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to 'Triamond' in his 1734 edition). The three sons correspond to the three worlds, born of love. Cambell's battle with the three sons is an allegory of "man's battle with the three worlds to find his place in the universe, to establish harmony in God's creation, and ultimately to achieve salvation".
157:: 'For euen as the...three worlds being girt and buckled with the bands of concord doe by reciprocall libertie, interchange their natures; the like do they also by their appellations. And this is the principle from whence springeth & groweth the discipline of allegoricall sense' (translated by
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Furthermore, since any triad may be an analogue of another, the three brothers could also be an allegory of the three worlds of man's soul: the vegetative, the sensitive, and the angelic". Spenser's (multi-layered) allegory is similarly worked out through all six books.
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Renaissance allegories could be continuous and systematic, or intermittent and occasional. Perhaps the most famous example of a thorough and continuous allegorical work from the
Renaissance is the six books of
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Allegory and Epic in
English Renaissance Literature: Heroic Form in Sidney, Spenser, and Milton
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discusses the interrelations between these three worlds in the introduction to his
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also wrote continuous allegory, as opposed to the intermittent allegory of an
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has three sons: Priamond (from one), Diamond (from two), and
Telamond (from
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By the 16th century, allegory was firmly linked to what is known as the
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27:, Renaissance literature exhibits an increased emphasis on
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The early modern theory of allegory is discussed in
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294:Elizabethan Poetry. Modern Essays in Criticism
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307:The Cambridge Guide to Literature in English
296:. Oxford: Oxford University Press, 1967: 418
258:The Cambridge Guide to Literature in English
292:, 1964, excerpted in Paul. J. Alpers (ed):
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44:(included in his translation of
174:Kenneth Borris has argued that
116:Pseudo-Dionysius the Areopagite
165:, London, 1618, p. 671).
126:we live in, subject to change.
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23:. Developing from the use of
182:were also major allegorists.
25:allegory in the Middle Ages
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81:, perfect, but emended by
73:. In book 4, for example,
107:Elizabethan world picture
159:Pierre de la Primaudaye
140:, where angels and the
58:Continuous/intermittent
19:is used extensively in
351:Renaissance literature
21:Renaissance literature
320:Anatomy of Criticism
271:Anatomy of Criticism
244:The Allegory of Love
149:Pico della Mirandola
138:supercelestial world
163:The French Academie
209:Courtly literature
100:Three-world theory
41:Apology for Poetry
36:Sir John Harington
201:Literature portal
70:The Faerie Queene
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331:Kenneth Borris,
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290:The Kindly Frame
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214:Dream vision
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29:courtly love
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239:C. S. Lewis
180:John Milton
345:Categories
154:Heptaplus
54:, 1591).
356:Allegory
187:See also
17:Allegory
335:, 2000.
247:, 1936.
142:Godhead
112:Ptolemy
94:Ariosto
79:téleios
46:Ariosto
83:Jortin
227:Notes
75:Agape
178:and
144:are.
136:the
129:the
122:the
114:and
161:in
67:'s
48:'s
38:'s
347::
288::
278:^
241:,
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