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Tommy (The Who album)

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762:, adding "we probably did as much talking as we did recording, sorting out arrangements and things." Townshend asked Entwistle to write two songs ("Cousin Kevin" and "Fiddle About") that covered the darker themes of bullying and abuse. "Tommy's Holiday Camp" was Keith Moon's suggestion of what kind of religious movement Tommy could lead. Moon got the songwriting credit for suggesting the idea, though the music was composed and played by Townshend. A significant amount of material had a lighter style than earlier recordings, with greater prominence put on the vocals. Moon later said, "It was, at the time, very un-Wholike. A lot of the songs were soft. We never played like that." 1497:, would be a suitable choice to do the cover. As recording was near completion, McInnerney received a number of cassettes with completed songs and a brief outline for the story, which he immediately recognised as being based on Baba's teachings. He wanted to try and convey the world of a deaf, dumb and blind boy and decided to "depict a kind of breaking out of a certain restricted plane into freedom." The finished cover contained a blue and white web of clouds, a fist punching into the black void to the left of it. 478:"). His wife, Mrs. Walker, gives birth to their son, Tommy ("It's a Boy"). Years later, Captain Walker returns home and discovers that his wife has found a new lover. The Captain kills the lover in front of Tommy. Tommy's parents coerce Tommy into believing he did not see or hear anything. Tommy begins to disassociate and becomes deaf, dumb and blind to the outside world ("1921"). Tommy now relies on his sense of touch and imagination, developing an inner 7956: 1672: 2181:"Pinball Wizard" was a major hit when released as a single. This sequence in the film depicts Elton John being backed by the Who (dressed in pound-note suits); the band portrayed the Pinball Wizard's band for filming, but on the music track and soundtrack album, the music was performed entirely by him and his regular touring band. Most of the extras were students at 1300: 1295: 1250: 1212: 1164: 1114: 1290: 1285: 1280: 1245: 1240: 1235: 1230: 1207: 1202: 1197: 1192: 1159: 1154: 1149: 1144: 1109: 1104: 1099: 1094: 1076: 1071: 1066: 1061: 1056: 1455:
didn't hear or see in "1921", how or why he plays pinball, why "Smash the Mirror" leads into "I overwhelm as I approach you" (the opening line in "Sensation"), why Tommy tells his followers in "We're Not Gonna Take It" they cannot drink or smoke but can play pinball, and what the "you" is in "Listening to you, I get the music".
2222:, and the pair began to develop the musical together. It opened at La Jolla in summer 1992 and was an immediate commercial success. Townshend wrote a new song, "I Believe My Own Eyes", to explain the relationship between Tommy's parents, but otherwise tried to be faithful to the music on the original album. 846:, which he professionally printed and gave copies to the band, helping them focus on the storyline and also deciding to make the album a double. The group were still coming up with new material; Lambert insisted that the piece should have a proper overture, while Townshend wrote "Pinball Wizard" so that 899:
The album was commercially successful, reaching No. 2 in the UK album charts. It peaked at No. 7 in the US in 1969, but in 1970 it re-entered the charts, at which time it went on to peak at No. 4. It sold 200,000 copies in the first two weeks in the US alone and was awarded a gold record for sales of
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All of these remarkable observations are made through brand new interviews with lead guitarist, singer, lead songwriter and Tommy creator Pete Townshend, as well as the dynamic lead singer (who portrayed Tommy Walker himself in the original opera and the 1975 motion picture) Roger Daltrey (who still
1490:-style fold-out cover, and the booklet contained abstract artwork that outlined the story. Although the album included lyrics to all the songs, indicating individual characters, it did not outline the plot, which led to a concert programme being prepared for shows, that carried a detailed synopsis. 835:
on 10 December. They resumed sessions at IBC in January 1969, block booking Monday to Thursday, but had to do gigs every weekend to stop going further into debt. A major tour was booked for the end of April, and the group's management insisted that the album would have to be finished by then, as it
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The inner triptych, meanwhile, showed a hand reaching out to light and a light shining in a dark void. Townshend was too busy finishing the recording to properly approve the artwork, but Kit Lambert strongly approved of it and said it would work. The final step was for record company approval from
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demolishing his drums, which kept the group in debt. Townshend and Kit Lambert realised they needed a larger vehicle for their music than hit singles and a new stage show, and Townshend hoped to incorporate his love of Meher Baba into this concept. He decided that the Who should record a series of
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It's a story about a kid that's born deaf, dumb and blind and what happens to him throughout his life ... But what it's really all about is the fact that ... he's seeing things basically as vibrations which we translate as music. That's really what we want to do: create this feeling that
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By March 1969, some songs had been recorded several times, yet Townshend still thought there were missing pieces. Entwistle had become fed up with recording, later saying "we had to keep going back and rejuvenating the numbers ... it just started to drive us mad." The final recording session
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subsequently released a special single-disc edition of the album in 1990, featuring an alternate take of "Eyesight to the Blind" and a low volume extensive break on the glass in "Smash the Mirror". It was also remastered by Erick Labson for single disc release in 1993. Polydor and MCA released a
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thought the problem with the album's narrative is that there isn't enough transitional material provided by the lyrics. There are no stage directions, no cast, and narration is restricted to key phrases (such as "Tommy can you hear me?") Key problems included an unclear explanation of what Tommy
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subsequently said the interview described the narrative better than the finished album. Townshend later regretted publishing so much detail, as he felt it forced him to write the album according to that blueprint. The rest of the Who, however, were enthusiastic about the idea, and let him have
364:, and he attempted to translate Baba's teachings into music. Recording of the album began in September 1968, but took six months to complete as material needed to be arranged and re-recorded in the studio. The Who promoted the album's release with an extensive tour, including a live version of 900:
500,000 on 18 August. "Pinball Wizard", "I'm Free" and "See Me, Feel Me" were released as singles and received airplay on the radio. "Pinball Wizard" reached the top 20 in the US and the top five in the UK. "See Me, Feel Me" reached the top 20 in the US and "I'm Free" reached the top 40. An
2293:, with members of the Who band and an orchestra conducted by Keith Levenson. To mark the 50th anniversary of the release of the original album, a recording of the live concert was released on 14 June 2019. This live album was performed in Bethel, New York, at the site of the original 2148:. He started work on the soundtrack album immediately after the Who's 1973 US tour in December and worked on it almost continuously for the next four months. As well as the Who, the film's music track and the original soundtrack LP also employed several session musicians including 1528:" and the organ in "We're Not Gonna Take It". This release came with Mike McInnerney's complete artwork and a written introduction by Richard Barnes. For this edition, the cover was revised to remove the Who's faces, which were originally placed at the request of the record label. 1595:
including a final run down of the entire stage piece on 23 April. The running order was changed, and four songs ("Cousin Kevin", "Underture", "Sensation" and "Welcome") were dropped entirely. Townshend later said the group "did the whole thing from start to finish and
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Track names and timings vary across editions; some editions have two tracks merged into one and vice versa. "See Me, Feel Me", for example, is the second half of "We're Not Gonna Take It", but is its own track as a single and on the 2003 deluxe edition.
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festival on 16 August. After spending all night arguing with Barsalona, the band agreed to perform at Woodstock for $ 12,500. The festival ran late and the Who did not take to the stage until the early morning of 17 August. During "Pinball Wizard",
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set with artwork designed by Mike McInnerney, which included a booklet including lyrics and images to illustrate parts of the story. Townshend asked McInnerney to do the cover artwork for Tommy in September 1968. Townshend had originally considered
644:" failed to make the top 20, and there was a genuine risk of the band breaking up. The group still performed well live and spent most of the spring and summer touring the US and Canada, but their stage act relied on Townshend smashing his guitar or 783:, while "Sparks" and "Underture" re-used and expanded one of the instrumental themes in "Rael". "Amazing Journey" was, according to Townshend, "the absolute beginning" of the opera and summarised the entire plot. "The Hawker" was a cover of 572:, set in a future where parents could choose the sex of their children. A couple want four girls but instead receive three girls and a boy, raising him as a girl anyway. The opera was abandoned after writing a single song, the hit single, " 4683:
looks about 20 years younger than he is). In that these are some of the first interviews that truly delve into the somewhat recently unearthed facts about Townshend's childhood sexual abuse, this is an exceptionally noteworthy documentary.
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was acclaimed by critics, who hailed it as the Who's breakthrough. Its critical standing diminished slightly in later years; nonetheless, several writers view it as an important and influential album in the history of rock music. In 1998,
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as a whole for its twentieth anniversary during their 1989 reunion tour, reinstating the previously overlooked "Cousin Kevin" and "Sensation" but still omitting "Underture" and "Welcome". Recordings from this tour can be found on the
1332:, Unterberger said that, despite its slight flaws, the album has "many excellent songs" permeated with "a suitably powerful grace", while Townshend's ability to devise a lengthy narrative introduced "new possibilities to rock music." 2188:
The film and its soundtrack album featured six new songs, all written by Townshend, and an alteration to the running order compared to the original album. The CD reissue of the film soundtrack also included an additional Overture.
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was when we first realized we had something cohesive and playable." Roger Daltrey's singing had improved substantially since the group's early tours, and they realised their new live act could completely change their career.
532:", and his parents notice he can stare at his reflection. After seeing Tommy spend extended periods staring at a mirror in the house, his mother smashes it out of frustration ("Smash the Mirror"). This removes Tommy's 995:. He praised Townshend for deliberately constructing the album so that each song can be enjoyed individually and felt that he is determined to "give his audience what it wants without burying his own peculiarity". 907:
When it was released, critics were split between those who thought the album was a masterpiece, the beginnings of a new genre, and those that felt it was exploitative. The album had a hostile reception with the
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In 1991, Townshend broke his wrist in a cycling accident and could not play guitar. Looking for alternative work while recuperating, he responded to a request from the PACE Theatrical Group for the rights to a
1853:. The ballet was premiered in Montreal in October 1970 and obtained a real success. The performance toured New York in April 1971, which included a light show and accompanying films by the Quebec Film Bureau. 1563:, Canada on 15 October 1969. The live disc was significant, as it debunked a long-standing myth that the tapes for the tour were burned in preference for the Leeds University show in February 1970 that made up 811:
visited IBC studios in November and while he was impressed with the working environment and the material, the project still did not have a title and there was no coherent plotline. The Who's US record company,
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Polydor, making one concession that pictures of the band should appear on the cover. These were added to the globe on the front. These pictures were later removed on the 1996 CD remastered reissue.
582:, ran short of material during recording, Lambert suggested that Townshend should write a "mini-opera" to fill the gap. Townshend initially objected, but eventually agreed to do so, coming up with " 924:'s show on 3 May. Townshend promoted the album's release with interviews in which he attempted to explain the plotline. Unfortunately, because it fundamentally dealt with the abstract concept of 1364:
was better, though because of Townshend, it produced several "bona fide classic songs". "Rock opera may seem like a laughable concept these days, but when the Who brought it to the world via
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took place on 7 March, the same day that "Pinball Wizard" was released as a single. The group started tour rehearsals and promotional activities for the single and Lambert went on holiday in
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had refused to loan him any more equipment due to the items repeatedly being abused. Though Townshend wrote the majority of the material, the arrangements came from the entire band. Singer
493:"). Tommy's parents are increasingly frustrated that he will never find religion in the midst of his isolation ("Christmas"). Tommy's parents neglect him, leaving him to be tortured by his 7062: 6658: 2233:, said the orchestra drummer had "the thankless task of having to reproduce Keith Moon's parts". Townshend and Des McAnuff rewrote parts of the musical when it moved from La Jolla to 765:
Some of the material had already been written for other projects. "Sensation" was written about a girl Townshend had met on the Who's tour of Australia in early 1968, "Welcome" and "
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with a 5.1 multi-channel mix. The remastering was done under the supervision of Townshend and also includes related material not on the original album, including "Dogs-Part 2" (the
711:. Kit Lambert took charge of the production, with Damon Lyon-Shaw as engineer. Sessions were block-booked from 2pm – 10pm, but recording often spilled over into the early morning. 4453: 1422:
did not mix rock with classical music, as its "rock opera" title may have suggested, but instead was "dominated by the Who's mature style: ponderous, rhythmically monotonous
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to "Pinball Wizard"), "Cousin Kevin Model Child" and "Young Man Blues", plus demos for the album and other unreleased songs that were dropped from the final running order.
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s operatic pretensions were so transparent that for years it seemed safe to guess that Townshend's musical ideas would never catch up with his lyrics." In his review for
2121:. Russell insisted on having a known cast, though Townshend wanted people who could sing the material, and he was particularly disappointed at not being allowed to cast 627:
By 1968, Townshend was unsure about how the Who should progress musically. The group were no longer teenagers, but he wanted their music to remain relevant. His friend,
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for the stage production. The stage show had a second run on 13 and 14 December 1973 with Daltrey, Graham Bell, Havens, and Clayton returning, and a new cast including
6103: 856:. Lambert wanted an orchestra to appear on the album, but Townshend was strongly against the idea, and time and budget constraints meant it could not happen anyway. 7890: 791:'s "One Room Country Shack" was also recorded but was scrapped from the final track listing as Townshend could not figure out a way to incorporate it in the plot. 7421: 649:
songs that stood well in isolation but formed a cohesive whole on the album. He also wanted the material performed in concert, to counter the trend of bands like
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which was marred by violence. Other songs had been previously recorded by the Who and were recycled; "It's A Boy" was derived from "Glow Girl", an out-take from
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was slow, due to a lack of a full plot and a full selection of songs. The group hoped that the album would be ready by Christmas 1968, but sessions dragged on.
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The song is credited to Moon on the album because he came up with the "holiday camp" idea, but the song was actually written and solely performed by Townshend.
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box set. As well as the original album, the package includes additional demos and a live performance mostly taken from the Who's show at the Capital Theatre,
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wrote that the album "doesn't quite realise its ambitions, though it achieves a lot on the way", and felt it was not as well developed as their later album,
640:, and Townshend became fascinated with Baba's values of compassion, love and introspection. The Who's commercial success was on the wane after the single " 1405:, it maintained the rating in a 2012 revised list, and was re-ranked at number 190 on the 2020 list. The album is one of several by the Who to appear in 5287: 5334: 1438: ... and avoids the typical pseudoromantic themes of art rock (fairy-tale bliss and apocalyptic angst) in favor of the more up-to-date subject of 6571: 6107: 3261: 2891: 1715: 1680: 545: 381: 283: 6405:
Interview with Pete Townshend at Manchester Arena, England, 12 December 1996, by Stephen Gallagher (British Youth & Popular Culture Editor, Ubu).
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before being kicked offstage by Townshend, while during "See Me, Feel Me", the sun rose, almost as if on cue. Two weeks later, the group played the
1407: 1608:, London on 1 May. Realising the opera's narrative was difficult to understand, Townshend explained a synopsis of the story, before the Who played 610:
when you listen to the music you can actually become aware of the boy, and aware of what he is all about, because we are creating him as we play."
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all the way through at full stage volume. The next day, the group flew out to New York to start the US tour, with the first gig on 9 May at the
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style that is the antithesis of most contemporary "serious" rock. Goldman asserted that, based on innovation, performance, and "sheer power",
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was overwhelmingly positive. The touring helped keep the album in the public eye and cleared the band's debts. Several live recordings of
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playing his first major live concert since 1966, the Who stole the show. Townshend later said, "We know that the stage act we had, with
7104: 4789: 4213: 2064:(as Uncle Ernie in Sydney), and a full orchestra. The Melbourne concert was videotaped, then televised by Channel 7 on 13 April 1973. 7808: 7150: 7090: 6878: 6328: 6298: 6283: 6159: 5880: 4620: 4493: 1986: 7857: 7850: 7541: 6737: 2093:. The movie version starred Roger Daltrey as Tommy and featured the other members of the Who, plus a supporting cast that included 979: 666:, Townshend talked about a new rock opera and described the entire plot in great detail, which ran to 11 pages. The Who biographer 7393: 7238: 6342:. Eel Pie Publishing. Kardana & Interplay Productions. Cdrom for PC (CD-MCR-263-0 / CD-C95-263-0) or for Mac (CD-MCD −263-UK) 2250: 2049: 1777: 1628:, and they noticed the audience would all stand up at the same time and stay standing. This indicated that live performances of 8007: 7878: 6438: 1915: 583: 7125: 6057:
Select "2016" in the "Anno" drop-down menu. Type "Tommy" in the "Filtra" field. Select "Album e Compilation" under "Sezione".
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remained in the Who's live set through the rest of the year and into 1970. In October 1969, the Who played six shows at the
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Townshend had been looking at ways of progressing beyond the standard three-minute pop single format since 1966. Co-manager
586:", which joined short pieces of music together into a continuous narrative. During 1967, Townshend learned how to play the 8022: 7997: 7992: 7576: 7329: 6672: 6219: 6089: 4666: 4199: 3240: 2282: 1350: 1221: 1085: 892:. The original double album was configured with sides 1 and 4 on one disc, and sides 2 and 3 on the other, to accommodate 494: 7818: 7315: 7069: 7016: 6836: 6411: 6048: 5842: 4874: 4758: 2242: 2225:
The musical had a mixed response from critics, while Roger Daltrey and John Entwistle thought the show was too passive.
1846: 536:, and he recovers his senses, realising he can become a powerful leader ("Sensation"). He starts a religious movement (" 8002: 7982: 7477: 7449: 7245: 7189: 7118: 6651: 6007: 5995: 5905: 4612: 4417: 4003: 1801: 1723: 1653: 544:("Welcome" / "Tommy's Holiday Camp"). However, Tommy's followers ultimately reject his teachings and leave the camp (" 385: 373: 171: 7591: 7586: 5649: 3708: 1605: 942: 826:
over its poor selection of material and misleading name (as the album contained studio recordings and was not live).
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that tells the story of the fictional Tommy Walker and his path to becoming a spiritual leader and messianic figure.
5765: 2178:(who would take over as the Who's drummer after Moon's death in 1978) played drums on much of the soundtrack album. 951:
ran a front-page headline saying "Who's Tommy: A Masterpiece". Critics and fans were confused by the storyline, but
524:"). His parents take him to a respected doctor ("There's a Doctor"), who determines that the boy's disabilities are 7871: 7757: 7516: 7511: 7435: 7196: 7182: 7097: 6720: 6564: 2834: 1795: 818: 766: 537: 506: 279: 217: 5917: 1259: 7506: 7157: 5983: 1919: 1508: 1380: 405: 4285: 7762: 7666: 7601: 7560: 7470: 7336: 5971: 4638: 4480: 3078: 2182: 1926:. The concerts were held to promote the release of Reizner's new studio recording of this symphonic version of 1588: 1444: 1389: 7259: 2133:, which placed speaker banks in the four quadrants of the house and directly behind the centre of the screen. 5295: 5168: 2297:
festival, and a new orchestral backing recorded by Levenson in Hungary, with the Budapest Scoring Orchestra.
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live since starting the project. The group spent April 1969 rehearsing a live version of the show at the
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considered the disc sonically "murkier" than the 1996 CD and was critical of the absence of the original
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The Who took a break from recording at the end of 1968 to tour, including a well received appearance at
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Subsequently, the rock opera was developed into other media, including a ballet in Montreal in 1970, a
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of selections from the album was planned to be released in the UK in November 1970 but was withdrawn.
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in 2003, and a super deluxe box set in 2013, including previously unreleased demos and live material.
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received an advance copy of the album at the start of May and gave the material its first airplay on
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As Tommy grows older, he discovers that he can feel vibrations sufficiently well to become an expert
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After a few warm up gigs towards the end of April, the group gave a preview concert to the press at
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was considered more authentic, precisely because it consists of hard rock, rather than doctored-up
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from the Who's 1969–70 tours have been released. A complete performance is available on the 2002
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on 19 September 1968. There was no firm title at this point, which was variously referred to as
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magazine also characterised the Who's album as a "reasonably hard-rock version" of the opera.
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The orchestral version was also performed twice in Australia on 31 March 1973 at Melbourne's
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magazine, said that the Who play through "all the kinky complications" of the narrative in a
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Tommy at 50: The Mood, the Music, the Look, and the Legacy of The Who’s Legendary Rock Opera
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In 2013, Townshend and Daltrey participated in a documentary about the making of the album
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and although the volume left his ears ringing for 20 hours, he concluded "we wanted more."
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shared Townshend's views and encouraged him to develop musical ideas, conceiving the term "
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A number of interviews where Pete Townshend has commented on the concept and meaning of
4137: 368:, which lasted throughout 1969 and 1970. Key gigs from the tour included appearances at 7787: 7731: 7721: 7716: 7691: 7636: 7631: 7203: 6914: 6906: 6539: 6510: 6424: 6396: 5900: 3004: 2949: 2940: 2652: 2542: 2390: 2311: 2161: 2118: 2045: 2029: 1966: 1727: 1726:
on 29 August, before an audience of 600,000. The last live performance for 1970 was at
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and bring out instruments that had been buried, such as the guitar in "Christmas", the
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tells the story of a fictional character named Tommy Walker. The following synopsis of
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in it, would work under any circumstances, because it had worked many times on tour."
928:'s spiritual precepts, the interviews often gave confusing and contradictory details. 7976: 7936: 7911: 7736: 7651: 7641: 7456: 7301: 7048: 7041: 6974: 6899: 6794: 6665: 5929: 4529: 4290: 4113: 3044: 2931: 2394: 2246: 2207: 2165: 2157: 2122: 1982: 1970: 1958: 1954: 1946: 1923: 1878: 1862: 1817: 1813: 1755:, recorded on 14 February 1970. The second Isle of Wight performance is available on 1751: 1691: 1645: 1565: 1483: 1415: 1183: 921: 901: 889: 885: 813: 755: 735: 662: 540:"), which generates fervour among its adherents ("Sally Simpson") and expands into a 474:
British Army Captain Walker goes missing during an expedition and is believed dead ("
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for "historical, artistic and significant value". In 2000 it was voted number 52 in
816:, got so impatient waiting for new product that they released the compilation album 7661: 6981: 6929: 6801: 6390: 6020: 4485: 4475: 4375: 4243: 4195: 4168: 2175: 2110: 2025: 1978: 1882: 1809: 1517: 1384: 1373: 1340: 1135: 933: 800: 723: 633: 541: 533: 510: 346: 326: 128: 7009: 6829: 1430:"concoctions" of the time because of the cultural climate during the late 1960s: " 573: 6378: 6149: 7926: 7921: 7901: 7741: 7711: 7686: 7681: 7646: 7023: 7002: 6995: 6953: 6924: 6843: 6822: 6815: 6773: 6067: 4670: 2953: 2219: 2153: 2149: 2145: 2106: 2098: 2094: 2090: 2061: 2002: 1974: 1962: 1950: 1942: 1938: 1907: 1711: 1521: 992: 952: 938: 917: 865: 808: 795: 743: 680: 650: 619: 578: 561: 432: 424: 416: 151: 100: 88: 1730:, London on 20 December. Townshend said "This is the very last time we'll play 868:
was well suited for the task. The album overshot its April deadline, as stereo
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The group continued to play large halls in the US, organised by tour promoter
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Charlesworth, Chris and McInnerney, Mike, (foreword) Townshend, Pete (2019).
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in 2004 in a more positive appraisal. "Almost thirty-five years later, this
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ever". The group made a second trip to the Isle of Wight, appearing at the
1718:, which was the first time Townshend announced the show as being the "last 1512:
newly remastered version on single disc in 1996, which had been remixed by
590:
and began writing songs on it, taking his work more seriously. That year's
6085: 5383: 7792: 7772: 6244:
The Theater Will Rock: A History of the Rock Musical, from Hair to Hedwig
4791:
The Who FAQ: All That's Left to Know About Fifty Years of Maximum R&B
4608:
Hole in Our Soul:The Loss of Beauty and Meaning in American Popular Music
4173: 3154: 3142: 1998: 1698:
praised them for their new music. The group's show on 14 December at the
1548: 1487: 1427: 1329: 1048: 847: 486: 6400:
by Rick Sanders & David Dalton – Rolling Stone (no. 37 12 July 1969)
1734:
on stage", to which Keith Moon promptly cried, "Thank Christ for that!"
1013:
surpasses anything else in studio-recorded rock. Robert Christgau named
707:
because it was a common British name and a nickname for soldiers in the
596:
included a mini-opera in the last track, "Rael", which like "A Quick One
6887: 6372: 6367: 4698: 1874: 1625: 1617: 1556: 1358:
isn't quite the masterpiece it was originally hyped to be", suggesting
517: 501:
by his uncle Ernie ("Fiddle About"). The Hawker's drug-addicted wife, "
334: 158: 54: 5791:"The Who's Tommy Orchestral Out June 14th. Available now to pre-order" 3335: 2085:
was adapted as a film, produced by expatriate Australian entrepreneur
4936: 1885:
playing the role of the Acid Queen and Mrs. Walker, and music by the
1842: 1679:
had achieved sufficient critical acclaim to be performed live in the
1592: 991:, but Townshend's parodic side is more "profound and equivocal" than 1969:
played the role of the Doctor on the record, but he was replaced by
657:
producing studio output that was not designed for live performance.
2185:
and were paid with tickets to a Who concert after filming wrapped.
1426:". Bayles argued that it was more acceptable to audiences than the 750:
used a new double bass drum kit owned by roadie Tony Haslam, after
7581: 2944: 1670: 861: 731: 587: 49: 3701:"Pinball Wizard: Pete Townshend Finds His Signature Guitar Sound" 5875:(illustrated ed.). St Ives, N.S.W.: Australian Chart Book. 4667:"'Sensation: The Story of the Who's Tommy' Lives Up to Its Name" 2125:
as the Pinball Wizard. In several cinemas, the film supported a
1869:
produced the first ever fully staged professional production of
6860: 6420: 2253:. The Broadway run lasted from 1993 to 1995. McAnuff revisited 2237:, to show a darker side for the title character. McAnuff won a 337:, released on 19 May 1969. Written primarily by guitarist 5597:
A History of the American Musical Theatre: No Business Like It
4935:. The Who (official website). 11 November 2013. Archived from 2289:
In 2018, Daltrey toured the US performing the full version of
1805: 1317:
was hailed by contemporary critics as the Who's breakthrough.
909: 4553:"Tommy ranked 190th greatest album by Rolling Stone magazine" 850:, a pinball fan, would give the album a favourable review in 758:
later said that Townshend often came in with a half-finished
4933:"The Who to release Super Deluxe Box Set and Deluxe Edition" 1933:
The album and concerts featured an all-star cast, including
1788:
live in subsequent tours throughout the 1970s. They revived
1368:
in 1969, it was an unmatched thrill", writes Mac Randall of
916:
describing "Pinball Wizard" as "distasteful". Nevertheless,
636:
Mike McInnerney, told him about the Indian spiritual mentor
448:
has been reissued several times on CD, including a remix by
7429:
The Who & Special Guests: Live at the Royal Albert Hall
6193:
Anywhere Anyhow Anywhere: The Complete Chronicle of The Who
3961: 3959: 3957: 3955: 3926: 3924: 3922: 3920: 3667: 3665: 3663: 3434: 3432: 3430: 568:". The first use of the term was applied to a suite called 6856: 5542: 5540: 2016:. Keith Moon appeared as Uncle Ernie (in Melbourne only), 1620:. At the end of May, the group played four nights at the 392:
drew critical praise and revitalised the band's career.
6416: 5732:"'Tommy,' the Who's Rock Opera, Will Return to Broadway" 5454: 5452: 5415: 5413: 4958: 4956: 4954: 4849: 4847: 1493:
Townshend thought Mike McInnerney, a fellow follower of
5335:"Tommy – As Performed by the London Symphony Orchestra" 5288:"Glynn Ross, 90, turned Seattle into opera destination" 4730: 4728: 4047: 4045: 4020: 4018: 4016: 3859: 3857: 3855: 3842: 3840: 3779: 3777: 3740: 3738: 3417: 3415: 3413: 1710:
to be taken seriously and wanted the Who to perform at
1648:
took to the stage to protest about the imprisonment of
730:. As well as their usual instruments, Townshend played 6068:"New Zealand album certifications – The Who – Tommy" 2860:
Daltrey, Townshend on bridge, Entwistle on spoken word
2168:. Due to Keith Moon's commitments with the filming of 822:
which received a scathing review from Greil Marcus in
600:..." was a suite of musical segments joined together. 528:
rather than physical. Tommy is told by the Doctor to "
513:
experience that is expressed musically ("Underture").
471:
was published following the original album's release.
6010:(in French). Hung Medien. Retrieved 6 December 2022. 1841:
In 1970 Fernand Nault, choreographer of the Montreal
1714:. In June 1970, the group performed two shows at the 5998:(in Dutch). Hung Medien. Retrieved 6 December 2022. 5920:(in Dutch). Hung Medien. Retrieved 6 December 2022. 5620:
Washburne, Christopher; Derno, Maiken, eds. (2013).
1737:
Public reaction to the Who's concerts that included
1507:
was first released on CD in 1984 as a two disc set.
7801: 7750: 7624: 7530: 7494: 7378: 7346: 7174: 7135: 7033: 6938: 6730: 6712: 6683: 6638: 6596: 6556: 6531: 6524: 6495: 6470: 6463: 6456: 6340:
Tommy : The Interactive Adventure Then and Now
6104:"American album certifications – The Who – Tommy" 5766:"Reimagined The Who's Tommy Sets 2024 Broadway Bow" 4642:. Vol. 23, no. 6. June 1973. p. 418. 2790: 2776: 2608: 2594: 2494: 2480: 2336: 2322: 1486:for the cover. The cover is presented as part of a 248: 206: 157: 145: 127: 111: 99: 84: 76: 61: 48: 34: 6278:. Unanimous Ltd (Vinyl Frontier 5). pp. 224. 6049:"Italian album certifications – The Who – Tommy" 4443: 3694: 3692: 6293:. London: Flame Tree Publishing. pp. 70–71. 6154:. Farmington Hills, Michigan: Visible Ink Press. 6021:"French album certifications – The Who – Tommy" 5085:Bill Graham Presents: My Life Inside Rock and Out 1784:The Who continued to play a smaller selection of 977:said that, apart from the Mothers of Invention's 7295:20th Century Masters – The Millennium Collection 6127:The Who on Record: A Critical History, 1963–1998 1808:. The Los Angeles version of this show featured 1017:the best album of 1969 in his year-end list for 6391:a 1968 Rolling Stone Interview (by Jann Wenner) 4138:"Robert Christgau's 1969 Jazz & Pop Ballot" 3281:Shipments figures based on certification alone. 1535:was made available as a deluxe two-disc hybrid 603: 80:19 September 1968 – 7 March 1969 6086:"British album certifications – Who – Tommy" 4228: 4162: 4160: 4158: 1849:, created the first dance-based adaptation of 1053: 7577:2001 The Concert for New York City appearance 6872: 6432: 6148:Graff, Gary; Durchholz, Daniel, eds. (1999). 4693: 4691: 1376:touchstone still has the power to enthrall." 415:production in 1971, an orchestral version by 8: 6267:Barnes, Richard and Townshend, Pete (1977). 3381:"The first rock opera The Who ever recorded" 2261:, and with Townshend's input, staged a 2023 1466:and features in-depth interviews with them. 1277: 1227: 1189: 1141: 1091: 880:After delays surrounding the cover artwork, 773:and "Sally Simpson" was based on a gig with 6947:My Generation / The Who Sings My Generation 4913:JoneUnterbergers, Richie (15 August 2014). 3277:Sales figures based on certification alone. 2136:Townshend also oversaw the production of a 1765:. Portions of the Woodstock performance of 987:is the first successful "extended work" in 6879: 6865: 6857: 6528: 6467: 6460: 6439: 6425: 6417: 6151:MusicHound Rock: The Essential Album Guide 5986:. Hung Medien. Retrieved 6 December 2022. 5384:"Tommy Australian concert production 1973" 5224:"Les Grands Ballets Canadiens de Montreal" 4513:. New York. 11 December 2013. p. 118. 3170: 3121: 3089: 3057: 2970: 1028: 718:, which allowed various instruments to be 40: 31: 6608:(orchestral version with various artists) 6108:Recording Industry Association of America 5494: 5482: 5470: 5431: 5404: 5370: 5358: 5308: 5247: 5119: 5083:Graham, Bill; greenfield, Robert (1922). 5070: 5058: 5046: 5034: 4745: 4743: 4600: 4598: 4579:1001 Albums: You Must Hear Before You Die 4036: 3965: 3942: 3930: 3911: 3899: 3875: 3831: 3756: 3729: 3671: 3654: 3642: 3582: 2273:, which transferred to Broadway in 2024. 2144:LP were realised by the extensive use of 1660:available. Though media attention was on 1516:. Astley was able to access the original 1379:In 1998, the album was inducted into the 941:went to the album's press launch show at 884:was released on 19 May 1969 in the US by 605:The package I hope is going to be called 4352: 4350: 2770: 2588: 2474: 2316: 1408:1001 Albums You Must Hear Before You Die 967:a century earlier. In a 1969 column for 7891:The Rolling Stones Rock and Roll Circus 7422:Live at the Isle of Wight Festival 1970 7288:My Generation: The Very Best of The Who 7063:Live at the Isle of Wight Festival 1970 6659:Live at the Isle of Wight Festival 1970 6319:. Pantheon. 173 pp. + a CD w/ the song 6053:Federazione Industria Musicale Italiana 5968:"Offiziellecharts.de – The Who – Tommy" 5582: 5570: 5558: 5546: 5531: 4783: 4781: 4577:Dimery, Robert; Lydon, Michael (2011). 4509:"The 500 Greatest Albums of All Time". 3313: 3294: 3273: 2906: 2756: 2574: 2460: 1757:Live at the Isle of Wight Festival 1970 1464:Sensation: The Story of the Who's Tommy 832:The Rolling Stones Rock and Roll Circus 787:'s "Eyesight to the Blind". A cover of 679:The Who started recording the album at 6174:Before I Get Old: The Story of The Who 5143: 5131: 4962: 4900: 4883: 4872: 4853: 4767: 4756: 4411: 4409: 3946: 3795: 3438: 3421: 1762:At Kilburn 1977 + Live at the Coliseum 360:after being introduced to the work of 356:Townshend came up with the concept of 7464:Amazing Journey: The Story of The Who 7165:Amazing Journey: The Story of The Who 5458: 5443: 5419: 5320: 5155: 5107: 5022: 5010: 4998: 4986: 4974: 4734: 4719: 4652: 4374:Christgau, Robert (25 January 1983). 4247:. London. March 2004. pp. 116–7. 4063: 4051: 4024: 3887: 3863: 3846: 3819: 3807: 3783: 3768: 3744: 3683: 3630: 3618: 3606: 3594: 3570: 3558: 3546: 3534: 3522: 3510: 3498: 3486: 3474: 3462: 3450: 2907: 2900:Daltrey, with Townshend and Entwistle 2757: 2678:Townshend, with Entwistle and Daltrey 2575: 2461: 2277:Roger Daltrey live orchestral version 1632:had a significant positive response. 1551:. In 2013, a super deluxe version of 1034: 959:no less confusing than the operas of 872:continued into the end of the month. 7: 7415:Thirty Years of Maximum R&B Live 5930:"The Who | Artist | Official Charts" 5730:Paulson, Michael (26 October 2023). 5648:. Stratford Festival. Archived from 5622:Bad Music: The Music We Love to Hate 5260:Kisselgoff, Anna (9 February 1981). 4456:from the original on 12 January 2022 4400: 4312: 4258:Christgau, Robert (27 August 2019). 3353:Beaumont, Mark (22 September 2016). 912:and certain US radio stations, with 6271:. Eel Pie Publishing. pp. 128. 3400:"Rock History 101: The Who's Tommy" 2943: – vocals, guitar, keyboards, 1769:were released on the documentaries 1403:the 500 greatest albums of all time 1055: 671:artistic control over the project. 660:In August 1968, in an interview to 6486:Eyesight to the Blind (The Hawker) 5918:"Dutchcharts.nl – The Who – Tommy" 5764:Higgins, Molly (26 October 2023). 5671:Isherwood, Charles (6 July 2023). 5286:Bargreen, Melinda (22 July 2005). 4753:(Media notes). Polydor. 531–043–2. 4445:"Hope I don't have a heart attack" 4363:. London. March 2004. p. 110. 3379:Potter, Jordan (27 January 2024). 2101:as the Lover, with appearances by 2020:as the Narrator, with local stars 1354:(2004), felt that "in retrospect, 1030:Retrospective professional reviews 703:. Townshend eventually settled on 548:"). Tommy retreats inward again (" 25: 7582:2003 The 46664 Concert appearance 7239:Rarities Volume I & Volume II 6605:Tommy (London Symphony Orchestra) 6220:The New Rolling Stone Album Guide 5984:"Lescharts.com – The Who – Tommy" 5169:"Live:Featuring Rock Opera Tommy" 4665:Macek III, J.C. (24 April 2014). 2805:Townshend, Entwistle, and Daltrey 2716:Townshend, Entwistle, and Daltrey 1906:On 9 December 1972, entrepreneur 1902:(London Symphony Orchestra album) 1893:London Symphony Orchestra version 1837:1970 Les Grands Ballets Canadiens 1702:was filmed for a possible future 1477:was originally released as a two- 1279: 1229: 1191: 1143: 1093: 769:" were about peace found through 489:claims his wife can cure Tommy (" 7955: 7954: 6412:Tommy notes – Song-by-song notes 6246:. University of Michigan Press. 6191:Neill, Andy; Kent, Matt (2002). 4915:"Tommy [Deluxe Edition]" 4827:"Tommy [Mobile Fidelty]" 4284:Randall, Mac (22 January 2004). 1656:, using one of the largest live 1298: 1293: 1288: 1283: 1278: 1248: 1243: 1238: 1233: 1228: 1210: 1205: 1200: 1195: 1190: 1162: 1157: 1152: 1147: 1142: 1112: 1107: 1102: 1097: 1092: 1074: 1069: 1064: 1059: 1054: 836:had been well over a year since 714:The album was recorded using an 576:". When the Who's second album, 29:1969 studio album by the Who 7281:Thirty Years of Maximum R&B 6291:A Brief History of Album Covers 6276:The Who and the making of Tommy 6008:"Ultratop.be – The Who – Tommy" 5996:"Ultratop.be – The Who – Tommy" 5873:Australian Chart Book 1970–1992 4869:(Media notes). MCA. MCAD-10801. 2089:and directed by British auteur 1910:presented a concert version of 1583:The Who had planned to perform 8033:Albums recorded at IBC Studios 8028:Albums produced by Kit Lambert 7858:The Who's Tommy Pinball Wizard 7126:Live at the Fillmore East 1968 6738:The Who's Tommy Pinball Wizard 5087:. Da Capo Press. p. 321. 4442:Perry, Andrew (22 June 2006). 4004:"Billboard, 19 September 1970" 3699:Drozdowski, Ted (3 May 2012). 2777: 2595: 2481: 2323: 2259:Stratford Shakespeare Festival 2257:during the 2013 season of the 2214:. The group introduced him to 1706:feature. Lambert was keen for 1309:According to music journalist 980:We're Only in It for the Money 842:. Kit Lambert wrote a script, 1: 7084:Live at the Royal Albert Hall 6349:. Apollo Publishers. 178 pp. 6090:British Phonographic Industry 5974:. Retrieved 6 December 2022. 5958:. Retrieved 6 December 2022. 5936:. Retrieved 6 December 2022. 5908:. Retrieved 6 December 2022. 5508:"Tommy (Original Soundtrack)" 4201:Encyclopedia of Popular Music 4117:. 17 October 1969. p. 20 2164:, and longtime Who associate 1857:1971 Seattle Opera production 1654:second Isle of Wight Festival 1524:in "Sparks", the cymbals in " 1351:The Rolling Stone Album Guide 1222:The Rolling Stone Album Guide 1086:Encyclopedia of Popular Music 7851:Rock Is Dead—Long Live Rock! 6398:Pete and Tommy, among others 6333:The Who's Tommy: The Musical 5896:"Top RPM Albums: Issue 6061" 5843:"Tommy – Song-by-song notes" 5817:"The Who's Tommy Orchestral" 4581:. Hachette UK. p. 455. 3398:Young, Alex (20 June 2009). 3322:"The Great Rock Discography" 3159: 3147: 3115: 3083: 3051: 3037: 3022: 3010: 2996: 2699:Daltrey, Townshend on bridge 2661:Daltrey, Townshend on bridge 2617:"Do You Think It's Alright?" 2513:Daltrey, Townshend on bridge 1847:Les Grands Ballets Canadiens 1462:. The documentary is titled 584:A Quick One, While He's Away 482:("Amazing Journey/Sparks"). 7561:1979 Cincinnati human crush 7478:Quadrophenia Live in London 7450:Tommy and Quadrophenia Live 7119:Quadrophenia Live in London 6652:Tommy and Quadrophenia Live 6321:I Can't Believe My Own Eyes 6242:Wollman, Elizabeth (2006). 6217:; Hoard, Christian (eds.). 5906:Library and Archives Canada 4613:University of Chicago Press 3123:2013 chart performance for 3091:2002 chart performance for 3059:1976 chart performance for 2972:1969 chart performance for 2012:and on 1 April at Sydney's 1824:as the Pinball Wizard, and 1802:Tommy and Quadrophenia Live 607:"Deaf, Dumb and Blind Boy." 388:. The live performances of 386:1970 Isle of Wight Festival 374:1969 Isle of Wight Festival 8049: 7872:A Tale of Two Springfields 7758:Ashdown House, Oxfordshire 7436:The Who Special Edition EP 7197:Meaty Beaty Big and Bouncy 7183:Magic Bus: The Who on Tour 7098:View from a Backstage Pass 6721:The Smithereens Play Tommy 6676:(2019 Roger Daltrey album) 6673:The Who's Tommy Orchestral 5795:The Who (official website) 5624:. Routledge. p. 314. 5599:. Routledge. p. 225. 5262:"Dance: Ballets Canadiens" 5193:Erlewine, Stephen Thomas. 4229:Graff & Durchholz 1999 4136:Christgau, Robert (1969). 2310:All tracks are written by 2284:The Who's Tommy Orchestral 2280: 2196: 2071: 1896: 1881:. The production included 1576: 1414:According to music critic 819:Magic Bus: The Who on Tour 218:Magic Bus: The Who On Tour 7950: 6894: 6760: 6274:Cawthorne, Nigel (2005). 5228:The Canadian Encyclopedia 3274: 3259: 3238: 3223: 3208: 3193: 3185: 3182: 3179: 3152: 3140: 3133: 3130: 3108: 3101: 3098: 3076: 3069: 3066: 3042: 3027: 3015: 3001: 2989: 2982: 2979: 2886: 2867: 2850: 2829: 2812: 2795: 2787: 2784: 2781: 2740: 2723: 2706: 2685: 2668: 2647: 2630: 2613: 2605: 2602: 2599: 2558: 2537: 2520: 2499: 2491: 2488: 2485: 2438: 2421: 2404: 2379: 2362: 2341: 2333: 2330: 2327: 1961:(as the Acid Queen), and 1920:London Symphony Orchestra 1555:was released as a 3-CD / 1509:Mobile Fidelity Sound Lab 1401:number 96 on its list of 1042: 1039: 505:", gives Tommy a dose of 314: 259: 211: 202: 165: 39: 7763:Chapel House, Twickenham 7602:Back to the Who Tour 51! 7471:The Who at Kilburn: 1977 7408:Who's Better, Who's Best 7274:Who's Better, Who's Best 6954:A Quick One / Happy Jack 6338:Townshend, Pete (1996). 6317:Tommy : The Musical 6315:Townshend, Pete (1993). 5972:GfK Entertainment Charts 5946:"The Who Chart History ( 5595:Hurwitz, Nathan (2014). 4796:Rowman & Littlefield 4481:All Time Top 1000 Albums 4418:"Tommy (Deluxe Edition)" 2710:"Tommy Can You Hear Me?" 2001:(as the Local Lad), and 1716:Metropolitan Opera House 1681:Metropolitan Opera House 1606:Ronnie Scott's Jazz Club 1589:Hanwell Community Centre 1390:All Time Top 1000 Albums 888:and 23 May in the UK by 685:Deaf, Dumb and Blind Boy 382:Metropolitan Opera House 306:Released: September 1970 7830:The Boy Who Heard Music 7552:The Who by Numbers Tour 7309:The Ultimate Collection 6572:We're Not Gonna Take It 4788:Segretto, Mike (2014). 4605:Bayles, Martha (1994). 4206:Oxford University Press 4109:"A Grand Opera in Rock" 3002:Canada Top Albums/CDs ( 2892:We're Not Gonna Take It 2530:Townshend and Entwistle 2450:Sonny Boy Williamson II 546:We're Not Gonna Take It 284:We're Not Gonna Take It 8008:Polydor Records albums 7814:Awards and nominations 7652:John "Rabbit" Bundrick 7542:1962–1963 performances 7362:Won't Get Fooled Again 6289:Draper, Jason (2008). 6023:(in French). InfoDisc. 4286:"Tommy Deluxe Edition" 2871:"Tommy's Holiday Camp" 2183:Portsmouth Polytechnic 2166:John "Rabbit" Bundrick 2097:as Tommy's mother and 1684: 1470:Editions and cover art 1025:Legacy and reappraisal 955:pointed out this made 612: 404:was inducted into the 272:Released: 7 March 1969 7592:Quadrophenia and More 6125:Atkins, John (2000). 5495:Neill & Kent 2002 5483:Neill & Kent 2002 5471:Neill & Kent 2002 5432:Neill & Kent 2002 5405:Neill & Kent 2002 5371:Neill & Kent 2002 5359:Neill & Kent 2002 5309:Neill & Kent 2002 5248:Neill & Kent 2002 5120:Neill & Kent 2002 5071:Neill & Kent 2002 5059:Neill & Kent 2002 5047:Neill & Kent 2002 5035:Neill & Kent 2002 4334:Tom Hull – on the Web 4330:"Grade List: The Who" 4167:Unterberger, Richie. 4037:Neill & Kent 2002 3979:"Billboard 200 Chart" 3966:Neill & Kent 2002 3943:Neill & Kent 2002 3931:Neill & Kent 2002 3912:Neill & Kent 2002 3900:Neill & Kent 2002 3876:Neill & Kent 2002 3832:Neill & Kent 2002 3757:Neill & Kent 2002 3730:Neill & Kent 2002 3672:Neill & Kent 2002 3655:Neill & Kent 2002 3643:Neill & Kent 2002 3583:Neill & Kent 2002 3336:"Gold & Platinum" 2962: – drums, vocals 2952: – bass guitar, 2623:Townshend and Daltrey 2129:soundtrack billed as 2060:(as the Doctor), and 2052:(as the Acid Queen), 1674: 1260:Tom Hull – on the Web 876:Release and reception 207:The Who US chronology 65:19 May 1969 8023:Track Records albums 7998:Decca Records albums 7993:1960s concept albums 7662:Steve "Boltz" Bolton 7394:The Kids Are Alright 7211:The Story of The Who 7151:The Kids Are Alright 6225:Simon & Schuster 5373:, pp. 325, 326. 4903:, pp. 120, 121. 3902:, pp. 227, 228. 3771:, pp. 316, 318. 3525:, pp. 313, 314. 3513:, pp. 282, 283. 3385:faroutmagazine.co.uk 2314:, except where noted 2028:(as the Local Lad), 1953:(as the Local Lad), 1889:band Comstock, Ltd. 1778:The Kids Are Alright 785:Sonny Boy Williamson 7485:Lambert & Stamp 7323:The 1st Singles Box 7232:Who's Greatest Hits 5677:Wall Street Journal 5311:, pp. 313–314. 5146:, pp. 127–128. 5061:, pp. 241–242. 4875:cite AV media notes 4759:cite AV media notes 4450:The Daily Telegraph 4264:robertchristgau.com 3621:, pp. 313–316. 3537:, pp. 293–294. 3441:, pp. 121–122. 3176: 3172:Certifications for 3127: 3095: 3063: 2990:Australian Albums ( 2976: 2773: 2591: 2477: 2319: 2056:(as Cousin Kevin), 2014:Randwick Racecourse 1993:(as Cousin Kevin), 1977:(as the Narrator), 1816:as the Acid Queen, 1799:live album and the 1381:Grammy Hall of Fame 1031: 948:Disc and Music Echo 630:International Times 497:"Cousin Kevin" and 406:Grammy Hall of Fame 378:University of Leeds 301:Overture from Tommy 289:Released: July 1969 269:" / "Dogs Part Two" 8003:MCA Records albums 7983:Tommy (rock opera) 7917:Chris Charlesworth 7783:Shepperton Studios 7253:The Who Collection 7175:Compilation albums 7105:Greatest Hits Live 6989:The Who by Numbers 6809:The Who by Numbers 6375:(list of releases) 6269:The Story of Tommy 5736:The New York Times 5266:The New York Times 4882:Unknown parameter 4766:Unknown parameter 3822:, p. 319,320. 3171: 3122: 3090: 3079:Offizielle Top 100 3058: 2971: 2771: 2727:"Smash the Mirror" 2672:"There's a Doctor" 2589: 2475: 2317: 2249:won the award for 2216:La Jolla Playhouse 2131:quintaphonic sound 1997:(as Uncle Ernie), 1887:Syracuse, New York 1832:Other incarnations 1749:of the live album 1685: 1622:Kinetic Playground 1311:Richie Unterberger 1029: 853:The New York Times 716:eight-track system 693:Journey into Space 452:in 1996, a deluxe 395:Upon its release, 7968: 7967: 7824:Musical equipment 7751:Associated places 7136:Soundtrack albums 7112:Live at Hull 1970 7091:Live from Toronto 7077:Blues to the Bush 6854: 6853: 6592: 6591: 6588: 6587: 6547:Go to the Mirror! 6520: 6519: 6253:978-0-472-11576-1 6234:978-0-7432-0169-8 6202:978-0-7535-1217-3 6183:978-0-85965-083-0 6140:978-0-7864-0609-8 6072:Recorded Music NZ 5706:"The Who's Tommy" 5631:978-1-135-38547-7 5606:978-1-317-91205-7 5292:The Seattle Times 5094:978-0-306-81349-8 4939:on 15 August 2014 4805:978-1-480-39253-3 4701:. Mike McInnerney 4588:978-1-84403-714-8 4380:The Village Voice 4357:"Review: Tommy". 4241:"Review: Tommy". 4169:"Tommy – The Who" 4086:The Village Voice 4077:Christgau, Robert 3287: 3286: 3282: 3278: 3249: 3164: 3163: 3120: 3119: 3088: 3087: 3056: 3055: 2992:Kent Music Report 2917: 2916: 2767: 2766: 2691:Go to the Mirror! 2585: 2584: 2471: 2470: 2408:"Amazing Journey" 2271:Chicago, Illinois 2251:Best Choreography 2048:(as the Mother), 2044:(as the Father), 2032:(as the Hawker), 2022:Daryl Braithwaite 2005:(as the Doctor). 1985:(as the Father), 1981:(as the Mother), 1957:(as the Hawker), 1949:(as the Father), 1941:(as the Mother), 1828:as Cousin Kevin. 1696:Leonard Bernstein 1573:Live performances 1307: 1306: 970:The Village Voice 844:Tommy (1914–1984) 726:acoustic and the 530:Go to the Mirror! 318: 317: 244: 243: 198: 197: 16:(Redirected from 8040: 7958: 7957: 7768:Holmshurst Manor 7597:The Who Hits 50! 7369:Wire & Glass 7355:Ready Steady Who 7337:The Who Hits 50! 6961:The Who Sell Out 6881: 6874: 6867: 6858: 6781:The Who Sell Out 6684:Tours supporting 6529: 6468: 6461: 6441: 6434: 6427: 6418: 6355:978-194806-240-4 6312: 6257: 6238: 6223:(4th ed.). 6215:Brackett, Nathan 6206: 6195:. Virgin Books. 6187: 6165: 6144: 6112: 6111: 6100: 6094: 6093: 6082: 6076: 6075: 6064: 6058: 6056: 6045: 6039: 6037: 6024: 6017: 6011: 6005: 5999: 5993: 5987: 5981: 5975: 5965: 5959: 5943: 5937: 5927: 5921: 5915: 5909: 5893: 5887: 5886: 5865: 5859: 5858: 5856: 5854: 5845:. Archived from 5839: 5833: 5832: 5830: 5828: 5813: 5807: 5806: 5804: 5802: 5787: 5781: 5780: 5778: 5776: 5761: 5755: 5754: 5752: 5750: 5727: 5721: 5720: 5718: 5716: 5702: 5696: 5695: 5693: 5691: 5668: 5662: 5661: 5659: 5657: 5652:on 13 March 2013 5642: 5636: 5635: 5617: 5611: 5610: 5592: 5586: 5580: 5574: 5568: 5562: 5556: 5550: 5544: 5535: 5529: 5523: 5522: 5520: 5518: 5504: 5498: 5492: 5486: 5480: 5474: 5468: 5462: 5456: 5447: 5441: 5435: 5429: 5423: 5417: 5408: 5402: 5396: 5395: 5393: 5391: 5380: 5374: 5368: 5362: 5356: 5350: 5349: 5347: 5345: 5330: 5324: 5318: 5312: 5306: 5300: 5299: 5294:. Archived from 5283: 5277: 5276: 5274: 5272: 5257: 5251: 5245: 5239: 5238: 5236: 5234: 5220: 5214: 5213: 5211: 5209: 5199: – The Who" 5190: 5184: 5183: 5181: 5179: 5165: 5159: 5153: 5147: 5141: 5135: 5129: 5123: 5117: 5111: 5105: 5099: 5098: 5080: 5074: 5068: 5062: 5056: 5050: 5044: 5038: 5032: 5026: 5020: 5014: 5008: 5002: 4996: 4990: 4984: 4978: 4972: 4966: 4960: 4949: 4948: 4946: 4944: 4929: 4923: 4922: 4910: 4904: 4898: 4892: 4891: 4885: 4880: 4878: 4870: 4863: 4857: 4851: 4842: 4841: 4839: 4837: 4823: 4817: 4816: 4814: 4812: 4785: 4776: 4775: 4769: 4764: 4762: 4754: 4747: 4738: 4732: 4723: 4717: 4711: 4710: 4708: 4706: 4695: 4686: 4685: 4679: 4677: 4662: 4656: 4650: 4644: 4643: 4633: 4627: 4626: 4602: 4593: 4592: 4574: 4568: 4567: 4565: 4563: 4549: 4543: 4542: 4540: 4538: 4521: 4515: 4514: 4506: 4500: 4499: 4484:(3rd ed.). 4472: 4466: 4465: 4463: 4461: 4447: 4439: 4433: 4432: 4430: 4428: 4413: 4404: 4398: 4392: 4391: 4389: 4387: 4376:"Consumer Guide" 4371: 4365: 4364: 4354: 4345: 4344: 4342: 4340: 4322: 4316: 4310: 4304: 4303: 4301: 4299: 4281: 4275: 4274: 4272: 4270: 4255: 4249: 4248: 4238: 4232: 4226: 4220: 4219: 4204:(4th ed.). 4192: 4186: 4185: 4183: 4181: 4164: 4153: 4152: 4150: 4148: 4133: 4127: 4126: 4124: 4122: 4105: 4099: 4098: 4096: 4094: 4079:(12 June 1969). 4073: 4067: 4061: 4055: 4049: 4040: 4034: 4028: 4022: 4011: 4010: 4008: 4000: 3994: 3993: 3991: 3989: 3975: 3969: 3963: 3950: 3940: 3934: 3928: 3915: 3909: 3903: 3897: 3891: 3885: 3879: 3873: 3867: 3861: 3850: 3844: 3835: 3829: 3823: 3817: 3811: 3805: 3799: 3793: 3787: 3781: 3772: 3766: 3760: 3754: 3748: 3742: 3733: 3727: 3721: 3720: 3718: 3716: 3711:on 19 April 2012 3707:. Archived from 3696: 3687: 3681: 3675: 3669: 3658: 3652: 3646: 3640: 3634: 3628: 3622: 3616: 3610: 3604: 3598: 3592: 3586: 3580: 3574: 3568: 3562: 3556: 3550: 3544: 3538: 3532: 3526: 3520: 3514: 3508: 3502: 3496: 3490: 3484: 3478: 3472: 3466: 3460: 3454: 3448: 3442: 3436: 3425: 3419: 3408: 3407: 3395: 3389: 3388: 3376: 3370: 3369: 3367: 3365: 3350: 3344: 3343: 3332: 3326: 3325: 3318: 3302: 3299: 3280: 3276: 3247:release of 2012 3245: 3239:United Kingdom ( 3177: 3153:Belgian Albums ( 3141:Belgian Albums ( 3128: 3096: 3064: 2980:Chart (1969–70) 2977: 2934: – vocals, 2910: 2779: 2774: 2760: 2597: 2592: 2578: 2483: 2478: 2464: 2389:Townshend, with 2325: 2320: 2227:Anthony DeCurtis 2138:soundtrack album 2040:(as the Lover), 2036:(as the Nurse), 2034:Wendy Saddington 1995:Vivian Stanshall 1989:(as the Nurse), 1945:(as the Nurse), 1937:(as the Lover), 1867:Richard Pearlman 1812:as Uncle Ernie, 1397:magazine ranked 1361:The Who Sell Out 1327: 1321:wrote in 1983, " 1319:Robert Christgau 1303: 1302: 1301: 1297: 1296: 1292: 1291: 1287: 1286: 1282: 1281: 1253: 1252: 1251: 1247: 1246: 1242: 1241: 1237: 1236: 1232: 1231: 1215: 1214: 1213: 1209: 1208: 1204: 1203: 1199: 1198: 1194: 1193: 1173:Robert Christgau 1167: 1166: 1165: 1161: 1160: 1156: 1155: 1151: 1150: 1146: 1145: 1117: 1116: 1115: 1111: 1110: 1106: 1105: 1101: 1100: 1096: 1095: 1079: 1078: 1077: 1073: 1072: 1068: 1067: 1063: 1062: 1058: 1057: 1032: 975:Robert Christgau 839:The Who Sell Out 806: 789:Mercy Dee Walton 780:The Who Sell Out 623: 599: 593:The Who Sell Out 307: 304: 290: 287: 273: 270: 213: 212: 167: 166: 123: 122: 118: 72: 70: 44: 32: 21: 8048: 8047: 8043: 8042: 8041: 8039: 8038: 8037: 7973: 7972: 7969: 7964: 7946: 7932:Bill Curbishley 7865:Who Covers Who? 7844:The Who's Tommy 7797: 7778:Ramport Studios 7746: 7727:Morgan Nicholls 7697:Simon Townshend 7620: 7616:Moving On! Tour 7533: 7526: 7490: 7374: 7342: 7204:Odds & Sods 7170: 7131: 7029: 6934: 6890: 6885: 6855: 6850: 6849: 6756: 6726: 6708: 6685: 6679: 6640: 6634: 6628:The Who's Tommy 6584: 6579:See Me, Feel Me 6552: 6516: 6491: 6452: 6445: 6363: 6301: 6288: 6264: 6262:Further reading 6254: 6241: 6235: 6209: 6203: 6190: 6184: 6168: 6162: 6147: 6141: 6124: 6121: 6116: 6115: 6102: 6101: 6097: 6084: 6083: 6079: 6066: 6065: 6061: 6047: 6046: 6042: 6035: 6019: 6018: 6014: 6006: 6002: 5994: 5990: 5982: 5978: 5966: 5962: 5944: 5940: 5934:UK Albums Chart 5928: 5924: 5916: 5912: 5894: 5890: 5883: 5867: 5866: 5862: 5852: 5850: 5841: 5840: 5836: 5826: 5824: 5815: 5814: 5810: 5800: 5798: 5789: 5788: 5784: 5774: 5772: 5763: 5762: 5758: 5748: 5746: 5729: 5728: 5724: 5714: 5712: 5710:Goodman Theatre 5704: 5703: 5699: 5689: 5687: 5670: 5669: 5665: 5655: 5653: 5644: 5643: 5639: 5632: 5619: 5618: 5614: 5607: 5594: 5593: 5589: 5581: 5577: 5569: 5565: 5557: 5553: 5545: 5538: 5530: 5526: 5516: 5514: 5506: 5505: 5501: 5493: 5489: 5481: 5477: 5469: 5465: 5457: 5450: 5442: 5438: 5430: 5426: 5418: 5411: 5403: 5399: 5389: 5387: 5382: 5381: 5377: 5369: 5365: 5357: 5353: 5343: 5341: 5332: 5331: 5327: 5319: 5315: 5307: 5303: 5298:on 24 May 2011. 5285: 5284: 5280: 5270: 5268: 5259: 5258: 5254: 5246: 5242: 5232: 5230: 5222: 5221: 5217: 5207: 5205: 5192: 5191: 5187: 5177: 5175: 5167: 5166: 5162: 5154: 5150: 5142: 5138: 5130: 5126: 5118: 5114: 5106: 5102: 5095: 5082: 5081: 5077: 5069: 5065: 5057: 5053: 5045: 5041: 5037:, pp. 239. 5033: 5029: 5021: 5017: 5009: 5005: 4997: 4993: 4985: 4981: 4973: 4969: 4961: 4952: 4942: 4940: 4931: 4930: 4926: 4912: 4911: 4907: 4899: 4895: 4881: 4871: 4865: 4864: 4860: 4852: 4845: 4835: 4833: 4825: 4824: 4820: 4810: 4808: 4806: 4787: 4786: 4779: 4765: 4755: 4749: 4748: 4741: 4733: 4726: 4718: 4714: 4704: 4702: 4697: 4696: 4689: 4675: 4673: 4664: 4663: 4659: 4651: 4647: 4635: 4634: 4630: 4623: 4615:. p. 224. 4604: 4603: 4596: 4589: 4576: 4575: 4571: 4561: 4559: 4551: 4550: 4546: 4536: 4534: 4523: 4522: 4518: 4508: 4507: 4503: 4496: 4474: 4473: 4469: 4459: 4457: 4441: 4440: 4436: 4426: 4424: 4415: 4414: 4407: 4399: 4395: 4385: 4383: 4373: 4372: 4368: 4356: 4355: 4348: 4338: 4336: 4324: 4323: 4319: 4311: 4307: 4297: 4295: 4283: 4282: 4278: 4268: 4266: 4257: 4256: 4252: 4240: 4239: 4235: 4231:, p. 1227. 4227: 4223: 4216: 4194: 4193: 4189: 4179: 4177: 4166: 4165: 4156: 4146: 4144: 4135: 4134: 4130: 4120: 4118: 4107: 4106: 4102: 4092: 4090: 4075: 4074: 4070: 4062: 4058: 4050: 4043: 4035: 4031: 4023: 4014: 4006: 4002: 4001: 3997: 3987: 3985: 3977: 3976: 3972: 3964: 3953: 3945:, p. 232; 3941: 3937: 3929: 3918: 3910: 3906: 3898: 3894: 3886: 3882: 3874: 3870: 3862: 3853: 3845: 3838: 3830: 3826: 3818: 3814: 3806: 3802: 3794: 3790: 3782: 3775: 3767: 3763: 3755: 3751: 3743: 3736: 3728: 3724: 3714: 3712: 3698: 3697: 3690: 3682: 3678: 3670: 3661: 3653: 3649: 3641: 3637: 3629: 3625: 3617: 3613: 3605: 3601: 3593: 3589: 3581: 3577: 3569: 3565: 3557: 3553: 3545: 3541: 3533: 3529: 3521: 3517: 3509: 3505: 3497: 3493: 3485: 3481: 3473: 3469: 3461: 3457: 3449: 3445: 3437: 3428: 3420: 3411: 3404:consequence.net 3397: 3396: 3392: 3378: 3377: 3373: 3363: 3361: 3352: 3351: 3347: 3334: 3333: 3329: 3320: 3319: 3315: 3310: 3305: 3300: 3296: 3292: 3279: 3260:United States ( 3244: 3187:Certified units 3169: 3135: 3109:French Albums ( 3103: 3077:German Albums ( 3071: 2984: 2969: 2923: 2918: 2908: 2816:"Sally Simpson" 2768: 2758: 2586: 2576: 2472: 2462: 2303: 2287: 2279: 2267:Goodman Theatre 2203: 2200:The Who's Tommy 2195: 2087:Robert Stigwood 2079: 2070: 2042:Broderick Smith 2010:Myer Music Bowl 1916:Rainbow Theatre 1904: 1895: 1865:under director 1859: 1839: 1834: 1820:as the Hawker, 1700:London Coliseum 1637:Frank Barsalona 1614:Grande Ballroom 1581: 1575: 1561:Ottawa, Ontario 1472: 1440:popular culture 1325: 1299: 1294: 1289: 1284: 1249: 1244: 1239: 1234: 1211: 1206: 1201: 1196: 1163: 1158: 1153: 1148: 1124:MusicHound Rock 1113: 1108: 1103: 1098: 1075: 1070: 1065: 1060: 1027: 973:, music critic 965:Giacomo Puccini 894:record changers 878: 804: 709:First World War 697:The Brain Opera 689:Amazing Journey 677: 625: 614: 597: 558: 550:See Me, Feel Me 499:sexually abused 462: 435:in 1975, and a 329:by the English 310: 305: 297:See Me, Feel Me 294: 293: 288: 277: 276: 271: 264: 263: 239: 230: 221: 193: 184: 175: 137: 120: 116: 115: 68: 66: 57: 30: 23: 22: 18:Amazing Journey 15: 12: 11: 5: 8046: 8044: 8036: 8035: 8030: 8025: 8020: 8018:The Who albums 8015: 8010: 8005: 8000: 7995: 7990: 7985: 7975: 7974: 7966: 7965: 7963: 7962: 7951: 7948: 7947: 7945: 7944: 7939: 7934: 7929: 7924: 7919: 7914: 7909: 7907:Richard Barnes 7904: 7899: 7894: 7887: 7882: 7875: 7868: 7861: 7854: 7847: 7840: 7833: 7826: 7821: 7816: 7811: 7805: 7803: 7799: 7798: 7796: 7795: 7790: 7788:Tara, Chertsey 7785: 7780: 7775: 7770: 7765: 7760: 7754: 7752: 7748: 7747: 7745: 7744: 7739: 7734: 7732:Chris Stainton 7729: 7724: 7722:Reggie Grisham 7719: 7717:Pino Palladino 7714: 7709: 7704: 7699: 7694: 7692:Danny Thompson 7689: 7684: 7679: 7674: 7669: 7667:Simon Phillips 7664: 7659: 7654: 7649: 7644: 7639: 7634: 7632:Mitch Mitchell 7628: 7626: 7622: 7621: 7619: 7618: 7613: 7604: 7599: 7594: 7589: 7587:2006–2007 tour 7584: 7579: 7574: 7569: 7564: 7554: 7549: 7544: 7538: 7536: 7528: 7527: 7525: 7524: 7519: 7517:John Entwistle 7514: 7512:Pete Townshend 7509: 7504: 7498: 7496: 7492: 7491: 7489: 7488: 7481: 7474: 7467: 7460: 7453: 7446: 7443:Live in Boston 7439: 7432: 7425: 7418: 7411: 7404: 7397: 7390: 7382: 7380: 7376: 7375: 7373: 7372: 7365: 7358: 7350: 7348: 7347:Extended plays 7344: 7343: 7341: 7340: 7333: 7326: 7319: 7312: 7305: 7298: 7291: 7284: 7277: 7270: 7263: 7256: 7249: 7242: 7235: 7228: 7221: 7214: 7207: 7200: 7193: 7186: 7178: 7176: 7172: 7171: 7169: 7168: 7161: 7154: 7147: 7139: 7137: 7133: 7132: 7130: 7129: 7122: 7115: 7108: 7101: 7094: 7087: 7080: 7073: 7066: 7059: 7052: 7045: 7037: 7035: 7031: 7030: 7028: 7027: 7020: 7013: 7006: 6999: 6992: 6985: 6978: 6971: 6964: 6957: 6950: 6942: 6940: 6936: 6935: 6933: 6932: 6927: 6922: 6917: 6915:John Entwistle 6911: 6910: 6907:Pete Townshend 6903: 6895: 6892: 6891: 6886: 6884: 6883: 6876: 6869: 6861: 6852: 6851: 6848: 6847: 6840: 6833: 6826: 6819: 6812: 6805: 6798: 6791: 6784: 6777: 6770: 6762: 6761: 6758: 6757: 6755: 6754: 6747: 6740: 6734: 6732: 6728: 6727: 6725: 6724: 6716: 6714: 6713:Tribute albums 6710: 6709: 6707: 6706: 6697: 6691: 6689: 6681: 6680: 6678: 6677: 6669: 6662: 6655: 6647: 6645: 6639:Live albums w/ 6636: 6635: 6633: 6632: 6631:(1992 musical) 6624: 6623: 6622: 6609: 6600: 6598: 6594: 6593: 6590: 6589: 6586: 6585: 6583: 6582: 6575: 6568: 6560: 6558: 6554: 6553: 6551: 6550: 6543: 6540:Pinball Wizard 6535: 6533: 6526: 6522: 6521: 6518: 6517: 6515: 6514: 6511:The Acid Queen 6507: 6499: 6497: 6493: 6492: 6490: 6489: 6482: 6474: 6472: 6465: 6458: 6454: 6453: 6446: 6444: 6443: 6436: 6429: 6421: 6415: 6414: 6409: 6408: 6407: 6402: 6394: 6381: 6376: 6362: 6361:External links 6359: 6358: 6357: 6343: 6336: 6331:. Also titled 6313: 6299: 6286: 6272: 6263: 6260: 6259: 6258: 6252: 6239: 6233: 6207: 6201: 6188: 6182: 6166: 6160: 6145: 6139: 6120: 6117: 6114: 6113: 6095: 6077: 6059: 6051:(in Italian). 6040: 6012: 6000: 5988: 5976: 5960: 5938: 5922: 5910: 5888: 5881: 5860: 5849:on 6 June 2011 5834: 5808: 5782: 5756: 5722: 5697: 5663: 5637: 5630: 5612: 5605: 5587: 5585:, p. 166. 5575: 5573:, p. 169. 5563: 5561:, p. 168. 5551: 5549:, p. 165. 5536: 5534:, p. 161. 5524: 5499: 5497:, p. 353. 5487: 5485:, p. 350. 5475: 5473:, p. 344. 5463: 5461:, p. 441. 5448: 5446:, p. 442. 5436: 5434:, p. 369. 5424: 5422:, p. 440. 5409: 5407:, p. 326. 5397: 5386:. Milesago.com 5375: 5363: 5361:, p. 340. 5351: 5325: 5323:, p. 400. 5313: 5301: 5278: 5252: 5250:, p. 199. 5240: 5215: 5185: 5160: 5158:, p. 391. 5148: 5136: 5134:, p. 137. 5124: 5122:, p. 271. 5112: 5110:, p. 353. 5100: 5093: 5075: 5073:, p. 243. 5063: 5051: 5049:, p. 240. 5039: 5027: 5025:, p. 350. 5015: 5013:, p. 348. 5003: 5001:, p. 346. 4991: 4989:, p. 343. 4979: 4977:, p. 339. 4967: 4965:, p. 136. 4950: 4924: 4905: 4893: 4858: 4856:, p. 282. 4843: 4818: 4804: 4777: 4739: 4737:, p. 337. 4724: 4722:, p. 336. 4712: 4687: 4657: 4655:, p. 332. 4645: 4628: 4621: 4594: 4587: 4569: 4544: 4516: 4501: 4494: 4488:. p. 59. 4467: 4434: 4416:Randall, Mac. 4405: 4403:, p. 872. 4393: 4366: 4346: 4317: 4315:, p. 871. 4305: 4276: 4250: 4233: 4221: 4215:978-0195313734 4214: 4187: 4154: 4142:Jazz & Pop 4128: 4100: 4068: 4066:, p. 329. 4056: 4054:, p. 330. 4041: 4039:, p. 421. 4029: 4027:, p. 340. 4012: 3995: 3970: 3968:, p. 231. 3951: 3949:, p. 282. 3935: 3933:, p. 230. 3916: 3914:, p. 228. 3904: 3892: 3890:, p. 327. 3880: 3878:, p. 221. 3868: 3866:, p. 325. 3851: 3849:, p. 324. 3836: 3834:, p. 216. 3824: 3812: 3810:, p. 321. 3800: 3798:, p. 114. 3788: 3786:, p. 318. 3773: 3761: 3759:, p. 220. 3749: 3747:, p. 323. 3734: 3732:, p. 219. 3722: 3705:Gibson Guitars 3688: 3686:, p. 317. 3676: 3674:, p. 210. 3659: 3657:, p. 192. 3647: 3645:, p. 191. 3635: 3633:, p. 316. 3623: 3611: 3609:, p. 310. 3599: 3597:, p. 309. 3587: 3585:, p. 190. 3575: 3573:, p. 308. 3563: 3561:, p. 296. 3551: 3549:, p. 294. 3539: 3527: 3515: 3503: 3501:, p. 283. 3491: 3489:, p. 227. 3479: 3477:, p. 217. 3467: 3465:, p. 215. 3455: 3453:, p. 214. 3443: 3426: 3424:, p. 121. 3409: 3390: 3371: 3345: 3327: 3324:. p. 896. 3312: 3311: 3309: 3306: 3304: 3303: 3293: 3291: 3288: 3285: 3284: 3272: 3271: 3268: 3265: 3257: 3256: 3253: 3250: 3236: 3235: 3232: 3229: 3221: 3220: 3217: 3214: 3206: 3205: 3202: 3199: 3191: 3190: 3184: 3181: 3168: 3167:Certifications 3165: 3162: 3161: 3158: 3150: 3149: 3146: 3138: 3137: 3132: 3118: 3117: 3114: 3106: 3105: 3100: 3086: 3085: 3082: 3074: 3073: 3068: 3054: 3053: 3050: 3040: 3039: 3036: 3025: 3024: 3021: 3016:Dutch Albums ( 3013: 3012: 3009: 2999: 2998: 2995: 2987: 2986: 2981: 2968: 2965: 2964: 2963: 2957: 2950:John Entwistle 2947: 2941:Pete Townshend 2938: 2922: 2919: 2915: 2914: 2911: 2905: 2904: 2901: 2898: 2895: 2888: 2884: 2883: 2880: 2877: 2872: 2869: 2865: 2864: 2861: 2858: 2855: 2852: 2848: 2847: 2844: 2841: 2838: 2831: 2827: 2826: 2823: 2820: 2817: 2814: 2810: 2809: 2806: 2803: 2800: 2799:"Miracle Cure" 2797: 2793: 2792: 2789: 2786: 2783: 2780: 2769: 2765: 2764: 2761: 2755: 2754: 2751: 2748: 2745: 2742: 2738: 2737: 2734: 2731: 2728: 2725: 2721: 2720: 2717: 2714: 2711: 2708: 2704: 2703: 2700: 2697: 2694: 2687: 2683: 2682: 2679: 2676: 2673: 2670: 2666: 2665: 2662: 2659: 2656: 2653:Pinball Wizard 2649: 2645: 2644: 2641: 2638: 2635: 2634:"Fiddle About" 2632: 2628: 2627: 2624: 2621: 2618: 2615: 2611: 2610: 2607: 2604: 2601: 2598: 2587: 2583: 2582: 2579: 2573: 2572: 2569: 2566: 2563: 2560: 2556: 2555: 2552: 2549: 2546: 2543:The Acid Queen 2539: 2535: 2534: 2531: 2528: 2527:John Entwistle 2525: 2524:"Cousin Kevin" 2522: 2518: 2517: 2514: 2511: 2508: 2501: 2497: 2496: 2493: 2490: 2487: 2484: 2473: 2469: 2468: 2465: 2459: 2458: 2455: 2452: 2447: 2440: 2436: 2435: 2432: 2429: 2426: 2423: 2419: 2418: 2415: 2412: 2409: 2406: 2402: 2401: 2398: 2391:John Entwistle 2387: 2384: 2381: 2377: 2376: 2373: 2370: 2367: 2364: 2360: 2359: 2356: 2353: 2350: 2343: 2339: 2338: 2335: 2332: 2329: 2326: 2312:Pete Townshend 2308: 2302: 2299: 2281:Main article: 2278: 2275: 2210:adaptation of 2197:Main article: 2194: 2191: 2162:Chris Stainton 2119:Jack Nicholson 2072:Main article: 2069: 2066: 2046:Colleen Hewett 2030:Doug Parkinson 1967:Richard Harris 1897:Main article: 1894: 1891: 1858: 1855: 1838: 1835: 1833: 1830: 1747:Deluxe Edition 1728:The Roundhouse 1577:Main article: 1574: 1571: 1537:Super Audio CD 1526:The Acid Queen 1471: 1468: 1305: 1304: 1275: 1267: 1266: 1263: 1255: 1254: 1225: 1217: 1216: 1187: 1179: 1178: 1175: 1169: 1168: 1139: 1131: 1130: 1127: 1119: 1118: 1089: 1081: 1080: 1051: 1045: 1044: 1041: 1037: 1036: 1026: 1023: 1019:Jazz & Pop 997:Albert Goldman 961:Richard Wagner 943:Ronnie Scott's 914:Tony Blackburn 877: 874: 760:demo recording 740:John Entwistle 676: 673: 655:the Beach Boys 616:Pete Townshend 602: 557: 554: 522:Pinball Wizard 511:hallucinogenic 503:The Acid Queen 461: 458: 454:Super Audio CD 429:Jack Nicholson 427:and featuring 339:Pete Townshend 325:is the fourth 316: 315: 312: 311: 309: 308: 291: 274: 267:Pinball Wizard 260: 257: 256: 246: 245: 242: 241: 232: 223: 209: 208: 204: 203: 200: 199: 196: 195: 186: 177: 163: 162: 155: 154: 149: 143: 142: 131: 125: 124: 113: 109: 108: 103: 97: 96: 86: 82: 81: 78: 74: 73: 63: 59: 58: 53: 46: 45: 37: 36: 28: 24: 14: 13: 10: 9: 6: 4: 3: 2: 8045: 8034: 8031: 8029: 8026: 8024: 8021: 8019: 8016: 8014: 8011: 8009: 8006: 8004: 8001: 7999: 7996: 7994: 7991: 7989: 7986: 7984: 7981: 7980: 7978: 7971: 7961: 7953: 7952: 7949: 7943: 7940: 7938: 7937:Track Records 7935: 7933: 7930: 7928: 7925: 7923: 7920: 7918: 7915: 7913: 7912:Dougal Butler 7910: 7908: 7905: 7903: 7900: 7898: 7895: 7893: 7892: 7888: 7886: 7883: 7880: 7876: 7873: 7869: 7867: 7866: 7862: 7860: 7859: 7855: 7853: 7852: 7848: 7846: 7845: 7841: 7839: 7838: 7834: 7832: 7831: 7827: 7825: 7822: 7820: 7817: 7815: 7812: 7810: 7807: 7806: 7804: 7800: 7794: 7791: 7789: 7786: 7784: 7781: 7779: 7776: 7774: 7771: 7769: 7766: 7764: 7761: 7759: 7756: 7755: 7753: 7749: 7743: 7740: 7738: 7737:Scott Devours 7735: 7733: 7730: 7728: 7725: 7723: 7720: 7718: 7715: 7713: 7710: 7708: 7705: 7703: 7700: 7698: 7695: 7693: 7690: 7688: 7685: 7683: 7680: 7678: 7675: 7673: 7670: 7668: 7665: 7663: 7660: 7658: 7655: 7653: 7650: 7648: 7645: 7643: 7642:Chris Townson 7640: 7638: 7635: 7633: 7630: 7629: 7627: 7623: 7617: 7614: 7612: 7610: 7605: 7603: 7600: 7598: 7595: 7593: 7590: 7588: 7585: 7583: 7580: 7578: 7575: 7573: 7570: 7568: 7565: 7562: 7558: 7555: 7553: 7550: 7548: 7545: 7543: 7540: 7539: 7537: 7535: 7529: 7523: 7520: 7518: 7515: 7513: 7510: 7508: 7507:Roger Daltrey 7505: 7503: 7500: 7499: 7497: 7495:Discographies 7493: 7487: 7486: 7482: 7480: 7479: 7475: 7473: 7472: 7468: 7466: 7465: 7461: 7459: 7458: 7457:The Vegas Job 7454: 7452: 7451: 7447: 7445: 7444: 7440: 7438: 7437: 7433: 7431: 7430: 7426: 7424: 7423: 7419: 7417: 7416: 7412: 7410: 7409: 7405: 7403: 7402: 7398: 7396: 7395: 7391: 7389: 7388: 7384: 7383: 7381: 7377: 7371: 7370: 7366: 7364: 7363: 7359: 7357: 7356: 7352: 7351: 7349: 7345: 7339: 7338: 7334: 7332: 7331: 7330:Greatest Hits 7327: 7325: 7324: 7320: 7318: 7317: 7313: 7311: 7310: 7306: 7304: 7303: 7302:Encore Series 7299: 7297: 7296: 7292: 7290: 7289: 7285: 7283: 7282: 7278: 7276: 7275: 7271: 7269: 7268: 7267:Two's Missing 7264: 7262: 7261: 7260:Who's Missing 7257: 7255: 7254: 7250: 7248: 7247: 7243: 7241: 7240: 7236: 7234: 7233: 7229: 7227: 7226: 7222: 7220: 7219: 7215: 7213: 7212: 7208: 7206: 7205: 7201: 7199: 7198: 7194: 7192: 7191: 7187: 7185: 7184: 7180: 7179: 7177: 7173: 7167: 7166: 7162: 7160: 7159: 7155: 7153: 7152: 7148: 7146: 7145: 7141: 7140: 7138: 7134: 7128: 7127: 7123: 7121: 7120: 7116: 7114: 7113: 7109: 7107: 7106: 7102: 7100: 7099: 7095: 7093: 7092: 7088: 7086: 7085: 7081: 7079: 7078: 7074: 7072: 7071: 7067: 7065: 7064: 7060: 7058: 7057: 7056:Join Together 7053: 7051: 7050: 7046: 7044: 7043: 7042:Live at Leeds 7039: 7038: 7036: 7032: 7026: 7025: 7021: 7019: 7018: 7014: 7012: 7011: 7007: 7005: 7004: 7000: 6998: 6997: 6993: 6991: 6990: 6986: 6984: 6983: 6979: 6977: 6976: 6972: 6970: 6969: 6965: 6963: 6962: 6958: 6956: 6955: 6951: 6949: 6948: 6944: 6943: 6941: 6939:Studio albums 6937: 6931: 6928: 6926: 6923: 6921: 6918: 6916: 6913: 6912: 6909: 6908: 6904: 6902: 6901: 6900:Roger Daltrey 6897: 6896: 6893: 6889: 6882: 6877: 6875: 6870: 6868: 6863: 6862: 6859: 6846: 6845: 6841: 6839: 6838: 6834: 6832: 6831: 6827: 6825: 6824: 6820: 6818: 6817: 6813: 6811: 6810: 6806: 6804: 6803: 6799: 6797: 6796: 6792: 6790: 6789: 6785: 6783: 6782: 6778: 6776: 6775: 6771: 6769: 6768: 6767:My Generation 6764: 6763: 6759: 6753: 6752: 6748: 6746: 6745: 6744:Two's Missing 6741: 6739: 6736: 6735: 6733: 6729: 6723: 6722: 6718: 6717: 6715: 6711: 6705: 6703: 6698: 6696: 6693: 6692: 6690: 6688: 6682: 6675: 6674: 6670: 6668: 6667: 6666:Live at Leeds 6663: 6661: 6660: 6656: 6654: 6653: 6649: 6648: 6646: 6644: 6637: 6630: 6629: 6625: 6621: 6618: 6617: 6615: 6614: 6610: 6607: 6606: 6602: 6601: 6599: 6595: 6580: 6576: 6573: 6569: 6566: 6562: 6561: 6559: 6555: 6548: 6544: 6541: 6537: 6536: 6534: 6530: 6527: 6523: 6512: 6508: 6505: 6501: 6500: 6498: 6494: 6487: 6483: 6480: 6476: 6475: 6473: 6469: 6466: 6462: 6459: 6455: 6451: 6450: 6442: 6437: 6435: 6430: 6428: 6423: 6422: 6419: 6413: 6410: 6406: 6403: 6401: 6399: 6395: 6392: 6389: 6388: 6386: 6382: 6380: 6377: 6374: 6370: 6369: 6365: 6364: 6360: 6356: 6352: 6348: 6344: 6341: 6337: 6334: 6330: 6329:0-679-43066-0 6326: 6322: 6318: 6314: 6310: 6306: 6302: 6300:9781847862112 6296: 6292: 6287: 6285: 6284:1-903318-76-9 6281: 6277: 6273: 6270: 6266: 6265: 6261: 6255: 6249: 6245: 6240: 6236: 6230: 6226: 6222: 6221: 6216: 6212: 6208: 6204: 6198: 6194: 6189: 6185: 6179: 6175: 6171: 6167: 6163: 6161:1-57859-061-2 6157: 6153: 6152: 6146: 6142: 6136: 6132: 6128: 6123: 6122: 6118: 6109: 6105: 6099: 6096: 6091: 6087: 6081: 6078: 6073: 6069: 6063: 6060: 6054: 6050: 6044: 6041: 6038: 6031: 6027: 6022: 6016: 6013: 6009: 6004: 6001: 5997: 5992: 5989: 5985: 5980: 5977: 5973: 5970:(in German). 5969: 5964: 5961: 5957: 5956: 5951: 5949: 5942: 5939: 5935: 5931: 5926: 5923: 5919: 5914: 5911: 5907: 5903: 5902: 5897: 5892: 5889: 5884: 5882:0-646-11917-6 5878: 5874: 5870: 5864: 5861: 5848: 5844: 5838: 5835: 5823:. 14 May 2019 5822: 5818: 5812: 5809: 5796: 5792: 5786: 5783: 5771: 5767: 5760: 5757: 5745: 5741: 5737: 5733: 5726: 5723: 5711: 5707: 5701: 5698: 5686: 5682: 5678: 5674: 5667: 5664: 5651: 5647: 5641: 5638: 5633: 5627: 5623: 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4889: 4884:|people= 4876: 4868: 4862: 4859: 4855: 4850: 4848: 4844: 4832: 4828: 4822: 4819: 4807: 4801: 4797: 4793: 4792: 4784: 4782: 4778: 4773: 4768:|people= 4760: 4752: 4746: 4744: 4740: 4736: 4731: 4729: 4725: 4721: 4716: 4713: 4700: 4694: 4692: 4688: 4684: 4672: 4668: 4661: 4658: 4654: 4649: 4646: 4641: 4640: 4639:High Fidelity 4632: 4629: 4624: 4622:0-226-03959-5 4618: 4614: 4610: 4609: 4601: 4599: 4595: 4590: 4584: 4580: 4573: 4570: 4558: 4557:Rolling Stone 4554: 4548: 4545: 4532: 4531: 4530:Rolling Stone 4526: 4520: 4517: 4512: 4511:Rolling Stone 4505: 4502: 4497: 4495:0-7535-0493-6 4491: 4487: 4483: 4482: 4477: 4471: 4468: 4455: 4451: 4446: 4438: 4435: 4423: 4422:Rolling Stone 4419: 4412: 4410: 4406: 4402: 4397: 4394: 4381: 4377: 4370: 4367: 4362: 4361: 4353: 4351: 4347: 4335: 4331: 4327: 4321: 4318: 4314: 4309: 4306: 4293: 4292: 4291:Rolling Stone 4287: 4280: 4277: 4265: 4261: 4254: 4251: 4246: 4245: 4237: 4234: 4230: 4225: 4222: 4217: 4211: 4207: 4203: 4202: 4197: 4196:Larkin, Colin 4191: 4188: 4176: 4175: 4170: 4163: 4161: 4159: 4155: 4143: 4139: 4132: 4129: 4116: 4115: 4114:Life Magazine 4110: 4104: 4101: 4088: 4087: 4082: 4078: 4072: 4069: 4065: 4060: 4057: 4053: 4048: 4046: 4042: 4038: 4033: 4030: 4026: 4021: 4019: 4017: 4013: 4005: 3999: 3996: 3984: 3980: 3974: 3971: 3967: 3962: 3960: 3958: 3956: 3952: 3948: 3944: 3939: 3936: 3932: 3927: 3925: 3923: 3921: 3917: 3913: 3908: 3905: 3901: 3896: 3893: 3889: 3884: 3881: 3877: 3872: 3869: 3865: 3860: 3858: 3856: 3852: 3848: 3843: 3841: 3837: 3833: 3828: 3825: 3821: 3816: 3813: 3809: 3804: 3801: 3797: 3792: 3789: 3785: 3780: 3778: 3774: 3770: 3765: 3762: 3758: 3753: 3750: 3746: 3741: 3739: 3735: 3731: 3726: 3723: 3710: 3706: 3702: 3695: 3693: 3689: 3685: 3680: 3677: 3673: 3668: 3666: 3664: 3660: 3656: 3651: 3648: 3644: 3639: 3636: 3632: 3627: 3624: 3620: 3615: 3612: 3608: 3603: 3600: 3596: 3591: 3588: 3584: 3579: 3576: 3572: 3567: 3564: 3560: 3555: 3552: 3548: 3543: 3540: 3536: 3531: 3528: 3524: 3519: 3516: 3512: 3507: 3504: 3500: 3495: 3492: 3488: 3483: 3480: 3476: 3471: 3468: 3464: 3459: 3456: 3452: 3447: 3444: 3440: 3435: 3433: 3431: 3427: 3423: 3418: 3416: 3414: 3410: 3405: 3401: 3394: 3391: 3386: 3382: 3375: 3372: 3360: 3356: 3349: 3346: 3341: 3337: 3331: 3328: 3323: 3317: 3314: 3307: 3298: 3295: 3289: 3283: 3269: 3266: 3263: 3258: 3254: 3251: 3248: 3242: 3237: 3233: 3230: 3227: 3224:New Zealand ( 3222: 3218: 3215: 3212: 3207: 3203: 3200: 3197: 3192: 3188: 3183:Certification 3178: 3175: 3166: 3156: 3151: 3144: 3139: 3131:Chart (2013) 3129: 3126: 3112: 3107: 3099:Chart (2002) 3097: 3094: 3080: 3075: 3067:Chart (1976) 3065: 3062: 3049: 3047: 3041: 3034: 3030: 3026: 3019: 3018:Album Top 100 3014: 3007: 3006: 3000: 2993: 2988: 2978: 2975: 2966: 2961: 2958: 2955: 2951: 2948: 2946: 2942: 2939: 2937: 2933: 2932:Roger Daltrey 2930: 2929: 2928: 2927: 2920: 2912: 2909:Total length: 2902: 2899: 2896: 2893: 2889: 2885: 2881: 2878: 2876: 2873: 2870: 2866: 2862: 2859: 2856: 2853: 2849: 2845: 2842: 2839: 2836: 2832: 2828: 2824: 2821: 2818: 2815: 2811: 2807: 2804: 2801: 2798: 2794: 2775: 2762: 2759:Total length: 2752: 2749: 2746: 2743: 2739: 2735: 2732: 2729: 2726: 2722: 2718: 2715: 2712: 2709: 2705: 2701: 2698: 2695: 2692: 2688: 2684: 2680: 2677: 2674: 2671: 2667: 2663: 2660: 2657: 2654: 2650: 2646: 2642: 2639: 2636: 2633: 2629: 2625: 2622: 2619: 2616: 2612: 2593: 2580: 2577:Total length: 2570: 2567: 2564: 2561: 2557: 2553: 2550: 2547: 2544: 2540: 2536: 2532: 2529: 2526: 2523: 2519: 2515: 2512: 2509: 2506: 2502: 2498: 2479: 2466: 2463:Total length: 2456: 2453: 2451: 2448: 2445: 2441: 2437: 2433: 2430: 2427: 2424: 2420: 2416: 2413: 2410: 2407: 2403: 2399: 2396: 2395:Roger Daltrey 2392: 2388: 2385: 2382: 2378: 2374: 2371: 2368: 2365: 2361: 2357: 2354: 2351: 2348: 2344: 2340: 2321: 2315: 2313: 2307: 2301:Track listing 2300: 2298: 2296: 2292: 2286: 2285: 2276: 2274: 2272: 2268: 2264: 2260: 2256: 2252: 2248: 2247:Wayne Cilento 2244: 2243:Best Director 2240: 2236: 2232: 2231:Rolling Stone 2229:, writing in 2228: 2223: 2221: 2217: 2213: 2209: 2208:stage musical 2202: 2201: 2193:Stage musical 2192: 2190: 2186: 2184: 2179: 2177: 2173: 2172: 2167: 2163: 2159: 2158:Nicky Hopkins 2155: 2151: 2147: 2143: 2139: 2134: 2132: 2128: 2124: 2123:Stevie Wonder 2120: 2116: 2112: 2108: 2104: 2100: 2096: 2092: 2088: 2084: 2078: 2076: 2067: 2065: 2063: 2059: 2055: 2051: 2047: 2043: 2039: 2035: 2031: 2027: 2023: 2019: 2015: 2011: 2006: 2004: 2000: 1996: 1992: 1988: 1984: 1983:Roger Chapman 1980: 1976: 1972: 1971:Peter Sellers 1968: 1964: 1960: 1959:Merry Clayton 1956: 1955:Richie Havens 1952: 1948: 1947:Steve Winwood 1944: 1940: 1936: 1931: 1929: 1925: 1924:David Measham 1922:conducted by 1921: 1917: 1913: 1909: 1903: 1901: 1892: 1890: 1888: 1884: 1880: 1879:Moore Theatre 1876: 1872: 1868: 1864: 1863:Seattle Opera 1861:In 1971, the 1856: 1854: 1852: 1848: 1844: 1836: 1831: 1829: 1827: 1823: 1819: 1818:Steve Winwood 1815: 1814:Patti LaBelle 1811: 1807: 1804: 1803: 1798: 1797: 1796:Join Together 1791: 1787: 1782: 1780: 1779: 1774: 1773: 1768: 1764: 1763: 1758: 1754: 1753: 1752:Live at Leeds 1748: 1744: 1740: 1735: 1733: 1729: 1725: 1724:1970 festival 1721: 1717: 1713: 1709: 1705: 1701: 1697: 1693: 1692:Fillmore East 1689: 1682: 1678: 1673: 1669: 1667: 1663: 1659: 1655: 1651: 1650:John Sinclair 1647: 1646:Abbie Hoffman 1642: 1638: 1633: 1631: 1627: 1623: 1619: 1615: 1611: 1607: 1602: 1599: 1594: 1590: 1586: 1580: 1572: 1570: 1568: 1567: 1566:Live at Leeds 1562: 1558: 1554: 1550: 1546: 1545:Rolling Stone 1542: 1538: 1534: 1529: 1527: 1523: 1519: 1518:8 track tapes 1515: 1510: 1506: 1502: 1498: 1496: 1491: 1489: 1485: 1484:Alan Aldridge 1480: 1476: 1469: 1467: 1465: 1461: 1456: 1453: 1449: 1447: 1446: 1445:High Fidelity 1441: 1437: 1433: 1429: 1425: 1421: 1417: 1416:Martha Bayles 1412: 1410: 1409: 1404: 1400: 1396: 1395:Rolling Stone 1392: 1391: 1386: 1382: 1377: 1375: 1371: 1370:Rolling Stone 1367: 1363: 1362: 1357: 1353: 1352: 1348:, writing in 1347: 1343: 1342: 1337: 1336: 1331: 1324: 1320: 1316: 1312: 1276: 1274: 1273: 1269: 1268: 1264: 1262: 1261: 1257: 1256: 1226: 1224: 1223: 1219: 1218: 1188: 1186: 1185: 1184:Rolling Stone 1181: 1180: 1176: 1174: 1171: 1170: 1140: 1138: 1137: 1133: 1132: 1128: 1126: 1125: 1121: 1120: 1090: 1088: 1087: 1083: 1082: 1052: 1050: 1047: 1046: 1038: 1035:Review scores 1033: 1024: 1022: 1020: 1016: 1012: 1008: 1004: 1003: 999:, writing in 998: 994: 990: 986: 982: 981: 976: 972: 971: 966: 962: 958: 954: 950: 949: 944: 940: 936: 935: 929: 927: 923: 922:Pete Drummond 919: 915: 911: 905: 903: 897: 895: 891: 890:Track Records 887: 883: 875: 873: 871: 867: 863: 857: 855: 854: 849: 845: 841: 840: 834: 833: 827: 825: 824:Rolling Stone 821: 820: 815: 814:Decca Records 810: 803: 802: 797: 794:Recording at 792: 790: 786: 782: 781: 776: 772: 768: 763: 761: 757: 756:Roger Daltrey 753: 749: 745: 741: 737: 733: 729: 725: 721: 717: 712: 710: 706: 702: 698: 694: 690: 686: 682: 674: 672: 669: 665: 664: 663:Rolling Stone 658: 656: 652: 647: 643: 639: 635: 632: 631: 624: 622:, August 1968 621: 617: 611: 608: 601: 595: 594: 589: 585: 581: 580: 575: 571: 567: 563: 555: 553: 551: 547: 543: 539: 535: 531: 527: 526:psychosomatic 523: 519: 514: 512: 508: 504: 500: 496: 492: 488: 483: 481: 477: 472: 470: 466: 459: 457: 455: 451: 447: 443: 441: 438: 434: 430: 426: 423:directed by 422: 418: 414: 413:Seattle Opera 409: 407: 403: 398: 393: 391: 387: 383: 379: 375: 371: 367: 363: 359: 354: 352: 349:and an early 348: 344: 340: 336: 332: 328: 324: 323: 313: 302: 298: 292: 285: 281: 275: 268: 262: 261: 258: 255: 251: 247: 238: 237: 236:Live at Leeds 233: 229: 228: 224: 220: 219: 215: 214: 210: 205: 201: 192: 191: 190:Live at Leeds 187: 183: 182: 178: 174: 173: 169: 168: 164: 161:UK chronology 160: 156: 153: 150: 148: 144: 140: 135: 132: 130: 126: 114: 110: 107: 104: 102: 98: 94: 90: 87: 83: 79: 75: 64: 60: 56: 51: 47: 43: 38: 33: 27: 19: 7970: 7889: 7863: 7856: 7849: 7842: 7835: 7828: 7819:Band members 7637:Julian Covey 7608: 7534:performances 7483: 7476: 7469: 7462: 7455: 7448: 7441: 7434: 7427: 7420: 7413: 7406: 7401:Quadrophenia 7399: 7392: 7385: 7367: 7360: 7353: 7335: 7328: 7321: 7316:Then and Now 7314: 7307: 7300: 7293: 7286: 7279: 7272: 7265: 7258: 7251: 7244: 7237: 7230: 7223: 7216: 7209: 7202: 7195: 7188: 7181: 7163: 7158:Quadrophenia 7156: 7149: 7142: 7124: 7117: 7110: 7103: 7096: 7089: 7082: 7075: 7070:BBC Sessions 7068: 7061: 7054: 7047: 7040: 7022: 7017:Endless Wire 7015: 7008: 7001: 6994: 6987: 6982:Quadrophenia 6980: 6973: 6967: 6966: 6959: 6952: 6945: 6930:Kenney Jones 6905: 6898: 6842: 6837:Endless Wire 6835: 6828: 6821: 6814: 6807: 6802:Quadrophenia 6800: 6793: 6787: 6786: 6779: 6772: 6765: 6749: 6742: 6719: 6701: 6686: 6671: 6664: 6657: 6650: 6642: 6641:majority of 6626: 6616:(1975 film) 6611: 6603: 6448: 6447: 6397: 6384: 6366: 6346: 6339: 6332: 6320: 6316: 6290: 6275: 6268: 6243: 6218: 6192: 6173: 6150: 6126: 6119:Bibliography 6098: 6080: 6062: 6043: 6033: 6029: 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Retrieved 3358: 3348: 3339: 3330: 3316: 3297: 3275: 3267:2× Platinum 3246: 3173: 3124: 3092: 3060: 3045: 3003: 2973: 2925: 2924: 2568:instrumental 2431:instrumental 2366:"It's a Boy" 2309: 2304: 2290: 2288: 2283: 2254: 2241:in 1993 for 2230: 2224: 2211: 2204: 2199: 2187: 2180: 2176:Kenney Jones 2169: 2141: 2135: 2115:Arthur Brown 2111:Eric Clapton 2082: 2080: 2074: 2058:Bobby Bright 2050:Linda George 2026:Billy Thorpe 2024:(as Tommy), 2007: 1979:Elkie Brooks 1932: 1927: 1911: 1905: 1899: 1883:Bette Midler 1870: 1860: 1850: 1840: 1810:Phil Collins 1800: 1794: 1789: 1785: 1783: 1776: 1770: 1766: 1760: 1756: 1750: 1746: 1742: 1738: 1736: 1731: 1719: 1712:opera houses 1707: 1703: 1687: 1686: 1676: 1665: 1634: 1629: 1609: 1603: 1597: 1584: 1582: 1564: 1552: 1544: 1532: 1530: 1504: 1503: 1499: 1492: 1474: 1473: 1463: 1459: 1457: 1450: 1443: 1431: 1419: 1413: 1406: 1398: 1394: 1388: 1385:Colin Larkin 1378: 1374:classic-rock 1369: 1365: 1359: 1355: 1349: 1341:Quadrophenia 1339: 1333: 1322: 1314: 1308: 1270: 1258: 1220: 1182: 1134: 1122: 1084: 1018: 1014: 1010: 1000: 984: 978: 968: 956: 946: 934:Melody Maker 932: 930: 906: 898: 881: 879: 858: 851: 843: 837: 830: 828: 823: 817: 801:Melody Maker 799: 793: 778: 764: 738:and bassist 724:Gibson J-200 713: 704: 700: 696: 692: 688: 684: 678: 661: 659: 634:art director 628: 626: 613: 606: 604: 591: 577: 569: 559: 542:holiday camp 534:mental block 515: 509:, causing a 484: 473: 468: 464: 463: 445: 444: 410: 401: 396: 394: 389: 365: 357: 355: 347:double album 342: 327:studio album 321: 320: 319: 253: 234: 226: 225: 216: 188: 180: 179: 170: 50:Studio album 26: 8013:Rock operas 7988:1969 albums 7927:Chris Stamp 7922:Kit Lambert 7902:Kim McLagan 7742:Zak Starkey 7712:Frank Simes 7687:J. J. Blair 7682:Brian Kehew 7677:Steve White 7647:Scot Halpin 7379:Filmography 7246:The Singles 7190:Direct Hits 7034:Live albums 7003:Face Dances 6996:Who Are You 6925:Doug Sandom 6823:Face Dances 6816:Who Are You 6774:A Quick One 6597:Adaptations 6170:Marsh, Dave 5869:Kent, David 5821:rdevans.com 5144:Atkins 2000 5132:Atkins 2000 4963:Atkins 2000 4901:Atkins 2000 4854:Atkins 2000 4699:"Biography" 4671:Pop Matters 4081:"Whooopee!" 3988:2 September 3947:Atkins 2000 3796:Atkins 2000 3439:Atkins 2000 3422:Atkins 2000 2954:French horn 2788:Lead vocals 2744:"Sensation" 2606:Lead vocals 2562:"Underture" 2492:Lead vocals 2334:Lead vocals 2220:Des McAnuff 2154:Ronnie Wood 2150:Caleb Quaye 2146:synthesizer 2127:multi-track 2107:Tina Turner 2099:Oliver Reed 2095:Ann-Margret 2091:Ken Russell 2077:(1975 film) 2062:Ian Meldrum 2054:Ross Wilson 2018:Graham Bell 2003:Jon Pertwee 1987:Marsha Hunt 1975:David Essex 1963:Ringo Starr 1951:Rod Stewart 1943:Sandy Denny 1939:Maggie Bell 1935:Graham Bell 1908:Lou Reizner 1522:French horn 1393:. In 2003, 993:Frank Zappa 953:Kit Lambert 939:Chris Welch 918:BBC Radio 1 809:Chris Welch 744:french horn 742:doubled on 681:IBC Studios 651:the Beatles 620:Jann Wenner 618:talking to 579:A Quick One 562:Kit Lambert 433:Oliver Reed 425:Ken Russell 419:in 1972, a 417:Lou Reizner 172:Direct Hits 152:Kit Lambert 7977:Categories 7942:Shel Talmy 7879:In Concert 7707:Loren Gold 7702:Jon Button 7657:Tim Gorman 7611:& More 7547:Tommy Tour 7522:Keith Moon 7049:Who's Last 6975:Who's Next 6920:Keith Moon 6795:Who's Next 6704:& More 6695:Tommy Tour 6620:soundtrack 6532:Side three 6211:Kemp, Mark 6176:. Plexus. 6030:and click 5853:6 December 5775:26 October 5749:26 October 5459:Marsh 1983 5444:Marsh 1983 5420:Marsh 1983 5321:Marsh 1983 5271:16 October 5233:10 October 5156:Marsh 1983 5108:Marsh 1983 5023:Marsh 1983 5011:Marsh 1983 4999:Marsh 1983 4987:Marsh 1983 4975:Marsh 1983 4735:Marsh 1983 4720:Marsh 1983 4676:12 January 4653:Marsh 1983 4452:. London. 4382:. New York 4294:. New York 4260:"Xgau Sez" 4089:. New York 4064:Marsh 1983 4052:Marsh 1983 4025:Marsh 1983 3888:Marsh 1983 3864:Marsh 1983 3847:Marsh 1983 3820:Marsh 1983 3808:Marsh 1983 3784:Marsh 1983 3769:Marsh 1983 3745:Marsh 1983 3684:Marsh 1983 3631:Marsh 1983 3619:Marsh 1983 3607:Marsh 1983 3595:Marsh 1983 3571:Marsh 1983 3559:Marsh 1983 3547:Marsh 1983 3535:Marsh 1983 3523:Marsh 1983 3511:Marsh 1983 3499:Marsh 1983 3487:Marsh 1983 3475:Marsh 1983 3463:Marsh 1983 3451:Marsh 1983 3308:References 3270:2,000,000 3157:Wallonia) 3145:Flanders) 2960:Keith Moon 2875:Keith Moon 2590:Side three 2444:The Hawker 2239:Tony Award 2103:Elton John 1991:Bill Oddie 1826:Billy Idol 1822:Elton John 1579:Tommy Tour 1514:Jon Astley 1495:Meher Baba 1452:Dave Marsh 1436:Mussorgsky 1021:magazine. 989:rock music 926:Meher Baba 771:Meher Baba 748:Keith Moon 720:overdubbed 668:Dave Marsh 646:Keith Moon 638:Meher Baba 566:rock opera 556:Background 491:The Hawker 450:Jon Astley 442:in 1992. 384:, and the 362:Meher Baba 351:rock opera 69:1969-05-19 7897:No Plan B 7837:Lifehouse 7672:Jon Carin 7625:Musicians 7572:2000 tour 7567:1980 tour 7557:1979 tour 7532:Tours and 7225:Hooligans 7010:It's Hard 6830:It's Hard 6751:Lifehouse 6557:Side four 6504:Christmas 6309:227198538 6131:McFarland 5955:Billboard 5948:Billboard 5827:15 August 5801:15 August 5744:0362-4331 5685:0099-9660 5517:15 August 5344:18 August 4943:15 August 4886:ignored ( 4836:18 August 4811:6 October 4770:ignored ( 4705:6 October 4636:"Tommy". 4401:Kemp 2004 4326:Hull, Tom 4313:Kemp 2004 3983:Billboard 3136:position 3104:position 3072:position 3046:Billboard 3029:UK Albums 2985:position 2936:harmonica 2921:Personnel 2879:Townshend 2854:"Welcome" 2785:Writer(s) 2772:Side four 2750:Townshend 2640:Entwistle 2637:Entwistle 2603:Writer(s) 2551:Townshend 2505:Christmas 2489:Writer(s) 2397:on chorus 2372:Townshend 2355:Townshend 2331:Writer(s) 2295:Woodstock 2218:director 2068:1975 film 2038:Jim Keays 1772:Woodstock 1675:By 1970, 1662:Bob Dylan 1641:Woodstock 1442:itself." 1424:hard rock 1346:Mark Kemp 1007:hard rock 870:mastering 775:the Doors 728:Gibson SG 675:Recording 574:I'm a Boy 520:player (" 370:Woodstock 106:Hard rock 7960:Category 7885:Double O 7793:The Wick 7773:Quarwood 6565:I'm Free 6525:Disc two 6496:Side two 6479:Overture 6471:Side one 6464:Disc one 6213:(2004). 6172:(1983). 5871:(1993). 5770:Playbill 5656:13 March 5512:AllMusic 5390:13 April 5339:AllMusic 5203:AllMusic 5173:AllMusic 4919:AllMusic 4831:AllMusic 4478:(2000). 4454:Archived 4328:(n.d.). 4269:14 March 4198:(2007). 4174:AllMusic 4147:17 April 3255:100,000 3204:100,000 3194:France ( 3155:Ultratop 3143:Ultratop 2956:, vocals 2835:I'm Free 2476:Side two 2425:"Sparks" 2347:Overture 2318:Side one 2245:, while 2235:Broadway 2171:Stardust 2081:In 1975 1999:Roy Wood 1694:, where 1549:libretto 1531:In 2003 1488:triptych 1428:art rock 1330:AllMusic 1049:AllMusic 848:Nik Cohn 767:I'm Free 538:I'm Free 495:sadistic 476:Overture 460:Synopsis 437:Broadway 280:I'm Free 147:Producer 95:, London 77:Recorded 62:Released 52: by 7802:Related 7502:The Who 6888:The Who 6373:Discogs 6028:THE WHO 6026:Select 5715:16 July 5690:16 July 5646:"Tommy" 4562:2 March 4339:19 July 3219:25,000 3209:Italy ( 3189:/sales 3180:Region 2926:The Who 2843:Daltrey 2822:Daltrey 2733:Daltrey 2454:Daltrey 2414:Daltrey 2265:at the 2263:revival 1914:at the 1875:Seattle 1626:Chicago 1618:Detroit 1557:Blu-ray 752:Premier 701:Omnibus 518:pinball 440:musical 335:the Who 250:Singles 240:(1970) 231:(1969) 222:(1968) 194:(1970) 185:(1969) 176:(1968) 159:The Who 67: ( 55:the Who 7218:Phases 6379:Lyrics 6353:  6327:  6307:  6297:  6282:  6250:  6231:  6199:  6180:  6158:  6137:  6036:  5879:  5742:  5683:  5628:  5603:  5091:  4802:  4619:  4585:  4533:. 2012 4492:  4460:25 May 4386:3 July 4298:3 July 4212:  4180:3 July 4121:3 July 4093:3 July 3715:9 June 3364:20 May 3234:7,500 2967:Charts 2897:  2857:  2840:  2819:  2802:  2791:Length 2747:  2730:  2713:  2696:  2675:  2658:  2620:  2609:Length 2565:  2548:  2510:  2495:Length 2428:  2411:  2386:  2383:"1921" 2369:  2352:  2337:Length 2117:, and 1845:group 1843:ballet 1593:Ealing 1541:B-Side 1043:Rating 1040:Source 598:  480:psyche 380:, the 376:, the 372:, the 254:Tommy 112:Length 93:Morgan 85:Studio 7809:Songs 7609:Tommy 7607:2017 7387:Tommy 7144:Tommy 6968:Tommy 6788:Tommy 6731:Other 6702:Tommy 6700:2017 6687:Tommy 6643:Tommy 6613:Tommy 6457:Songs 6449:Tommy 6385:Tommy 6368:Tommy 5950:200)" 4867:Tommy 4751:Tommy 4360:Uncut 4007:(PDF) 3290:Notes 3252:Gold 3231:Gold 3216:Gold 3201:Gold 3174:Tommy 3125:Tommy 3093:Tommy 3061:Tommy 2974:Tommy 2945:banjo 2913:19:36 2782:Title 2763:14:41 2600:Title 2581:22:18 2571:10:04 2486:Title 2467:18:09 2328:Title 2291:Tommy 2255:Tommy 2212:Tommy 2142:Tommy 2083:Tommy 2075:Tommy 1928:Tommy 1912:Tommy 1900:Tommy 1871:Tommy 1851:Tommy 1790:Tommy 1786:Tommy 1767:Tommy 1743:Tommy 1739:Tommy 1732:Tommy 1720:Tommy 1708:Tommy 1704:Tommy 1688:Tommy 1677:Tommy 1666:Tommy 1630:Tommy 1610:Tommy 1585:Tommy 1553:Tommy 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Index

Amazing Journey

Studio album
the Who
IBC
Morgan
Genre
Hard rock
Label
Track
Decca
Producer
Kit Lambert
The Who
Direct Hits
Live at Leeds
Magic Bus: The Who On Tour
Live at Leeds
Singles
Pinball Wizard
I'm Free
We're Not Gonna Take It
See Me, Feel Me
Overture from Tommy
studio album
rock
the Who
Pete Townshend
double album
rock opera

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