239:), who are in the middle of breaking up as Miguel confesses his affair with Paloma (Beatriz Santana). Miguel leaves the house, going to Paloma's by car, but changes his mind and returns, leaving Paloma in the car outside as the coup begins. Caught in the crossfire, a soldier rescues Paloma just as the car is hit by explosives, leading her into Miguel and Isbelia's house. The couple continue to argue: Isbelia is a current affairs journalist, but Miguel accuses her of not really caring about the state of affairs.
257:), too. Rafael is a high-ranking figure in the military and closely attached to the government. Rafael's father, Aníbal (Héctor Mayerston) is a corrupt businessman who works with the government and also does not want the coup to succeed, lest he be uncovered. In the houses next to Beatriz live other important people: the family of the Mexican ambassador, including his ambitious son, and a foreign corrupt government-associated businessman. During the night's events, the son and the foreign businessman die.
227:
It opens with a military convey traveling through the east of
Caracas towards La Casona. Along the road, the rebel soldiers see a nudist couple (the woman portrayed by Ruth Puebla) in the bushes. They then stop in the poorer part of the area, where they are begged for help by three characters wanting
223:
The film mainly focuses on a group of rebel soldiers attacking the presidential residence in La Casona. It juxtaposes this with showing the personal lives of residents of the La Casona area during the coup overnight.
260:
Shortly before the end of the film, the nudist couple are seen again in a striking scene where actress Puebla is seen fully nude. At the end, the rebels surrender and their leader,
228:
to travel to a hospital; resolute on their mission, the convoy continues and reaches the street of the presidential residence La Casona, attacking everything.
212:
242:
Closer to the presidential residence lives the middle-class family headed by
Beatriz (Elizabeth Morales). She has just brought her children back from
40:
269:
577:
394:, protests used at the time to justify the coup, it does not make a political statement defending or not the coup. After the
181:
80:
512:
480:
128:
246:
and is living at her parents' house on the street, wanting to separate from her cheating husband Rafael (
400:
124:
108:
90:
395:
247:
138:
116:
70:
572:
284:
232:
158:
148:
100:
112:
375:
289:
236:
104:
39:
546:
488:
371:
120:
51:
455:
424:
309:
366:
Though the film was made before Chávez came to power, it has been seen as a defense of
261:
566:
552:
349:
252:
557:
17:
384:
317:
492:
264:, appears on television to say that the objectives had not been accomplished
391:
367:
540:
383:
It was nominated for the Best
Foreign Spanish-language Film at the 1999
268:(for now), a famous line that gave him enough popularity to win the
243:
404:
referenced the film and its title in relation to the attack.
390:
José Cirera wrote that though the film shows clips of the
231:
Some of the residents nearby is the couple Miguel (
188:
164:
154:
144:
134:
96:
86:
76:
66:
50:
32:
8:
425:"Amaneció de golpe » Premios Goya 2020"
38:
29:
211:, is a 1998 Venezuelan film based on the
413:
481:"El comandante que miraba a Hollywood"
7:
474:
472:
450:
448:
446:
444:
419:
417:
25:
380:. It has been praised by Chávez.
213:February 1992 coup d'état attempt
1:
270:1998 presidential elections
594:
479:Khan, Omar (2013-03-15).
280:As listed in discussion:
62:
46:
37:
519:(in Spanish). 2018-08-11
578:Venezuelan action films
81:José Ignacio Cabrujas
396:Caracas drone attack
27:1998 Venezuelan film
513:"Amaneció de golpe"
456:"AMANECIO DE GOLPE"
429:www.premiosgoya.com
177:Audiovisuales Nebli
354:Lucila Balzarretti
343:Elizabeth Morales
340:Asdrúbal Meléndez
208:Amaneció de golpe
198:
197:
121:Elizabeth Morales
18:Amaneció de golpe
16:(Redirected from
585:
553:Coup at Daybreak
542:Coup at Daybreak
528:
527:
525:
524:
509:
503:
502:
500:
499:
476:
467:
466:
464:
463:
452:
439:
438:
436:
435:
421:
370:and compared to
337:Cecilia Martínez
322:Vicente Tepedino
303:Héctor Mayerston
256:
202:Coup at Daybreak
125:Vicente Tepedino
109:Héctor Mayerston
91:Consuelo Delgado
57:Coup at Daybreak
42:
33:Coup at Daybreak
30:
21:
593:
592:
588:
587:
586:
584:
583:
582:
563:
562:
537:
532:
531:
522:
520:
511:
510:
506:
497:
495:
478:
477:
470:
461:
459:
454:
453:
442:
433:
431:
423:
422:
415:
410:
364:
357:Beatriz Santana
310:Manuel Aranguiz
290:Ruddy Rodríguez
278:
250:
237:Ruddy Rodríguez
235:) and Isbelia (
221:
191:
184:
180:
178:
176:
174:
169:
167:
127:
123:
119:
115:
111:
107:
105:Ruddy Rodríguez
103:
28:
23:
22:
15:
12:
11:
5:
591:
589:
581:
580:
575:
565:
564:
561:
560:
549:
536:
535:External links
533:
530:
529:
504:
487:(in Spanish).
468:
440:
412:
411:
409:
406:
372:Román Chalbaud
363:
360:
359:
358:
355:
352:
347:
344:
341:
338:
335:
332:
331:Isabel Herrera
329:
326:
323:
320:
315:
314:Gonzalo Cubero
312:
307:
304:
301:
300:Dalila Colombo
298:
297:Yanis Chimaras
295:
292:
287:
277:
274:
248:Yanis Chimaras
220:
217:
196:
195:
192:
189:
186:
185:
172:
170:
165:
162:
161:
156:
152:
151:
146:
142:
141:
139:Adriano Moreno
136:
135:Cinematography
132:
131:
117:Yanis Chimaras
98:
94:
93:
88:
84:
83:
78:
74:
73:
71:Carlos Azpúrua
68:
64:
63:
60:
59:
54:
48:
47:
44:
43:
35:
34:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
590:
579:
576:
574:
571:
570:
568:
559:
555:
554:
550:
548:
544:
543:
539:
538:
534:
518:
514:
508:
505:
494:
490:
486:
482:
475:
473:
469:
457:
451:
449:
447:
445:
441:
430:
426:
420:
418:
414:
407:
405:
403:
402:
397:
393:
388:
386:
381:
379:
378:
373:
369:
361:
356:
353:
351:
350:Gabriel Retes
348:
345:
342:
339:
336:
333:
330:
327:
324:
321:
319:
316:
313:
311:
308:
306:Víctor Cuicas
305:
302:
299:
296:
293:
291:
288:
286:
283:
282:
281:
275:
273:
271:
267:
263:
258:
254:
249:
245:
240:
238:
234:
229:
225:
218:
216:
214:
210:
209:
204:
203:
193:
187:
183:
171:
163:
160:
159:Luis Paniagua
157:
153:
150:
149:Sergio Curiel
147:
143:
140:
137:
133:
130:
126:
122:
118:
114:
110:
106:
102:
99:
95:
92:
89:
85:
82:
79:
75:
72:
69:
65:
61:
58:
55:
53:
49:
45:
41:
36:
31:
19:
558:Cine Mestizo
551:
541:
521:. Retrieved
516:
507:
496:. Retrieved
484:
460:. Retrieved
458:(in Spanish)
432:. Retrieved
428:
399:
389:
382:
376:
365:
334:Karl Hoffman
294:Elba Escobar
279:
265:
259:
241:
230:
226:
222:
207:
206:
201:
200:
199:
190:Running time
175:Ibsen Suarez
129:Karl Hoffman
113:Elba Escobar
56:
517:EL NACIONAL
401:El Nacional
385:Goya Awards
377:El Caracazo
346:Ruth Puebla
328:Raúl Fraire
318:Frank Spano
285:Daniel Lugo
262:Hugo Chávez
251: [
233:Daniel Lugo
101:Daniel Lugo
87:Produced by
67:Directed by
573:1998 films
567:Categories
523:2020-02-05
498:2020-02-06
462:2020-02-05
434:2020-02-05
408:References
325:Eric Ekval
194:97 minutes
166:Production
77:Written by
493:1134-6582
398:in 2018,
266:por ahora
179:Voice Art
173:Caralcine
168:companies
145:Edited by
392:Caracazo
374:'s film
368:Chavismo
362:Response
219:Synopsis
155:Music by
97:Starring
485:El País
205:, also
52:English
491:
255:]
244:Miami
547:IMDb
489:ISSN
276:Cast
556:at
545:at
182:TVE
569::
515:.
483:.
471:^
443:^
427:.
416:^
387:.
272:.
253:es
215:.
526:.
501:.
465:.
437:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
