Knowledge (XXG)

Amar Photo Studio

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interactions with the past. Apu is transported to film shooting in 1942, while Tanu is transported to a cafe in 1976. Apu meets the heroine, Chandrika. Tanu meets a hippy (smoking weed) whom she discovers to be her father. Apu discovers how life is difficult for Chandrika. When they return to the present, they find that they were fighting on petty issues and patch up again.
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The story revolves around two lovers, Apu and Tanu. Their relationship has become monotonous. Apu is stressed out due to abandonment issues with the father figures, who left the family at 27 and never returned. Now that Apu is 27, he is depressed and has become suicidal. Just as he is about to commit
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Later, it is discovered that Apu has been offered a scholarship for research abroad. So for clicking photograph for the visa, Apu needs to go. But instead of that, Apu wastes his time around, which chagrines Tanu. The relationship also is in turmoil due to the prospect of the long-distance
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Tanu takes him to 'Amar Photo Studio', to click a picture. There they meet an old man who starts telling them philosophies. Thinking that he is a mad man, they want to leave. Just then, the man clicks a picture and they are transported back to the past. The rest of the play explores their
365:, the cast wanted to create stories that the audience could relate to hence they came up with the gist for the play and approached the writer of the show, Manaswini, to expand upon it. After eight drafts, the script for 670: 722: 696: 152:
of the topic and provide significant coverage of it beyond a mere trivial mention. If notability cannot be shown, the article is likely to be
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In 2018 the play completed its 250 show mark and the performance of the actors has been appreciated by veteran actors like
183: 145: 161: 795: 618: 478:. The play has also been well received by audiences in the UK and is the first Marathi play to explore time travel. 190: 790: 172: 339:, Pooja Thombre and Siddhesh Purkar. The first show was on August 13, 2016 at Yashwantrao Chavan Natyagruha, 435: 344: 267: 138: 644: 44: 157: 76: 361: 153: 87: 780: 441: 324: 347:. The play is produced by Subak, in association with Kalakarkhana. Sakhi Gokhale was replaced by 491:
The play won the second runner-up position. Amey Wagh won the silver medal for best male actor.
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Pooja Thombre as Chandrika, an actress from 1942 and two other characters
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Please help to demonstrate the notability of the topic by citing
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Siddhesh Purkar as Keshavrao Date and other characters
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Maharashtra State Professional Drama Competition 2017
619:"'рдЕрдорд░ рдлреЛрдЯреЛ рд╕реНрдЯреБрдбрд┐рдУ' : рдХрд╛рд▓рдпрдВрддреНрд░рд╛рддрд▓реА рднрдиреНрдирд╛рдЯ рд╕реИрд░" 304: 273: 263: 258: 671:"Parna Pethe replaces Sakhi in Amar Photo Studio" 8: 462:Jasraj Joshi and Sanhita Chandorkar, Vocals 378:suicide, Tanu comes there and he is saved. 94:of quality, and to make it neutral in tone. 53:Learn how and when to remove these messages 255: 723:"Amar Photo Studio makes waves in the UK" 697:"Amar Photo Studio to complete 250 shows" 242:Learn how and when to remove this message 224:Learn how and when to remove this message 110:Learn how and when to remove this message 493: 419:as the old Photographer and V. Shantaram 573: 450:Kalyani Kulkarni-Gugle, costume design 617:Pathare, Ravindra (6 November 2016). 7: 612: 610: 608: 606: 579: 577: 456:Gandhar Sangoram, background music 14: 382:relationship once Apu is abroad. 34:This article has multiple issues. 126: 64: 23: 137:may not meet Knowledge (XXG)'s 42:or discuss these issues on the 453:Santosh Gilbile, makeup design 1: 584:Lobo, Dean (12 August 2016). 801:Literature about time travel 139:general notability guideline 459:Akshata Tithe, choreography 817: 645:"рдЕрдорд░ рдлреЛрдЯреЛ рд╕реНрдЯреБрдбрд┐рдУрдЪреА рд╢рдВрднрд░реА" 146:reliable secondary sources 135:The topic of this article 16:2016 two-part Marathi play 651:(in Marathi). 27 May 2017 447:Pradeep Mulye, set design 755:(in Marathi). 8 May 2017 522:Manaswini Lata Ravindra 413:after 250 shows) as Tanu 544:Kalyani Kulkarni-Gugle 436:Manaswini Lata Ravindra 345:Manaswini Lata Ravindra 268:Manaswini Lata Ravindra 786:Marathi-language plays 351:after the 250th show. 75:may be written from a 81:neutral point of view 511:Nipun Dharmadhikari 362:Dil Dosti Duniyadari 343:. It was written by 496: 442:Nipun Dharmadhikari 359:While shooting for 325:Nipun Dharmadhikari 173:"Amar Photo Studio" 77:fan's point of view 796:Plays set in India 727:The Times of India 701:The Times of India 675:The Times of India 590:The Times of India 494: 141: 565: 564: 476:Shubhangi Gokhale 367:Amar Photo Studio 323:play directed by 316:Amar Photo Studio 312: 311: 259:Amar Photo Studio 252: 251: 244: 234: 233: 226: 208: 136: 120: 119: 112: 57: 808: 765: 764: 762: 760: 745: 739: 738: 736: 734: 719: 713: 712: 710: 708: 693: 687: 686: 684: 682: 677:. 15 August 2018 667: 661: 660: 658: 656: 641: 635: 634: 632: 630: 614: 601: 600: 598: 596: 581: 555:SANTOSH GILBILE 497: 286:Old Photographer 256: 247: 240: 229: 222: 218: 215: 209: 207: 166: 130: 129: 122: 115: 108: 104: 101: 95: 90:to conform to a 79:, rather than a 68: 67: 60: 49: 27: 26: 19: 816: 815: 811: 810: 809: 807: 806: 805: 791:Fantasy theatre 771: 770: 769: 768: 758: 756: 747: 746: 742: 732: 730: 721: 720: 716: 706: 704: 695: 694: 690: 680: 678: 669: 668: 664: 654: 652: 643: 642: 638: 628: 626: 616: 615: 604: 594: 592: 583: 582: 575: 570: 547:Costume Design 489: 484: 472: 432: 397: 392: 375: 357: 300: 248: 237: 236: 235: 230: 219: 213: 210: 167: 165: 143: 131: 127: 116: 105: 99: 96: 92:higher standard 85: 69: 65: 28: 24: 17: 12: 11: 5: 814: 812: 804: 803: 798: 793: 788: 783: 773: 772: 767: 766: 740: 729:. 25 June 2018 714: 703:. 19 July 2018 688: 662: 636: 602: 572: 571: 569: 566: 563: 562: 559: 556: 552: 551: 548: 545: 541: 540: 537: 534: 533:Pradeep Mulye 530: 529: 526: 523: 519: 518: 515: 512: 508: 507: 504: 501: 488: 485: 483: 480: 471: 468: 464: 463: 460: 457: 454: 451: 448: 445: 439: 431: 428: 427: 426: 423: 420: 414: 404: 396: 393: 391: 388: 374: 371: 356: 353: 310: 309: 306: 302: 301: 299: 298: 295: 292: 287: 284: 281: 277: 275: 271: 270: 265: 261: 260: 250: 249: 232: 231: 134: 132: 125: 118: 117: 72: 70: 63: 58: 32: 31: 29: 22: 15: 13: 10: 9: 6: 4: 3: 2: 813: 802: 799: 797: 794: 792: 789: 787: 784: 782: 779: 778: 776: 754: 750: 744: 741: 728: 724: 718: 715: 702: 698: 692: 689: 676: 672: 666: 663: 650: 646: 640: 637: 624: 620: 613: 611: 609: 607: 603: 591: 587: 580: 578: 574: 567: 560: 557: 554: 553: 549: 546: 543: 542: 538: 535: 532: 531: 527: 524: 521: 520: 516: 513: 510: 509: 505: 502: 499: 498: 495:Other Prizes 492: 486: 481: 479: 477: 469: 467: 461: 458: 455: 452: 449: 446: 443: 440: 437: 434: 433: 429: 424: 421: 418: 415: 412: 408: 407:Sakhi Gokhale 405: 402: 399: 398: 395:On-stage cast 394: 390:Cast and crew 389: 387: 383: 379: 372: 370: 369:was created. 368: 364: 363: 354: 352: 350: 346: 342: 338: 334: 333:Sakhi Gokhale 330: 326: 322: 319:is a two-act 318: 317: 307: 303: 296: 293: 291: 288: 285: 282: 279: 278: 276: 272: 269: 266: 262: 257: 254: 246: 243: 228: 225: 217: 206: 203: 199: 196: 192: 189: 185: 182: 178: 175: тАУ  174: 170: 169:Find sources: 163: 159: 155: 151: 147: 140: 133: 124: 123: 114: 111: 103: 93: 89: 83: 82: 78: 73:This article 71: 62: 61: 56: 54: 47: 46: 41: 40: 35: 30: 21: 20: 757:. Retrieved 752: 743: 731:. Retrieved 726: 717: 705:. Retrieved 700: 691: 679:. Retrieved 674: 665: 653:. Retrieved 648: 639: 627:. Retrieved 625:(in Marathi) 622: 593:. Retrieved 589: 490: 473: 466:refs : 465: 401:Suvrat Joshi 384: 380: 376: 373:Plot summary 366: 360: 358: 337:Suvrat Joshi 327:, featuring 315: 314: 313: 290:V. Shantaram 253: 238: 220: 211: 201: 194: 187: 180: 168: 106: 97: 74: 50: 43: 37: 36:Please help 33: 536:Set Design 411:Parna Pethe 349:Parna Pethe 294:Keshav Date 150:independent 88:clean it up 781:2016 plays 775:Categories 568:References 514:Direction 444:, director 430:Other crew 355:Conception 274:Characters 264:Written by 214:April 2019 184:newspapers 158:redirected 100:April 2019 39:improve it 506:Position 470:Reception 417:Amey Wagh 329:Amey Wagh 297:Chandrika 148:that are 45:talk page 759:16 March 681:16 March 655:16 March 623:Loksatta 558:Make Up 525:Writing 438:, writer 733:6 March 707:6 March 629:6 March 595:6 March 550:Second 341:Kothrud 321:Marathi 198:scholar 162:deleted 86:Please 753:Lokmat 649:eSakal 561:First 539:Third 528:First 517:Third 503:Prize 482:Awards 403:as Apu 200:  193:  186:  179:  171:  154:merged 500:Name 308:Scifi 305:Genre 205:JSTOR 191:books 160:, or 761:2019 735:2019 709:2019 683:2019 657:2019 631:2019 597:2019 283:Tanu 177:news 280:Apu 777:: 725:. 699:. 673:. 647:. 621:. 605:^ 588:. 576:^ 335:, 331:, 156:, 48:. 763:. 737:. 711:. 685:. 659:. 633:. 599:. 409:( 245:) 239:( 227:) 221:( 216:) 212:( 202:┬╖ 195:┬╖ 188:┬╖ 181:┬╖ 164:. 142:. 113:) 107:( 102:) 98:( 84:. 55:) 51:(

Index

improve it
talk page
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fan's point of view
neutral point of view
clean it up
higher standard
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general notability guideline
reliable secondary sources
independent
merged
redirected
deleted
"Amar Photo Studio"
news
newspapers
books
scholar
JSTOR
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Manaswini Lata Ravindra
V. Shantaram
Marathi
Nipun Dharmadhikari
Amey Wagh
Sakhi Gokhale
Suvrat Joshi
Kothrud

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