448:, Gonzalez later stated that he used an SP-1200 and an Akai S950 together in the production of his Bucketheads material. He would create rhythms and beats in the SP-1200, but as the machine did not hold lengthy samples, the S950 would instead hold the long samples which Gonzalez would then trigger using the drum machine. The producer reflected that "there was a certain vibe to the two as well. Even today you can have unlimited amounts of sample time in a machine, but it's a different vibe to those two machines." Gonzalez intended the album to be "raw and fun", and used a series of classic records as sources for
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428:" to other producers who he felt were copying his sound as a solo producer and as part of Masters of Work. He stated: "I was tired of everyone being on the same tip as we were. Everything out there sounded the same. I was bored. And I thought 'Yo, I gotta come with something different'." Gonzalez also reportedly hoped to move dance music away from the emergent
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613:, Gonzalez showed the album to his friend Johnny "D" DeMario, who ran the house label Henry Street Music. The label released "Whew!" as the album's first single in 1994 to a favourable reaction from other DJs. "The Bomb! (These Sounds Fall Into My Mind)" was released as the second single shortly afterwards. In addition to achieving popularity in
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said the song's 'genius' lies in "the way it builds up your anticipation with a protracted burst of hard jacking drums and atonal honking before the perfect disco sample soars away into the distance." "Sayin' Dope" applies funk characteristics and Latino brass atop beats described by Gareth Grundy of
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would "induce a rapid rethink" in those assuming the
Bucketheads project dissolved after the success of "The Bomb!" He felt the album's "edge" was provided by Gonzalez mixing his capable hip hop skills with disco music, and highlighted "Time and Space" as the album's best track. Leigh Anne
29:
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concluded that "these tracks are mashed together with forceful abandon, but the turntable-scratched origins of
Gonzalez's samples renders some of the grooves a little brittle and repetitive... Which, admittedly, is hardly a drawback in his genre."
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within a week, feeling he had "hit a vibe that felt right and kept going." The recording took place over three days in his home studio, Dungeon Tape. Although it had been speculated that
Gonzalez created material on either an
1028:"The Bomb! (These Sounds Fall Into My Mind)" emerged when house producers began to heavily incorporate the influence of disco in their music, and the song was widely regarded as an example of the fusion. Charles Aaron of
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wrote that the record "confirmed the promise" laid by "The Bomb!", and noted how the album was a major departure from the established style that defined
Gonzalez's music with Masters of Work. Reviewing the reissue,
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wrote that the album "explores a great-sounding fusion of disco-funk and house that works well," highlighting the album's hit singles as well as "Sayin' Dope", "Jus' Plain Funky" and "Went". In
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in
January 1996, spending two weeks on the chart. "Got Myself Together" reached number 12 on the UK Singles Chart the same month. Get On Down Records re-released the album on vinyl in 2011.
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976:. She highlighted "The Bomb!" for its catchy refrain, and felt the remaining tracks "provide the perfect background for any toe-tappin', fist-bumpin', hip-swayin' groove collective."
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in the United States in August 1995, before releasing another single from the record, "Got Myself
Together", in October. Meanwhile, Henry Street released a limited edition
1050:, "The Bomb!" is credited for influencing an array of producers who sample in a "clever" fashion, as well as for inspiring "a whole host of disco gems being updated."
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wrote that the "cut-and- paste beats and sample-based rough house" would become "a major influence through to the next decade." He concluded: "In today’s laptop-and-
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577:" and fuses styles of house, disco, funk and hip hop, while "Whew!" is dominated by funk elements. Gonzalez' hip hop roots surface in "Time and Space", which fuses
126:
507:. Flick echoed these comments, writing that the album developed upon numerous house and hip hop ideas. Some of the material is sample-based, and incorporates
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reported that the project emerged from a "burst of inspiration" in
Gonzalez's home studio. The producer said the catalyst for the Bucketheads project and
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in the region shortly afterwards. This version of the album features different artwork and an altered track list. It debuted at number 74 on the
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beats. Among the songs used as the basis for tracks on the album are Wood Brass & Steel's "Funkanova", Atmosfear's "Motivation" and
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The single was particularly successful in pop charts throughout Europe. In the United
Kingdom, where "The Bomb!" was released by
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chart and becoming a commercial success throughout Europe, including in the United
Kingdom where it reached number 5 on the
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in the United
Kingdom. Unimpressed with what he perceived to be fellow producers copying his characteristic style, producer
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1095:"The Bomb! (These Sounds Fall into My Mind" (Original Henry St. Mix) (Gonzalez, Seraphine, Wolinski) – 14:57
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and related influences. Henry Street Music released the album's first single, "Whew!", to acclaim from club
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of "Come and Be Gone" in August as a thank you "to DJs who were there first." In association with
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quagmire, it’s time to hear again from a real master at work." In the 2000 third edition of the
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548:(1979). The sampled refrain, "street sounds swirling through my mind," was transformed into a
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646:. Gonzalez recalled: "I knew we had something special, but this was wild." Big Beat released
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1080:"I Wanna Know" (Original Raw mix) (Batchelor, Cawthorne, Gonzalez, Johnson, Sojika) – 4:05
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through the song title so that listeners mishear it as "these sounds fall into my mind."
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1180:"All in the Mind - the Bucketheads | Songs, Reviews, Credits | AllMusic"
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felt that the album offered a "refreshing break" from the high-speed sound of
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launched the Bucketheads as a stylistic detour to explore influences such as
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Sullivan, Caroline (19 January 1996). "Music: This week's pop CD releases".
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would later describe the song as "essential '90s funk" that mixed styles of
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and funk elements. The album is largely instrumental, and also incorporates
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magazine wrote that the song "brought disco revivalism to the world of
1337:"'Dope' on plastic – 'The Bomb', 23 years later… [March 1995]"
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334:", was the project's breakthrough single, reaching number one on the
538:" features a disco beat and an extended brass and vocal sample from
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ranked at number 31 on a list of the all-time top 50 dance albums.
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1880:"Kenny 'Dope' Presents the Bucketheads All in the Mind". Albums.
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Kenny "Dope" Gonzalez (pictured in 2014) fused house music with
1567:"The Bucketheads "The Bomb! (These Sounds Fall Into My Mind)""
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The success of the single led to an American album deal with
1074:"Got Myself Together" (Gonzalez, Miller, Williamston) – 5:25
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After conceiving the Bucketheads project, Gonzalez recorded
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received positive reviews from critics. Gareth Grundy of
658:, Positiva released a compilation of Gonzalez's singles,
1089:"Time and Space" (Badarou, Gonzalez, Gould, King) – 5:12
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Allan Wai – art direction and design (Big Beat edition)
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and Akai S950 for the production of beats and samples.
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but always accessible." "Got Myself Together" samples
1897:, 3rd Edition, Virgin Books, 2000, ed. Colin Larkin
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318:, and is characterised by its use of contemporary
1092:"You're a Runaway" (Askey, Dope, Gonzalez) – 4:30
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483:fuses contemporary house music with 1970s-style
424:was his desire to change direction and "throw a
1974:Big Beat Records (American record label) albums
1729:: CS1 maint: others in cite AV media (notes) (
1382:: CS1 maint: others in cite AV media (notes) (
1311:"Gonzalez Prepares More Batches of Bucketheads"
495:beats and bass lines alongside prominent disco
314:The record combines house music with disco and
1591:"The 100 Greatest Dance Singles of All Time".
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802:
1077:"Whew!" (Collins, Gonzalez, O'Connell) – 5:26
662:, in the UK in autumn 1995, before releasing
8:
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1083:"Come and Be Gone" (Gonzalez, Powell) – 5:45
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624:chart, and also peaked at number 49 on the
1854:. No. 10. p. 101. Archived from
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1107:The Bomb! (These Sounds Fall into My Mind)
1066:The Bomb! (These Sounds Fall into My Mind)
986:Among retrospective reviews, John Bush of
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536:The Bomb! (These Sounds Fall Into My Mind)
332:The Bomb! (These Sounds Fall into My Mind)
275:in the United States and shortly after by
230:The Bomb! (These Sounds Fall Into My Mind)
27:
18:
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1565:Matos, Michelangelo (14 September 2017).
1495:The Virgin Encyclopedia of Nineties Music
1484:
1482:
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1457:Fitzpatrick, Leigh Anne (December 1995).
1127:"Got Myself Together" (Kenlou mix) — 8:22
993:The Virgin Encyclopedia of Nineties Music
911:The Virgin Encyclopedia of Nineties Music
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1317:. Vol. 107, no. 32. p. 24
1133:"I Wanna Know" (Original Raw mix) — 4:12
1068:" (Gonzalez, Seraphine, Wolinski) – 3:23
459:
16:1995 studio album by the Bucketheads
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1267:1001 Songs You Must Hear Before You Die
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1155:Johnny "D" DeMario – executive producer
1048:1001 Songs You Must Hear Before You Die
1979:House music albums by American artists
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1536:"Heavyweight NYC house bomb revisited"
1465:. Vol. 11, no. 9. p. 30
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519:". Further artists sampled throughout
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322:beats and bass lines and 1970s-style
263:is the only studio album by American
7:
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1086:"Just Plain Funky" (Gonzalez) – 6:50
1046:." For the song's entry in the book
593:-style sound effects and samples of
375:, as used in the album's production.
1158:Rich Christina – executive producer
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303:over a period of three days in his
295:, hoping to throw his audience a '
14:
1397:Scarth, Greg (15 December 2015).
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1645:Grundy, Gareth (November 1995).
1152:Kenny "Dope" Gonzalez – producer
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1309:Flick, Larry (12 August 1995).
1204:"Artist Biography by John Bush"
1142:"The Bucketheads' Outro" — 3:33
1118:"Time and Space" (remix) — 5:18
1071:"Sayin' Dope" (Gonzalez) – 6:05
1937:"The 100 Greatest Dance Songs"
1430:"AllMusic Review by John Bush"
1:
1907:Aaron, Charles (March 1996).
1615:Grundy, Gareth (March 1996).
1139:"'Little' Louis Bonus" — 6:23
635:, it reached number 5 on the
271:, released in August 1995 by
1837:Farley, Terry (March 1996).
531:and Ghanaian singer Buari.
2000:
1884:. 19 Jan 1996. p. 13.
1715:(liner). The Bucketheads.
1674:(Retrieved March 30, 2008)
1368:(liner). The Bucketheads.
1130:"Just Plain Funky" — 4:33
1124:"Come and Be Gone" — 5:45
1121:"You're a Runaway" — 5:58
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622:Hot Dance Music/Club Play
349:reached number 74 on the
339:Hot Dance Music/Club Play
252:
235:Released: 1994/early 1995
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26:
1895:All Time Top 1000 Albums
1115:"Sunset (New at)" — 5:35
1018:All Time Top 1000 Albums
609:After the completion of
542:'s "Street Player" from
356:All Time Top 1000 Albums
1984:Positiva Records albums
1399:"Kenny 'Dope' Gonzalez"
1265:Dimery, Robert (2010).
452:throughout the record.
1236:"Kenny Dope biography"
477:
376:
330:. The second single, "
307:home studio, using an
244:Released: October 1995
1758:(23 September 1995).
1100:International edition
605:Promotion and release
581:with influences from
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384:Kenny "Dope" Gonzalez
370:
281:Kenny "Dope" Gonzales
241:"Got Myself Together"
157:Kenny "Dope" Gonzalez
1756:Robertson IV, Gil L.
1540:Record Collector Mag
1112:"Sayin' Dope" — 6:05
679:Professional ratings
501:instrumental hip hop
1808:(27 January 1996).
1725:cite AV media notes
1378:cite AV media notes
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589:, and incorporates
1839:"The Bucketheads:
678:
674:Critical reception
652:twelve-inch single
571:Brass Construction
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408:Latin street music
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70:Brooklyn, New York
1969:1995 debut albums
1943:. 30 January 2006
1280:978-1-84403-736-0
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660:The Dungeon Tapes
503:according writer
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382:-based producer
345:. Upon release,
343:UK Singles Chart
277:Positiva Records
273:Big Beat Records
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1273:. p. 740.
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668:UK Albums Chart
664:All in the Mind
648:All in the Mind
615:warehouse raves
611:All in the Mind
607:
591:science fiction
521:All in the Mind
481:All in the Mind
474:All in the Mind
458:
437:All in the Mind
422:All in the Mind
392:Masters at Work
365:
351:UK Albums Chart
347:All in the Mind
301:All in the Mind
299:'. He recorded
269:the Bucketheads
260:All in the Mind
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164:The Bucketheads
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22:All in the Mind
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1502:. p. 69.
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1343:. 6 March 2018
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534:Opening song "
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1945:. Retrieved
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1856:the original
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1818:. p. 35
1815:Melody Maker
1813:
1806:Price, Simon
1800:
1792:The Guardian
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1773:. Retrieved
1771:. p. 11
1766:
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1695:. Retrieved
1691:
1672:Allmusic.com
1666:
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1500:Virgin Books
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1467:. Retrieved
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1437:. Retrieved
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1428:Bush, John.
1406:. Retrieved
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1345:. Retrieved
1341:909originals
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1202:Bush, John.
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505:Colin Larkin
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123:Henry Street
37:Studio album
957:wrote that
790:(favorable)
740:(favorable)
567:avant-garde
456:Composition
412:Larry Flick
293:Latin music
265:house music
1963:Categories
1775:8 November
1670:Billboard
1166:References
1003:Kris Needs
974:rave music
550:mondegreen
545:Chicago 13
489:disco funk
363:Background
166:chronology
90:disco funk
1921:March 15,
1617:"Reviews"
1571:Insominac
1315:Billboard
1147:Personnel
1044:jock jams
996:, writer
627:Billboard
620:Billboard
599:Starchild
587:The J.B.s
529:Redd Foxx
430:Eurodance
426:curveball
417:Billboard
400:freestyle
337:Billboard
297:curveball
1810:"Albums"
1768:Cash Box
1647:"Albums"
1492:(2000).
1434:AllMusic
1208:AllMusic
1185:AllMusic
1109:" — 3:22
1013:autotune
988:AllMusic
735:Cash Box
698:AllMusic
595:Level 42
579:trip hop
523:include
446:Akai MPC
380:Brooklyn
305:Brooklyn
152:Producer
137:Positiva
132:Atlantic
127:Big Beat
57:Recorded
49:Released
39: by
1947:16 July
1865:14 July
1760:"Urban"
1719:. 1995.
1697:16 July
1656:16 July
1627:16 July
1576:16 July
1545:16 July
1469:16 July
1439:16 July
1408:16 July
1372:. 1995.
1347:16 July
1321:16 July
1245:16 July
1213:16 July
1034:electro
629:Hot 100
540:Chicago
525:Machine
450:samples
432:genre.
396:hip hop
289:hip hop
219:"Whew!"
204:Singles
190:(1995)
183:(1995)
1651:Select
1621:Select
1593:Mixmag
1506:
1277:
970:techno
954:Select
873:Select
692:Rating
689:Source
575:Movin'
562:Select
555:Mixmag
444:or an
320:tribal
99:Length
65:Studio
1941:Slant
1917:: 116
1859:(PDF)
1851:Muzik
1846:(PDF)
1822:9 May
1763:(PDF)
1039:Slant
797:Muzik
497:horns
466:disco
404:disco
388:house
324:horns
285:disco
206:from
116:Label
85:House
77:Genre
1949:2018
1923:2018
1914:Spin
1867:2022
1824:2024
1777:2022
1744:link
1731:link
1699:2018
1658:2018
1629:2018
1623:: 89
1578:2018
1547:2018
1504:ISBN
1471:2018
1463:Spin
1441:2018
1410:2018
1384:link
1349:2018
1323:2018
1275:ISBN
1247:2018
1215:2018
1030:Spin
972:and
965:Spin
597:'s "
585:and
583:Chic
573:'s "
565:as "
515:'s "
487:and
485:funk
470:funk
468:and
406:and
390:duo
316:funk
291:and
267:act
60:1994
1005:of
656:EMI
601:".
472:on
414:of
371:An
142:EMI
1965::
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1727:}}
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