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Amarok (Mike Oldfield album)

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31: 461: – i.e. him shouting partly unintelligible words into the microphone while running the tape at a much higher speed than normal, which resulted in a significantly lowered vocal pitch when played back at normal speed. Various other sections include short samples of Oldfield talking, and the "Intermission" section consists of multi-tracked and delayed recordings of his voice reciting the list of instruments played on the album, at a low volume level. 30: 2836: 356:(1973). Oldfield was happy to work with Newman again as he previously worked alone, so having assistance in technical operations allowed him to focus more on the music. He also praised Newman's encouragement to give his best performances. A typical day saw the pair work weekdays from 10 a.m. to around 6 p.m. with weekends off; they purposely avoided alcohol and drugs while making the album. 328:
decided upon an album that contained one 60-minute piece which, unlike his previous long tracks, was not split into sections. Such a format would create difficulty for Virgin to market or promote with radio airplay. He avoided letting a theme become something that Virgin might have identified suitable for a single, and developed ideas by "imagining sound, not picture".
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I am told that when men hear its voice, it stays in their ears, they cannot be rid of it. It has many different voices: some happy, but others sad. It roars like a baboon, murmurs like a child, drums like the blazing arms of one thousand drummers, rustles like water in a glass, sings like a lover and
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was an experiment to see whether he could again create an album without the aid of computers, which he had used increasingly in his work. He said that he wanted to focus more on the musicianship, playing all of the instruments himself, by hand. However, slightly contrarily, he has also discussed the
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was an album whereby he "listened to Virgin totally" in regards to its musical direction, which became a success in continental Europe, but received a disappointing reaction in England, for which Oldfield received "some flak" from Virgin over the matter. Oldfield was now required to deliver two more
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in such a way. When Oldfield started to write and arrange "Amarok", he ignored the pressures of delivering commercial material for Virgin and instead "let it all come out without any interference I felt I was getting ideas from somewhere inside me, and six months later I had a whole album." He
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Although Oldfield has never performed the work live in its entirety, a duo comprising American pianist Gus Fogle and bassist Jason Miller performed the piece in April 2012, after it had been transcribed note for note by Welsh composer and arranger Ryan Yard.
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To promote the album, Oldfield spent his own money organising a mailing list for fans who purchased tickets to his shows through Visa and those who had signed up for additional information on
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words, like those for morning or happy. And if you split the letters up, you get Am-a-rok... it could mean: am a rock. Maybe that implies I don't want to change anything by following trends.
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based on its style and strength of the music, Oldfield refused and later said: "if anything, it's Ommadawn II". Many of the people who were involved in the creation of
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albums as part of his Virgin contract and in the summer of 1989, he started on one with the aim of pleasing his fans while annoying Virgin executives. Oldfield deemed
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microphones made the album "sound much better than anything I've done". It marked a departure from the sound of his recent albums from the 1980s as he avoided his
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and used real percussion instruments. For some sections he created bass and snare drum sounds by hitting his thighs with his hands that were fed into an
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originated in August 1989, when Oldfield recorded a session for broadcast on BBC Radio 1 that included a 7-minute excerpt of his debut album
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sequence made from synthesized trumpets, located 48:04 minutes into the piece, that spells out "FUCK OFF RB", a reference to Virgin founder
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The album was not promoted with singles or a concert tour; Oldfield agreed to several interviews and radio commercials on BBC Radio 1.
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Two of the album's sections, "Mandolin Reprise" and "Africa I: Far dip", feature Oldfield's processed "caveman" voice, first used on
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is a promotional CD-Maxi released in Germany in May 1990 including 5 excerpts from the album, with catalogue number 663,271,000.
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is the name of two promotional CD-Maxis, one was issued in UK with catalogue number AMACD 1DJ, and one was given away free with
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Oldfield's previous works featured the artist playing a wide variety of instruments. This continued with
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The album did not chart very highly, but managed to enter the top 50 in various European countries.
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was recorded at Oldfield's home studio, then located in Roughwood Croft, a converted coach house in
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are used on the album, they are listed as "long thin metallic hanging tubes" in the liner notes.
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sequencer and used little of his synthesisers. He acquired a 1908 baby grand piano, played
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The "Sondela" finale of "Africa III" (from 58:44 to 60:02, the end), sung in the
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created the brass lettering that accompanies the photograph on the album cover.
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cover photo and wrote the short story included in the liner notes. Murray used
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is the thirteenth studio album by English multi-instrumentalist and songwriter
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as co-producer and engineer, who had worked on Oldfield's debut album
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Two Sides (The Very Best of Mike Oldfield) [Booklet notes]
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Oldfield's contract with Virgin expired on 1 January 1991.
1546:"Oldfield's 'Amarok' is music to ears not captive to fake" 914:, classical guitar, electric guitars, keyboards, effects, 642:
In Australia the album was released in a double pack with
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It doesn't have a real meaning but it's similar to many
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Come closer / the Almighty / arise / you / shining one.
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In a parody of listening instructions on the sleeve of
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his "personal revenge" for Virgin's lack of support.
2771: 2734: 2604: 2530: 2484: 2168: 2136: 2104: 1911: 1816:– Partial: Sondela, and "Margaret Thatcher" speech. 1151: 697: 689: 676:, From the short story included in the liner notes. 167: 146: 134: 118: 85: 73: 65: 50: 37: 23: 1654:(in German). Hung Medien. Retrieved 8 April 2013. 623:Sondela / uSomandla / sukuma / wena / obengezela. 468:'s impersonation of former British Prime Minister 445:genre as "it kicks you in the arse occasionally". 1682:(in Dutch). Hung Medien. Retrieved 8 April 2013. 407:, including (in the spirit of techniques such as 1847:: CS1 maint: bot: original URL status unknown ( 1571:"Gus Fogle and Jason Miller perform Amarok live" 1103:that was packaged with their in-store magazine, 989:(listed as "long thin metallic hanging tubes"), 1418:: CS1 maint: others in cite AV media (notes) ( 665: 363:mixing console. Oldfield's decision to combine 1829:. Archived from the original on 2 January 2004 1764:Changeling: The Autobiography of Mike Oldfield 1664:"Offiziellecharts.de – Mike Oldfield – Amarok" 238: 1871: 1696:(1st ed.). Spain: Fundación Autor-SGAE. 1507:. Gareth Randall. 1 June 1995. Archived from 359:It was recorded on 48-track and mixed with a 8: 1717:"Swedishcharts.com – Mike Oldfield – Amarok" 1652:"Austriancharts.at – Mike Oldfield – Amarok" 1473: 1471: 1099:3 track promo CD from the British retailer 526:, who co-wrote the song "On Horseback" for 77:Oldfield's home studio in Roughwood Croft, 1878: 1864: 1856: 1741:"Mike Oldfield | Artist | Official Charts" 1729:"Swisscharts.com – Mike Oldfield – Amarok" 213: 29: 20: 1680:"Dutchcharts.nl – Mike Oldfield – Amarok" 566:Of the album's name, Oldfield has said: " 2881:Albums produced by Tom Newman (musician) 1432: 1390: 1327: 1325: 686: 542:cover photograph as an inspiration, and 483:Oldfield's original concept was to make 1731:. Hung Medien. Retrieved 8 April 2013. 1719:. Hung Medien. Retrieved 8 April 2013. 1360: 1358: 1323: 1321: 1319: 1317: 1315: 1313: 1311: 1309: 1307: 1305: 1257: 558:computers had in the album's creation. 464:The final section of "Amarok" features 2690:The Mike Oldfield Collection 1974–1983 1840: 1411: 18:1990 studio album by Mike Oldfield 1577:from the original on 12 December 2021 1485:from the original on 12 December 2008 219: 7: 2648:Elements – The Best of Mike Oldfield 1803:– An almost second-by-second map of 1367:"Mike Oldfield Turns the Clock Back" 1284:"Mike Oldfield: 10 Favourite Tracks" 853:"Africa III: Hello Everyone" (54:23) 1827:transcript – Complete and verbatim" 1481:. Sym-info-Magazine. October 1990. 1365:Speelpenning, Dick (October 1990). 415:) a number of items such as shoes, 240: 448:The work has many influences from 14: 850:"Africa II: Climax Pt. 2" (52:10) 847:"Africa II: Bridge Pt. 2" (51:52) 838:"Africa II: Bridge Pt. 1" (51:00) 781:"Intro (reprise 2 Pt. 2)" (29:59) 778:"Intro (reprise 2 Pt. 1)" (29:27) 596:, the album's back cover reads: " 2835: 2834: 2718:Moonlight Shadow: The Collection 997:, violin, vocals, and wonga box. 844:"Africa II: Boats Pt. 3" (51:34) 835:"Africa I: Climax Pt. 1" (50:24) 259: 254: 249: 244: 239: 814:"12 Strings (reprise) " (43:33) 346:, Buckinghamshire. He assigned 291:In July 1989 Oldfield released 81:and CTS Studios, London (choir) 2820:2012 Olympics opening ceremony 898:, bass guitar, bass whistles, 859:"Africa III: Recorder" (57:30) 829:"Africa I: Pre Climax" (48:46) 802:"Mandolin (reprise 2)" (39:16) 796:"Mandolin (reprise 1)" (37:04) 715:"Climax I (12 Strings)" (5:46) 690: 1: 865:"Africa III: Finale" (58:43)" 832:"Africa I: 12 Climax" (49:33) 823:"Africa I: Far Build" (44:46) 805:"Fast Riff (reprise)" (39:49) 487:a sequel to his third album, 2113:The Orchestral Tubular Bells 1789:Mike Oldfield discography – 1692:Salaverri, Fernando (2015). 1339:. March 1991. Archived from 1244: 1229: 1217: 1205: 1193: 1181: 1169: 1747:. Retrieved 17 April 2020. 1603:. Ryan Yard. Archived from 1533:. Anil Prasad. August 2013. 1452:. July 1997. Archived from 1337:Home & Studio Recording 1134:"Amarok" (3:47) excerpt III 1075:"Amarok" (9:30) excerpt III 862:"Africa III: Happy" (58:14) 856:"Africa III: Choir" (55:50) 826:"Africa I: Far Dip" (48:02) 733:"Intro (reprise 1)" (10:42) 724:"Soft Bodhran Pt. 2" (8:35) 718:"Soft Bodhran Pt. 1" (6:18) 519:—also appear on the album. 2897: 2676:The Complete Tubular Bells 2634:The Complete Mike Oldfield 2025:The Songs of Distant Earth 1670:. Retrieved 8 April 2013. 1137:"Amarok" (5:18) excerpt IV 1131:"Amarok" (4:16) excerpt II 1078:"Amarok" (1:53) excerpt IV 1072:"Amarok" (3:22) excerpt II 820:"Green (reprise) " (44:12) 766:"Fast Waltz Pt. 2" (24:46) 757:"Fast Waltz Pt. 1" (21:57) 727:"Rachmaninov Pt. 2" (9:29) 721:"Rachmaninov Pt. 1" (7:20) 709:"Fast Riff (intro)" (0:00) 279:, released in May 1990 by 2871:1990s instrumental albums 2830: 2662:The Best of Tubular Bells 2595:The Art in Heaven Concert 2127:The Art in Heaven Concert 1893: 1544:Mile Daly (7 June 1990). 1505:"Mike Oldfield interview" 1333:"Mike Oldfield on Amarok" 1140:"Amarok" (5:38) excerpt V 1128:"Amarok" (3:05) excerpt I 1081:"Amarok" (2:29) excerpt V 1069:"Amarok" (3:09) excerpt I 841:"Africa II: Riff" (51:17) 702: 694: 227: 224: 175: 69:September 1989–March 1990 28: 1668:GfK Entertainment Charts 1044:– producer and engineer. 973:, sitar guitar (a Coral 793:"Lion (reprise)" (36:04) 668:laments like a priest... 297:, his twelfth album for 2683:The Platinum Collection 1761:Oldfield, Mike (2008). 763:"Mad Bit Pt. 2" (24:33) 742:"Mad Bit Pt. 1" (14:59) 549:Oldfield has said that 2588:Tubular Bells III Live 2177:Mike Oldfield's Single 1108: 772:"Intermission" (26:07) 679: 441:does not fit into the 2876:Virgin Records albums 2574:Tubular Bells II Live 2560:Live at Montreux 1981 2205:William Tell Overture 1694:Sólo éxitos 1959–2012 1446:"Not Totally Tubular" 1120:'s in-store magazine 1095: 965:, percussion, piano, 959:Northumbrian bagpipes 817:"Intro Waltz" (43:49) 808:"Hoover/Scot" (41:03) 787:"Green Green" (33:13) 495:Tubular Bells II 426:and the "contents of 2861:Mike Oldfield albums 2641:Elements 4 CD Boxset 2454:Far Above the Clouds 2384:(One Glance Is) Holy 2321:Pictures in the Dark 2159:The Mike Oldfield EP 2081:Music of the Spheres 1607:on 17 September 2011 1049:Album promo samplers 991:twelve-string guitar 888:acoustic bass guitar 811:"Boat Pt. 2" (42:22) 790:"Slow Waltz" (34:24) 775:"Boat Pt. 1" (26:23) 215:Professional ratings 2805:Children of the Sun 2307:Tricks of the Light 2053:The Millennium Bell 1511:on 18 December 2008 1414:cite AV media notes 1225:Schweizer Hitparade 784:"Big Roses" (32:07) 751:"Fast Riff" (18:00) 562:Title and packaging 530:, photographed the 216: 2655:XXV: The Essential 2605:Compilation albums 2553:The Essential Live 2468:Thou Art in Heaven 2433:Let There Be Light 2286:Shadow on the Wall 2095:Return to Ommadawn 2067:Tubular Bells 2003 1983:The Killing Fields 1627:"Short Story from 1177:Offizielle Top 100 1109: 769:"Mandolin" (25:06) 739:"Didlybom" (13:16) 214: 2848: 2847: 2521:Song for Survival 2507:Introduction 2003 2500:The X-Files Theme 2349:The Time Has Come 2039:Tubular Bells III 1774:978-0-753-51307-1 1703:978-84-8048-866-2 1343:on 27 August 2019 1249: 1248: 1213:Sverigetopplistan 1163:Austrian Albums ( 1005:Margaret Thatcher 874: 873: 745:"Russian" (15:56) 600: 470:Margaret Thatcher 430:toolbox". Though 411:and the ethos of 344:Chalfont St Giles 268: 267: 212: 211: 208: 207: 105:experimental rock 95:Instrumental rock 79:Chalfont St Giles 2888: 2838: 2837: 2772:Related articles 2620:Music Wonderland 2440:Women of Ireland 2293:Crime of Passion 2279:Moonlight Shadow 2088:Man on the Rocks 2018:Tubular Bells II 1880: 1873: 1866: 1857: 1852: 1846: 1838: 1836: 1834: 1778: 1767:. 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Index

The Amarok album cover. It shows a photograph of Oldfield's face along with a red stamp containing his name at the top left. On the right side arranged vertically is the name Amarok in gold coloured capital letters; the letters A, M and O appear normally, but R and K are mirrored about the vertical stroke of the letter.
Studio album
Mike Oldfield
Chalfont St Giles
Genre
Instrumental rock
progressive rock
experimental rock
world
Label
Virgin
Producer
Tom Newman
Mike Oldfield
Earth Moving
Heaven's Open
AllMusic
Mike Oldfield
Virgin Records
Earth Moving
Virgin Records
Tubular Bells
Chalfont St Giles
Tom Newman
Tubular Bells
Harrison
AMS Neve
Brüel & Kjær
Fairlight CMI
C-Lab

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