was born in 1944, they bought land near Platenga's chapel. In 1945 Carigiet designed plans for a larger house which was built in 1946. In 1947, the second daughter was born in the new house, called "Im Sunnefang". Mainly for the sake of the
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where his father found employment. This relocation into a more urban environment had a strong impact on the nine-year-old. In retrospect, Carigiet described the move as an "emigration to the low-lands", from a "mountain boy's paradise" to a "gloomy apartment on the ground floor in a narrow town
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in Räth's atelier, Carigiet spent a lot of his spare time filling volumes of sketchbooks with drawings of rural and urban scenes, farm animals and pets, anatomical studies of heads and beaks of the birds exhibited at Chur's natural history museum, as well as with numerous caricatures of his
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In 1960, Carigiet bought the house "Flutginas" (ferns) located above Trun, his village of childhood, where he would spend the rest of his life dedicated to painting. In a speech held in Zürich in 1962, he described his works as "narrative art" in a century of abstraction, and named
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celebration on 1 March. The book has been translated into ten languages with total sales estimated around 1.7 million worldwide. Carigiet's dramatic and colorful compositions were noticed and positively reviewed by art critics including Manuel Gasser in
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who asked him to illustrate her story "Uorsin" to create a children's picture book. After several years of hesitating, Carigiet finally agreed, and spent several weeks sketching the scenery and architecture in
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and first awarded in 1956, is the highest recognition available to a writer or illustrator of children's books. Carigiet received the inaugural Illustrator award in 1966.
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girls' education, the family moved back to Zürich in 1950, where Carigiet took up his work as a graphic designer again, while also continuing his artistic pursuits.
1233: 293:) with a carrot-nose, and from 1935 to 1946 he created often parodistic costume and set designs for ten of the Cornichon’s programs, including a heavily decorated 800: 529: 432: 198:
Though he had never studied visual arts in the academic sense, Carigiet's early graphic design was already strongly influenced by contemporary artists, such as
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had an influence on his work as well, including his commercial artwork. For example, the display of red horses and a green cow on posters for the
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in 1937, and set designs, murals and the official posters for the "Landi", the Swiss national exposition held in Zürich in 1939.
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and started a job as a practical trainee with Max Dalang's advertisement agency in 1923, where he soon learned the techniques of
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While spending a holiday in Trun in May 1939, Carigiet hiked to "Platenga", a hamlet on one of the terraces in the community of
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for schools, illustrations and satirical caricatures for the print media, as well as magazine covers for periodicals such as
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Alois Carigiet, "Alois Carigiet über sich selbst – Auszüge aus einer Rede", Von Arx & Schnyder (1992), p. 140.
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Carigiet and Chönz created a series of Alpine children's books with two sequels featuring Ursli's younger sister:
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Therese Bhattacharya-Stettler, "Alois Carigiet als Gebrauchsgraphiker", Von Arx & Schnyder (1992), p. 68.
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in the late 1920s. With the help of art critic Jakob Rudolf Welti, he was commissioned as costume and
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Carigiet visited primary and secondary schools in Chur, as well as the "Kantonsschule", the canton's
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Alois Carigiet was the seventh of eleven children born to Alois Carigiet and Barbara Maria Carigiet,
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valley. In 1911, economic hardship forced them to move to the canton's German-speaking capital
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Hansjakob Diggelmann, "Alois Carigiet: Leben und Werk", Von Arx & Schnyder (1992), p. 8.
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On 20 April 1943, Carigiet married Berta Carolina Müller (1911–1980) an art student from
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Carigiet always held a keen interest in the theatre, and had already worked in
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used by his brother Zarli who was also a member of the Cabaret's ensemble.
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Birnbaum, Birke, Berberitze. Eine Geschichte aus den Bündner Bergen
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After having completed his apprenticeship, Carigiet sought work in
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Flurina (Flurina und das Wildvögelein. Schellen-Ursli's Schwester)
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Zottel, Zick und Zwerg. Eine Geschichte von drei Geissen
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Hans Christian Andersen Award for Illustration winners
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The Pear Tree, the Birch Tree and the Barberry Bush
248:on cardboard), both created in 1935. Contemporary 367:or Linus Birchler, editor-in-chief of the series 344:Uorsin (Schellen-Ursli. Ein Engadiner Bilderbuch) 222:where he became acquainted with the art movement 100:was one younger brother. It was a farm family in 373:and member of the Swiss Federal Art Commission. 540: 538: 414:Maurus und Madleina. Über den Berg in die Stadt 170:, festive decorations, educational posters and 781: 550:The Hans Christian Andersen Awards, 1956–2002 530:International Board on Books for Young People 433:International Board on Books for Young People 228:, as reflected in painted scenes of Paris in 8: 271:for the Stadttheater Zürich performance of 206:. In the early 1930s Carigiet traveled to 788: 774: 766: 521: 519: 57:. He may be known best for six children's 23:Carigiet murals on the Catholic Church in 739:Heinz von Arx, Peter Schnyder (editors). 182:. Important work in the 1930s included a 325:In 1940, Carigiet was approached by the 515: 470: 166:commercial and political advertisement 42:(30 August 1902 – 1 August 1985) was a 7: 743:. 1992: AS Buchkonzept AG, Zürich – 153:Graphic design in Zürich (1923–1939) 88:Early life and education (1902–1923) 1234:Swiss children's book illustrators 96:Lombriser; the actor and comedian 16:Swiss graphic designer and painter 14: 526:"Hans Christian Andersen Awards" 497: 485: 473: 439:Later life (1960 – 1985) 386:La naivera (Der grosse Schnee) 338:, Chönz's home village in the 188:Paris International world fair 186:for the Swiss Pavilion at the 1: 797:Hans Christian Andersen Award 547:(pp. 34–35, by Eva Glistrup). 532:(IBBY). Retrieved 2013-08-03. 429:Hans Christian Andersen Award 79:for children's illustrators. 77:Hans Christian Andersen Medal 1279:20th-century Swiss novelists 761:The Alois Carigiet Home Page 370:Art Monuments of Switzerland 301:Platenga (1939 – 1950) 71:and its sequels, written by 1244:20th-century Swiss painters 230:Das rote Haus am Montmartre 1295: 727:Carigiet. Die frühen Jahre 558:Austrian Literature Online 1249:20th-century male artists 382:Florina and the Wild Bird 242:Haus und Garten in Ascona 27:, Switzerland, depicting 1269:Romansh-language writers 855:José Maria Sanchez-Silva 380:in 1952 (English title: 346:and later in English as 144:and other techniques of 116:dialect of the anterior 1264:German-language writers 560:. Retrieved 2013-08-03. 1184:Rotraut Susanne Berner 987:María Teresa Andruetto 422:Zottel, Zick und Zwerg 36: 480:Children's literature 320: 22: 903:Christine Nöstlinger 277:in an adaptation by 194:Artistic development 1254:Swiss male painters 915:Annie M. G. Schmidt 897:Lygia Bojunga Nunes 704:Stutzer, pp. 50–52. 686:Stutzer, pp. 32–34. 668:Stutzer, pp. 25–31. 659:Stutzer, pp. 24–25. 632:Stutzer, pp. 14–15. 623:Stutzer, pp. 18–19. 431:, conferred by the 1239:Swiss illustrators 1082:Zbigniew Rychlicki 1011:Jacqueline Woodson 945:Katherine Paterson 909:Patricia Wrightson 713:Diggelmann, p. 14. 677:Stutzer, p. 32–34. 596:Stutzer, p. 10–13. 556:. 2002. 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Index


Vella
Saint Christopher
Saint Maurice
Swiss
graphic designer
painter
illustrator
picture books
Alps
A Bell for Ursli
Selina Chönz
Hans Christian Andersen Medal
Zarli Carigiet
Trun
Graubünden
Romansh
Rhine
Chur
gymnasium
graining
marbleizing
gold plating
decorative art
Zürich
graphic design
posters
murals
diorama
Paris International world fair

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