Knowledge (XXG)

Alvin Baltrop

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31: 278:, a trio of young black men in uniform tease the camera. The man to the far right slyly smiles and sticks his tongue out while the man next to him throws a side glance. The third man to the far left is seen suppressing a laugh. Many of Baltrop's pictures from the pier use distance to enhance his voyeuristic approach. In 286:, Baltrop had positioned his camera inside a darkened area looking out at the shadowy foreground and a male figure looking down at another, who is crouched beneath him and performing a sexual act. Neither one of them acknowledges the presence of the nearby photographer and, by extension, the viewer. In another image, 177:
piers, where he was a well-known member of the community. Baltrop knew every person he photographed, and people often volunteered to be photographed. Younger boys and men at the piers often confided in him about their sexual orientation, their relationships with their families, their housing status,
170:, where he studied until 1975. Because he wanted to spend more time taking photos at the Hudson River piers, he quit his job as a cab driver to become a self-employed mover. He would park his van at the piers for days at a time, living out of his van to take pictures. 273:
that were shot between 1969 and 1980. The most captivating and intimate images in the show were shot while Baltrop was in the Navy. These are dated between 1969 and 1972 and had an unmistakably erotic atmosphere. In his photograph called
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Late in the 1990s, New York City artist John Drury, who knew Baltrop from their shared neighborhood—Drury living on Third Street with his wife, and Baltrop on Second Street, in
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According to one journalist, Baltrop came out as gay at fourteen years old. Baltrop had long-term relationships with men and women, but preferred identifying as gay.
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we see a man wearing a shirt and nothing from the waist down, except his boots, peering into a building through broken windowpanes. This act of
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Items from his personal archive (owned by the Bronx Museum) were shown to the public for the first time through this exhibit.
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from the white gay art world. Gay curators often rejected his work, accused him of stealing it, or stole his work themselves.
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and continued taking photos, mainly of his friends in sexually provocative poses. He built his own developing lab in the
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Award for the Arts. Baltrop had few exhibits in his lifetime; his work gained international fame only after his death.
1019: 138:, learning different techniques from older photographers in his neighborhood and teaching himself to develop photos. 894: 1071:"Bronx Exhibition Spotlights Alvin Baltrop, Photographer Who Documented Manhattan's Underground Queer Community" 820: 501: 471: 194: 127: 558: 245: 186:. His photographs not only captured human personalities, but also the aesthetics of the dilapidated piers. 993: 270: 234: 868: 174: 167: 338:
attempted to exploit him for their own financial gain. He died on February 1, 2004, at the age of 55.
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Wild Noise: Artwork from the Bronx Museum of the Arts and El Museo Nacional de Bellas Artes
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Baltrop was diagnosed with cancer in the 1990s. Impoverished and without health insurance,
208: 190: 163: 1118: 403: 363: 249: 135: 55: 780: 312:(2019) includes extensive analysis of Baltrop's photography in and among the piers. 166:, a jewelry designer, a printer, and a cab driver. In 1973, Baltrop enrolled in the 706: 536: 238: 197:. His life work is a snapshot of gay, African-American, and New York City history. 107: 947:
Cruising the dead river : David Wojnarowicz and New York's ruined waterfront
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Mixed Use, Manhattan: Photography and Related Practices 1970s to the Present,
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Cruising the Dead River: David Wojnarowicz and New York's Ruined Waterfront
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Dead Flowers, Vox Populi Gallery, Philadelphia, Pennsylvania (2010)
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The Bronx Museum of the Arts: The Life and Times of Alvin Baltrop
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Baltrop's work is held in the following permanent collections:
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parallels the photographer's intention when taking this image.
869:"Desire & Documentary in the Photography of Alvin Baltrop" 732:"The GULLY | Gay Mundo | Another Black Experience: Gay Daddy" 671:"The GULLY | Gay Mundo | Another Black Experience: Gay Daddy" 646:"At 'Greater New York,' Rising Art Stars Meet the Old School" 353:, Yossi Milo Gallery, Chelsea, New York City, New York (2009) 617:"Manhattan's West Side Piers, When They Were Naked and Gay" 436:
Alvin Baltrop & Gordon Matta-Clark: The Piers from Here
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Baltrop struggled to make his way in the art world, facing
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The Bronx Museum held a retrospective of his work in 2019
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From 1975 through 1986, Baltrop took photographs of the
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Human Interest: Portraits from the Whitney's Collection
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In 2015, the Spanish publisher TF Editores published
102:(December 11, 1948 – February 1, 2004) was an 422:, Ambach & Rice, Los Angeles, California (2012) 420:
Lost and Found: Anonymous Photography in Reflection
406:, Greenwich Village, New York City, New York (2011) 377:
Queer Pier 40 Years: (re)Envisioning LGBTIQ Stories
366:, Greenwich Village, New York City, New York (2010) 89: 81: 62: 37: 21: 426:Perspectives 179: Alvin Baltrop: Dreams into Glass 263:Perspectives 179— Alvin Baltrop: Dreams into Glass 814: 812: 810: 808: 806: 804: 802: 800: 1020:"Life and Death on the Piers with Alvin Baltrop" 416:, Hell's Kitchen, New York City, New York (2012) 610: 608: 410:Every Exit is an Entrance: 30 Years of Exit Art 554: 552: 438:, Open Eye Gallery, Liverpool, England (2014) 261:In 2012, the artist's solo exhibition titled 258:that regenerated interest in Baltrop's work. 8: 700: 698: 696: 694: 692: 690: 360:Looking Back: The Fifth White Columns Annual 223:Baltrop was interviewed for Joseph Lovett's 189:Baltrop captured the gay cruising spots and 106:. Baltrop's work focused on the dilapidated 873:The Gotham Center for New York City History 639: 637: 400:Looking Back - The 6th White Columns Annual 134:. He discovered his love of photography in 978:: CS1 maint: location missing publisher ( 582: 580: 578: 576: 574: 572: 570: 568: 454:, Buchholz, New York City, New York (2015) 146:Baltrop enlisted in the Navy in 1969 as a 29: 18: 371:Museo Nacional Centro de Arte Reina SofĂ­a 193:that existed in New York City before the 488:Alvin Baltrop: At the Hudson River Piers 384:Homomuseum: Heroes and Monuments exhibit 114:during the 1970s and 1980s prior to the 548: 474:, Bronx, New York City, New York (2015) 971: 526:, New York: 4 prints (as of June 2021) 382:"Ashes from a Flame" displayed in the 301:, edited by James Reid, Tom Watt, and 1180:21st-century African-American artists 1170:20th-century African-American artists 994:"The Life and Times of Alvin Baltrop" 858:, vol. 36, no. 6, Nov/Dec2012, p. 55. 850: 848: 819:Cotter, Holland (19 September 2019). 588:"Down and Out on the West Side Piers" 7: 317:The Life and Times of Alvin Baltrop. 126:Baltrop was born in 1948 at the old 1175:21st-century American photographers 1155:20th-century American photographers 1018:Massara, Kathleen (27 April 2011). 644:Cotter, Holland (15 October 2015). 498:The Life and Times of Alvin Baltrop 464:, Long Island City, New York (2015) 252:wrote an article about Baltrop for 615:Swanson, Carl (18 November 2015). 14: 1190:21st-century American LGBT people 1185:20th-century American LGBT people 1150:LGBT people from New York (state) 16:American photographer (1948–2004) 895:"Douglas Crimp on Alvin Baltrop" 484:, New York City, New York (2016) 430:Contemporary Arts Museum Houston 213:Louis Comfort Tiffany Foundation 182:, anonymous sex, and occasional 926:from the original on 2018-12-08 267:Contemporary Art Museum Houston 162:, Baltrop worked odd jobs as a 1140:African-American photographers 950:. David Wojnarowicz. Chicago. 854:Green, Kate. "Alvin Baltrop." 524:Whitney Museum of American Art 482:Whitney Museum of American Art 452:Douglas Crimp: Before Pictures 446:Whitney Museum of American Art 379:, FIERCE, New York City (2010) 178:and their work. The piers saw 1: 490:, selected by Douglas Crimp, 390:Alvin Baltrop: Selected Works 282:published in his book called 76:New York City, New York, U.S. 1145:African-American LGBT people 1135:Photographers from the Bronx 396:, Watermill, New York (2011) 347:Alvin Baltrop, Glines (1977) 1160:American LGBT photographers 705:Atoe, Osa (24 March 2009). 1206: 73:February 1, 2004 (aged 55) 781:"The Alvin Baltrop Trust" 28: 944:Anderson, Fiona (2019). 504:, Bronx, New York (2019) 502:Bronx Museum of the Arts 472:Bronx Museum of the Arts 299:Alvin Baltrop: The Piers 288:Man looking in a window, 432:, Houston, Texas (2012) 280:Don't let them see you, 246:University of Rochester 448:, USA, New York (2015) 442:America is Hard to See 373:, Madrid, Spain (2010) 271:gelatin silver prints 168:School of Visual Arts 104:American photographer 85:School of Visual Arts 1165:American gay artists 1075:Smithsonian Magazine 920:"Three Navy Sailors" 518:Museum of Modern Art 394:The Watermill Center 269:included almost 100 219:Posthumous attention 875:. 24 September 2019 856:Art Papers Magazine 825:The New York Times 650:The New York Times 428:, Zilkha Gallery, 276:Three Navy Sailors 226:Gay Sex in the 70s 136:junior high school 957:978-0-226-60361-2 594:. 24 October 2019 351:Sexy and the City 308:Fiona Anderson's 255:ARTFORUM Magazine 184:art interventions 97: 96: 48:December 11, 1948 1197: 1109: 1108: 1106: 1105: 1091: 1085: 1084: 1082: 1081: 1066: 1060: 1059: 1057: 1056: 1051:. 19 August 2019 1041: 1035: 1034: 1032: 1030: 1015: 1009: 1008: 1006: 1005: 998:The Bronx Museum 990: 984: 983: 977: 969: 941: 935: 934: 932: 931: 916: 910: 909: 907: 905: 893:Crimp, Douglas. 890: 884: 883: 881: 880: 865: 859: 852: 843: 842: 840: 839: 816: 795: 794: 792: 791: 777: 771: 770: 768: 767: 752: 746: 745: 743: 742: 736:www.thegully.com 728: 722: 721: 719: 717: 702: 685: 684: 682: 681: 675:www.thegully.com 667: 661: 660: 658: 656: 641: 632: 631: 629: 627: 612: 603: 602: 600: 599: 584: 563: 556: 492:Galerie Buchholz 458:Greater New York 128:Lincoln Hospital 72: 70: 47: 45: 33: 19: 1205: 1204: 1200: 1199: 1198: 1196: 1195: 1194: 1115: 1114: 1113: 1112: 1103: 1101: 1095:"Alvin Baltrop" 1093: 1092: 1088: 1079: 1077: 1069:Solly, Meilan. 1068: 1067: 1063: 1054: 1052: 1043: 1042: 1038: 1028: 1026: 1017: 1016: 1012: 1003: 1001: 992: 991: 987: 970: 958: 943: 942: 938: 929: 927: 918: 917: 913: 903: 901: 892: 891: 887: 878: 876: 867: 866: 862: 853: 846: 837: 835: 818: 817: 798: 789: 787: 785:Third Streaming 779: 778: 774: 765: 763: 757:"Alvin Baltrop" 754: 753: 749: 740: 738: 730: 729: 725: 715: 713: 707:"Alvin Baltrop" 704: 703: 688: 679: 677: 669: 668: 664: 654: 652: 643: 642: 635: 625: 623: 614: 613: 606: 597: 595: 586: 585: 566: 557: 550: 545: 533: 511: 494:New York (2017) 344: 325: 221: 209:lower Manhattan 144: 124: 77: 74: 68: 66: 58: 49: 43: 41: 24: 17: 12: 11: 5: 1203: 1201: 1193: 1192: 1187: 1182: 1177: 1172: 1167: 1162: 1157: 1152: 1147: 1142: 1137: 1132: 1127: 1117: 1116: 1111: 1110: 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Index


The Bronx
New York City
American photographer
Hudson River
gay men
AIDS crisis
Lincoln Hospital
the Bronx
junior high school
medic
Vietnam War
sick bay
Navy
street vendor
School of Visual Arts
West Side
cruising
art interventions
hookup culture
AIDS epidemic
racism
lower Manhattan
Louis Comfort Tiffany Foundation
Gay Sex in the 70s
Tom Bianchi
Barton Benes
Larry Kramer
University of Rochester
Douglas Crimp

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