Knowledge

Allegro de concierto

Source 📝

19: 97: 111:
in its virtuosic piano writing, featuring rapid octaves and arpeggios that span the entire keyboard, and in its use of chordal melodies and forceful accompaniments.
222: 88:, who received an honorable mention. The jury declared Granados the winner with an almost unanimous vote. The composition brought Granados to national attention. 84:
in 1903, which awarded a considerable sum of 500 pesetas for the best "concert allegro" for solo piano. Twenty-four composers participated, among them the young
471: 375: 466: 333: 395: 329: 486: 302: 235: 194: 481: 368: 271: 147: 18: 476: 344: 294: 361: 81: 263: 227: 159: 412: 143: 348: 115: 77: 308: 298: 267: 231: 103:
The structure of the work is somewhat unusual for Granados, as it is held in the traditional
418: 384: 125: 57: 216: 85: 60:, composed between 1903 and 1904. Its lyricism and technical brilliance, reminiscent of 460: 169: 129: 43: 96: 179: 108: 104: 61: 53: 338: 312: 138:(the dominant minor), is followed by a brief reprise of the first theme in 288: 444: 151: 155: 139: 128:, though it is not distinctly Spanish. The lyrical second theme, in 353: 114:
The work begins with a brilliant two-bar flourish, leading to the
17: 357: 95: 64:, have made it one of the composer's most popular works. 178:(the parallel minor). It is followed by a brilliant 429: 404: 215: 217:"Granados (y Campiña), Enrique [Enríc]" 369: 185:A performance is around 8 minutes in length. 124:major. Its added sixth introduces a sense of 8: 76:was submitted to a competition organized by 376: 362: 354: 168:major, though the second theme is held in 146:begins with a new melody, marked "Andante 56:46, is a virtuosic showpiece for piano by 334:International Music Score Library Project 253: 251: 249: 247: 206: 7: 290:Enrique Granados: A Bio-Bibliography 472:Spanish compositions for solo piano 260:Enrique Granados: Poet Of The Piano 195:Allegro de concert (disambiguation) 118:that opens with the main theme in C 14: 467:Compositions by Enrique Granados 142:, leading to a third theme. The 158:-like transition leads to the 1: 487:Compositions in C-sharp major 23: 258:Clark, Walter Aaron (2005). 182:, based on the main theme. 503: 391: 82:Madrid Royal Conservatory 287:Hess, Carol A. (1991). 264:Oxford University Press 228:Oxford University Press 107:. It is reminiscent of 482:1900s in Spanish music 100: 33: 214:Larrad, Mark (2007). 99: 21: 438:Allegro de concierto 396:List of compositions 340:Allegro de concierto 330:Allegro de concierto 74:Allegro de concierto 39:Allegro de concierto 144:development section 349:Alicia de Larrocha 297:. pp. 23–24. 266:. pp. 55–57. 223:Grove Music Online 101: 34: 22:Enrique Granados, 477:1904 compositions 454: 453: 304:978-0-313-36920-9 237:978-1-56159-263-0 494: 413:María del Carmen 385:Enrique Granados 378: 371: 364: 355: 341: 332:: Scores at the 317: 316: 284: 278: 277: 255: 242: 241: 226:(8th ed.). 219: 211: 175: 174: 167: 166: 135: 134: 123: 122: 58:Enrique Granados 49: 48: 32: 28: 25: 502: 501: 497: 496: 495: 493: 492: 491: 457: 456: 455: 450: 425: 400: 387: 382: 347:, performed by 339: 326: 321: 320: 305: 295:Greenwood Press 286: 285: 281: 274: 257: 256: 245: 238: 213: 212: 208: 203: 191: 172: 171: 164: 163: 132: 131: 120: 119: 94: 86:Manuel de Falla 70: 46: 45: 30: 26: 12: 11: 5: 500: 498: 490: 489: 484: 479: 474: 469: 459: 458: 452: 451: 449: 448: 441: 433: 431: 427: 426: 424: 423: 416: 408: 406: 402: 401: 399: 398: 392: 389: 388: 383: 381: 380: 373: 366: 358: 352: 351: 336: 325: 324:External links 322: 319: 318: 303: 279: 272: 243: 236: 205: 204: 202: 199: 198: 197: 190: 187: 160:recapitulation 154:main theme. A 93: 90: 69: 66: 13: 10: 9: 6: 4: 3: 2: 499: 488: 485: 483: 480: 478: 475: 473: 470: 468: 465: 464: 462: 447: 446: 442: 440: 439: 435: 434: 432: 428: 422: 421: 417: 415: 414: 410: 409: 407: 403: 397: 394: 393: 390: 386: 379: 374: 372: 367: 365: 360: 359: 356: 350: 346: 342: 337: 335: 331: 328: 327: 323: 314: 310: 306: 300: 296: 292: 291: 283: 280: 275: 269: 265: 261: 254: 252: 250: 248: 244: 239: 233: 229: 225: 224: 218: 210: 207: 200: 196: 193: 192: 188: 186: 183: 181: 177: 161: 157: 153: 149: 145: 141: 137: 127: 126:pentatonicism 117: 112: 110: 106: 98: 91: 89: 87: 83: 79: 75: 67: 65: 63: 59: 55: 51: 41: 40: 20: 16: 443: 437: 436: 419: 411: 293:. New York: 289: 282: 259: 221: 209: 184: 150:", over the 113: 102: 78:Tomás Bretón 73: 71: 38: 37: 35: 15: 152:arpeggiated 109:Franz Liszt 105:sonata form 62:Franz Liszt 31: 1900 27: 1890 461:Categories 273:0195140664 201:References 116:exposition 29: – c. 313:615629336 92:Structure 445:Goyescas 420:Goyescas 189:See also 173:♯ 165:♯ 148:spianato 133:♯ 121:♯ 47:♯ 345:YouTube 156:cadenza 140:G major 80:of the 68:History 405:Operas 311:  301:  270:  234:  430:Piano 176:minor 136:minor 50:major 309:OCLC 299:ISBN 268:ISBN 232:ISBN 180:coda 162:in C 72:The 36:The 343:on 54:Op. 42:in 463:: 307:. 262:. 246:^ 230:. 220:. 52:, 24:c. 377:e 370:t 363:v 315:. 276:. 240:. 170:C 130:G 44:C

Index


C major
Op.
Enrique Granados
Franz Liszt
Tomás Bretón
Madrid Royal Conservatory
Manuel de Falla

sonata form
Franz Liszt
exposition
pentatonicism
G minor
G major
development section
spianato
arpeggiated
cadenza
recapitulation
C minor
coda
Allegro de concert (disambiguation)
"Granados (y Campiña), Enrique [Enríc]"
Grove Music Online
Oxford University Press
ISBN
978-1-56159-263-0

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.