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Amélia Barros

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160: 33: 148:. She was the daughter of José Inácio de Barros and his wife, Angélica Lúcia do Espírito Santo Santana. At the age of 16, on 7 July 1858, in the Church of 568: 563: 521: 380:
and several other Lisbon theatre companies, acting alongside some of the best-known actresses of 19th century Portuguese theatre, such as
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Already retired from the theatre, Barros died in Lisbon on 9 January 1929 of natural causes She was buried in a tomb at the
136:(1842 – 1929) was a Portuguese actress and lyrical singer, known for excelling in operettas in both Portugal and Brazil. 350: 144:
Barros was born on 9 March 1842, on Rua da Cruz a Rilhafoles, in the parish of Pena in the Portuguese capital of
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in 1887, where she remained until 1919. Among her performances in this theatre, she appeared in
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and musicals by Portuguese and international writers and composers, including
314: 405: 284: 275: 271: 183: 179: 409: 187: 153: 152:, she married António Pereira, a soldier born in the municipality of 145: 60: 516:. Comissão para a Cidadania e Igualdade de Género. pp. 72–73. 220: 172:
She began her acting career as an amateur actress in 1860, at the
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José Inácio de Barros and Angélica Lúcia do Espírito Santo Santana
416:. In 1914 she again went on tour to Brazil, to much acclaim. 349:. The same year, she joined an artistic company organized by 158: 404:. In this period she performed in many highly successful 305:
In 1885, Barros went on tour to Brazil, returning to the
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in the north of the country, who was 16 years her elder.
288:(1880), a burlesque opera in three acts with music by 119: 111: 103: 95: 84: 68: 42: 23: 278:left the theatre, she replaced her in the role of 244:in Lisbon, where she performed the 3-act comedy 512:Esteves, João; Osório de Castro, Zília (2013). 8: 238:, with great success. She then moved to the 198:and received much appreciation in the drama 353:to perform in Brazil. In 1900, back at the 31: 20: 507: 505: 503: 501: 16:Portuguese actress and singer (1842-1929) 475: 473: 471: 437: 368:After that she became a member of the 298:in Lisbon, she performed a revival of 248:. On 7 September 1876, she joined the 213:. In 1875, she made her debut at the 7: 370:Companhia de Ópera Cómica Portuguesa 345:, a 3-act comic opera with music by 337:(Telling truth to lie), a comedy by 190:where she stayed for a few years in 266:, a comic opera in three acts, and 14: 569:20th-century Portuguese actresses 564:19th-century Portuguese actresses 130:Amélia Augusta da Assunção Barros 47:Amélia Augusta da Assunção Barros 514:Feminae Dicionário Contemporâneo 483:Diccionario do Theatro Portuguez 480:Sousa Bastos, António (1908). 254:in Lisbon and there performed 1: 428:in Lisbon. She had one son. 357:, she shone in the role of 585: 544:Portuguese stage actresses 317:, and created the role of 99:actress and lyrical singer 276:Delfina do Espírito Santo 30: 241:Teatro da Rua dos Condes 186:. She then moved to the 351:António de Sousa Bastos 258:, a comedy in one act; 216:Teatro do Príncipe Real 335:Falar Verdade a Mentir 329:. In 1898, she played 164: 559:Actresses from Lisbon 446:"Chronica Occidental" 374:Companhia da Trindade 321:, in the 5-act drama 162: 256:Um Favor de Procópio 150:Santa Isabel, Lisbon 456:(417). 21 July 1990 382:Auzenda de Oliveira 264:Valentim o Diabrete 262:by Quirino Chaves; 202:(The Rich Men), by 175:Teatro da Esperança 163:Amélia Barros at 68 37:Barros in the 1890s 363:O Homem das Mangas 341:, and appeared in 327:Pierre Decourcelle 292:. In 1882, at the 268:Amazonas de Tormes 251:Teatro da Trindade 223:, in the operetta 165: 132:, better known as 523:978-972-597-373-8 426:Prazeres Cemetery 378:Companhia Taveira 365:(The Mango Man). 290:Jacques Offenbach 196:São Miguel Island 182:on the island of 127: 126: 104:Years active 89:Prazeres Cemetery 576: 528: 527: 509: 496: 495: 493: 491: 477: 466: 465: 463: 461: 442: 311:O Homem da Bomba 280:Queen Clementina 260:Nem Quero ao Mar 237: 227:, with music by 212: 75: 56: 54: 35: 21: 584: 583: 579: 578: 577: 575: 574: 573: 534: 533: 532: 531: 524: 511: 510: 499: 489: 487: 479: 478: 469: 459: 457: 444: 443: 439: 434: 422: 398:Zulmira Miranda 394:Mercedes Blasco 347:Franz von Suppé 339:Almeida Garrett 325:(Two boys), by 231: 206: 204:Ernesto Biester 170: 142: 115:António Pereira 80: 77: 73: 64: 58: 52: 50: 49: 48: 38: 26: 17: 12: 11: 5: 582: 580: 572: 571: 566: 561: 556: 551: 546: 536: 535: 530: 529: 522: 497: 467: 436: 435: 433: 430: 421: 418: 390:Palmira Bastos 313:, a three-act 295:Teatro do Rato 200:Os Homem Ricos 169: 166: 141: 138: 125: 124: 121: 117: 116: 113: 109: 108: 105: 101: 100: 97: 93: 92: 86: 82: 81: 78: 76:(aged 86) 72:9 January 1929 70: 66: 65: 59: 46: 44: 40: 39: 36: 28: 27: 24: 15: 13: 10: 9: 6: 4: 3: 2: 581: 570: 567: 565: 562: 560: 557: 555: 552: 550: 547: 545: 542: 541: 539: 525: 519: 515: 508: 506: 504: 502: 498: 486:. p. 278 485: 484: 476: 474: 472: 468: 455: 451: 447: 441: 438: 431: 429: 427: 419: 417: 415: 411: 407: 403: 399: 395: 391: 387: 383: 379: 375: 371: 366: 364: 360: 356: 352: 348: 344: 340: 336: 332: 328: 324: 320: 316: 312: 308: 303: 301: 297: 296: 291: 287: 286: 281: 277: 273: 269: 265: 261: 257: 253: 252: 247: 243: 242: 235: 230: 226: 222: 218: 217: 210: 205: 201: 197: 193: 192:Ponta Delgada 189: 185: 181: 177: 176: 167: 161: 157: 155: 151: 147: 139: 137: 135: 134:Amélia Barros 131: 122: 118: 114: 110: 106: 102: 98: 96:Occupation(s) 94: 90: 87: 85:Resting place 83: 71: 67: 62: 45: 41: 34: 29: 25:Amélia Barros 22: 19: 513: 488:. Retrieved 482: 458:. Retrieved 453: 449: 440: 423: 408:, comedies, 377: 373: 369: 367: 362: 358: 354: 342: 334: 330: 323:Dois Garotos 322: 318: 310: 306: 304: 299: 293: 283: 279: 267: 263: 259: 255: 249: 245: 239: 229:Gomes Cardim 224: 214: 199: 173: 171: 143: 133: 129: 128: 74:(1929-01-09) 57:9 March 1842 18: 554:1929 deaths 549:1842 births 450:O Occidente 414:Franz Lehár 402:Ana Pereira 386:Maria Matos 300:A Tia Maria 246:A Tia Maria 232: [ 225:Joan of Arc 207: [ 538:Categories 432:References 315:vaudeville 140:Early life 63:, Portugal 53:1842-03-09 490:6 January 460:6 January 406:operettas 319:Zepherine 285:Bluebeard 120:Parent(s) 355:Trindade 343:Boccacio 331:Joaquina 307:Trindade 272:zarzuela 91:, Lisbon 359:Carlota 274:. When 184:Madeira 180:Funchal 520:  410:revues 400:, and 376:, the 372:, the 188:Azores 168:Career 154:Lamego 146:Lisbon 112:Spouse 79:Lisbon 61:Lisbon 420:Death 333:, in 236:] 221:Porto 219:, in 211:] 518:ISBN 492:2024 462:2024 270:, a 69:Died 43:Born 361:in 282:in 194:on 178:in 540:: 500:^ 470:^ 454:13 452:. 448:. 396:, 392:, 388:, 384:, 302:. 234:pt 209:pt 107:55 526:. 494:. 464:. 55:) 51:(

Index


Lisbon
Prazeres Cemetery
Lisbon
Santa Isabel, Lisbon
Lamego
Amélia Barros at 68
Teatro da Esperança
Funchal
Madeira
Azores
Ponta Delgada
São Miguel Island
Ernesto Biester
pt
Teatro do Príncipe Real
Porto
Gomes Cardim
pt
Teatro da Rua dos Condes
Teatro da Trindade
zarzuela
Delfina do Espírito Santo
Bluebeard
Jacques Offenbach
Teatro do Rato
vaudeville
Pierre Decourcelle
Almeida Garrett
Franz von Suppé

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