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All (Descendents album)

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721:. "The band was fun, but I hadn't achieved All, basically, in music or in science, and I had the opportunity to go try to achieve All more in science, and I decided to take that opportunity", he later reflected, adding that he had always considered music a hobby and science as his career, and "the more the music started to seem like a career, the less I seemed to like it. In '87 I left the band and we did the final tour. There wasn't one of these things like 'Well, I'm gonna do this for a while and come back to the band.' It was more like 'I'm embarking on my life's career to do this. 372: 251: 242: 748:, meaning for the new band to be the complete fulfillment of the "All" concept. "I've been wanting to change the name of the band to ALL for eight years", he said during the FinALL tour, adding that it would not feel right to continue as the Descendents without Aukerman and that he wished to shelve the name in case he and Aukerman should wish to use it again at some point. On December 16, 1987, during the recording of the first All album 631: 725:" "I toured him to death," said Stevenson. "We did all those tours in a row and he's like 'I gotta go focus on my studies and do something real.' I mean, we were making five or ten dollars per day in our pocket and that's it. We had nowhere to live, and you could see where a guy with the kind of brainpower he has would say 'You know what? I don't have to sleep next to Bill's drum set in the practice room. 451:", recalled Alvarez. Egerton remembered "What was interesting about putting that band together at that time was that there were two already functioning chemistries that existed: Milo and Bill, and me and Karl." "They had all these really cool experimental, instrumental deals going", recalled Aukerman. "Stephen came in with these crazy songs, this kind of 682:; covering 29 states and 4 Canadian provinces with a total of 44 shows in 41 cities. This was followed by the 50-day summer "FinALL" tour from mid-May through the end of July, following much the same route and covering 28 states and 2 provinces, with 47 shows in 44 cities. Recordings of the band's performances on April 9 at 754:, Pat McCuistion died when his fishing boat sank during a storm. Stevenson remarked that "He had 15,000 pounds of fish onboard, so I guess you could say he died in heated pursuit of All. He was always the '5th member' of the band, besides being my best friend, next to Milo." With Smalley and later singers 529:: "All" and "No, All!". "The songs were only seconds long, but that was all the time we needed to make the point", he said. McCuistion also shared writing credit on "All-O-Gistics", a musical set of commandments for achieving All, such as "Thou shalt not commit adulthood", "Thou shalt not partake of 524:
they came up with the concept of All — doing the utmost, achieving the utmost. The more they got into it the more it turned into their own religion; it's partly humor, but it's also an outlook on how to conduct your life: to not settle for some, to always go for All." Stevenson described the concept
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I'm really into "ALL" and I've waited a long time to unleash the whole concept on people. And now I'm going to do it It's just a way of thinking, in which there are extremes and there is this goal called "ALL". It's a way that I created in dealing with achievement and satisfaction and how the two
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Alvarez wrote "Coolidge", which deals with a failed relationship and the realization that "I'm not a cool guy anymore, as if I ever was before". "That's proven to be one of our identifying songs", said Stevenson 26 years later, "Here he is, new to the band, he walks in and writes one of the songs
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tour from late November 1986 to mid-January 1987, playing small shows for little money and sleeping on people's floors. "Those first tours were very grueling in the way that it is when you're not used to it", recalled Alvarez. On their return to Los Angeles they began writing songs for the band's
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For me, meeting Bill, beyond my massive love for the Descendents' music, was my massive love for Black Flag's music, and he had been in both. So the idea that it was Karl, my oldest friend, and I joining this band that was so huge to us, it was like living on a cloud. We were like "Uh, what just
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is often underrated because of the strange pseudo-arty instrumental tracks on its second half; nonetheless, the album features three of the band's best songs, 'Cameage', 'Coolidge', and 'Clean Sheets'. The subjects are perennial, but sophistication as lyricist has grown. 'Coolidge' is about
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when they had played Salt Lake City in 1984. Egerton came to Los Angeles and practiced with the band for a few days, officially joining on Stevenson's birthday of September 10. After settling his affairs in Washington, D.C., he moved to Los Angeles that October. He and Alvarez moved into the
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As with previous Descendents albums, all four band members contributed to the songwriting of the new record. With their shared history and eclectic musical tastes, Alvarez and Egerton brought new ideas to the band. "We already had a kind of highly evolved vocabulary of
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that would define us." Egerton's contributions were primarily instrumental; he wrote the music for "Impressions", "Iceman", "All-O-Gistics", and "Schizophrenia", and co-wrote the music for "Van" and "Uranus". "Stephen harnessed the job of trying to expand some of the
29: 486:, and chords in my head. The way you hear it on the record, I heard that when I woke up. I didn't strum around or plink around, it was just like 'Oh, that's Clean Sheets'. It's done." Aukerman's lyrics for "Iceman" were loosely based on the 1946 play 209:
and friend Pat McCuistion in 1980. Based on the goals of achieving "the total extent" and "to not settle for some, to always go for All", the philosophy was the subject of the one-second title track, the two-second "No, All!", and "All-O-Gistics".
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sang backing vocals on the album. Stevenson created the cover graphics, while Alvarez provided illustrations for the sleeve and liner notes. One of Alvarez's illustrations was of the "Bassmaster General", a character previously mentioned in the
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Bill Stevenson awoke one morning with the chorus of "Clean Sheets" fully formed in his mind, and said the finished song exactly matched what he had heard in his head in that moment.
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called to congratulate Alvarez on joining the Descendents; the two had been friends since 1976, learned to play guitar together, had played in the Salt Lake City
762:, All released eight albums between 1988 and 1995, with Aukerman contributing occasional songwriting and backing vocals. In 1995 Aukerman would return to record 390: 780:
wrote: "With this record, not only are they forgiven for the bad spots to be found on here — it's not like they can't be skipped over — but their last release (
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of "All" as "the total extent", and he and McCuistion had quickly written several short songs "in a fit of Allular frustration", two of which were recorded for
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The album was titled after the concept of "All", which Stevenson and his friend Pat McCuistion had invented during a fishing trip on Stevenson's boat
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band Massacre Guys, and were both big Descendents fans. Knowing the band needed a guitarist, Alvarez recommended Egerton, who was living in
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accepting one's uncoolness, and 'Clean Sheets' talks of being forced to sleep on the floor after a lover's infidelity sullies the sheets."
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Since 1987 it has been common for Aukerman to hold up a sign displaying the "All-O-Gistics" when performing the song, as seen here in 2014.
482:'Even though you'll never come clean, you know it's true / Those sheets are dirty, and so are you', that was a complete thought: a melody, 402: 2221: 2132: 2025: 474:
Stevenson's "Clean Sheets" and he and Aukerman's "Pep Talk" also dealt with themes of broken relationships. According to Stevenson, the
381: 1930: 2299: 2038: 2742: 294:, whose band the Bad Yodelers was staying with him at the time while on tour. Stevenson had met Alvarez in 1984 while touring with 1980: 502:
relate. Basically just to avoid stagnation... going for "ALL" and never being satisfied and just wallowing in your own sameness.
228:, and released eight albums with other singers between 1988 and 1995, before reuniting with Aukerman under the Descendents name. 675: 647: 1767: 262:
was the band's first album with Karl Alvarez (left) and Stephen Egerton (right), who brought new musical ideas to the group.
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song "Kids" who again turns up in the lyrics of "All-O-Gistics" as a higher power guiding the band in their quest for All.
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With Aukerman's departure announced in advance, Stevenson took the opportunity to relaunch the band afresh under the name
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marked the end of the Descendents' original run. Following two tours of the United States to promote the album, singer
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The band supported the album with a 60-day spring 1987 tour from mid-February to mid-April that took them through the
314: 202: 205:, who brought new songwriting ideas to the group. The album is titled after the concept of "All" invented by drummer 2578: 2571: 1683: 782: 639: 270: 147: 2702: 2502: 2474: 1596: 1462: 1181: 918: 508: 279: 206: 130: 691: 339: 2793: 2716: 2606: 2285: 755: 2447: 714: 683: 659: 643: 2255: 865: 849: 663: 2851: 2564: 2467: 687: 591: 566: 417:"All-O-Gistics" uses start/stop pacing, with occasional breaks into faster sections. Over background 549: 2670: 1497: 553: 343: 190: 42: 1516: 2233: 2805: 2420: 2295: 2289: 2260: 2229: 2107: 2034: 1737: 655: 493: 488: 295: 2144: 1940: 1632: 2638: 1600: 853: 741: 706: 615: 346:
that housed the band's living quarters, practice space, and office. Egerton later recalled:
330: 322: 630: 537:". "Stephen had those chords, and I wrote my own religion for his chords", said Stevenson. 250: 241: 2825: 1470: 561: 125: 2613: 520:
in 1980. According to Aukerman, "While drinking all this coffee in the midst of catching
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boundaries", said Stevenson. "He would kind of come up with what I would call the nasty
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The "FinALL" tour was so-called due to Aukerman's decision to leave the band to pursue
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praised several of the album's songs as being among the Descendents' best work: "
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at the time. Stevenson also knew Egerton through touring; Egerton had been a
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Following the Descendents' summer 1986 tour in support of their third album,
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of "Clean Sheets" came to him fully formed one morning as he was waking up:
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After practicing for a few weeks, the Descendents headed out on the second
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that "Pep Talk" was not included on the band's 1991 "best of" compilation
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All Music Guide to Rock: The Definitive Guide to Rock, Pop, and Soul
1566:(DVD). Manchester: Rogue Elephant Pictures. Event occurs at 32:43. 629: 418: 36: 1555: 1553: 1551: 1549: 1547: 1545: 1543: 1541: 1539: 1537: 823:
In the decades since its release, several artists have recorded
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and also re-released all of the Descendents' previous albums.
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happened? Uh, we just joined the Descendents. This is gnarly."
2294:(3rd ed.). San Francisco: Backbeat Books. p. 303. 796:. By contrast, DaRonco's colleague Jason Ankeny referred to 370: 1560:
LaCour, Deedle (Director); Riggle, Matt (Director) (2013).
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The Descendents' previous albums had been released through
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and began rehearsing with Stevenson. According to singer
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was recorded in January 1987 at Radio Tokyo studios in
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covered "Cameage", and Meatjack covered "Iceman". For
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covered "Pep Talk", Peepshow covered "Coolidge", the
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It was the band's first album with bassist 8: 2862:Albums produced by Bill Stevenson (musician) 1871: 1869: 1867: 1865: 1626: 1624: 1622: 1620: 1591: 1589: 1587: 1585: 1583: 1581: 1579: 1577: 1575: 1573: 2482: 2468: 2460: 1890: 1888: 1886: 1884: 768:with the band under the Descendents name. 425:with commandments on how to achieve "All". 27: 18: 2052: 2050: 1924: 1922: 626:Supporting tours and Aukerman's departure 2015: 2013: 2011: 2009: 1149: 1043: 884: 16:1987 studio album by the Descendents 2734:"Ride the Wild" / "It's a Hectic World" 2411:Filter Magazine Presents: Milo Turns 50 1723: 1721: 1719: 1717: 1715: 1713: 1711: 1508: 1406: 1135: 862:Milo Turns 50: Songs of the Descendents 455:-eque thing, and I was like 'ooh, okay. 2279: 2277: 2181: 2073: 1847: 1678: 1676: 831:for other releases. Swedish punk band 432: 286:. The musician declined but suggested 2284:Bogdanov, Vladimir; Woodstra, Chris; 2208:Filmage: The Story of Descendents/All 1961:Filmage: The Story of Descendents/All 1877:Filmage: The Story of Descendents/All 1800:Filmage: The Story of Descendents/All 1674: 1672: 1670: 1668: 1666: 1664: 1662: 1660: 1658: 1656: 1563:Filmage: The Story of Descendents/All 1407: 1400:Alvarez, Aukerman, Egerton, Stevenson 1136: 666:before making their way northwest to 220:left the group to pursue a career in 7: 1425:Adapted from the album liner notes. 658:, then snaking westward through the 185:is the fourth album by the American 2026:American Hardcore: A Tribal History 274:, guitarist Ray Cooper and bassist 556:Richard Andrews, who had recorded 433:Problems playing these files? See 14: 841:EP (1994). For the Descendents 533:", and "Thou shalt not suppress 407: 386: 282:contacted a musician he knew in 249: 240: 2256:"Perkins Palace May Rise Again" 676:West Coast of the United States 541:Recording, artwork, and release 2456:(streamed copy where licensed) 2413:Full Descendents Covers Album" 1631:Sutherland, Sam (2006-01-01). 1156: 1050: 893: 1: 1728:James, Patrick (2013-01-01). 334:Descendents' headquarters, a 2423:. 2013-01-07. Archived from 1633:"Descendents Give Their All" 835:covered "Coolidge" on their 2738:"Clean Sheets" / "Coolidge" 2133:"Discography: Full-Lengths" 610:was released as an 11-song 193:, released in 1987 through 2878: 2220:Boehm, Mike (1988-06-23). 2497: 1388: 1371: 1354: 1337: 1320: 1303: 1286: 1269: 1252: 1230: 1213: 1194: 1174: 1166: 1163: 1160: 1119: 1102: 1085: 1068: 1060: 1057: 1054: 1023: 1006: 989: 967: 950: 931: 911: 903: 900: 897: 625: 598:New Alliance was sold to 141: 26: 2286:Erlewine, Stephen Thomas 2210:. Event occurs at 38:30. 2174:. Lawndale, California: 2066:. Lawndale, California: 1963:. Event occurs at 67:24. 1840:. Lawndale, California: 1802:. Event occurs at 36:45. 1609:. Lawndale, California: 1151:CD and cassette versions 876:covered "Clean Sheets". 868:covered "Clean Sheets", 852:covered "Clean Sheets", 570:(1982) came closer than 2607:Hypercaffium Spazzinate 2572:I Don't Want to Grow Up 2323:"Descendents Biography" 1931:"Descendents Biography" 674:, and finally down the 329:for Black Flag and the 2098:Chick, Stevie (2009). 1929:Eliscu, Jenny (2004). 1307:"Jealous of the World" 715:postgraduate education 644:Southern United States 635: 602:in 1987. SST released 578:of Black Flag and the 504: 421:, Aukerman delivers a 375: 353: 137:Descendents chronology 2779:"Like The Way I Know" 2137:descendentsonline.com 1985:descendentsonline.com 1772:descendentsonline.com 1687:descendentsonline.com 1478:Additional performers 1361:Stevenson, McCuistion 1223:Stevenson, McCuistion 1220:Stevenson, McCuistion 1187:Stevenson, McCuistion 1109:Stevenson, McCuistion 960:Stevenson, McCuistion 957:Stevenson, McCuistion 924:Stevenson, McCuistion 866:The Henry Clay People 664:Central United States 633: 374: 348: 340:Pacific Coast Highway 2565:Milo Goes to College 688:Berkeley, California 592:New Alliance Records 567:Milo Goes to College 560:Stevenson served as 2770:"That's The Breaks" 2184:cite AV media notes 2076:cite AV media notes 2070:. 1991. SST CD 259. 1850:cite AV media notes 1844:. 1987. SST CD 112. 1344:Stevenson, Aukerman 1152: 1092:Stevenson, Aukerman 1046: 889: 550:Venice, Los Angeles 2857:SST Records albums 2847:Descendents albums 2773:"Baby Doncha Know" 2671:Two Things at Once 2656:Compilation albums 2417:filtermagazine.com 2147:on 5 February 2010 1734:filtermagazine.com 1496:Richard Andrews – 1150: 1044: 885: 872:covered "All" and 740:, formerly of the 636: 554:recording engineer 376: 344:Lomita, California 2834: 2833: 2755:"Nothing With You 2261:Los Angeles Times 2230:Los Angeles Times 2113:978-1-84772-620-9 1521:Alternative Press 1417: 1416: 1146: 1145: 1040: 1039: 650:, into Canada to 489:The Iceman Cometh 412: 391: 178: 177: 174: 173: 2869: 2787:Related articles 2639:Hallraker: Live! 2614:9th & Walnut 2593:Everything Sucks 2484: 2477: 2470: 2461: 2436: 2435: 2433: 2432: 2409:"Free Download: 2405: 2399: 2398: 2396: 2395: 2375: 2369: 2368: 2366: 2365: 2345: 2339: 2338: 2336: 2335: 2318: 2312: 2311: 2309: 2308: 2281: 2272: 2271: 2269: 2268: 2251: 2245: 2244: 2242: 2241: 2232:. Archived from 2217: 2211: 2205: 2194: 2193: 2187: 2179: 2178:. 1987. SST 163. 2162: 2156: 2155: 2153: 2152: 2143:. Archived from 2129: 2118: 2117: 2095: 2086: 2085: 2079: 2071: 2054: 2045: 2044: 2017: 2004: 2003: 2001: 2000: 1995:on 24 March 2010 1991:. Archived from 1977: 1964: 1958: 1952: 1951: 1949: 1948: 1939:. Archived from 1926: 1917: 1916: 1914: 1913: 1892: 1879: 1873: 1860: 1859: 1853: 1845: 1830: 1803: 1797: 1791: 1790: 1788: 1787: 1778:. Archived from 1764: 1753: 1752: 1750: 1749: 1740:. Archived from 1725: 1706: 1705: 1703: 1702: 1693:. Archived from 1680: 1651: 1650: 1648: 1647: 1628: 1615: 1614: 1602:Hallraker: Live! 1593: 1568: 1567: 1557: 1532: 1531: 1529: 1527: 1513: 1486:– backing vocals 1473:, cover graphics 1410: 1184:, Pat McCuistion 1158: 1153: 1139: 1052: 1047: 921:, Pat McCuistion 895: 890: 776:Mike DaRonco of 765:Everything Sucks 742:Washington, D.C. 728: 724: 707:Hallraker: Live! 512: 481: 458: 414: 413: 393: 392: 373: 323:Washington, D.C. 309: 253: 244: 143: 142: 107: 106: 102: 60: 58: 31: 19: 2877: 2876: 2872: 2871: 2870: 2868: 2867: 2866: 2837: 2836: 2835: 2830: 2782: 2722: 2683: 2651: 2619: 2552: 2524:Stephen Egerton 2493: 2488: 2444: 2439: 2430: 2428: 2407: 2406: 2402: 2393: 2391: 2377: 2376: 2372: 2363: 2361: 2347: 2346: 2342: 2333: 2331: 2321:Ankeny, Jason. 2320: 2319: 2315: 2306: 2304: 2302: 2288:, eds. (2002). 2283: 2282: 2275: 2266: 2264: 2253: 2252: 2248: 2239: 2237: 2219: 2218: 2214: 2206: 2197: 2180: 2164: 2163: 2159: 2150: 2148: 2131: 2130: 2121: 2114: 2106:. p. 363. 2097: 2096: 2089: 2072: 2056: 2055: 2048: 2041: 2029:. 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1501: 1500: 1488: 1487: 1475: 1474: 1463:Bill Stevenson 1460: 1451: 1442: 1422: 1419: 1415: 1414: 1411: 1405: 1404: 1401: 1398: 1393: 1390: 1386: 1385: 1382: 1379: 1376: 1373: 1369: 1368: 1365: 1362: 1359: 1356: 1352: 1351: 1348: 1345: 1342: 1339: 1335: 1334: 1331: 1328: 1325: 1324:"Clean Sheets" 1322: 1318: 1317: 1314: 1311: 1308: 1305: 1301: 1300: 1297: 1294: 1291: 1288: 1284: 1283: 1280: 1277: 1274: 1271: 1267: 1266: 1263: 1260: 1257: 1254: 1250: 1249: 1246: 1240: 1235: 1232: 1228: 1227: 1224: 1221: 1218: 1215: 1211: 1210: 1207: 1204: 1199: 1196: 1192: 1191: 1188: 1185: 1182:Bill Stevenson 1179: 1176: 1172: 1171: 1168: 1165: 1162: 1159: 1148: 1144: 1143: 1140: 1134: 1133: 1130: 1127: 1124: 1121: 1117: 1116: 1113: 1110: 1107: 1104: 1100: 1099: 1096: 1093: 1090: 1087: 1083: 1082: 1079: 1076: 1073: 1072:"Clean Sheets" 1070: 1066: 1065: 1062: 1059: 1056: 1053: 1042: 1038: 1037: 1034: 1031: 1028: 1025: 1021: 1020: 1017: 1014: 1011: 1008: 1004: 1003: 1000: 997: 994: 991: 987: 986: 983: 977: 972: 969: 965: 964: 961: 958: 955: 952: 948: 947: 944: 941: 936: 933: 929: 928: 925: 922: 919:Bill Stevenson 916: 913: 909: 908: 905: 902: 899: 896: 883: 881: 878: 850:Garden Variety 827:of songs from 825:cover versions 820: 819:Cover versions 817: 773: 770: 756:Scott Reynolds 744:hardcore band 627: 624: 614:and a 13-song 542: 539: 509:Bill Stevenson 498: 494:Eugene O'Neill 430: 416: 406: 401: 400: 395: 385: 382:"Clean Sheets" 380: 379: 378: 369: 368: 367: 365: 362: 288:Salt Lake City 280:Bill Stevenson 258: 257: 248: 247: 239: 238: 237: 236: 235: 233: 230: 207:Bill Stevenson 201:and guitarist 176: 175: 172: 171: 162: 153: 139: 138: 134: 133: 131:Bill Stevenson 128: 122: 121: 115: 109: 108: 97: 93: 92: 87: 81: 80: 74: 70: 69: 66: 62: 61: 51: 47: 46: 40: 33: 32: 24: 23: 15: 13: 10: 9: 6: 4: 3: 2: 2874: 2863: 2860: 2858: 2855: 2853: 2850: 2848: 2845: 2844: 2842: 2827: 2824: 2822: 2819: 2817: 2814: 2812: 2809: 2807: 2804: 2802: 2801: 2797: 2795: 2792: 2791: 2789: 2785: 2778: 2775: 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SST CD 205. 1612: 1608: 1604: 1603: 1598: 1592: 1590: 1588: 1586: 1584: 1582: 1580: 1578: 1576: 1574: 1570: 1565: 1564: 1556: 1554: 1552: 1550: 1548: 1546: 1544: 1542: 1540: 1538: 1534: 1522: 1518: 1512: 1509: 1503: 1499: 1495: 1494: 1493: 1492: 1485: 1482: 1481: 1480: 1479: 1472: 1468: 1464: 1461: 1459: 1455: 1452: 1450: 1446: 1445:Milo Aukerman 1443: 1440: 1436: 1433: 1432: 1431: 1430: 1426: 1420: 1412: 1409:Total length: 1402: 1399: 1397: 1394: 1391: 1387: 1383: 1380: 1377: 1374: 1370: 1366: 1363: 1360: 1357: 1353: 1349: 1346: 1343: 1340: 1336: 1332: 1329: 1326: 1323: 1319: 1315: 1312: 1309: 1306: 1302: 1298: 1295: 1292: 1289: 1285: 1281: 1278: 1275: 1273:"Impressions" 1272: 1268: 1264: 1261: 1258: 1255: 1251: 1247: 1245: 1241: 1239: 1238:Milo Aukerman 1236: 1233: 1229: 1225: 1222: 1219: 1216: 1212: 1208: 1205: 1203: 1200: 1197: 1193: 1189: 1186: 1183: 1180: 1177: 1173: 1154: 1141: 1138:Total length: 1131: 1128: 1125: 1122: 1118: 1114: 1111: 1108: 1105: 1101: 1097: 1094: 1091: 1088: 1084: 1080: 1077: 1074: 1071: 1067: 1048: 1035: 1032: 1029: 1026: 1022: 1018: 1015: 1012: 1010:"Impressions" 1009: 1005: 1001: 998: 995: 992: 988: 984: 982: 978: 976: 975:Milo Aukerman 973: 970: 966: 962: 959: 956: 953: 949: 945: 942: 940: 937: 934: 930: 926: 923: 920: 917: 914: 910: 891: 880:Track listing 879: 877: 875: 871: 867: 863: 859: 855: 851: 847: 844: 843:tribute album 840: 839: 834: 830: 826: 818: 816: 813: 809: 808: 807:Rolling Stone 803: 799: 795: 794: 789: 785: 784: 779: 771: 769: 767: 766: 761: 757: 753: 752: 747: 743: 739: 735: 730: 720: 716: 711: 709: 708: 703: 702: 697: 693: 689: 685: 681: 677: 673: 669: 665: 661: 657: 653: 649: 645: 641: 632: 623: 621: 617: 613: 609: 605: 601: 597: 593: 588: 586: 581: 577: 573: 569: 568: 563: 559: 555: 551: 547: 540: 538: 536: 532: 528: 523: 519: 513: 510: 503: 497: 495: 491: 490: 485: 477: 472: 470: 466: 460: 454: 450: 446: 438: 436: 424: 420: 404: 383: 363: 361: 358: 352: 347: 345: 341: 337: 332: 328: 327:tour promoter 324: 320: 319:hardcore punk 316: 311: 305: 304:Milo Aukerman 301: 297: 293: 289: 285: 281: 277: 273: 272: 261: 252: 243: 231: 229: 227: 223: 219: 218:Milo Aukerman 215: 211: 208: 204: 200: 196: 192: 188: 184: 183: 168: 167: 163: 159: 158: 154: 150: 149: 145: 144: 140: 135: 132: 129: 127: 123: 119: 116: 114: 110: 98: 94: 91: 88: 86: 82: 79: 76:Radio Tokyo, 75: 71: 67: 63: 52: 48: 44: 38: 34: 30: 25: 20: 2798: 2764:"Who We Are" 2715: 2708: 2701: 2694: 2676: 2669: 2662: 2644: 2637: 2630: 2612: 2605: 2598: 2591: 2585: 2584: 2577: 2570: 2563: 2545:Doug Carrion 2522: 2517:Karl Alvarez 2515: 2508: 2501: 2448: 2429:. 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Retrieved 1520: 1511: 1490: 1489: 1477: 1476: 1435:Karl Alvarez 1428: 1427: 1424: 1396:instrumental 1202:Karl Alvarez 939:Karl Alvarez 861: 845: 836: 828: 822: 811: 805: 802:Jenny Eliscu 797: 791: 781: 775: 763: 749: 738:Dave Smalley 736:with singer 731: 719:microbiology 712: 705: 699: 692:First Avenue 640:Southwestern 637: 607: 603: 589: 584: 571: 565: 557: 545: 544: 526: 517: 515: 505: 500: 487: 473: 461: 453:King Crimson 441: 360:next album. 356: 354: 349: 312: 292:Karl Alvarez 284:Boise, Idaho 276:Doug Carrion 269: 267: 259: 222:biochemistry 213: 212: 199:Karl Alvarez 181: 180: 179: 164: 156: 155: 146: 68:January 1987 37:Studio album 2852:1987 albums 2794:Discography 2743:I'm the One 2717:Spazzhazard 2624:Live albums 2549:David Nolte 2491:Descendents 2176:SST Records 2172:Descendents 2141:Descendents 2068:SST Records 2064:Descendents 2031:Feral House 1989:Descendents 1842:SST Records 1838:Descendents 1776:Descendents 1691:Descendents 1611:SST Records 1607:Descendents 1439:bass guitar 833:Millencolin 704:(1987) and 696:Minneapolis 680:Los Angeles 600:SST Records 511:, June 1987 300:Los Angeles 195:SST Records 191:Descendents 78:Los Angeles 43:Descendents 2841:Categories 2816:Only Crime 2806:Black Flag 2776:"Nightage" 2767:"Suffrage" 2541:Ray Cooper 2431:2015-02-25 2394:2015-02-27 2364:2015-03-03 2334:2010-02-09 2307:2015-02-27 2267:2015-03-11 2240:2015-02-09 2222:"Pop Beat" 2151:2010-02-08 2102:. London: 1999:2010-02-09 1947:2010-02-14 1912:2010-02-09 1786:2015-03-02 1748:2015-02-23 1701:2010-02-03 1646:2015-02-26 1637:exclaim.ca 1504:References 1491:Production 1484:Dez Cadena 1441:, drawings 1341:"Pep Talk" 1217:"No, All!" 1198:"Coolidge" 1089:"Pep Talk" 954:"No, All!" 935:"Coolidge" 886:LP version 874:Beatsteaks 858:Teen Idols 760:Chad Price 751:Allroy Sez 648:East Coast 576:Dez Cadena 535:flatulence 435:media help 338:along the 336:storefront 313:Guitarist 296:Black Flag 232:Background 2664:Bonus Fat 2351:Skauch EP 1897:"Review: 1421:Personnel 1330:Stevenson 1327:Stevenson 1262:Stevenson 1259:Stevenson 1256:"Cameage" 1242:Alvarez, 1078:Stevenson 1075:Stevenson 999:Stevenson 996:Stevenson 993:"Cameage" 979:Alvarez, 854:Parasites 772:Reception 746:Dag Nasty 672:Vancouver 646:, up the 331:Minutemen 189:band the 187:punk rock 90:Punk rock 53:June 1987 2826:The Last 2710:'Merican 2703:Sessions 2632:Liveage! 2388:Allmusic 2358:Allmusic 2328:Allmusic 2167:Liveage! 2023:(2001). 1906:Allmusic 1684:"F.A.Q." 1641:Exclaim! 1599:(1989). 1498:engineer 1471:producer 1392:"Uranus" 1378:Aukerman 1347:Aukerman 1313:Aukerman 1310:Aukerman 1293:Aukerman 1290:"Iceman" 1276:Aukerman 1126:Aukerman 1095:Aukerman 1030:Aukerman 1027:"Iceman" 1013:Aukerman 864:(2013), 848:(1995), 778:AllMusic 758:and the 710:(1989). 701:Liveage! 678:back to 660:Northern 656:Hamilton 652:Montreal 616:cassette 522:mackerel 419:chanting 166:Liveage! 126:Producer 65:Recorded 50:Released 39: by 2800:Filmage 2727:Singles 2454:YouTube 1526:May 28, 1381:Egerton 1364:Egerton 1296:Egerton 1279:Egerton 1206:Alvarez 1129:Egerton 1112:Egerton 1033:Egerton 1016:Egerton 943:Alvarez 668:Calgary 596:D. Boon 465:melodic 364:Writing 290:native 170:(1987) 161:(1987) 152:(1986) 55: ( 2678:Somery 2579:Enjoy! 2421:Filter 2298:  2110:  2059:Somery 2037:  1738:Filter 1458:guitar 1449:vocals 1170:Length 1164:Lyrics 1064:Length 1058:Lyrics 1045:Side B 907:Length 901:Lyrics 888:Side A 838:Skauch 793:Somery 788:felony 783:Enjoy! 585:Enjoy! 558:Enjoy! 484:lyrics 476:chorus 469:chords 423:sermon 357:Enjoy! 271:Enjoy! 148:Enjoy! 96:Length 73:Studio 1467:drums 1413:36:38 1234:"Van" 1178:"All" 1167:Music 1161:Title 1142:30:24 1061:Music 1055:Title 971:"Van" 915:"All" 904:Music 898:Title 870:Yacht 552:with 531:decaf 449:riffs 445:licks 120:(112) 113:Label 85:Genre 2296:ISBN 2190:link 2108:ISBN 2082:link 2035:ISBN 1856:link 1528:2022 1429:Band 1403:2:14 1384:6:46 1367:3:00 1350:3:00 1333:3:09 1316:4:00 1299:3:05 1282:3:02 1265:2:49 1248:2:55 1226:0:02 1209:2:35 1190:0:01 1132:6:46 1115:3:00 1098:3:00 1081:3:09 1036:3:05 1019:3:02 1002:2:49 985:2:55 963:0:02 946:2:35 927:0:01 670:and 662:and 654:and 642:and 618:and 518:Orca 447:and 57:1987 41:the 2811:All 2696:Fat 2688:EPs 2586:All 2452:at 2449:All 1899:All 1834:All 1389:13. 1372:12. 1355:11. 1338:10. 1157:No. 1051:No. 894:No. 829:All 812:All 804:of 798:All 734:All 717:in 694:in 686:in 608:All 604:All 580:DC3 572:All 546:All 527:All 492:by 471:." 342:in 260:All 226:All 214:All 182:All 157:All 118:SST 22:All 2843:: 2419:. 2415:. 2385:. 2355:. 2325:. 2276:^ 2258:. 2228:. 2224:. 2198:^ 2186:}} 2182:{{ 2139:. 2135:. 2122:^ 2090:^ 2078:}} 2074:{{ 2049:^ 2008:^ 1987:. 1983:. 1968:^ 1933:. 1921:^ 1903:. 1883:^ 1864:^ 1852:}} 1848:{{ 1807:^ 1774:. 1770:. 1757:^ 1736:. 1732:. 1710:^ 1689:. 1655:^ 1639:. 1635:. 1619:^ 1572:^ 1536:^ 1519:. 1469:, 1465:– 1456:– 1447:– 1437:– 1321:9. 1304:8. 1287:7. 1270:6. 1253:5. 1231:4. 1214:3. 1195:2. 1175:1. 1120:4. 1103:3. 1086:2. 1069:1. 1024:7. 1007:6. 990:5. 968:4. 951:3. 932:2. 912:1. 729:" 620:CD 612:LP 496:. 459:" 310:" 105:38 101:36 2752:" 2748:" 2745:" 2741:" 2483:e 2476:t 2469:v 2434:. 2397:. 2383:" 2379:" 2367:. 2353:" 2349:" 2337:. 2310:. 2270:. 2243:. 2192:) 2154:. 2116:. 2084:) 2043:. 2002:. 1950:. 1915:. 1901:" 1858:) 1789:. 1751:. 1704:. 1649:. 1530:. 727:' 723:' 507:– 480:" 457:' 437:. 308:' 103:: 59:)

Index


Studio album
Descendents
Los Angeles
Genre
Punk rock
Label
SST
Producer
Bill Stevenson
Enjoy!
Liveage!
punk rock
Descendents
SST Records
Karl Alvarez
Stephen Egerton
Bill Stevenson
Milo Aukerman
biochemistry
All


Enjoy!
Doug Carrion
Bill Stevenson
Boise, Idaho
Salt Lake City
Karl Alvarez
Black Flag

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