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Altamura Cathedral

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457: 245: 137: 279: 25: 17: 266: 179:'s reign (early 14th century) or to the enlargement carried out in 1521–1547. The northern portal dates from Robert's time, while the second bell tower, the altar area and the sacristy were added in the 16th century. From the 18th century are the upper parts of the two bell towers and the small loggia between them. A chamber containing a clock (Altamuran dialect: 172:. Previous historians incorrectly translated the inscription (which was hard to read and written in bad Latin), assigning the inscription referred to a privilege that Altamura benefited, according to which every year Bitonto's mayor used to come to Altamura to take the price list of the foods and to spread it to the whole province. 195:
in the Council Hall of the city of Altamura. In the same painting, a thunder is shown hitting the tower of the cathedral; this refers to a real accident, which occurred in 1726. According to the sources, the thunder hit the cathedral twice, and it considerably damaged it. Over the following three
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Altamura Cathedral has been restored in 2006 The works have restored the external walls of the cathedral to their original white color. Another restoration work has been carried out in 2017 for the floor, the lighting system, the three entrance
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in 1232–1254. The main gate, the portal, the rose window were all on the opposite side that in today's construction, while the altar was located in the area where the main gate is now. In 1248, under pressure from Frederick,
798: 109:, since on the capitols of the chorus two statues of Castor and Pollux were present at least until the 18th century, before being destroyed. Vitangelo Frizzale (1755), instead, states that it was a temple devoted to 924: 484:
Palatine churches were exempt from episcopal jurisdiction, and came instead under that of the sovereign, who usually nominated and paid their clergy. The other three palatine churches in Apulia were
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years, restoration works were carried out and the towers were also extended. Domes were also added to each of the two towers (as shown in the previous paintings, the domes had not been built yet).
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has). The loggia houses a small statue of the Immaculate Virgin, while two statues of Sts. Peter and Paul are located at the tympanum sides. Under the loggia is a 14th-century
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on the cusp of the cathedral's ancient façade. However, during the restoration works performed in the 2010s, this sculpture was instead identified as the head of a
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style, are the last decoration detail visible today of the original Frederick II's building, together with the matronaea and the apse at the left of the portal.
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purpose and it evoked the fears of an invasion of Saracens, which, especially in the 16th century, was a widespread fear among Mediterranean Europe Christians.
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supported by two columns that have, at their base, two sculpture of lions (1533). At the top is a tympanum with the coats of arms of the
894: 855: 657: 811: 160:), says that the church collapsed on January 29, 1316 and that it was rebuilt with the help of skilled constructors from the nearby 787: 724:, inside the ex-convent of Capuchin friars. Later on, it was restores thanks to an activity organized by Altamura middle school " 497: 90: 105:
Historian Domenico Santoro (1688) hypothesized that the church may occupy the location of a Greek or Roman temple dedicated to
753:(pp. 270-271), adding that the profile was made by sculptor Don Gaetano Lanocca. The plaque and the profile date back to 1842. 618: 904: 489: 334: 682: 643: 175:
The current orientation of the church is opposite to the original one, although it is not known if the change dates to
356:, rulers of Altamura in the late 14th century. The portal is decorated with numerous sculpted Biblical scenes: in the 200: 416: 63: 843: 720:
The painting was damaged by a flood and then it was hung in the first chapel on the right side of the church of
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The façade has two tall bell towers with two orders in the right one, and three (including the first in
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and includes a polychrome marble altar with the statue of the saint holding Jesus' hand with a
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The aisles feature six side chapels each. The first left chapel is home to a polychrome wooden
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with sculpted scenes from Jesus' life, and a wooden pulpit also dating from the 16th century.
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were made and then added. In the following years, the clock chamber was turned into a Baroque
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The nave, with a wooden ceiling decorated with gilded stuccoes, ends in a large 18th century
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with Eastern art-like decorations from the original Frederick II's building.
241:), the clock tower was added (designed by architect Corradino de Judicibus). 121:), a Roman deity. This would be confirmed by the presence, in the past, of a 435: 388:
The church has a nave and two aisles separated by columns and pillars, with
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The façade is completed by a 14th-century portal, included within a
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from 1587. The fourth left chapel, dedicated to St. Joseph, is in
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The church also houses a canvas by Domenico Morelli depicting
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Cagnazzi himself talks about the plaque in his autobiography
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houses a lavishly decorated wooden choir from 1543, a stone
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On the place where today is the clock tower, just above the
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of Altamura (from 1848, Altamura e Acquviva delle Fonti).
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Buildings and structures in the Metropolitan City of Bari
102:, making it a "palatine" church, one of four in Apulia. 728:". The activity's title was 'Let's adopt a monument' ( 98:
declared Altamura exempt from the jurisdiction of the
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and other surrounding windows, which are now walled.
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style, in the left one, which are joined by a small
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The cathedral in the final years of the 16th century
144:, reporting the church collapse on January 29, 1316. 683:"La Cattedrale restituita al suo antico splendore" 658:"CATTEDRALE DI SANTA MARIA ASSUNTA, Altamura (BA)" 644:"La Cattedrale restituita al suo antico splendore" 333:: the center one belonged to 16th century emperor 75:Bishop of Altamura-Gravina-Acquaviva delle Fonti 466:, located inside "Cappellone di San Giuseppe". 462:Commemorative plaque about Italian scientist 234:which is now visible between the two towers. 152:, located upon the so-called "Angevin door" ( 8: 329:. At the left of the rose windows are three 703:- Archivio Generalizio Agostiniano, Carte 910:Churches in the metropolitan city of Bari 800:Altamura, immagini e descrizioni storiche 695:Taken from a view of Altamura (from gate 277: 264: 243: 23: 15: 477: 452: 73:Since 1986 it has been the seat of the 789:Storie inedite della città di Altamura 168:, as he stated in his unfinished work 737: 708: 619:"PERSONAGGI | Pro Loco Altamura" 605: 594: 568: 556: 536: 321:, with 15 rays and, at its center, a 203:, the cathedral also had a secondary 49:Assumption of the Blessed Virgin Mary 7: 780:Southern Italy from Rome to Calabria 582:"LE CHIESE | Pro Loco Altamura" 237:In 1858 (just three days before the 707:P/33 (ultimi anni del XVI secolo) ( 900:Roman Catholic cathedrals in Italy 527:T. Berloco (1985), p. 116, note 5 14: 920:Romanesque architecture in Apulia 518:T. Berloco (1985), p. 39, note 44 509:T. Berloco (1985), p. 22, note 13 45:Cattedrale di Santa Maria Assunta 455: 362:Virgin with Child and Two Angels 306:. Most portals and windows have 282:View of Altamura (from the gate 89:The church was built by will of 392:at the sides. The capitals, in 248:The clock tower, added in 1858. 762: 1: 806:. Matera: Antezza Tipografi. 606:pupillo-immagini, pagg. 51-52 569:pupillo-immagini, pagg. 51-52 557:pupillo-immagini, pagg. 50-52 498:Monte Sant'Angelo sul Gargano 403:, executed in 1736–1793. The 257:and other wooden structures. 210:In 1729, the statues of the 941: 895:Churches completed in 1232 797:Pupillo, Giuseppe (2017). 786:Berloco, Tommaso (1985). 738:pupillo-immagini, pag. 50 709:pupillo-immagini, pag. 19 595:pupillo-immagini, pag. 27 547:T. Berloco (1985), p. 182 537:pupillo-immagini, pag. 28 64:Metropolitan City of Bari 836:Luca de Samuele Cagnazzi 722:Santa Maria degli Angeli 464:Luca de Samuele Cagnazzi 409:Assumption of the Virgin 313:(as also Frederick II's 222:) and of the two saints 848:. Milan: Ulrico Hoepli. 778:Blanchard, Paul, 1990: 129:. The sculpture had an 734:Adottiamo un monumento 733: 490:Basilica of San Nicola 291: 270: 249: 219: 188: 157: 145: 118: 40: 29: 21: 871:40.82741°N 16.55311°E 443:St. Paul's Conversion 281: 268: 247: 139: 79:territorial prelature 70:, in southern Italy. 27: 19: 905:Cathedrals in Apulia 239:Unification of Italy 47:), dedicated to the 867: /  486:Acquaviva Cathedral 413:Leonardo Castellano 20:Altamura Cathedral. 876:40.82741; 16.55311 496:and the church of 354:princes of Taranto 292: 271: 250: 212:Assumption of Mary 189:casa dell'orologio 170:Storia di Altamura 148:An inscription in 146: 33:Altamura Cathedral 30: 22: 840:Alessandro Cutolo 181:casa dell'arlogio 107:Castor and Pollux 91:emperor Frederick 41:Duomo di Altamura 932: 882: 881: 879: 878: 877: 872: 868: 865: 864: 863: 860: 849: 831: 829: 828: 822: 816:. Archived from 805: 793: 766: 760: 754: 747: 741: 718: 712: 701:Angelica Library 693: 687: 686: 685:. 19 April 2017. 679: 673: 672: 670: 669: 660:. Archived from 654: 648: 647: 646:. 19 April 2017. 640: 634: 633: 631: 630: 621:. Archived from 615: 609: 603: 597: 592: 586: 585: 578: 572: 566: 560: 554: 548: 545: 539: 534: 528: 525: 519: 516: 510: 507: 501: 482: 459: 339:mullioned window 315:Castel del Monte 302:surmounted by a 286:) - Painting of 96:Pope Innocent IV 940: 939: 935: 934: 933: 931: 930: 929: 885: 884: 875: 873: 869: 866: 861: 858: 856: 854: 853: 834: 826: 824: 820: 814: 803: 796: 785: 775: 770: 769: 761: 757: 748: 744: 719: 715: 694: 690: 681: 680: 676: 667: 665: 656: 655: 651: 642: 641: 637: 628: 626: 617: 616: 612: 604: 600: 593: 589: 580: 579: 575: 567: 563: 555: 551: 546: 542: 535: 531: 526: 522: 517: 513: 508: 504: 483: 479: 474: 467: 460: 451: 386: 276: 263: 177:Robert of Anjou 140:Inscription in 87: 58:in the city of 12: 11: 5: 938: 936: 928: 927: 922: 917: 912: 907: 902: 897: 887: 886: 851: 850: 832: 812: 794: 783: 774: 771: 768: 767: 765:, pp. 270-271. 755: 742: 713: 688: 674: 649: 635: 610: 598: 587: 573: 561: 549: 540: 529: 520: 511: 502: 476: 475: 473: 470: 469: 468: 461: 454: 450: 447: 428:nativity scene 385: 382: 350:House of Anjou 325:depicting the 311:pointed arches 275: 272: 262: 259: 166:Ottavio Serena 158:Porta Angioina 123:two-faced herm 100:bishop of Bari 86: 83: 53:Roman Catholic 13: 10: 9: 6: 4: 3: 2: 937: 926: 923: 921: 918: 916: 913: 911: 908: 906: 903: 901: 898: 896: 893: 892: 890: 883: 880: 847: 846: 841: 837: 833: 823:on 2018-10-21 819: 815: 813:9788889313282 809: 802: 801: 795: 791: 790: 784: 781: 777: 776: 772: 764: 759: 756: 752: 746: 743: 739: 735: 731: 727: 726:Tommaso Fiore 723: 717: 714: 710: 706: 702: 698: 692: 689: 684: 678: 675: 664:on 2018-02-18 663: 659: 653: 650: 645: 639: 636: 625:on 2021-12-31 624: 620: 614: 611: 607: 602: 599: 596: 591: 588: 583: 577: 574: 570: 565: 562: 558: 553: 550: 544: 541: 538: 533: 530: 524: 521: 515: 512: 506: 503: 499: 495: 491: 487: 481: 478: 471: 465: 458: 453: 448: 446: 444: 439: 437: 433: 429: 424: 422: 418: 414: 410: 406: 402: 397: 395: 391: 383: 381: 379: 375: 371: 367: 363: 359: 355: 351: 347: 342: 340: 336: 332: 328: 324: 320: 316: 312: 309: 305: 301: 297: 289: 285: 280: 273: 267: 260: 258: 256: 246: 242: 240: 235: 233: 229: 225: 221: 217: 213: 208: 206: 202: 197: 194: 190: 186: 182: 178: 173: 171: 167: 163: 159: 155: 151: 143: 138: 134: 132: 128: 124: 120: 119:Ianus bifrons 116: 112: 108: 103: 101: 97: 92: 84: 82: 80: 76: 71: 69: 65: 61: 57: 54: 50: 46: 42: 38: 34: 28:The interior. 26: 18: 852: 844: 825:. Retrieved 818:the original 799: 788: 779: 758: 750: 745: 721: 716: 699:) stored in 696: 691: 677: 666:. Retrieved 662:the original 652: 638: 627:. Retrieved 623:the original 613: 601: 590: 576: 564: 552: 543: 532: 523: 514: 505: 480: 442: 440: 425: 415:(1546). The 408: 398: 387: 374:Annunciation 369: 361: 343: 331:coat of arms 293: 283: 261:Architecture 251: 236: 209: 198: 180: 174: 169: 147: 104: 88: 72: 44: 32: 31: 874: / 845:La mia vita 751:La mia vita 370:Last Supper 352:and of the 319:rose window 288:Saint Irene 205:rose window 193:Saint Irene 889:Categories 862:16°33′11″E 859:40°49′39″N 827:2018-10-23 697:porta Bari 668:2018-02-27 629:2018-07-16 472:References 417:presbytery 405:altarpiece 401:high altar 366:architrave 323:bas relief 296:Romanesque 284:porta Bari 131:apotropaic 763:Lamiavita 436:baldachin 394:Byzantine 390:matronaea 378:Pentecost 364:; in the 346:prothyrum 335:Charles V 327:Agnus Dei 62:, in the 56:cathedral 915:Altamura 838:(1944). 445:(1876). 384:Interior 304:tympanum 274:Exterior 60:Altamura 842:(ed.). 773:Sources 730:Italian 449:Gallery 432:Baroque 376:to the 358:lunette 255:portals 220:Assunta 216:Italian 185:Italian 162:Bitonto 154:Italian 127:Saracen 85:History 51:, is a 37:Italian 810:  488:, the 407:is an 308:Gothic 300:loggia 232:loggia 68:Apulia 821:(PDF) 804:(PDF) 705:Rocca 421:ambon 368:is a 360:is a 224:Peter 201:seats 150:Latin 142:Latin 115:Latin 111:Janus 808:ISBN 494:Bari 228:Paul 226:and 492:in 411:by 891:: 732:: 438:. 380:. 218:: 187:: 183:, 156:: 117:: 66:, 43:, 39:: 830:. 740:) 711:) 671:. 632:. 608:) 584:. 571:) 559:) 500:. 214:( 113:( 35:(

Index



Italian
Assumption of the Blessed Virgin Mary
Roman Catholic
cathedral
Altamura
Metropolitan City of Bari
Apulia
Bishop of Altamura-Gravina-Acquaviva delle Fonti
territorial prelature
emperor Frederick
Pope Innocent IV
bishop of Bari
Castor and Pollux
Janus
Latin
two-faced herm
Saracen
apotropaic

Latin
Latin
Italian
Bitonto
Ottavio Serena
Robert of Anjou
Italian
Saint Irene
seats

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