Amazing Stories - Knowledge (XXG)

5200:. For example, Gernsback was in control for the first three years, but Sloane performed all the editorial duties related to fiction, and he is sometimes described as the editor. Similarly, later editors were sometimes under the supervision of editorial directors. Bernard Davis held the title of "Editor" of all Ziff-Davis magazines when at that company, with the actual editing of the magazines done by respective "Managing Editors". The table below, and the charts above, generally follow the mastheads in the magazines, with short notes added. More details are given in the publishing history section, above, which focuses on when the editors involved actually obtained control of the magazine contents, instead of when their names appeared on the masthead. 5574:

bimonthly. The March 1951 issue was followed by April and November, however, and in 1952 issues appeared in February, March, April, June, July, September and November. 1953 saw nine pulp issues, omitting only March and May; and with December came the change to digest-size and a perfectly regular bimonthly schedule that lasted until February 1955. These last eight issues were numbered volume 1, numbers 1 to 8. There was also a Canadian edition, which lasted for 24 issues, from September 1933 to August 1935, from Teck Publications; these were identical to the US editions except that the front covers were overprinted with "Printed in Canada on Canadian Paper". A Japanese edition ran for seven issues in mid-1950, selecting stories from

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instruction—"Gimme Bang-Bang"—to one pulp writer sums up his approach. Palmer disposed of almost all of Sloane's accumulated inventory, instead acquiring stories from local Chicago writers he knew through his connections with science fiction fandom. He also added features such as a "Correspondence Corner" and a "Collectors' Corner" to appeal to fans, and introduced a "Meet the Authors" feature, though on at least one occasion the featured author was a pseudonym, and the biographical details were invented. An illustrated back cover was tried, and soon became standard. In 1939 Palmer acquired

35: 3051:, distancing the magazine slightly from some of the pulp connotations of "Amazing Stories". White worked at a low wage, and his friends often read manuscripts for free, but despite his efforts the circulation continued to fall. From near 40,000 when White joined the magazine, the circulation fell to about 23,000 in October 1975. White was unwilling to continue with the very limited financial backing that Cohen provided, and he resigned in 1975. Cohen was able to convince White to remain; White promised to stay for one more year, but in the event remained as editor until late 1978. 5326:

1994 issue, and the next three issues were digest-sized again. When the magazine reappeared in 1998, it was in bedsheet format and remained that size until the very end. The last issue, March 2005, was distributed only as a PDF download, never as a physical magazine. The volume numbering contained some irregularities: the numbering given in the tables above appears to be in error for the period from 1979 to 1983, but in fact it is given correctly in the table. Vol. 27 no. 8 was a single issue, not two, as it seems to be from the table; it was dated Dec 1953/Jan 1954.

4901: 178: 4921:. Joseph Wrzos, the new editor, persuaded Cohen that at least one new story should appear in each issue; there was sufficient inventory left over from Goldsmith's tenure for this to be done without acquiring new material. Readers initially approved of the policy, since it made available some well-loved stories from earlier decades that had not been reprinted elsewhere. Both of Wrzos's successors, Harry Harrison and Barry Malzberg, were unable to persuade Cohen to use more new fiction. 5020:

stories on hand to work with initially, and as a result her first issues contained several reprints. Mavor experimented in her first year with some new ideas, such as starting a story on the back cover in order to hook readers into buying the magazine to finish the story. She also began a serial story in graphic format that used reader input to continue its plot. It was not a success and "thankfully", according to Mike Ashley, the experiment was terminated after only three episodes.

4432:"by reason of his parents' dislike of the cover illustrations". Gernsback experimented with a more sober cover for the September 1928 issue, but it sold poorly, and so the lurid covers continued. The combination of poor quality fiction with garish artwork has led some critics to comment that Gernsback created a "ghetto" for science fiction, though it has also been argued that the creation of a specialized market allowed science fiction to develop and mature as a genre. 4838:. Goldsmith often wrote long, helpful letters to her authors: Zelazny commented in a letter to her that "most of anything I have learned was stimulated by those first sales, and then I learned, and possibly even learned more, from some of the later rejections". Disch and Le Guin have also acknowledged the influence Goldsmith had on their early careers; Le Guin called her in 1975 "as enterprising and perceptive an editor as the science fiction magazines ever had". 4783: 4402: 3032:, by comparison, sold about 35% of its circulation through subscriptions. Cohen's wife mailed out the subscription copies from home, and Cohen had never tried to increase the subscriber base as this would have increased the burden on his wife. White worked hard to increase the circulation despite Cohen's lack of support, but met with limited success. One of his first changes was to reduce the 1518:, and Street & Smith decided to concentrate on their slick magazines. Some pulps struggled on for a few more years, but Browne was able to persuade Ziff and Davis that the future was in the slicks, and they raised his fiction budget from one cent to a ceiling of five cents per word. Browne managed to get promises of new stories from many well-known authors, including 889:" by G. Peyton Wertenbaker in the second issue, May 1926. In the August issue, new stories (still a minority) were noted with an asterisk in the table of contents. The editorial work was largely done by Sloane, but Gernsback retained final say over the fiction content. Two consultants, Conrad A. Brandt and Wilbur C. Whitehead, were hired to help find fiction to reprint. 4574: 4151:, a restaurant trade magazine. Mavor had read a good deal of science fiction but knew nothing about the world of science fiction magazines when she took over. She was not confident that a woman would be accepted as the editor of a science fiction magazine, so she initially used the pseudonym "Omar Gohagen" for both 2610:, and thought that he might be more amenable than Harrison to continuing the reprint policy. Malzberg took over in April, but immediately came into conflict with Cohen over the reprints, and then threatened to resign in October over a disagreement about artwork Malzberg had commissioned for a cover. Cohen contacted 4810:. Goldsmith had little previous experience with science fiction, and bought what she liked, rather than trying to conform to a notion of what science fiction should be. The result was the debut of more significant writers in her magazines than anywhere else at that time: she published the first stories of 5926:

An example of one fan of the genre reaching out to others is a 1929 letter by Earl Hess of McIntyre, FL. An excerpt reads: "... my plea is for help in getting together an independent experimental station, your part to be the putting into the public view of my desire to get in touch with chaps who are

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White's ability to attract new writers suffered because of the low rates he paid: one cent per word, as compared to three or five cents per word at the leading competitive magazines. To compensate, White cultivated new writers whose experimental work was not selling elsewhere. He made a deal in 1971

4589:, appeared in the March 1945 issue. Shaver claimed that all the world's accidents and disasters were caused by an ancient race of deros (short for "detrimental robots") who lived in underground cities. This explanation for the world's ills, coming towards the end of World War II, struck a chord with 4264:

Gernsback's editorial in the first issue asserted that "not only do these amazing tales make tremendously interesting reading—they are also always instructive". He had always believed that "scientifiction", as he called these stories, had educational power, but he now understood that the fiction had

2589:(SFWA), a professional writers' organization formed in 1965. Soon SFWA called for a boycott of Ultimate's magazines until Cohen agreed to make payments. Cohen agreed to pay a flat fee for all stories, and then in August 1967 this was changed to a graduated rate, depending on the length of the story. 905:

format, 8.5 × 11.75 in (216 × 298 mm), the same size as the technical magazines. It was an immediate success and by the following March reached a circulation of 150,000. Gernsback saw there was an enthusiastic readership for "scientifiction" (the term "science fiction" had not yet been coined),

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became a digest. Seven issues in the early 1980s, from November 1980 to November 1981, were a half-inch taller than the regular digest size, but thereafter the magazine reverted to the standard digest format. In May 1991 the magazine returned to a large format, but this lasted only until the Winter

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three times during his tenure in the 1970s. Several other owners attempted to create a modern incarnation of the magazine in the following decades, but publication was suspended after the March 2005 issue. A new incarnation appeared in July 2012 as an online magazine. Print publication resumed with

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Raymond Palmer, who took over in 1938 after production of the magazine was moved to Chicago, was less interested in the educational possibilities of science fiction than Sloane had been. He wanted the magazine to provide escapist entertainment, and had no interest in scientific accuracy. His terse

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Gernsback's initial editorial approach was to blend instruction with entertainment; he believed science fiction could educate readers. His audience rapidly showed a preference for implausible adventures, and the movement away from Gernsback's idealism accelerated when the magazine changed hands in

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began a second series that lasted until 1954, and totalled 32 issues. The Ziff-Davis issue and the first 24 issues from Thorpe & Porter were pulp-sized; the last eight were digests. The Thorpe & Porter issues were undated, but the pulp issues were numbered from 1 to 24, and were initially

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soon appeared, and became a regular feature with the January 1927 issue. Many science fiction readers were isolated in small communities, knowing nobody else who liked the same fiction. Gernsback's habit of publishing the full address of all his correspondents meant that the letter column allowed

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Lobsenz was introduced in the November 1958 editorial, as if he were the editor. His title was editorial director. According to Mike Ashley, who corresponded with Cele Lalli, he was brought in as a consultant, wrote the editorials and story blurbs, met intermittently with Goldsmith, and read the

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also contributed a story. The Paizo publishing relaunch, in 2004, was even more focused on media content than the Wizards of the Coast version had been, with much more movie and comics-related material than science fiction. Several well-known authors appeared in the first issue, including Harlan

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s readership. Palmer received over 2,500 letters, instead of the usual 40 or 50, and proceeded to print a Shaver story in every issue. The June 1947 issue was given over entirely to the Shaver Mystery. From March 1948 the Shaver Mystery was dropped as a regular feature of the magazine, at Ziff's

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survived with its existing staff, but Hugo and his brother, Sidney, were forced out as directors. Arthur H. Lynch took over as editor-in-chief, though Sloane continued to have effective control of the magazine's contents. The receivers, Irving Trust, sold the magazine to Bergan A. Mackinnon on 3

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When Elinor Mavor took over, in early 1979, she had no experience with science fiction magazines, and was unaware of the history of bad feeling within the science fiction community about the poor payments for reprinted stories. She was given an extremely limited budget to work with, and had few

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would benefit from a redesign and investment; he made the same suggestions to Bernhard in early October. According to White, Bernhard not only said no, but told him he would not receive a salary until the next issue was turned in. In late 1978 White resigned, and returned all manuscripts in his

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s circulation (at nearly 26,000) was as good as it had been for several years. Cohen looked for a new publisher to buy the magazines, but in September of the following year sold his half-share in the company to his partner, Arthur Bernhard. White had occasionally suggested to Cohen that

922:. It continued on a fairly regular schedule for 22 issues. Gernsback was slow to pay his authors and creditors; the extent of his investments limited his liquidity. On 20 February 1929 his printer and paper supplier opened bankruptcy proceedings against him. It has been suggested that 2599:, which Harrison had been editing, had folded in February 1967, so Harrison was available. He secured Cohen's agreement that the policy of printing almost nothing but reprinted stories would be phased out by the end of the year, and took over as editor with the September 1967 issue. 4412:

later said that Gernsback's magazine published "the kind of stories Gernsback himself used to write: a sort of animated catalogue of gadgets". Gernsback discovered that the audience he had attracted was less interested in scientific invention stories than in fantastical adventures.

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s readers. Other stories, such as Rich Brown's "Two of a Kind", about the violent rape of a black woman and the subsequent death of her rapists, also led to controversy. White printed more conventional fiction as well, much of it high quality. The magazine was nominated for the

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because Gernsback took so long to pay for the stories he printed. The slow payments were probably known to many of the other active pulp writers, which would have further limited the volume of submissions. New writers did appear, but the quality of their stories was often weak.

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to tell Palmer to limit the amount of Shaver-related material in the magazine; Palmer complied, but his interest (and possibly belief) in this sort of material was now significant, and he soon began planning to leave Ziff-Davis. In 1947 he formed Clark Publications, launching

225:, a magazine aimed at the scientific hobbyist. It was an immediate success, and Gernsback began to include articles on imaginative uses of science, such as "Wireless on Saturn" (December 1908). In April 1911, Gernsback began the serialization of his science fiction novel, 4657:, all within nine months in late 1950 and early 1951. Browne was disappointed by the cancellation of the planned slick version, and to some extent reverted to Palmer's policy of publishing sensational fiction. In 1952, for example, he serialized the anonymous 4916:

in early 1965, he decided to maximize profits by filling the magazines almost entirely with reprints. Cohen had acquired second serial rights from Ziff-Davis to all stories that had been printed in both magazines, and also in the companion magazines such as

252:, and sent a letter to 25,000 people to gauge interest in the possibility of a magazine devoted to scientific fiction; in his words, "the response was such that the idea was given up for two years." In 1926, he decided to proceed, and ceased publication of 115:

format in 1953, shortly before the end of the pulp-magazine era. It was sold to Sol Cohen's Universal Publishing Company in 1965, which filled it with reprinted stories but did not pay a reprint fee to the authors, creating a conflict with the newly formed

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circulation, and in November 1938, the magazine went monthly again, though this did not last throughout Palmer's tenure: between 1944 and 1946 the magazine was bimonthly and then quarterly for a while before returning to a longer-lasting monthly schedule.

4473:, he submitted it to Sloane, and it appeared in the August–October 1928 issues. It was such a success that Sloane requested a sequel before the second installment had been published. It was also in the August 1928 issue that "Armageddon – 2419 AD", by 90:

has been published, with some interruptions, for 98 years, going through a half-dozen owners and many editors as it struggled to be profitable. Gernsback was forced into bankruptcy and lost control of the magazine in 1929. In 1938 it was purchased by

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With the Wizards of the Coast relaunch in 1998 the contents, under editor Kim Mohan, became more media-focused. The initial plan was to have two or three stories per issue based on films, TV, and games. The 600th issue, in early 2000, included a

4993:, who was hesitating to become a full-time writer because of the financial risks. White agreed to buy anything Eklund wrote, on condition that Eklund himself believed it was a good story. The result was that much of Eklund's fiction appeared in 189:

By the end of the 19th century, stories centered on scientific inventions, and stories set in the future, were appearing regularly in popular fiction magazines. The market for short stories lent itself to tales of invention in the tradition of

5146:, the magazine was "a snag in the stream of history, from which a V-shape spread out in dozens and then in hundreds of altered lives". Many early fans of the field began to communicate with each other through the letter column, and to publish 967:

did not miss an issue in the early 1930s. However, it became unprofitable to publish over the next few years. Circulation dropped to little more than 25,000 in 1934, and in October 1935 it switched to bimonthly (publishing every other month).

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continued to include one reprint every issue; with the May 1972 issue the transformation was complete, and all stories were new. As well as eliminating the reprints, White reintroduced features such as a letter column and "The Clubhouse", a

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In the June 1926 issue Gernsback launched a competition to write a short story to suit a cover drawn by illustrator Frank R. Paul, with a first prize of $ 250. The competition drew over 360 entries, seven of which were eventually printed in

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for the magazine. The fiction received positive reviews, but Paizo soon put the magazine on temporary hold, and canceled it permanently the following year. The title remained in limbo until Steve Davidson's online version appeared in 2012.

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never again led the field in the eyes of critics or fans. Despite its long history, the magazine rarely contributed much to science fiction beyond the initial creation of the genre, though Gernsback himself is commemorated in the name

141:, where fans could make contact with each other, led to the formation of science fiction fandom, which in turn had a strong influence on the development of the field. Writers whose first story was published in the magazine include 4427:

s readers. The covers, all of which were painted by Paul, were garish and juvenile, leading some readers to complain. Raymond Palmer, later to become an editor of the magazine, wrote that a friend of his was forced to stop buying

6168:"Experimenter Publishing Co., Inc., 230 Fifth Avenue – Liabilities approximately $ 500,000, assets not stated. Principal creditors listed are Art Color Printing Co., Dunellen, N.J., $ 152,908; Bulkley Dunton Co., $ 154,406 ..." 5150:—amateur fan publications that helped establish connections among fans across the country. Many of these fans in turn became successful writers; and the existence of an organized science fiction fandom, and of writers such as 2557:

and Arthur Bernhard. Goldsmith was given the choice of going with the magazines or staying with Ziff-Davis; she stayed, and Cohen hired Joseph Wrzos to edit the magazines, starting with the August and September 1965 issues of

2082:, in 1956. Ziff-Davis were not confident of Goldsmith's abilities as an editor, so when Fairman left, a consultant, Norman Lobsenz, was hired to work with her. She performed well and Lobsenz's involvement soon became minimal. 3057:

raised its price from 75 cents to $ 1.00 with the November 1975 issue. The schedule switched to quarterly beginning with the March 1976 issue; as a result, the 50th anniversary issue had a cover date of June 1976. In 1977,

212:, which paid well and were aimed at a more literary audience, also carried scientific stories, but by the early years of the 20th century, science fiction (though it was not yet called that) was appearing more often in the 4265:

to entertain as well as to instruct. His continued belief in the instructional value of science fiction was not in keeping with the general attitude of the public towards pulp magazines, which was that they were "trash".

1506:, who had been on a leave of absence from Ziff-Davis to write fiction, took over as editor and began by throwing away 300,000 words of inventory that Palmer had acquired before he left. Browne had ambitions of moving 4861:'s stories of Moderan, a world whose inhabitants were part human and part metal. Bunch, whose stories were "bewildering, exotic word pictures" according to Mike Ashley, had been unable to sell regularly elsewhere. 4594:

insistence. Palmer left the following year, and Browne, his successor, "was determined to make sure that the lunatics were no longer in charge of the asylum", in the words of science fiction historian Mike Ashley.

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Palmer claimed the highest circulation of any science fiction magazine, but del Rey comments that though this may have been true, "Palmer's tendency to magnify everything about the magazine cannot be discounted".

4159:, dropping it late in 1980. Circulation continued to fall, and Bernhard refused to consider Mavor's request to undertake a subscription drive. Instead, in late 1980, Bernhard decided to merge the two magazines. 9163: 8437: 4220:, the magazine was relaunched, again with Mohan as editor. This version lasted for only ten issues, though it did include a special celebratory 600th issue in early 2000. The science fiction trade journal 4226:

commented in an early review that distribution of the magazine seemed to be weak. The title proved unable to survive: the last issue of this version was dated Summer 2000. The title was then acquired by

5105:, by contrast, comments that both Scithers and Price made efforts to publish good material, and that the packaging, from 1991 onwards, was perhaps the best presented of any science fiction magazine. 9213: 8934: 8706: 137:

1929. Despite this, Gernsback had an enormous impact on the field: the creation of a specialist magazine for science fiction spawned an entire genre publishing industry. The letter columns in

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s reputation had been for formulaic science fiction almost since it began, but White was able to take the magazine to a higher standard than any other editor except Cele Goldsmith, and gave

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Cohen had acquired reprint rights to the magazines' back issues, although Wrzos did get Cohen to agree to print one new story every issue. Cohen was also producing reprint magazines such as

7982: 1514:, one of the longest established and most respected publishers, who shut down all of their pulp magazines in the summer of 1949. The pulps were dying, largely as a result of the success of 4554:

became a prolific contributor, using the pseudonyms "Thornton Ayre" and "Polton Cross". Palmer also encouraged long-time science fiction writers to return, publishing pulp authors such as

4188:. Jonathan Post, of Emerald City Publishing, believed he had concluded a deal with Bernhard, and began to advertise for submissions, but the negotiations failed. Bernhard also approached 4251:

with the Fall 2018 issue with Ira Nayman as editor. In 2022 Davidson stepped down as publisher for personal reasons and former Creative Director, Kermit Woodall, took over as publisher.

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and Lila Shaffer. In December 1950, when Ziff-Davis moved their offices from Chicago to New York, Hamling stayed behind in Chicago, and Browne revived his involvement with the magazine.

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Initially the magazine focused on reprints; both classics such as Wells, Verne and Poe, and stories from other Gernsback magazines. The first original story was "The Man From the Atom

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began to print science fiction as well as fantasy. Circulation increased as a result, but Browne, who was not a science fiction aficionado, once again lost interest in the magazines.

5240:(December 1958 – June 1965). Norman Lobsenz was introduced as editor, but in fact Cele Goldsmith did all the editorial work. When she married she used her married name of Cele Lalli. 4381:

contained primarily reprinted material. It was proving difficult to attract new, high-quality material, and Gernsback's slowness at paying his authors did not help. Writers such as

4802:, the sister magazine. The following month the cover and logo were redesigned. In April 1961, the 35th anniversary of the first issue, Goldsmith ran several reprints, including by 4515:

sold their first stories to Sloane; Campbell's "When the Atoms Failed" appeared in the January 1930 issue, and Fast's "Wrath of the Purple" was printed in the October 1932 issue.

8430: 6970: 6535:"urchase by the Ultimate Publishing Company, Inc., of two science-fiction magazines from Ziff-Davis Publishing Company. ... according to Sol Cohen, president of Ultimate". 5039:. In a notice published in her first issue, she asked readers for help in assembling news, reviews and fan information, and soon added columns that covered these areas. In 1981 2019:

from pulp format to digest in early 1953 (while also switching to a bimonthly schedule). Circulation fell, however, and subsequent budget cuts limited the story quality in both

8972: 2074:. Goldsmith had been hired in 1955 as a secretary and became assistant editor to help cope with the additional work created when Ziff-Davis launched two short-lived magazines, 7795:

Fairman began writing the editorials with the May 1956 issue, and in the July editorial he explained that Browne was on a two-month contract in Hollywood, writing scripts for

8939: 8023: 9198: 8727: 8629: 4712:—and the regular writers were not appearing only in Ziff-Davis magazines. This remained the situation after Browne's departure in 1956 and through Paul Fairman's tenure. 9153: 1471:," published in the March 1945 issue, which was presented by Palmer as a mixture of truth and fiction. The story, about prehistoric civilizations, dramatically boosted 8423: 1475:

s circulation, and Palmer ran a new Shaver story in every issue, culminating in a special issue in June 1947 devoted entirely to the Shaver Mystery, as it was called.

7801:. In the August editorial he announced that the change was permanent, and in the September issue Fairman was listed as editor on the masthead for the first time. See 4664:

With the change to digest size in 1953, Browne once again attempted to use higher-quality fiction. The first digest issue, dated April–May 1953, included stories by

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running more stories with sexual content than other magazines. One such story, White's own "Growing Up Fast in the City", was criticized as pornographic by some of

107:, a lurid mythos that explained accidents and disaster as the work of robots named deros, which led to dramatically increased circulation but widespread ridicule. 9168: 9193: 9188: 8392: 4143:

took over as editor in early 1979. She had worked for Bernhard as an illustrator and in the production department of several of his magazines, though not for

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was launched in January 1930, with better rates and faster editorial response, some of Sloane's writers quickly defected. Little of quality appeared in

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as editor. Palmer made the magazine successful though it was not regarded as a quality magazine within the science fiction community. In the late 1940s

5593:. A total of 27 of these issues appeared; they should not be confused with the magazine of the same name which ran from 1928 to 1934 as a companion to 3076:

possession to their authors, even if copy-edited and ready for publication. White claimed Bernhard had told him to do this, though Bernhard denied it.

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s last independent issue was in October; thereafter the combined magazine returned to a bimonthly schedule. At the same time the title was changed to

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and David Book. White also redesigned the look of the magazine, making it, in sf historian Mike Ashley's words, "far more modern and sophisticated".

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s circulation was about 38,500, only about 4% of which were subscribers (as opposed to newsstand sales). This was a very low ebb for subscriptions;

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s readers, who, despite a clear preference for action and adventure stories, could not stomach the work of some of the early pulp writers such as

4423:, which began serialization in May 1927, was an early success; there was little or no scientific basis to the story, but it was very popular with 2037:

replaced Browne as editor in September 1956. Early in Fairman's tenure, Bernard Davis decided to try issuing a companion series of novels, titled

926:, another magazine publisher, maneuvered to force the bankruptcy because Gernsback would not sell his titles to Macfadden, but this is unproven. 4374:, has commented that the introduction of this letter column "may have been one of the most important events in the history of science fiction". 1467:

reader, began to correspond with Palmer, who soon asked him to write stories for the magazine. Shaver responded with a story called "I Remember

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took over the magazine and shortly thereafter moved production to Chicago; the April issue was assembled by Sloane but published by Ziff-Davis.

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White was willing to print a variety of fiction, mixing traditional stories with more experimental material that was influenced by the British

8818: 8410: 8116: 6069: 4985:(a readers' award, named for Hugo Gernsback) for best editor three times during his tenure (1970, 1971 and 1972), finishing third each time. 4606: 991:, an active local science fiction fan. Palmer was hired that February, taking over editorial duties with the June issue. Ziff-Davis launched 7457:, pp. 224–225. Zelazny's quote is from his personal letter to Cele Lalli (Goldsmith) from March 20, 1965, quoted in Ashley p. 225. 6413:

A dummy issue is a magazine issue produced to show to potential advertisers or for advance review. See the glossary at this publisher page:

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Goldsmith is well regarded by science fiction historians for her innovation, and the impact she had on the early careers of writers such as

8860: 8135: 4296:"; Gernsback put the names of all three authors on the cover. He also reprinted three more recent stories. Two came from his own magazine, 4293: 4346:", took third place in the competition, and was published in the June 1927 issue as by "Mrs. F.C. Harris". The other notable entrant was 8958: 8671: 4892:, contributed a wraparound cover for the April 1961 35th anniversary issue; this was his last cover art for a science fiction magazine. 4751:'s "Golden the Ship Was—Oh! Oh! Oh!" appeared in April; and by the middle of the following year she had managed to attract stories from 4835: 2586: 2066: 117: 5321:

began as a bedsheet format magazine and remained so until October 1933, when it switched to pulp size. With the April–May 1953 issue

8358: 8339: 8320: 8301: 8243: 8209: 8188: 8167: 8144: 8093: 8070: 8051: 8032: 6780: 5267:(May 1979 – September 1982). From May 1979 – August 1981 Mavor used the pseudonym Omar Gohagen; subsequently she used her real name. 5176: 4231:, who launched a new monthly version in September 2004. The February 2005 issue was the last printed; a March issue was released in 893:, who had worked with Gernsback as early as 1914, became the cover artist; Paul had produced many illustrations for the fiction in 206:, launched in 1889 and 1896 respectively, carried a few science fiction stories each year. Some upmarket "slick" magazines such as 5927:

of my caliber, who want the opportunity to follow their own inclinations undisturbed, and live healthily and well while doing so".

4830:", a novella about the use of dream therapy to cure phobias. It was serialized in the January and February 1965 issues, and won a 9158: 8496: 5861: 5856: 2602:

By February 1968 Harrison decided to leave, as Cohen was showing no signs of abandoning the reprints. He resigned, and suggested

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among established authors, but she was initially forced to work primarily with newer writers. Early discoveries of hers include

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had acted as an intermediary in Cohen's negotiations with SFWA, and when Wrzos left in 1967, Cohen asked Harrison to take over.

9007: 8510: 4609:" by Isaac Asimov. Despite the cancellation of the planned change to a slick format, news had reached the writing community of 4338:, who sold three more stories to Gernsback in the late 1920s. Two other entrants went on to become successful writers: one was 4779:

back as a subscriber; he read the June 1961 issue, which, he wrote to her, "caused me to think I had been missing something".

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gained a stable of writers who appeared frequently, though this time the quality of the writers was rather higher—it included

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s new approach, and Browne began to receive much better material than Palmer had been able to publish. The existing stable of

4280:. In keeping with Gernsback's new approach, this was one of Verne's least scientifically plausible novels. Also included were 4247:. Two online issues appeared, in July and August 2012, followed by another in 2014. Davidson relaunched print publication of 2607: 2567: 241:, and through the early 1920s he published much scientific fiction in its pages, along with non-fiction scientific articles. 4601:, and when the plan was abandoned this material appeared in the continuing pulp version. This included "Operation RSVP" by 8804: 7467: 5172: 5079: 2618:

as a replacement. Cohen secured White's agreement and then fired Malzberg; White assumed control with the May 1969 issue.

8748: 8713: 6276:"Teck Publishing Corp. J Schultz. 522 5th Av. $ 10,000" Joseph Schultz was the attorney for Macfadden Publications, Inc. 34: 1999: 75:. Science fiction stories had made regular appearances in other magazines, including some published by Gernsback, but 9021: 4924:

When Ted White took over, it was on condition that the reprints be phased out. This took some time: for a while both

1534:, which broke out in June 1950, led to budget cuts. The plans were cancelled, and Ziff-Davis never revived the idea. 6985: 5210:

Arthur Lynch (May 1929 – October 1929). As under Gernsback, Sloane was essentially the editor during Lynch's tenure.

4167:. Bernhard cut Mavor's salary after the merger, as she was editing only one magazine. Despite this, she stayed with 9091: 8867: 8825: 8797: 8587: 5569:

appeared in the United Kingdom. First came a single undated issue from Ziff-Davis, in November 1946. In June 1950,

4945: 2595: 9105: 8741: 8692: 8650: 8608: 8517: 8489: 7797: 5048: 4972:

came out, my toe-nails began to curl under and my spine hair stood up". White's willingness to experiment led to

4744: 2614:, then the president of SFWA, and told him (falsely) that Malzberg had actually resigned. Silverberg recommended 1490: 914: 4343: 9148: 9084: 8981: 8643: 8450: 8446: 5028: 4597:

Browne had acquired some good-quality material in the process of planning the launch of a new slick version of

4232: 60: 8993: 2581: 6336:"Ziff-Davis Publishing Company, New York and Chicago, has purchased Radio News Magazine and Amazing Stories". 9218: 9208: 9119: 9049: 8853: 8636: 8615: 8580: 8573: 8559: 8531: 5898: 5246: 4535: 2590: 1480: 927: 233: 68: 26: 7678: 6911: 4900: 4301: 3044:

to 60 cents, but this had a strong negative effect on circulation, which fell about 10% from 1969 to 1970.

2575: 8657: 8482: 5228:(January 1950 – August 1956). Fairman actually took over editorial duties with the May or June 1956 issue. 4872:

during the late fifties, but during the early sixties a much wider variety of artists appeared, including

4696:'s "Or Else". Subsequent budget cuts meant that Browne was unable to sustain this level. As in the 1940s, 4637:. Browne also discovered several writers who went on to success in the field, publishing first stories by 4363: 4171:, but was unable to prevent circulation from dropping again, down to only 11,000 newsstand sales in 1982. 2585:, but no payment was made to authors for any of these reprints. This brought Cohen into conflict with the 1988:

declined when the project to turn it into a slick magazine was derailed. Although he stayed involved with

948: 908: 177: 5142:

was influential simply by being the first of its kind. In the words of science fiction writer and critic

4937:

review and fannish news column. He continued the book review column, and a series of science articles by

9063: 9035: 9028: 8811: 8776: 8678: 8664: 8552: 4689: 4474: 1460: 5011:

a respected position in the field. His successors were not able to maintain the same level of quality.

4826:, among many others. Award-winning stories published during Goldsmith's editorship include Zelazny's " 6877: 4622: 9042: 8903: 8734: 8594: 7983:"Apple announces premiere date for Steven Spielberg's "Amazing Stories" and unveils first look image" 6715: 5276: 5237: 5213: 4807: 4720: 4567: 4547: 4457: 4313: 4309: 4217: 4205: 2007: 1990: 993: 980: 261: 196: 7123: 6180:

The bankruptcy is described in detail in Tom Perry, "An Amazing Story: Experiment in Bankruptcy" in

8917: 8503: 7743: 5664: 5113:

story, as well as a story from the 100th issue, the 200th issue, and so on, up to the 500th issue.

5090: 5063: 4539: 4339: 4285: 4130:

Gross (olive), Berkwits (yellow), Davidson (lt blue). The odd volume numbering in 1983 is correctly

1468: 7996: 4405:

September 1928 issue. This sober design sold poorly and Gernsback returned to lurid action covers.

3036:

to increase the amount of fiction in the magazine. To pay for this he increased the price of both

9098: 8882: 8755: 8685: 6740: 5270: 5258: 5036: 4961: 4877: 4776: 4736: 4669: 4551: 4524: 4495: 4189: 2615: 984: 975:'s circulation down to only 15,000, Teck Publications was having financial problems. In January, 121: 5570: 2061:

by 16 pages, starting with the March 1958 issue, and the magazine began to run complete novels.

5207:(April 1926 – April 1929). Sloane performed almost all the editorial duties related to fiction. 4204:. Scithers was taken on by TSR as editor beginning with the November issue. He was replaced by 231:, but in 1913 he sold his interest in the magazine to his partner and launched a new magazine, 8783: 8354: 8335: 8316: 8297: 8239: 8205: 8184: 8163: 8140: 8112: 8089: 8066: 8047: 8028: 7842:

stories she selected, but "she was soon left alone to edit the magazines as she saw fit". See

5252: 5219: 5158:, and Isaac Asimov, who came to writing directly from fandom, can be dated to the creation of 5040: 4953: 4811: 4764: 4723:'s tenure as editor began with the opportunity to showcase two very well-established writers: 4705: 4677: 4634: 4586: 2611: 2603: 2530: 1523: 1511: 1500:

the following year, and in 1949 he resigned from Ziff-Davis to edit that and other magazines.

988: 923: 202: 154: 96: 8950: 8415: 8044:

The Time Machines: The Story of the Science-Fiction Pulp Magazines from the beginning to 1950

4530:

In the 1940s, several writers established themselves as a stable of reliable contributors to

2057:, appeared. However, in response to readers' interest in longer fiction, Ziff-Davis expanded 9126: 9112: 9070: 8832: 8699: 8601: 8538: 8399: 8156: 5851: 5748: 5155: 5102: 5059: 4748: 4685: 4673: 4654: 4638: 4508: 4493:

when Gernsback left in 1929. He was infamous for his slow response to manuscripts, and when

4444: 4347: 4322: 4228: 4222: 1530:

in April 1951, the 25th anniversary of the first issue. However, the economic impact of the

956: 221: 142: 124:

took over as editor in 1969, eliminated the reprints and made the magazine respected again:

6986:"The original science fiction magazine 'Amazing Stories' back in print thanks to N.H. push" 4439:

by the end of the 1920s were several who were influential and popular at the time, such as

237:, which soon began to publish scientific fiction. In 1920, Gernsback retitled the magazine 9056: 8846: 8524: 8130: 6772: 5771:

Amazing Stories Giant 35th Anniversary Edition: Best of Amazing Stories Authorized Edition

5231: 5179:. Gernsback has also been called the "Father of Science Fiction" for his role in creating 5101:

for a decade, were unable to sustain the standards established by Ted White in the 1970s.

5071: 4949: 4938: 4823: 4752: 4709: 4681: 4452: 4448: 4440: 4390: 4382: 4289: 2034: 1496: 227: 162: 72: 8061:

Ashley, Mike (2004). "The Gernsback Days". In Ashley, Mike; Lowndes, Robert A.W. (eds.).

7704: 7656: 5086:, which had appeared the issue before, was nominated for both a Nebula and a Hugo award. 2015:

rather than science fiction and was so successful that it persuaded Ziff-Davis to switch

8405: 8063:

The Gernsback Days: A Study of the Evolution of Modern Science Fiction From 1911 to 1936

5196:

Bibliographers do not always agree who should be listed as editor of any given issue of

1526:. He produced a dummy issue in April 1950, and planned to launch the new incarnation of 8910: 8762: 8720: 8105: 8082: 5300: 5204: 5119: 5114: 5110: 5044: 4873: 4858: 4850: 4782: 4756: 4701: 4401: 4371: 4335: 4244: 4128:

and indicating editors: Mavor (pink), Scithers (green), Price (orange), Mohan (purple),

2071: 104: 64: 47: 5043:

began a series of opinion columns. The artwork was of high quality, including work by

9142: 9014: 8769: 8453: 8291: 8287: 8233: 8221: 8199: 8178: 8126: 7009:

Davidson Steps Down as Publisher and Acting Editor at Experimenter Publishing Company

6945: 6820: 6719: 5674: 5635: 5294: 5225: 5067: 5032: 4990: 4881: 4869: 4827: 4819: 4815: 4795: 4693: 4650: 4642: 4630: 4602: 4419: 4409: 4175: 2534: 1503: 912:. The annual sold out, and in January 1928, Gernsback launched a quarterly magazine, 890: 213: 158: 80: 43: 2005:

In 1952, Browne convinced Ziff-Davis to try a high-quality digest fantasy magazine.

8566: 7967:

Bennetts, Leslie (July 31, 1984). "Spielberg to Produce Adventure Series for NBC".

7473: 6415: 5882: 5264: 5151: 5143: 4964:, who later wrote that "after first plowing into the first pulpy pages of the 1971 4831: 4803: 4768: 4760: 4747:" and Asimov's comments. She soon began to publish some of the better new writers. 4728: 4665: 4626: 4618: 4559: 4555: 4520: 4504: 4469:

stopped printing science fiction. When Smith saw a copy of the April 1927 issue of

4140: 2570:

to avoid mis-spellings. Both magazines immediately moved to a bi-monthly schedule.

2050: 1519: 146: 8383: 8262: 6850: 4132:

shown. Issue 71/5 was labelled "Special Edition" and was not dated with a month or

1978:

indicating editors: Browne (green), Fairman (dark yellow), and Goldsmith (orange)

208: 8107:

Gateways to Forever: The Story of the Science-Fiction Magazines from 1970 to 1980

4960:, about a man whose dreams can modify reality. One writer influenced by this was 1001:, in May 1939, also under Palmer's editorship. Palmer quickly managed to improve 21:

This article is about the American science fiction magazine. For other uses, see

8896: 8468: 7634: 7612: 6059: 5653: 4772: 4512: 4478: 4462: 4386: 4281: 4277: 4184:, and Joel Davis, at Davis Publications, among others, about a possible sale of 1485: 191: 150: 112: 6529:

Carlson, Walter (June 23, 1965). "Advertising: Death and Taxes and Insurance".

5023:

Over time Mavor was to some extent able to reverse the negative perceptions of

2521:

editors: Goldsmith (Lalli) (orange), Wrzos (purple), Harrison (green), Malzberg

5865: 5288: 5123: 4982: 4885: 4724: 4646: 4414: 4193: 1531: 976: 129: 92: 8084:

Transformations: The Story of the Science-Fiction Magazines from 1950 to 1970

7444:, pp. 222–223; quoting an unpublished letter from Heinlein to Goldsmith. 4447:, and some who would continue to be successful for much longer, most notably 4216:

with the Winter 1995 issue, but in 1997, shortly after they were acquired by

879:

editors: Gernsback (yellow), Lynch (red), Sloane (blue), and Palmer (purple)

181:

A "scientific fiction" story illustrated by Frank R. Paul in a 1922 issue of

8839: 6770:

See the individual issues. For convenience, an online index is available at

5877: 5282: 4684:. Further well-regarded stories appeared over the course of 1953, including 4209: 4197: 2554: 1515: 169:

itself was rarely an influential magazine within the genre after the 1920s.

7362:

John Clute & Malcolm Edwards, "Isaac Asimov", in Clute & Nicholls,

4507:, appeared in April 1932, under Wyndham's real name of John Beynon Harris. 3016:

indicating editors: White (blue) and Mavor (pink). The apparently erroneous

2606:

to Cohen as a possible successor. Cohen knew Malzberg from his work at the

4235:

format, and in March 2006 Paizo announced that it would no longer publish

930:

did not file any defence and was declared bankrupt by default on 6 March;

256:

to make room in his publishing schedule for a new magazine. The editor of

6802:

Schliesel, Seth (March 5, 2008). "Gary Gygax, Game Pioneer, Dies at 69".

4543: 3033: 3018:

volume numbering for the November 1979 issue is in fact shown correctly.

902: 268:. The first issue appeared on 10 March 1926, with a cover date of April. 5097:

in the 1980s is that Mavor, Scithers and Price, who between them edited

5058:, Mavor continued to draw well-known writers to the magazine, including 4573: 4542:, both of whom wrote an immense amount for Ziff-Davis, much of it under 5243:

Joseph Ross (August 1965 – October 1967). A pseudonym for Joseph Wrzos.

5147: 4934: 4735:

was serialized from March to May 1959. Asimov's first published story "

2012: 947:

was acquired by Teck Publications, a subsidiary of Bernarr Macfadden's

5162:. After the first few years, when there was little or no competition, 4786:

March 1961 cover by Leo Summers, featuring Blish's "A Dusk of Idols".

4503:

during Sloane's tenure, though "The Lost Machine", an early story by

4200:. On 27 May 1982 TSR, Inc. acquired the trademarks and copyrights of 4174:

Shortly after the merger, Bernhard decided to retire, and approached

8201:

The World of Science Fiction: 1926–1976: The History of a Subculture

4853:'s sales to magazines had dropped, but his work began to appear in 4661:, which purported to be a history of the future from 1975 to 2575. 2049:

did not have room to run. The novel series did not last; only one,

4899: 4781: 4572: 4400: 2519:

in the 1960s, identifying volume and issue numbers, and indicating

176: 33: 8158:

The Creation of Tomorrow: Fifty Years of Magazine Science Fiction

5854:

licensed the title for use on an American television show called

5704:

Amazing Science Fiction Anthology: The Wonderful Years, 1926–1935

4849:

published some writers who did not fit into the other magazines.

1451:

in the 1940s, with the volume/issue number identified. Ray Palmer

8376: 7844:

Fairman, Paul W. (November 1958). "Introducing the New Editor".

7682: 5127: 4743:, and Goldsmith reprinted it in March 1959 along with a sequel " 1453:

was editor throughout the 1940s so only a single color is used.

8954: 8419: 5528:

Amazing Science Fiction Stories Combined with Fantastic Stories

983:, who ran Ziff-Davis's editorial department, attempted to hire 8223:

A History of the Hugo, Nebula and International Fantasy Awards

7931: 6215:

Brian Stableford, "Amazing Stories", in Clute & Nicholls,

6096:

Hugo Gernsback (March 1927). "Idle Thought of a Busy Editor".

5434:

Experimenter Publishing Company LLC, Hillsboro, New Hampshire

6416:"Barking Raven Press: "Artful Publications for Artful Minds"" 4126:

from the 1980s onwards, identifying volume and issue numbers,

877:

to 1939, identifying volume and issue numbers, and indicating

7953:

John Clute, "Martin H. Greenberg", in Clute & Nicholls,

5972:

Nicholls, Peter, "Pulp Magazines", in Clute & Nicholls,

5736:

Amazing Science Fiction Anthology: The Wild Years, 1946–1955

4888:, who had painted all the covers for the first few years of 4370:

and its competitors, and one historian of the field, author

1479:

soon drew ridicule for these stories. A derisive article by

8935:

History of US science fiction and fantasy magazines to 1950

8065:. Holicong, Pennsylvania: Wildside Press. pp. 16–254. 7935:] Publishing, Manhattan to Radio Science Publications". 6889: 5720:

Amazing Science Fiction Anthology: The War Years, 1936–1945

4272:

contained only reprints, beginning with a serialization of

1994:, another Ziff-Davis magazine, he left the editing work on 5585:

From 1940 to 1943, and again from 1947 to 1951, copies of

8351:

The Encyclopedia of Science Fiction and Fantasy: Volume 3

7545:, September/October 1975, quoted by Ashley on p. 76. 4585:

The first Shaver Mystery story, "I Remember Lemuria", by

4134:

season. The volume numbering in 2012 is correctly shown.

2566:, respectively. Wrzos used the name "Joseph Ross" on the 9164:

Science fiction magazines published in the United States

2011:, which appeared in the summer of that year, focused on 5518:

Amazing Science Fiction Stories Combined with Fantastic

3014:

in the 1970s, identifying volume and issue numbers, and

1976:

in the 1950s, identifying volume and issue numbers, and

8139:. Westport, Connecticut: Kent State University Press. 5285:(May 1991 – Winter 1995 and Summer 1998 – Summer 2000) 6944:. The Experimenter Publishing Company. Archived from 5670:

Amazing Stories: 60 Years of the Best Science Fiction

4562:. This policy did not always meet with approval from 906:

and in 1927 started a Discussions section and issued

219:

In 1908, Hugo Gernsback published the first issue of

6821:"Locus Online: Profiles of September 1998 Magazines" 5171:, which is the almost universally used term for the 5078:, which appeared in March 1982, was nominated for a 2537:, but circulation lagged during her tenure. By 1964 8940:

George Kelley Paperback and Pulp Fiction Collection

8927: 8460: 8024:

Trillion Year Spree: The History of Science Fiction

7997:"Simon & Schuster: The Amazing Stories (eBook)" 7819:Fairman, Paul W. (August 1956). "The Observatory". 6815: 6813: 5881:franchise. In 2002, these stories were reissued by 5875:published a series of short stories based upon the 9214:Science fiction magazines established in the 1920s 8220: 8155: 8104: 8081: 7765:Nicholls, Peter, "Hugo", in Clute & Nicholls, 987:as editor; Hoar turned down the job but suggested 7811:Fairman, Paul W. (July 1956). "The Observatory". 5440:The title of the magazine changed several times: 4798:'s series of author profiles, which had begun in 2553:were sold to Ultimate Publishing Company, run by 8332:Hugo Gernsback: Father of Modern Science Fiction 7803:Fairman, Paul W. (May 1956). "The Observatory". 7784:Hugo Gernsback: Father of Modern Science Fiction 6741:"Science Fiction Chronicle 1982-05: Vol 3 Iss 8" 4489:Sloane took over full control of the content of 25:. For the British science fiction magazine, see 7827:Fairman, Paul W. (September 1956). "Masthead". 6844: 6842: 5835:The Best of Amazing Stories: The 1929 Anthology 5819:The Best of Amazing Stories: The 1928 Anthology 5803:The Best of Amazing Stories: The 1940 Anthology 5787:The Best of Amazing Stories: The 1927 Anthology 5755:The Best of Amazing Stories: The 1926 Anthology 4461:, written between 1915 and 1920, was a seminal 4192:, who declined, but put Bernhard in touch with 2070:at the end of 1958, and his place was taken by 1510:upmarket, and his argument was strengthened by 7707:. Locus Publications. November 2004. p. 2 6693: 6691: 6689: 6687: 6685: 6396: 6394: 6299: 6297: 6295: 4366:traces its beginnings to the letter column in 2545:doing little better. The following March both 244:Gernsback had started another magazine called 71:. It was the first magazine devoted solely to 9078:The Magazine of Fantasy & Science Fiction 8966: 8431: 6176: 6174: 5589:were rebound, three at a time, and resold as 4477:, appeared; this was the first appearance of 4362:fans to correspond with each other directly. 8: 7866: 7864: 7862: 7860: 7659:. Locus Publications. August 2004. p. 1 7306: 7304: 7104: 7102: 7100: 7060: 7058: 6587: 6585: 6583: 6511: 6509: 6507: 6505: 6503: 6501: 6474: 6472: 6242:"To Pay 95% Of Debts In $ 600,000 Failure". 6184:vol. 51, no. 3 (May 1978), p. 161. 6162:"Business Records, Bankruptcy Proceedings". 6126: 6124: 6122: 4841:Goldsmith's open-minded approach meant that 4775:. The changes she made were enough to bring 3904: 3835: 3716: 8265:. Stephen G. Miller and William T. Contento 7778:See, for example, the titles of Moskowitz, 7581: 7579: 7577: 6029: 6027: 6025: 6023: 6021: 1728: 1725: 1722: 1719: 951:. Macfadden's deep pockets helped insulate 631: 8982:Current American science fiction magazines 8973: 8959: 8951: 8438: 8424: 8416: 7944:Bleiler & Bleiler (1998), pp. 561–564. 7724: 7722: 7144:, October 1928, p. 662; quoted in Ashley, 6632: 6630: 6144: 6142: 6140: 5410:Dragon Publishing, Lake Geneva, Wisconsin 9199:Magazines published in Washington (state) 8280:Hugo Gernsback: Father of Science Fiction 8111:. Liverpool: Liverpool University Press. 8088:. Liverpool: Liverpool University Press. 8046:. Liverpool: Liverpool University Press. 7780:Hugo Gernsback: Father of Science Fiction 7756:Franson and DeVore, "History", p. 3. 7238: 7236: 7031: 7029: 6849:Miller, Stephen G.; William T. Contento. 6766: 6764: 6762: 6760: 6758: 6756: 6754: 6752: 6750: 6616: 6614: 6211: 6209: 6207: 6205: 6203: 5402:Ultimate Publishing, Scottsdale, Arizona 4857:, and Goldsmith also regularly published 2045:had indicated a desire for novels, which 248:in 1921. In 1924, he changed its name to 9154:1926 establishments in the United States 8219:Franson, Donald; DeVore, Howard (1978). 7635:"Locus Online: Magazines: December 1999" 6872: 6870: 6868: 6543: 6541: 5606: 5442: 5328: 5306:Ira Nayman (August 2018 - November 2022) 4300:; these were "The Man from the Atom" by 3083: 2625: 2089: 1541: 1013: 955:from the financial strain caused by the 280: 79:helped define and launch a new genre of 8623:Flash Gordon Strange Adventure Magazine 8235:The New Encyclopedia of Science Fiction 8162:. New York: Columbia University Press. 8021:Aldiss, Brian; Wingrove, David (1986). 7848:. Vol. 32, no. 11. p. 5. 6111:various (January 1927). "Discussions". 5939: 5910: 5860:that ran from 1985 to 1987. In 2020, a 5688:Amazing Stories: Vision of Other Worlds 5426:Paizo Publishing, Bellevue, Washington 5309:Lloyd Penney (November 2022 to present) 4239:. In September 2011, the trademark for 4212:in May 1991. TSR ceased publication of 2541:s circulation was down to 27,000, with 8890:Vargo Statten Science Fiction Magazine 7823:. Vol. 30, no. 8. p. 6. 7815:. Vol. 30, no. 7. p. 6. 7807:. Vol. 30, no. 5. p. 3. 5370:Teck Publishing Corporation, New York 2039:Amazing Stories Science Fiction Novels 9169:Magazines published by Hugo Gernsback 8411:Internet Speculative Fiction Database 8183:. New York: St. Martin's Press, Inc. 8177:Clute, John; Nicholls, Peter (1993). 6964: 6962: 6070:Internet Speculative Fiction Database 5362:Radio-Science Publications, New York 4904:Annual circulation from 1960 to 1993. 7: 9194:Magazines published in New York City 9189:Magazines published in New Hampshire 8861:Two Complete Science-Adventure Books 8353:. Chicago: Advent: Publishers, Inc. 8136:Science-Fiction: The Gernsback Years 7613:"Locus Online: SF News January 1998" 7541:, pp. 74–76. The quote is from 5600:Several anthologies of stories from 5565:Two different series of reprints of 5354:Experimenter Publications, New York 4294:The Facts in the Case of M. Valdemar 3047:In 1972, White changed the title to 103:presented as fact stories about the 8672:Miracle Science and Fantasy Stories 8227:. Dearborn, Michigan: Misfit Press. 8180:The Encyclopedia of Science Fiction 7478:The Encyclopedia of Science Fiction 6971:"Push to resurrect Amazing Stories" 6827:from the original on 29 August 2008 5831:Jean Marie Stine and Steve Davidson 5815:Jean Marie Stine and Steve Davidson 5799:Jean Marie Stine and Steve Davidson 5783:Jean Marie Stine and Steve Davidson 5767:Jean Marie Stine and Steve Davidson 4625:, were replaced by writers such as 7985:(Press release). January 19, 2020. 7681:. Paizo Publishing. Archived from 7094:, June 1928, Vol. 3, No. 3, p. 279 6969:Brooks, David (November 6, 2015). 6888:. Paizo Publishing. Archived from 5346:Experimenter Publishing, New York 5177:Science Fiction Achievement Awards 4836:Science Fiction Writers of America 4485:Sloane, Palmer, Browne and Fairman 2587:Science Fiction Writers of America 128:was nominated for the prestigious 118:Science Fiction Writers of America 14: 6783:from the original on May 19, 2023 4739:" had appeared in the March 1939 4147:. She had also been an editor at 16:American science fiction magazine 9204:Magazines published in Wisconsin 8567:Dusty Ayres and His Battle Birds 5604:have been published, including: 5291:(September 2004 – December 2004) 5249:(December 1967 – September 1968) 5234:(September 1956 – November 1958) 4465:that found no ready market when 3024:When White took over as editor, 23:Amazing Stories (disambiguation) 9008:Analog Science Fiction and Fact 7364:Encyclopedia of Science Fiction 7122:Pohl, Frederik (October 1965). 6334:. January 18, 1938. p. 28. 5538:Amazing Science Fiction Stories 5498:Amazing Science Fiction Stories 5478:Amazing Science Fiction Stories 4581:, featuring the Shaver Mystery. 4354:, which appeared in July 1927. 4208:in September 1986, and then by 4165:Amazing Science Fiction Stories 4108: 4080: 4048: 4043: 4036: 4022: 4017: 3977: 3926: 3923: 3881: 3878: 3875: 3867: 3864: 3861: 3858: 3818: 3809: 3806: 3799: 3785: 3776: 3767: 3758: 3744: 3735: 3687: 3671: 3658: 3649: 3639: 3636: 3633: 3630: 3627: 3624: 3621: 3618: 3615: 3612: 3609: 3601: 3598: 3595: 3592: 3589: 3586: 3583: 3580: 3577: 3574: 3571: 3568: 3560: 3557: 3554: 3551: 3548: 3545: 3542: 3539: 3534: 3529: 3519: 3514: 3509: 3504: 3499: 3494: 3484: 3479: 3474: 3469: 3464: 3459: 3449: 3444: 3439: 3434: 3429: 3424: 3414: 3409: 3404: 3399: 3394: 3389: 3379: 3374: 3369: 3364: 3359: 3354: 3344: 3339: 3334: 3329: 3324: 3319: 3309: 3304: 3299: 3294: 3289: 3284: 3274: 3269: 3264: 3259: 3254: 3249: 3239: 3234: 3227: 3220: 3215: 3205: 3200: 3195: 3190: 3185: 3180: 3170: 3163: 3156: 3149: 3002: 2995: 2988: 2981: 2969: 2962: 2955: 2946: 2934: 2927: 2918: 2906: 2899: 2892: 2885: 2880: 2870: 2865: 2860: 2855: 2850: 2838: 2833: 2828: 2823: 2818: 2813: 2803: 2798: 2793: 2788: 2781: 2776: 2766: 2761: 2756: 2751: 2746: 2741: 2731: 2726: 2721: 2716: 2711: 2706: 2696: 2691: 2686: 2681: 2676: 2671: 2507: 2502: 2497: 2492: 2487: 2482: 2472: 2467: 2462: 2455: 2450: 2440: 2435: 2430: 2425: 2420: 2415: 2405: 2400: 2395: 2390: 2385: 2380: 2370: 2365: 2360: 2355: 2352: 2349: 2346: 2343: 2340: 2332: 2329: 2326: 2323: 2320: 2317: 2314: 2311: 2308: 2305: 2302: 2299: 2291: 2288: 2285: 2282: 2279: 2276: 2273: 2270: 2267: 2264: 2261: 2258: 2250: 2247: 2244: 2241: 2238: 2235: 2232: 2229: 2226: 2223: 2220: 2217: 2209: 2206: 2203: 2200: 2197: 2194: 2191: 2188: 2185: 2182: 2179: 2176: 2168: 2165: 2162: 2159: 2156: 2153: 2150: 2147: 2144: 2141: 2138: 2135: 2067:Ellery Queen's Mystery Magazine 1966: 1963: 1960: 1957: 1954: 1951: 1948: 1945: 1942: 1939: 1936: 1933: 1925: 1922: 1919: 1916: 1913: 1910: 1907: 1904: 1901: 1898: 1895: 1892: 1884: 1881: 1878: 1875: 1872: 1869: 1866: 1863: 1860: 1857: 1854: 1851: 1843: 1840: 1837: 1834: 1831: 1828: 1825: 1822: 1819: 1816: 1813: 1810: 1802: 1799: 1794: 1789: 1784: 1779: 1774: 1764: 1759: 1754: 1749: 1744: 1739: 1731: 1716: 1713: 1710: 1702: 1699: 1696: 1693: 1690: 1687: 1684: 1681: 1678: 1675: 1672: 1669: 1661: 1658: 1655: 1652: 1649: 1646: 1643: 1640: 1637: 1634: 1631: 1628: 1620: 1617: 1614: 1611: 1608: 1605: 1602: 1599: 1596: 1593: 1590: 1587: 1483:in the September 1946 issue of 1441: 1438: 1435: 1432: 1429: 1426: 1423: 1420: 1417: 1414: 1411: 1408: 1400: 1397: 1394: 1391: 1388: 1385: 1382: 1379: 1376: 1373: 1370: 1367: 1359: 1356: 1353: 1350: 1347: 1344: 1341: 1338: 1335: 1332: 1329: 1326: 1318: 1315: 1312: 1309: 1306: 1303: 1300: 1297: 1290: 1280: 1273: 1266: 1259: 1247: 1240: 1231: 1226: 1221: 1211: 1206: 1203: 1200: 1197: 1194: 1191: 1188: 1185: 1182: 1174: 1171: 1168: 1165: 1162: 1159: 1156: 1153: 1150: 1147: 1144: 1141: 1133: 1130: 1127: 1124: 1121: 1118: 1115: 1112: 1109: 1106: 1103: 1100: 1092: 1089: 1086: 1083: 1080: 1077: 1074: 1071: 1068: 1065: 1062: 1059: 867: 864: 861: 858: 855: 852: 849: 846: 843: 840: 837: 834: 826: 823: 820: 815: 810: 805: 800: 790: 785: 780: 775: 770: 765: 755: 750: 745: 740: 735: 730: 720: 715: 710: 707: 704: 701: 698: 695: 692: 689: 681: 678: 675: 672: 669: 666: 663: 660: 657: 654: 651: 648: 640: 637: 634: 628: 625: 622: 619: 616: 613: 610: 602: 599: 596: 593: 590: 587: 584: 581: 578: 575: 572: 569: 561: 558: 555: 552: 549: 546: 543: 540: 537: 534: 531: 528: 520: 517: 514: 511: 508: 505: 502: 499: 496: 493: 490: 487: 479: 476: 473: 470: 467: 464: 461: 458: 455: 452: 449: 446: 438: 435: 432: 429: 426: 423: 420: 417: 414: 411: 408: 405: 397: 394: 391: 388: 385: 382: 379: 376: 373: 370: 367: 364: 356: 353: 350: 347: 344: 341: 338: 335: 332: 46:. This copy was autographed by 9224:Wizards of the Coast magazines 9184:Magazines published in Chicago 9179:Magazines published in Arizona 8840:Terence X. O'Leary's War Birds 8396:in "The Pulp Magazine Archive" 8204:. New York: Ballantine Books. 6330:"Advertising News and Notes". 5887:Star Trek: The Amazing Stories 5494:September 1970 – February 1979 5394:Ultimate Publishing, New York 5359:November 1930 – September 1931 5255:(November 1968 – January 1969) 4435:Among the regular writers for 4352:The Voice from the Inner World 2608:Scott Meredith Literary Agency 1: 9174:Magazines established in 1926 8497:A. Merritt's Fantasy Magazine 8330:Siegel, Mark Richard (1988). 7705:"Locus Online: New Magazines" 7657:"Locus Online: New Magazines" 6743:. DNA Publications. May 1982. 6166:. March 12, 1929. p. 53. 5649:The Best from Amazing Stories 5514:November 1980 – November 1984 5279:(September 1986 – March 1991) 5173:World Science Fiction Society 4868:had been largely supplied by 8749:Scientific Detective Monthly 8714:Out of This World Adventures 7200:, pp. 1 & 9; Moskowitz, 6274:. July 15, 1931. p. 39. 6246:. April 4, 1929. p. 22. 5418:TSR, Lake Geneva, Wisconsin 5367:October 1931 – February 1938 5261:(March 1969 – February 1979) 4304:and "The Thing from—'Outside 918:, as a regular companion to 8263:"Amazing Stories Checklist" 7831:. Vol. 30, no. 9. 6851:"Amazing Stories Checklist" 6085:. August 1926. p. 385. 5423:September 2004 – March 2005 5391:August 1965 – February 1979 5314:Other bibliographic details 5297:(January 2005 – March 2005) 5273:(November 1982 – July 1986) 5222:(June 1938 – December 1949) 4908:When Sol Cohen bought both 4834:from the newly established 4318:The Man Who Saved the Earth 4181:Fantasy and Science Fiction 2523:(yellow), and White (blue) 895:The Electrical Experimenter 9240: 9092:Perihelion Science Fiction 8819:Tales of Magic and Mystery 8588:Famous Fantastic Mysteries 7468:The Wind's Twelve Quarters 5454:April 1926 – February 1958 5375:April 1938 – February 1951 5216:(November 1929 – May 1938) 4344:The Fate of the Poseidonia 4121: 3009: 2514: 1971: 1446: 872: 63:launched in April 1926 by 20: 8988: 8742:Science Fiction Quarterly 8609:Fantastic Story Quarterly 8490:Amazing Stories Quarterly 6773:"Series: Amazing Stories" 5591:Amazing Stories Quarterly 5524:January 1985 – March 1985 5474:May 1958 – September 1960 5407:September 1982 – May 1985 5303:(July 2012 – August 2018) 5001:over the next few years. 4952:. In 1971, he serialized 4896:Reprint era and Ted White 3099: 3096: 3093: 3090: 2055:20 Million Miles to Earth 997:, a fantasy companion to 961:Amazing Stories Quarterly 915:Amazing Stories Quarterly 9022:Asimov's Science Fiction 8791:Stirring Science Stories 8349:Tuck, Donald H. (1982). 8311:Sanders, Joseph (1986). 8198:del Rey, Lester (1979). 8154:Carter, Paul A. (1977). 7377:World of Science Fiction 7312:World of Science Fiction 7270:World of Science Fiction 7172:World of Science Fiction 7124:"The Day After Tomorrow" 7079:World of Science Fiction 6373:World of Science Fiction 6195:World of Science Fiction 5484:October 1960 – July 1970 5351:July 1929 – October 1930 5029:Michael P. Kube-McDowell 4357:A letter column, titled 4320:, which had appeared in 2582:Science Fiction Classics 901:was issued in the large 61:science fiction magazine 9159:Science fiction digests 9120:Three-Lobed Burning Eye 9050:FIYAH Literary Magazine 8854:Tops in Science Fiction 8637:G-8 and His Battle Aces 8581:Dynamic Science Stories 8574:Dynamic Science Fiction 8278:Moskowitz, Sam (1959). 7929:"Experiments [ 6182:Amazing Science Fiction 6061:"The Man From the Atom 5899:1926 in science fiction 5871:Between 1998 and 2000, 5544:March 1986 – March 2005 5534:May 1985 – January 1986 5468:Amazing Science Fiction 5464:March 1958 – April 1958 5415:July 1985 – Winter 1995 4607:Satisfaction Guaranteed 3049:Amazing Science Fiction 1481:William S. Baring-Gould 928:Experimenter Publishing 264:, became the editor of 234:Electrical Experimenter 69:Experimenter Publishing 27:Amazing Science Stories 8658:Marvel Science Stories 8630:Future Science Fiction 8483:Amazing Stories Annual 8282:. New York: Criterion. 8253:Knight, Damon (1977). 7999:. Simon & Schuster 7128:Galaxy Science Fiction 6938:"Magazine Back Issues" 6823:. Locus Publications. 6270:"New Incorporations". 5839:Futures Past Editions 5823:Futures Past Editions 5807:Futures Past Editions 5791:Futures Past Editions 5775:Futures Past Editions 5759:Futures Past Editions 5504:May 1979 – August 1980 5383:March 1951 – June 1965 5343:April 1926 – June 1929 5175:'s annually presented 5135:Influence on the field 5054:After the merger with 4905: 4787: 4659:Master of the Universe 4582: 4406: 4364:Science fiction fandom 4255:Contents and reception 3066:lost $ 15,000, though 2041:. Readers' letters in 949:Macfadden Publications 909:Amazing Stories Annual 186: 51: 9036:Daily Science Fiction 9029:Clarkesworld Magazine 8812:Super Science Stories 8257:. New York: John Day. 8103:Ashley, Mike (2007). 8080:Ashley, Mike (2005). 8042:Ashley, Mike (2000). 7923:"Corporate Changes". 6418:. Barking Raven Press 6081:"Table of Contents". 6068:title listing at the 5386:Ziff-Davis, New York 4903: 4785: 4690:Encounter in the Dawn 4576: 4475:Philip Francis Nowlan 4404: 4302:G. Peyton Wertenbaker 4298:Science and Invention 2576:Great Science Fiction 2064:Fairman left to edit 1984:Browne's interest in 239:Science and Invention 183:Science and Invention 180: 133:the Fall 2018 issue. 37: 8735:Science-Fiction Plus 8595:Fantastic Adventures 8296:. World Publishing. 8238:. New York: Viking. 8232:Gunn, James (1988). 8027:. London: Gollancz. 7679:"Paizo Amazing blog" 7637:. Locus Publications 7615:. Locus Publications 7480:. September 12, 2022 7050:Creation of Tomorrow 6886:Magazines Cancelled" 6853:. Locus Publications 6716:Wizards of the Coast 6712:"The History of TSR" 5576:Fantastic Adventures 5399:May 1979 – June 1982 5378:Ziff-Davis, Chicago 5277:Patrick Lucien Price 5238:Cele Goldsmith Lalli 4919:Fantastic Adventures 4808:Edgar Rice Burroughs 4536:David Wright O'Brien 4458:The Skylark of Space 4377:For the first year, 4310:George Allan England 4218:Wizards of the Coast 4206:Patrick Lucien Price 1991:Fantastic Adventures 994:Fantastic Adventures 216:than in the slicks. 194:. Magazines such as 8918:Wonder Story Annual 8504:Astonishing Stories 8293:Seekers of Tomorrow 8131:Bleiler, Richard J. 8127:Bleiler, Everett F. 7957:, pp. 522–523. 7900:, pp. 320–321. 7887:, pp. 237–238. 7744:Trillion Year Spree 7685:on December 9, 2006 7515:, pp. 266–267. 7502:, pp. 263–264. 7418:, pp. 184–185. 7405:, pp. 179–180. 7392:, pp. 176–177. 7353:, pp. 118–119. 7340:, pp. 116–117. 7314:, pp. 114–115. 6918:. 28 September 2011 6916:Trademark Acquired" 6701:, pp. 348–355. 6679:, pp. 347–348. 6595:, pp. 263–267. 6519:, pp. 222–226. 6482:, pp. 173–174. 6440:, pp. 220–225. 6404:, pp. 183–185. 6388:, pp. 178–180. 6375:, pp. 117–118. 6349:, pp. 143–144. 6307:, pp. 112–116. 5862:revival of the show 5732:Martin H. Greenberg 5716:Martin H. Greenberg 5700:Martin H. Greenberg 5684:Martin H. Greenberg 5665:Martin H. Greenberg 5631:The Best of Amazing 5571:Thorpe & Porter 5331: 5187:Publication details 5126:. Paizo also ran a 5064:George R. R. Martin 4958:The Lathe of Heaven 4790:In September 1960, 4577:June 1947 issue of 4540:William P. McGivern 4340:Clare Winger Harris 4286:The New Accelerator 4268:The first issue of 1459:In September 1943, 963:began to slip, but 246:Practical Electrics 165:. Overall, though, 8511:Astounding Stories 8389:, with cover scans 8315:. Starmont House. 7969:The New York Times 7955:Encyclopedia of SF 7925:The New York Times 7543:Universe SF Review 7019:Quoted in Ashley, 6804:The New York Times 6531:The New York Times 6332:The New York Times 6272:The New York Times 6244:The New York Times 6217:Encyclopedia of SF 6164:The New York Times 5974:Encyclopedia of SF 5885:in the collection 5751:and Steve Davidson 5329: 5271:George H. Scithers 5084:Unsound Variations 5037:Richard Paul Russo 4962:James Tiptree, Jr. 4906: 4864:The cover art for 4788: 4777:Robert A. Heinlein 4737:Marooned off Vesta 4583: 4552:John Russell Fearn 4525:Marooned off Vesta 4496:Astounding Stories 4407: 4190:George H. Scithers 1512:Street & Smith 985:Roger Sherman Hoar 959:. The schedule of 272:Publishing history 187: 52: 9136: 9135: 8948: 8947: 8904:The Witch's Tales 8784:Startling Stories 8118:978-1-84631-003-4 7571:, pp. 78–79. 7558:, pp. 82–83. 7528:, pp. 70–74. 7474:"Goldsmith, Cele" 7230:, pp. 61–62. 7112:, pp. 54–56. 7068:, pp. 50–51. 6666:, pp. 85–86. 6653:, pp. 84–85. 6466:, pp. 48–51. 6232:, pp. 63–64. 6219:, pp. 25–26. 6134:, pp. 51–54. 6037:, pp. 48–49. 6015:, pp. 29–35. 6002:, pp. 28–29. 5963:, pp. 21–25. 5843: 5842: 5663:Isaac Asimov and 5563: 5562: 5438: 5437: 5330:Issue publishers 5253:Barry N. Malzberg 5220:Raymond A. Palmer 5214:T. O'Conor Sloane 5093:'s assessment of 5041:Robert Silverberg 4954:Ursula K. Le Guin 4812:Ursula K. Le Guin 4765:Gordon R. Dickson 4733:The Galaxy Primes 4706:Robert Silverberg 4678:Theodore Sturgeon 4635:Clifford D. Simak 4617:writers, such as 4587:Richard S. Shaver 4534:. These included 4334:. The winner was 4138: 4137: 3022: 3021: 2612:Robert Silverberg 2604:Barry N. Malzberg 2531:Ursula K. Le Guin 2527: 2526: 1982: 1981: 1524:Theodore Sturgeon 1457: 1456: 989:Raymond A. Palmer 924:Bernarr Macfadden 883: 882: 262:T. O'Conor Sloane 197:Munsey's Magazine 155:Ursula K. Le Guin 97:Raymond A. Palmer 9231: 9127:Uncanny Magazine 9113:Strange Horizons 8994:Abyss & Apex 8975: 8968: 8961: 8952: 8833:10 Story Fantasy 8700:Oriental Stories 8602:Fantastic Novels 8440: 8433: 8426: 8417: 8400:Internet Archive 8380: 8379: 8377:Official website 8364: 8345: 8326: 8313:E.E. "Doc" Smith 8307: 8283: 8274: 8272: 8270: 8258: 8249: 8228: 8226: 8215: 8194: 8173: 8161: 8150: 8122: 8110: 8099: 8087: 8076: 8057: 8038: 8009: 8008: 8006: 8004: 7993: 7987: 7986: 7979: 7973: 7972: 7964: 7958: 7951: 7945: 7942: 7936: 7928: 7927:. June 21, 1930. 7920: 7914: 7907: 7901: 7894: 7888: 7881: 7875: 7868: 7855: 7849: 7839: 7833: 7832: 7824: 7816: 7808: 7793: 7787: 7776: 7770: 7763: 7757: 7754: 7748: 7739: 7733: 7726: 7717: 7716: 7714: 7712: 7701: 7695: 7694: 7692: 7690: 7675: 7669: 7668: 7666: 7664: 7653: 7647: 7646: 7644: 7642: 7631: 7625: 7624: 7622: 7620: 7609: 7603: 7600:New Encyclopedia 7596: 7590: 7587:New Encyclopedia 7583: 7572: 7565: 7559: 7552: 7546: 7535: 7529: 7522: 7516: 7509: 7503: 7496: 7490: 7489: 7487: 7485: 7464: 7458: 7451: 7445: 7438: 7432: 7425: 7419: 7412: 7406: 7399: 7393: 7386: 7380: 7373: 7367: 7360: 7354: 7347: 7341: 7334: 7328: 7321: 7315: 7308: 7299: 7292: 7286: 7279: 7273: 7266: 7260: 7253: 7247: 7240: 7231: 7224: 7218: 7211: 7205: 7194: 7188: 7181: 7175: 7168: 7162: 7155: 7149: 7138: 7132: 7131: 7119: 7113: 7106: 7095: 7088: 7082: 7075: 7069: 7062: 7053: 7046: 7040: 7033: 7024: 7017: 7011: 7006: 7000: 6999: 6997: 6996: 6981: 6975: 6974: 6966: 6957: 6956: 6954: 6953: 6934: 6928: 6927: 6925: 6923: 6908: 6902: 6901: 6899: 6897: 6892:on 29 March 2006 6874: 6863: 6862: 6860: 6858: 6846: 6837: 6836: 6834: 6832: 6817: 6808: 6807: 6799: 6793: 6792: 6790: 6788: 6768: 6745: 6744: 6737: 6731: 6730: 6728: 6727: 6718:. Archived from 6708: 6702: 6695: 6680: 6673: 6667: 6660: 6654: 6647: 6641: 6634: 6625: 6618: 6609: 6602: 6596: 6589: 6578: 6571: 6565: 6558: 6552: 6545: 6536: 6534: 6526: 6520: 6513: 6496: 6489: 6483: 6476: 6467: 6460: 6454: 6447: 6441: 6434: 6428: 6427: 6425: 6423: 6411: 6405: 6398: 6389: 6382: 6376: 6369: 6363: 6356: 6350: 6343: 6337: 6335: 6327: 6321: 6314: 6308: 6301: 6290: 6283: 6277: 6275: 6267: 6261: 6254: 6248: 6247: 6239: 6233: 6226: 6220: 6213: 6198: 6191: 6185: 6178: 6169: 6167: 6159: 6153: 6146: 6135: 6128: 6117: 6116: 6108: 6102: 6101: 6093: 6087: 6086: 6078: 6072: 6057: 6051: 6044: 6038: 6031: 6016: 6009: 6003: 5996: 5990: 5983: 5977: 5970: 5964: 5957: 5951: 5944: 5928: 5924: 5918: 5915: 5852:Steven Spielberg 5846:Media crossovers 5749:Jean Marie Stine 5607: 5578:as well as from 5443: 5332: 5156:Arthur C. Clarke 5103:Brian Stableford 5060:Orson Scott Card 4749:Cordwainer Smith 4686:Arthur C. Clarke 4674:Richard Matheson 4655:Charles Beaumont 4639:Walter M. Miller 4623:Chester S. Geier 4523:'s first sale, " 4509:John W. Campbell 4445:Stanton Coblentz 4348:A. Hyatt Verrill 4342:, whose story, " 4323:All-Story Weekly 4312:. The third was 4307: 4243:was acquired by 4229:Paizo Publishing 4178:, the editor of 3084: 2626: 2090: 1542: 1014: 957:Great Depression 943:In August 1931, 281: 258:The Experimenter 254:The Experimenter 250:The Experimenter 222:Modern Electrics 143:John W. Campbell 9239: 9238: 9234: 9233: 9232: 9230: 9229: 9228: 9149:Amazing Stories 9139: 9138: 9137: 9132: 9057:The Future Fire 9001:Amazing Stories 8984: 8979: 8949: 8944: 8923: 8868:Uncanny Stories 8847:The Thrill Book 8826:Tales of Wonder 8798:Strange Stories 8728:Science Fiction 8525:Captain Hazzard 8476:Amazing Stories 8456: 8447:Science fiction 8444: 8406:Amazing Stories 8394:Amazing Stories 8387:issue checklist 8385:Amazing Stories 8375: 8374: 8371: 8361: 8348: 8342: 8334:. Borgo Press. 8329: 8323: 8310: 8304: 8286: 8277: 8268: 8266: 8261: 8252: 8246: 8231: 8218: 8212: 8197: 8191: 8176: 8170: 8153: 8147: 8125: 8119: 8102: 8096: 8079: 8073: 8060: 8054: 8041: 8035: 8020: 8017: 8012: 8002: 8000: 7995: 7994: 7990: 7981: 7980: 7976: 7966: 7965: 7961: 7952: 7948: 7943: 7939: 7922: 7921: 7917: 7908: 7904: 7898:Transformations 7895: 7891: 7882: 7878: 7874:", p. 535. 7872:Amazing Stories 7869: 7858: 7852:Transformations 7846:Amazing Stories 7843: 7840: 7836: 7829:Amazing Stories 7826: 7821:Amazing Stories 7818: 7813:Amazing Stories 7810: 7805:Amazing Stories 7802: 7794: 7790: 7777: 7773: 7764: 7760: 7755: 7751: 7740: 7736: 7727: 7720: 7710: 7708: 7703: 7702: 7698: 7688: 7686: 7677: 7676: 7672: 7662: 7660: 7655: 7654: 7650: 7640: 7638: 7633: 7632: 7628: 7618: 7616: 7611: 7610: 7606: 7597: 7593: 7584: 7575: 7566: 7562: 7553: 7549: 7536: 7532: 7523: 7519: 7513:Transformations 7510: 7506: 7500:Transformations 7497: 7493: 7483: 7481: 7472: 7465: 7461: 7455:Transformations 7452: 7448: 7442:Transformations 7439: 7435: 7426: 7422: 7413: 7409: 7400: 7396: 7387: 7383: 7374: 7370: 7361: 7357: 7348: 7344: 7335: 7331: 7322: 7318: 7309: 7302: 7293: 7289: 7280: 7276: 7267: 7263: 7254: 7250: 7241: 7234: 7225: 7221: 7212: 7208: 7195: 7191: 7182: 7178: 7169: 7165: 7156: 7152: 7142:Amazing Stories 7140:"Discussions", 7139: 7135: 7130:. pp. 4–7. 7121: 7120: 7116: 7107: 7098: 7092:Amazing Stories 7089: 7085: 7076: 7072: 7063: 7056: 7047: 7043: 7034: 7027: 7018: 7014: 7007: 7003: 6994: 6992: 6990:Concord Monitor 6984:Brooks, David. 6983: 6982: 6978: 6973:. Granite Geek. 6968: 6967: 6960: 6951: 6949: 6942:Amazing Stories 6936: 6935: 6931: 6921: 6919: 6914:Amazing Stories 6910: 6909: 6905: 6895: 6893: 6880:Amazing Stories 6876: 6875: 6866: 6856: 6854: 6848: 6847: 6840: 6830: 6828: 6819: 6818: 6811: 6801: 6800: 6796: 6786: 6784: 6771: 6769: 6748: 6739: 6738: 6734: 6725: 6723: 6710: 6709: 6705: 6696: 6683: 6674: 6670: 6661: 6657: 6648: 6644: 6635: 6628: 6619: 6612: 6603: 6599: 6593:Transformations 6590: 6581: 6575:Transformations 6572: 6568: 6562:Transformations 6559: 6555: 6549:Transformations 6546: 6539: 6528: 6527: 6523: 6517:Transformations 6514: 6499: 6493:Transformations 6490: 6486: 6480:Transformations 6477: 6470: 6464:Transformations 6461: 6457: 6451:Transformations 6448: 6444: 6435: 6431: 6421: 6419: 6414: 6412: 6408: 6399: 6392: 6383: 6379: 6370: 6366: 6357: 6353: 6344: 6340: 6329: 6328: 6324: 6315: 6311: 6302: 6293: 6284: 6280: 6269: 6268: 6264: 6255: 6251: 6241: 6240: 6236: 6227: 6223: 6214: 6201: 6192: 6188: 6179: 6172: 6161: 6160: 6156: 6147: 6138: 6129: 6120: 6113:Amazing Stories 6110: 6109: 6105: 6100:. p. 1025. 6098:Amazing Stories 6095: 6094: 6090: 6083:Amazing Stories 6080: 6079: 6075: 6058: 6054: 6045: 6041: 6032: 6019: 6010: 6006: 5997: 5993: 5987:Transformations 5984: 5980: 5971: 5967: 5958: 5954: 5945: 5941: 5937: 5932: 5931: 5925: 5921: 5916: 5912: 5907: 5895: 5873:Amazing Stories 5857:Amazing Stories 5848: 5595:Amazing Stories 5587:Amazing Stories 5558:Amazing Stories 5548:Amazing Stories 5508:Amazing Stories 5488:Amazing Stories 5458:Amazing Stories 5316: 5232:Paul W. Fairman 5194: 5189: 5181:Amazing Stories 5164:Amazing Stories 5160:Amazing Stories 5140:Amazing Stories 5137: 5072:Brad Linaweaver 5049:David Mattingly 5047:, and later by 5017: 5015:After Ted White 4939:Gregory Benford 4898: 4824:Thomas M. Disch 4794:began to carry 4753:Robert Sheckley 4718: 4710:Randall Garrett 4682:Murray Leinster 4670:Robert Heinlein 4579:Amazing Stories 4548:Alexander Blade 4487: 4453:Jack Williamson 4449:Edward E. Smith 4441:David H. Keller 4391:Murray Leinster 4305: 4290:Edgar Allan Poe 4262: 4257: 4249:Amazing Stories 4241:Amazing Stories 4202:Amazing Stories 4133: 4131: 4129: 4127: 3082: 3017: 3015: 2624: 2522: 2520: 2088: 2035:Paul W. Fairman 2000:William Hamling 1977: 1540: 1452: 1012: 941: 878: 279: 274: 266:Amazing Stories 175: 163:Thomas M. Disch 73:science fiction 59:is an American 56:Amazing Stories 40:Amazing Stories 38:First issue of 30: 17: 12: 11: 5: 9237: 9235: 9227: 9226: 9221: 9219:Shaver Mystery 9216: 9211: 9209:Pulp magazines 9206: 9201: 9196: 9191: 9186: 9181: 9176: 9171: 9166: 9161: 9156: 9151: 9141: 9140: 9134: 9133: 9131: 9130: 9123: 9116: 9109: 9106:Space and Time 9102: 9095: 9088: 9081: 9074: 9067: 9060: 9053: 9046: 9039: 9032: 9025: 9018: 9011: 9004: 8997: 8989: 8986: 8985: 8980: 8978: 8977: 8970: 8963: 8955: 8946: 8945: 8943: 8942: 8937: 8931: 8929: 8925: 8924: 8922: 8921: 8914: 8911:Wonder Stories 8907: 8900: 8893: 8886: 8879: 8871: 8864: 8857: 8850: 8843: 8836: 8829: 8822: 8815: 8808: 8801: 8794: 8787: 8780: 8773: 8766: 8763:Secret Agent X 8759: 8752: 8745: 8738: 8731: 8724: 8721:Planet Stories 8717: 8710: 8703: 8696: 8689: 8682: 8675: 8668: 8661: 8654: 8651:Jungle Stories 8647: 8640: 8633: 8626: 8619: 8612: 8605: 8598: 8591: 8584: 8577: 8570: 8563: 8556: 8549: 8546:Cosmic Stories 8542: 8535: 8528: 8521: 8518:Captain Future 8514: 8507: 8500: 8493: 8486: 8479: 8472: 8464: 8462: 8458: 8457: 8454:pulp magazines 8445: 8443: 8442: 8435: 8428: 8420: 8414: 8413: 8402: 8390: 8381: 8370: 8369:External links 8367: 8366: 8365: 8359: 8346: 8340: 8327: 8321: 8308: 8302: 8288:Moskowitz, Sam 8284: 8275: 8259: 8250: 8244: 8229: 8216: 8210: 8195: 8189: 8174: 8168: 8151: 8145: 8123: 8117: 8100: 8094: 8077: 8071: 8058: 8052: 8039: 8033: 8016: 8013: 8011: 8010: 7988: 7974: 7959: 7946: 7937: 7915: 7913:, p. 425. 7902: 7889: 7876: 7856: 7854:, p. 222. 7850:, and Ashley, 7834: 7788: 7782:, and Siegel, 7771: 7769:, p. 595. 7758: 7749: 7747:, p. 205. 7734: 7718: 7696: 7670: 7648: 7626: 7604: 7602:, p. 503. 7591: 7573: 7560: 7547: 7530: 7517: 7504: 7491: 7459: 7446: 7433: 7431:, p. 225. 7420: 7407: 7394: 7381: 7379:, p. 116. 7368: 7355: 7342: 7329: 7327:, p. 112. 7316: 7300: 7296:Gernsback Days 7287: 7285:, p. 113. 7274: 7261: 7248: 7232: 7219: 7206: 7189: 7176: 7163: 7150: 7133: 7114: 7096: 7083: 7070: 7054: 7041: 7025: 7012: 7001: 6976: 6958: 6929: 6903: 6864: 6838: 6809: 6794: 6746: 6732: 6703: 6681: 6668: 6655: 6642: 6640:, p. 480. 6626: 6610: 6597: 6579: 6577:, p. 325. 6566: 6564:, p. 321. 6553: 6551:, p. 263. 6537: 6521: 6497: 6495:, p. 353. 6484: 6468: 6455: 6442: 6429: 6406: 6390: 6377: 6364: 6362:, p. 119. 6351: 6338: 6322: 6309: 6291: 6278: 6262: 6249: 6234: 6221: 6199: 6186: 6170: 6154: 6152:, p. 238. 6136: 6118: 6115:. p. 970. 6103: 6088: 6073: 6052: 6039: 6017: 6004: 5991: 5989:, p. 155. 5978: 5976:, p. 979. 5965: 5952: 5938: 5936: 5933: 5930: 5929: 5919: 5909: 5908: 5906: 5903: 5902: 5901: 5894: 5891: 5847: 5844: 5841: 5840: 5837: 5832: 5829: 5825: 5824: 5821: 5816: 5813: 5809: 5808: 5805: 5800: 5797: 5793: 5792: 5789: 5784: 5781: 5777: 5776: 5773: 5768: 5765: 5761: 5760: 5757: 5752: 5746: 5742: 5741: 5738: 5733: 5730: 5726: 5725: 5722: 5717: 5714: 5710: 5709: 5706: 5701: 5698: 5694: 5693: 5690: 5685: 5682: 5678: 5677: 5672: 5667: 5661: 5657: 5656: 5651: 5646: 5643: 5639: 5638: 5633: 5628: 5625: 5621: 5620: 5617: 5614: 5611: 5561: 5560: 5555: 5551: 5550: 5545: 5541: 5540: 5535: 5531: 5530: 5525: 5521: 5520: 5515: 5511: 5510: 5505: 5501: 5500: 5495: 5491: 5490: 5485: 5481: 5480: 5475: 5471: 5470: 5465: 5461: 5460: 5455: 5451: 5450: 5447: 5436: 5435: 5432: 5428: 5427: 5424: 5420: 5419: 5416: 5412: 5411: 5408: 5404: 5403: 5400: 5396: 5395: 5392: 5388: 5387: 5384: 5380: 5379: 5376: 5372: 5371: 5368: 5364: 5363: 5360: 5356: 5355: 5352: 5348: 5347: 5344: 5340: 5339: 5336: 5315: 5312: 5311: 5310: 5307: 5304: 5301:Steve Davidson 5298: 5292: 5286: 5280: 5274: 5268: 5262: 5256: 5250: 5247:Harry Harrison 5244: 5241: 5235: 5229: 5223: 5217: 5211: 5208: 5205:Hugo Gernsback 5193: 5190: 5188: 5185: 5136: 5133: 5120:Bruce Sterling 5115:Pamela Sargent 5111:Harlan Ellison 5045:Stephen Fabian 5016: 5013: 4897: 4894: 4874:Alex Schomburg 4859:David R. Bunch 4851:Philip K. Dick 4757:Alan E. Nourse 4721:Cele Goldsmith 4717: 4716:Cele Goldsmith 4714: 4702:Harlan Ellison 4486: 4483: 4383:H.P. Lovecraft 4372:Lester del Rey 4336:Cyril G. Wates 4274:Off on a Comet 4261: 4258: 4256: 4253: 4245:Steve Davidson 4136: 4135: 4119: 4118: 4116: 4114: 4112: 4110: 4107: 4105: 4103: 4101: 4099: 4097: 4095: 4093: 4089: 4088: 4086: 4084: 4082: 4079: 4077: 4075: 4073: 4071: 4069: 4067: 4065: 4063: 4059: 4058: 4056: 4054: 4052: 4050: 4047: 4045: 4042: 4040: 4038: 4035: 4033: 4031: 4027: 4026: 4024: 4021: 4019: 4016: 4014: 4012: 4010: 4008: 4006: 4004: 4002: 4000: 3996: 3995: 3993: 3991: 3989: 3987: 3985: 3983: 3981: 3979: 3976: 3974: 3972: 3970: 3966: 3965: 3963: 3961: 3959: 3957: 3955: 3953: 3951: 3949: 3947: 3945: 3943: 3941: 3937: 3936: 3934: 3932: 3930: 3928: 3925: 3922: 3920: 3918: 3916: 3914: 3912: 3910: 3906: 3905: 3902: 3901: 3899: 3897: 3895: 3893: 3891: 3889: 3887: 3885: 3883: 3880: 3877: 3874: 3870: 3869: 3866: 3863: 3860: 3857: 3855: 3853: 3851: 3849: 3847: 3845: 3843: 3841: 3837: 3836: 3833: 3832: 3830: 3828: 3826: 3824: 3822: 3817: 3815: 3813: 3808: 3805: 3803: 3798: 3794: 3793: 3791: 3789: 3784: 3782: 3780: 3775: 3773: 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9101: 9100: 9096: 9094: 9093: 9089: 9087: 9086: 9085:Not One of Us 9082: 9080: 9079: 9075: 9073: 9072: 9068: 9066: 9065: 9061: 9059: 9058: 9054: 9052: 9051: 9047: 9045: 9044: 9040: 9038: 9037: 9033: 9031: 9030: 9026: 9024: 9023: 9019: 9017: 9016: 9015:Apex Magazine 9012: 9010: 9009: 9005: 9003: 9002: 8998: 8996: 8995: 8991: 8990: 8987: 8983: 8976: 8971: 8969: 8964: 8962: 8957: 8956: 8953: 8941: 8938: 8936: 8933: 8932: 8930: 8926: 8920: 8919: 8915: 8913: 8912: 8908: 8906: 8905: 8901: 8899: 8898: 8894: 8892: 8891: 8887: 8885: 8884: 8880: 8878: 8876: 8875:Uncanny Tales 8872: 8870: 8869: 8865: 8863: 8862: 8858: 8856: 8855: 8851: 8849: 8848: 8844: 8842: 8841: 8837: 8835: 8834: 8830: 8828: 8827: 8823: 8821: 8820: 8816: 8814: 8813: 8809: 8807: 8806: 8805:Strange Tales 8802: 8800: 8799: 8795: 8793: 8792: 8788: 8786: 8785: 8781: 8779: 8778: 8774: 8772: 8771: 8770:Space Stories 8767: 8765: 8764: 8760: 8758: 8757: 8753: 8751: 8750: 8746: 8744: 8743: 8739: 8737: 8736: 8732: 8730: 8729: 8725: 8723: 8722: 8718: 8716: 8715: 8711: 8709: 8708: 8704: 8702: 8701: 8697: 8695: 8694: 8690: 8688: 8687: 8683: 8681: 8680: 8676: 8674: 8673: 8669: 8667: 8666: 8662: 8660: 8659: 8655: 8653: 8652: 8648: 8646: 8645: 8644:Ghost Stories 8641: 8639: 8638: 8634: 8632: 8631: 8627: 8625: 8624: 8620: 8618: 8617: 8613: 8611: 8610: 8606: 8604: 8603: 8599: 8597: 8596: 8592: 8590: 8589: 8585: 8583: 8582: 8578: 8576: 8575: 8571: 8569: 8568: 8564: 8562: 8561: 8557: 8555: 8554: 8550: 8548: 8547: 8543: 8541: 8540: 8536: 8534: 8533: 8529: 8527: 8526: 8522: 8520: 8519: 8515: 8513: 8512: 8508: 8506: 8505: 8501: 8499: 8498: 8494: 8492: 8491: 8487: 8485: 8484: 8480: 8478: 8477: 8473: 8471: 8470: 8466: 8465: 8463: 8459: 8455: 8452: 8448: 8441: 8436: 8434: 8429: 8427: 8422: 8421: 8418: 8412: 8408: 8407: 8403: 8401: 8397: 8395: 8391: 8388: 8386: 8382: 8378: 8373: 8372: 8368: 8362: 8360:0-911682-26-0 8356: 8352: 8347: 8343: 8341:0-89370-274-9 8337: 8333: 8328: 8324: 8322:0-916732-73-8 8318: 8314: 8309: 8305: 8303:0-88355-129-2 8299: 8295: 8294: 8289: 8285: 8281: 8276: 8264: 8260: 8256: 8255:The Futurians 8251: 8247: 8245:0-670-81041-X 8241: 8237: 8236: 8230: 8225: 8224: 8217: 8213: 8211:0-345-25452-X 8207: 8203: 8202: 8196: 8192: 8190:0-312-09618-6 8186: 8182: 8181: 8175: 8171: 8169:0-231-04211-6 8165: 8160: 8159: 8152: 8148: 8146:0-87338-604-3 8142: 8138: 8137: 8132: 8128: 8124: 8120: 8114: 8109: 8108: 8101: 8097: 8095:0-85323-779-4 8091: 8086: 8085: 8078: 8074: 8072:0-8095-1055-3 8068: 8064: 8059: 8055: 8053:0-85323-865-0 8049: 8045: 8040: 8036: 8034:0-575-03943-4 8030: 8026: 8025: 8019: 8018: 8014: 8003:September 13, 7998: 7992: 7989: 7984: 7978: 7975: 7970: 7963: 7960: 7956: 7950: 7947: 7941: 7938: 7934: 7933: 7926: 7919: 7916: 7912: 7906: 7903: 7899: 7893: 7890: 7886: 7885:Time Machines 7880: 7877: 7873: 7867: 7865: 7863: 7861: 7857: 7853: 7847: 7838: 7835: 7830: 7822: 7814: 7806: 7800: 7799: 7792: 7789: 7785: 7781: 7775: 7772: 7768: 7762: 7759: 7753: 7750: 7746: 7745: 7738: 7735: 7731: 7725: 7723: 7719: 7711:September 22, 7706: 7700: 7697: 7684: 7680: 7674: 7671: 7663:September 22, 7658: 7652: 7649: 7641:September 20, 7636: 7630: 7627: 7619:September 20, 7614: 7608: 7605: 7601: 7595: 7592: 7589:, p. 16. 7588: 7582: 7580: 7578: 7574: 7570: 7564: 7561: 7557: 7551: 7548: 7544: 7540: 7534: 7531: 7527: 7521: 7518: 7514: 7508: 7505: 7501: 7495: 7492: 7479: 7475: 7470: 7469: 7463: 7460: 7456: 7450: 7447: 7443: 7437: 7434: 7430: 7429:Time Machines 7424: 7421: 7417: 7416:Time Machines 7411: 7408: 7404: 7403:Time Machines 7398: 7395: 7391: 7390:Time Machines 7385: 7382: 7378: 7372: 7369: 7366:, p. 56. 7365: 7359: 7356: 7352: 7351:Time Machines 7346: 7343: 7339: 7338:Time Machines 7333: 7330: 7326: 7325:Time Machines 7320: 7317: 7313: 7307: 7305: 7301: 7297: 7291: 7288: 7284: 7283:Time Machines 7278: 7275: 7272:, p. 62. 7271: 7265: 7262: 7259:, p. 69. 7258: 7257:Time Machines 7252: 7249: 7246:, p. 64. 7245: 7244:Time Machines 7239: 7237: 7233: 7229: 7228:Time Machines 7223: 7220: 7216: 7210: 7207: 7203: 7199: 7193: 7190: 7187:, p. 60. 7186: 7185:Time Machines 7180: 7177: 7174:, p. 80. 7173: 7167: 7164: 7161:, p. 58. 7160: 7159:Time Machines 7154: 7151: 7148:, p. 56. 7147: 7146:Time Machines 7143: 7137: 7134: 7129: 7126:. Editorial. 7125: 7118: 7115: 7111: 7110:Time Machines 7105: 7103: 7101: 7097: 7093: 7087: 7084: 7081:, p. 45. 7080: 7074: 7071: 7067: 7066:Time Machines 7061: 7059: 7055: 7051: 7045: 7042: 7039:, p. 50. 7038: 7037:Time Machines 7032: 7030: 7026: 7023:, p. 50. 7022: 7021:Time Machines 7016: 7013: 7010: 7005: 7002: 6991: 6987: 6980: 6977: 6972: 6965: 6963: 6959: 6948:on 2014-05-13 6947: 6943: 6939: 6933: 6930: 6917: 6915: 6907: 6904: 6891: 6887: 6885: 6881: 6873: 6871: 6869: 6865: 6857:September 12, 6852: 6845: 6843: 6839: 6831:September 20, 6826: 6822: 6816: 6814: 6810: 6805: 6798: 6795: 6782: 6778: 6774: 6767: 6765: 6763: 6761: 6759: 6757: 6755: 6753: 6751: 6747: 6742: 6736: 6733: 6722:on 2008-09-24 6721: 6717: 6713: 6707: 6704: 6700: 6694: 6692: 6690: 6688: 6686: 6682: 6678: 6672: 6669: 6665: 6659: 6656: 6652: 6646: 6643: 6639: 6633: 6631: 6627: 6624:, p. 74. 6623: 6617: 6615: 6611: 6608:, p. 72. 6607: 6601: 6598: 6594: 6588: 6586: 6584: 6580: 6576: 6570: 6567: 6563: 6557: 6554: 6550: 6544: 6542: 6538: 6533:. p. 62. 6532: 6525: 6522: 6518: 6512: 6510: 6508: 6506: 6504: 6502: 6498: 6494: 6488: 6485: 6481: 6475: 6473: 6469: 6465: 6459: 6456: 6452: 6446: 6443: 6439: 6438:Time Machines 6433: 6430: 6417: 6410: 6407: 6403: 6402:Time Machines 6397: 6395: 6391: 6387: 6386:Time Machines 6381: 6378: 6374: 6368: 6365: 6361: 6360:Time Machines 6355: 6352: 6348: 6347:Time Machines 6342: 6339: 6333: 6326: 6323: 6320:, p. 85. 6319: 6318:Time Machines 6313: 6310: 6306: 6305:Time Machines 6300: 6298: 6296: 6292: 6289:, p. 77. 6288: 6287:Time Machines 6282: 6279: 6273: 6266: 6263: 6260:, p. 76. 6259: 6258:Time Machines 6253: 6250: 6245: 6238: 6235: 6231: 6230:Time Machines 6225: 6222: 6218: 6212: 6210: 6208: 6206: 6204: 6200: 6197:, p. 47. 6196: 6190: 6187: 6183: 6177: 6175: 6171: 6165: 6158: 6155: 6151: 6150:Time Machines 6145: 6143: 6141: 6137: 6133: 6132:Time Machines 6127: 6125: 6123: 6119: 6114: 6107: 6104: 6099: 6092: 6089: 6084: 6077: 6074: 6071: 6067: 6066: 6062: 6056: 6053: 6050:, p. 47. 6049: 6048:Time Machines 6043: 6040: 6036: 6035:Time Machines 6030: 6028: 6026: 6024: 6022: 6018: 6014: 6013:Time Machines 6008: 6005: 6001: 6000:Time Machines 5995: 5992: 5988: 5982: 5979: 5975: 5969: 5966: 5962: 5961:Time Machines 5956: 5953: 5949: 5948:Time Machines 5943: 5940: 5934: 5923: 5920: 5914: 5911: 5904: 5900: 5897: 5896: 5892: 5890: 5888: 5884: 5880: 5879: 5874: 5869: 5867: 5863: 5859: 5858: 5853: 5845: 5838: 5836: 5833: 5830: 5827: 5826: 5822: 5820: 5817: 5814: 5811: 5810: 5806: 5804: 5801: 5798: 5795: 5794: 5790: 5788: 5785: 5782: 5779: 5778: 5774: 5772: 5769: 5766: 5763: 5762: 5758: 5756: 5753: 5750: 5747: 5744: 5743: 5739: 5737: 5734: 5731: 5728: 5727: 5723: 5721: 5718: 5715: 5712: 5711: 5707: 5705: 5702: 5699: 5696: 5695: 5691: 5689: 5686: 5683: 5680: 5679: 5676: 5673: 5671: 5668: 5666: 5662: 5659: 5658: 5655: 5652: 5650: 5647: 5644: 5641: 5640: 5637: 5636:Belmont Books 5634: 5632: 5629: 5626: 5623: 5622: 5618: 5615: 5612: 5609: 5608: 5605: 5603: 5598: 5596: 5592: 5588: 5583: 5581: 5577: 5572: 5568: 5559: 5556: 5553: 5552: 5549: 5546: 5543: 5542: 5539: 5536: 5533: 5532: 5529: 5526: 5523: 5522: 5519: 5516: 5513: 5512: 5509: 5506: 5503: 5502: 5499: 5496: 5493: 5492: 5489: 5486: 5483: 5482: 5479: 5476: 5473: 5472: 5469: 5466: 5463: 5462: 5459: 5456: 5453: 5452: 5448: 5445: 5444: 5441: 5433: 5430: 5429: 5425: 5422: 5421: 5417: 5414: 5413: 5409: 5406: 5405: 5401: 5398: 5397: 5393: 5390: 5389: 5385: 5382: 5381: 5377: 5374: 5373: 5369: 5366: 5365: 5361: 5358: 5357: 5353: 5350: 5349: 5345: 5342: 5341: 5337: 5334: 5333: 5327: 5324: 5320: 5313: 5308: 5305: 5302: 5299: 5296: 5295:Jeff Berkwits 5293: 5290: 5287: 5284: 5281: 5278: 5275: 5272: 5269: 5266: 5263: 5260: 5257: 5254: 5251: 5248: 5245: 5242: 5239: 5236: 5233: 5230: 5227: 5226:Howard Browne 5224: 5221: 5218: 5215: 5212: 5209: 5206: 5203: 5202: 5201: 5199: 5191: 5186: 5184: 5182: 5178: 5174: 5170: 5165: 5161: 5157: 5153: 5149: 5145: 5141: 5134: 5132: 5129: 5125: 5121: 5116: 5112: 5106: 5104: 5100: 5096: 5092: 5087: 5085: 5081: 5077: 5073: 5069: 5068:Roger Zelazny 5065: 5061: 5057: 5052: 5050: 5046: 5042: 5038: 5034: 5033:John E. Stith 5030: 5026: 5021: 5014: 5012: 5010: 5006: 5002: 5000: 4996: 4992: 4991:Gordon Eklund 4986: 4984: 4979: 4975: 4971: 4967: 4963: 4959: 4955: 4951: 4947: 4942: 4940: 4936: 4931: 4927: 4922: 4920: 4915: 4911: 4902: 4895: 4893: 4891: 4887: 4883: 4882:Ed Emshwiller 4879: 4875: 4871: 4870:Ed Valigursky 4867: 4862: 4860: 4856: 4852: 4848: 4844: 4839: 4837: 4833: 4829: 4828:He Who Shapes 4825: 4821: 4820:Piers Anthony 4817: 4816:Roger Zelazny 4813: 4809: 4805: 4801: 4797: 4796:Sam Moskowitz 4793: 4784: 4780: 4778: 4774: 4770: 4766: 4762: 4758: 4754: 4750: 4746: 4742: 4738: 4734: 4730: 4726: 4722: 4715: 4713: 4711: 4707: 4703: 4699: 4695: 4694:Henry Kuttner 4691: 4687: 4683: 4679: 4675: 4671: 4667: 4662: 4660: 4656: 4652: 4651:Milton Lesser 4648: 4644: 4643:Mack Reynolds 4640: 4636: 4632: 4631:Fredric Brown 4628: 4624: 4620: 4616: 4612: 4608: 4604: 4603:H. Beam Piper 4600: 4595: 4592: 4588: 4580: 4575: 4571: 4569: 4565: 4561: 4557: 4553: 4549: 4545: 4541: 4537: 4533: 4528: 4526: 4522: 4516: 4514: 4510: 4506: 4502: 4498: 4497: 4492: 4484: 4482: 4480: 4476: 4472: 4468: 4464: 4460: 4459: 4454: 4450: 4446: 4442: 4438: 4433: 4431: 4426: 4422: 4421: 4420:The Moon Pool 4416: 4411: 4410:Frederik Pohl 4403: 4399: 4396: 4392: 4388: 4384: 4380: 4375: 4373: 4369: 4365: 4360: 4355: 4353: 4349: 4345: 4341: 4337: 4333: 4327: 4325: 4324: 4319: 4315: 4311: 4303: 4299: 4295: 4291: 4287: 4283: 4279: 4275: 4271: 4266: 4260:Gernsback era 4259: 4254: 4252: 4250: 4246: 4242: 4238: 4234: 4230: 4225: 4224: 4219: 4215: 4211: 4207: 4203: 4199: 4195: 4191: 4187: 4183: 4182: 4177: 4176:Edward Ferman 4172: 4170: 4166: 4162: 4158: 4154: 4150: 4146: 4142: 4125: 4120: 4117: 4115: 4113: 4111: 4106: 4104: 4102: 4100: 4098: 4096: 4094: 4091: 4090: 4087: 4085: 4083: 4078: 4076: 4074: 4072: 4070: 4068: 4066: 4064: 4061: 4060: 4057: 4055: 4053: 4051: 4046: 4041: 4039: 4034: 4032: 4029: 4028: 4025: 4020: 4015: 4013: 4011: 4009: 4007: 4005: 4003: 4001: 3998: 3997: 3994: 3992: 3990: 3988: 3986: 3984: 3982: 3980: 3975: 3973: 3971: 3968: 3967: 3964: 3962: 3960: 3958: 3956: 3954: 3952: 3950: 3948: 3946: 3944: 3942: 3939: 3938: 3935: 3933: 3931: 3929: 3921: 3919: 3917: 3915: 3913: 3911: 3908: 3907: 3903: 3900: 3898: 3896: 3894: 3892: 3890: 3888: 3886: 3884: 3872: 3871: 3856: 3854: 3852: 3850: 3848: 3846: 3844: 3842: 3839: 3838: 3834: 3831: 3829: 3827: 3825: 3823: 3821: 3816: 3814: 3812: 3804: 3802: 3796: 3795: 3792: 3790: 3788: 3783: 3781: 3779: 3774: 3772: 3770: 3765: 3763: 3761: 3755: 3754: 3751: 3749: 3747: 3742: 3740: 3738: 3733: 3731: 3729: 3727: 3725: 3723: 3720: 3719: 3715: 3712: 3710: 3708: 3706: 3704: 3702: 3700: 3698: 3696: 3694: 3692: 3690: 3684: 3683: 3680: 3678: 3676: 3674: 3669: 3667: 3665: 3663: 3661: 3656: 3654: 3652: 3646: 3645: 3642: 3606: 3605: 3565: 3564: 3537: 3532: 3526: 3525: 3522: 3517: 3512: 3507: 3502: 3497: 3491: 3490: 3487: 3482: 3477: 3472: 3467: 3462: 3456: 3455: 3452: 3447: 3442: 3437: 3432: 3427: 3421: 3420: 3417: 3412: 3407: 3402: 3397: 3392: 3386: 3385: 3382: 3377: 3372: 3367: 3362: 3357: 3351: 3350: 3347: 3342: 3337: 3332: 3327: 3322: 3316: 3315: 3312: 3307: 3302: 3297: 3292: 3287: 3281: 3280: 3277: 3272: 3267: 3262: 3257: 3252: 3246: 3245: 3242: 3237: 3232: 3230: 3225: 3223: 3218: 3212: 3211: 3208: 3203: 3198: 3193: 3188: 3183: 3177: 3176: 3173: 3168: 3166: 3161: 3159: 3154: 3152: 3147: 3144: 3143: 3139: 3136: 3133: 3130: 3127: 3124: 3121: 3118: 3115: 3112: 3109: 3106: 3104: 3103: 3088: 3086: 3085: 3079: 3077: 3074: 3069: 3065: 3061: 3056: 3052: 3050: 3045: 3043: 3039: 3035: 3031: 3027: 3013: 3008: 3005: 3000: 2998: 2993: 2991: 2986: 2984: 2979: 2976: 2975: 2972: 2967: 2965: 2960: 2958: 2953: 2951: 2949: 2943: 2942: 2939: 2937: 2932: 2930: 2925: 2923: 2921: 2916: 2914: 2911: 2910: 2904: 2902: 2897: 2895: 2890: 2888: 2883: 2877: 2876: 2873: 2868: 2863: 2858: 2853: 2848: 2846: 2843: 2842: 2836: 2831: 2826: 2821: 2816: 2811: 2808: 2807: 2801: 2796: 2791: 2786: 2784: 2779: 2773: 2772: 2769: 2764: 2759: 2754: 2749: 2744: 2738: 2737: 2734: 2729: 2724: 2719: 2714: 2709: 2703: 2702: 2699: 2694: 2689: 2684: 2679: 2674: 2668: 2667: 2663: 2660: 2657: 2654: 2651: 2648: 2645: 2642: 2639: 2636: 2633: 2630: 2628: 2627: 2621: 2619: 2617: 2613: 2609: 2605: 2600: 2598: 2597: 2592: 2588: 2584: 2583: 2578: 2577: 2571: 2569: 2565: 2561: 2556: 2552: 2548: 2544: 2540: 2536: 2535:Roger Zelazny 2532: 2518: 2513: 2510: 2505: 2500: 2495: 2490: 2485: 2479: 2478: 2475: 2470: 2465: 2460: 2458: 2453: 2448: 2445: 2444: 2438: 2433: 2428: 2423: 2418: 2413: 2410: 2409: 2403: 2398: 2393: 2388: 2383: 2378: 2375: 2374: 2368: 2363: 2358: 2337: 2336: 2296: 2295: 2255: 2254: 2214: 2213: 2173: 2172: 2132: 2131: 2127: 2124: 2121: 2118: 2115: 2112: 2109: 2106: 2103: 2100: 2097: 2094: 2092: 2091: 2085: 2083: 2081: 2077: 2073: 2069: 2068: 2062: 2060: 2056: 2052: 2048: 2044: 2040: 2036: 2032: 2030: 2026: 2022: 2018: 2014: 2010: 2009: 2003: 2001: 1997: 1993: 1992: 1987: 1975: 1970: 1930: 1929: 1889: 1888: 1848: 1847: 1807: 1806: 1797: 1792: 1787: 1782: 1777: 1771: 1770: 1767: 1762: 1757: 1752: 1747: 1742: 1736: 1735: 1707: 1706: 1666: 1665: 1625: 1624: 1584: 1583: 1579: 1576: 1573: 1570: 1567: 1564: 1561: 1558: 1555: 1552: 1549: 1546: 1544: 1543: 1537: 1535: 1533: 1529: 1525: 1521: 1517: 1513: 1509: 1505: 1504:Howard Browne 1501: 1499: 1498: 1492: 1488: 1487: 1482: 1478: 1474: 1470: 1466: 1462: 1450: 1445: 1405: 1404: 1364: 1363: 1323: 1322: 1295: 1293: 1288: 1285: 1284: 1278: 1276: 1271: 1269: 1264: 1262: 1257: 1255: 1252: 1251: 1245: 1243: 1238: 1236: 1234: 1229: 1224: 1218: 1217: 1214: 1209: 1179: 1178: 1138: 1137: 1097: 1096: 1056: 1055: 1051: 1048: 1045: 1042: 1039: 1036: 1033: 1030: 1027: 1024: 1021: 1018: 1016: 1015: 1009: 1007: 1004: 1000: 996: 995: 990: 986: 982: 981:Bernard Davis 978: 974: 969: 966: 962: 958: 954: 950: 946: 938: 936: 933: 929: 925: 921: 917: 916: 911: 910: 904: 900: 896: 892: 891:Frank R. Paul 888: 876: 871: 831: 830: 818: 813: 808: 803: 798: 795: 794: 788: 783: 778: 773: 768: 763: 760: 759: 753: 748: 743: 738: 733: 728: 725: 724: 718: 713: 686: 685: 645: 644: 607: 606: 566: 565: 525: 524: 484: 483: 443: 442: 402: 401: 361: 360: 330: 328: 326: 323: 322: 318: 315: 312: 309: 306: 303: 300: 297: 294: 291: 288: 285: 283: 282: 276: 271: 269: 267: 263: 259: 255: 251: 247: 242: 240: 236: 235: 230: 229: 224: 223: 217: 215: 211: 210: 205: 204: 199: 198: 193: 184: 179: 172: 170: 168: 164: 160: 159:Roger Zelazny 156: 152: 148: 144: 140: 134: 131: 127: 123: 119: 114: 110: 106: 102: 98: 94: 89: 84: 82: 78: 74: 70: 66: 62: 58: 57: 49: 45: 44:Frank R. Paul 41: 36: 32: 28: 24: 19: 9125: 9118: 9111: 9104: 9097: 9090: 9083: 9076: 9069: 9062: 9055: 9048: 9041: 9034: 9027: 9020: 9013: 9006: 9000: 8999: 8992: 8916: 8909: 8902: 8895: 8888: 8881: 8874: 8866: 8859: 8852: 8845: 8838: 8831: 8824: 8817: 8810: 8803: 8796: 8789: 8782: 8775: 8768: 8761: 8756:The Scorpion 8754: 8747: 8740: 8733: 8726: 8719: 8712: 8707:Other Worlds 8705: 8698: 8691: 8684: 8677: 8670: 8663: 8656: 8649: 8642: 8635: 8628: 8621: 8614: 8607: 8600: 8593: 8586: 8579: 8572: 8565: 8560:Doctor Death 8558: 8551: 8544: 8537: 8532:Captain Zero 8530: 8523: 8516: 8509: 8502: 8495: 8488: 8481: 8475: 8474: 8467: 8404: 8393: 8384: 8350: 8331: 8312: 8292: 8279: 8269:September 1, 8267:. Retrieved 8254: 8234: 8222: 8200: 8179: 8157: 8134: 8106: 8083: 8062: 8043: 8022: 8001:. 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G. Wells 4278:Jules Verne 2076:Dream World 1516:pocketbooks 192:Jules Verne 151:Howard Fast 113:digest size 9143:Categories 9064:Lightspeed 9043:Escape Pod 8877:(Canadian) 8777:The Spider 8679:New Worlds 8665:Mind Magic 8553:Doc Savage 7090:Letter in 6995:2018-09-22 6952:2014-05-16 6922:October 1, 6884:Undefeated 6726:2005-08-20 5935:References 5619:Publisher 5338:Publisher 5289:Dave Gross 5124:Gene Wolfe 5091:James Gunn 5089:Historian 4983:Hugo award 4886:Frank Paul 4731:. Smith's 4725:E.E. Smith 4647:John Jakes 4481:in print. 4455:. Smith's 4415:A. Merritt 4387:H.G. Wells 4194:Gary Gygax 4161:Fantastic' 4122:Issues of 3010:Issues of 2596:SF Impulse 2539:Fantastic' 2515:Issues of 1972:Issues of 1532:Korean War 1447:Issues of 977:Ziff-Davis 873:Issues of 203:The Argosy 130:Hugo Award 93:Ziff-Davis 8461:Magazines 7730:Futurians 7375:del Rey, 7310:del Rey, 7298:, p. 156. 7268:del Rey, 7196:Sanders, 7170:del Rey, 7077:del Rey, 6371:del Rey, 6193:del Rey, 5878:Star Trek 5866:Apple TV+ 5850:Director 5645:Ted White 5283:Kim Mohan 5259:Ted White 5118:Ellison, 5056:Fantastic 4999:Fantastic 4968:in which 4930:Fantastic 4914:Fantastic 4847:Fantastic 4800:Fantastic 4210:Kim Mohan 4157:Fantastic 3064:Fantastic 3038:Fantastic 2616:Ted White 2568:mastheads 2564:Fantastic 2555:Sol Cohen 2551:Fantastic 2029:Fantastic 2025:Fantastic 2008:Fantastic 1489:prompted 1003:Amazing's 209:McClure's 122:Ted White 42:, art by 8290:(1966). 8133:(1998). 7911:Gateways 7909:Ashley, 7896:Ashley, 7883:Ashley, 7798:Cheyenne 7741:Aldiss, 7728:Knight, 7569:Gateways 7567:Ashley, 7556:Gateways 7554:Ashley, 7539:Gateways 7537:Ashley, 7526:Gateways 7524:Ashley, 7511:Ashley, 7498:Ashley, 7453:Ashley, 7440:Ashley, 7427:Ashley, 7414:Ashley, 7401:Ashley, 7388:Ashley, 7349:Ashley, 7336:Ashley, 7323:Ashley, 7294:Ashley, 7281:Ashley, 7255:Ashley, 7242:Ashley, 7226:Ashley, 7217:, p. 15. 7204:, p. 15. 7183:Ashley, 7157:Ashley, 7108:Ashley, 7064:Ashley, 7048:Carter, 7035:Ashley, 6896:April 2, 6825:Archived 6787:June 14, 6781:Archived 6699:Gateways 6697:Ashley, 6677:Gateways 6675:Ashley, 6664:Gateways 6662:Ashley, 6651:Gateways 6649:Ashley, 6638:Gateways 6636:Ashley, 6622:Gateways 6620:Ashley, 6606:Gateways 6604:Ashley, 6591:Ashley, 6573:Ashley, 6560:Ashley, 6547:Ashley, 6515:Ashley, 6491:Ashley, 6478:Ashley, 6462:Ashley, 6449:Ashley, 6436:Ashley, 6400:Ashley, 6384:Ashley, 6358:Ashley, 6345:Ashley, 6316:Ashley, 6303:Ashley, 6285:Ashley, 6256:Ashley, 6228:Ashley, 6148:Ashley, 6130:Ashley, 6063:(Sequel) 6046:Ashley, 6033:Ashley, 6011:Ashley, 5998:Ashley, 5985:Ashley, 5959:Ashley, 5946:Ashley, 5893:See also 5148:fanzines 5005:Amazing' 4978:Amazing' 4946:New Wave 4611:Amazing' 4591:Amazing' 4564:Amazing' 4546:such as 4425:Amazing' 3068:Amazing' 3034:typeface 3026:Amazing' 2080:Pen Pals 1486:Harper's 1473:Amazing' 903:bedsheet 887:(Sequel) 50:in 1965. 9099:Reactor 8928:Related 8883:Unknown 8616:Fantasy 8451:fantasy 8409:on the 8015:Sources 7870:Tuck, " 7215:Seekers 7202:Seekers 5602:Amazing 5580:Amazing 5567:Amazing 5323:Amazing 5319:Amazing 5198:Amazing 5192:Editors 5099:Amazing 5095:Amazing 5025:Amazing 5009:Amazing 4995:Amazing 4974:Amazing 4966:Amazing 4935:fanzine 4926:Amazing 4910:Amazing 4890:Amazing 4866:Amazing 4855:Amazing 4843:Amazing 4792:Amazing 4741:Amazing 4698:Amazing 4692:", and 4615:Amazing 4605:, and " 4599:Amazing 4532:Amazing 4501:Amazing 4491:Amazing 4471:Amazing 4437:Amazing 4430:Amazing 4395:Amazing 4379:Amazing 4368:Amazing 4350:, with 4332:Amazing 4288:", and 4270:Amazing 4237:Amazing 4214:Amazing 4186:Amazing 4169:Amazing 4153:Amazing 4145:Amazing 4124:Amazing 3100:Winter 3073:Amazing 3060:Amazing 3055:Amazing 3042:Amazing 3012:Amazing 2560:Amazing 2547:Amazing 2543:Amazing 2517:Amazing 2059:Amazing 2047:Amazing 2043:Amazing 2021:Amazing 2017:Amazing 2013:fantasy 1996:Amazing 1986:Amazing 1974:Amazing 1528:Amazing 1508:Amazing 1477:Amazing 1469:Lemuria 1465:Amazing 1449:Amazing 999:Amazing 973:Amazing 965:Amazing 953:Amazing 945:Amazing 935:April. 932:Amazing 920:Amazing 899:Amazing 875:Amazing 173:Origins 167:Amazing 139:Amazing 126:Amazing 109:Amazing 101:Amazing 88:Amazing 77:Amazing 8357: 8338: 8319: 8300: 8242: 8208: 8187: 8166: 8143: 8115: 8092: 8069: 8050: 8031: 7598:Gunn, 7585:Gunn, 5613:Editor 5449:Title 5122:, and 5066:, and 4771:, and 4708:, and 4680:, and 4633:, and 4467:Argosy 4389:, and 3094:Summer 3091:Spring 3030:Analog 2333:38/12 2292:37/12 2251:36/12 2210:35/12 2169:34/12 1967:33/12 1926:32/12 1885:31/12 1844:30/12 1703:26/12 1662:25/12 1621:24/12 1442:23/12 1401:22/12 1360:21/12 1175:16/12 1134:15/12 1093:14/12 868:13/12 756:10/13 161:, and 9071:Locus 8539:Comet 7198:Smith 6777:ISFDB 5905:Notes 5616:Title 5446:Dates 5335:Dates 4989:with 4970:Lathe 4308:" by 4276:, by 4223:Locus 4092:2021 4062:2020 4030:2019 3999:2018 3969:2014 3940:2013 3909:2012 3873:2005 3868:73/4 3840:2004 3797:2000 3756:1999 3721:1998 3685:1995 3647:1994 3616:67/12 3613:67/11 3610:67/10 3607:1993 3602:67/9 3575:66/11 3572:66/10 3566:1992 3561:66/8 3527:1991 3492:1990 3457:1989 3422:1988 3387:1987 3352:1986 3317:1985 3282:1984 3247:1983 3213:1982 3191:27/12 3186:27/11 3181:27/10 3178:1981 3145:1980 2977:1979 2944:1978 2912:1977 2907:50/3 2878:1976 2844:1975 2839:48/4 2809:1974 2804:47/4 2774:1973 2739:1972 2704:1971 2669:1970 2622:1970s 2480:1969 2446:1968 2441:41/5 2416:40/10 2411:1967 2406:40/9 2376:1966 2371:40/3 2338:1965 2330:38/11 2327:38/10 2297:1964 2289:37/11 2286:37/10 2256:1963 2248:36/11 2245:36/10 2215:1962 2207:35/11 2204:35/10 2174:1961 2166:34/11 2163:34/10 2133:1960 2086:1960s 1964:33/11 1961:33/10 1931:1959 1923:32/11 1920:32/10 1890:1958 1882:31/11 1879:31/10 1849:1957 1841:30/11 1838:30/10 1808:1956 1803:29/7 1772:1955 1737:1954 1732:27/8 1708:1953 1700:26/11 1697:26/10 1667:1952 1659:25/11 1656:25/10 1626:1951 1618:24/11 1615:24/10 1585:1950 1538:1950s 1463:, an 1439:23/11 1436:23/10 1406:1949 1398:22/11 1395:22/10 1365:1948 1357:21/11 1354:21/10 1324:1947 1319:20/9 1286:1946 1281:19/4 1253:1945 1248:18/5 1219:1944 1212:17/10 1180:1943 1172:16/11 1169:16/10 1139:1942 1131:15/11 1128:15/10 1098:1941 1090:14/11 1087:14/10 1057:1940 1010:1940s 939:1930s 865:13/11 862:13/10 832:1939 827:12/7 796:1938 791:11/6 761:1937 751:10/12 746:10/11 741:10/10 726:1936 721:10/7 687:1935 646:1934 608:1933 567:1932 526:1931 485:1930 444:1929 403:1928 362:1927 324:1926 277:1920s 8449:and 8355:ISBN 8336:ISBN 8317:ISBN 8298:ISBN 8271:2008 8240:ISBN 8206:ISBN 8185:ISBN 8164:ISBN 8141:ISBN 8113:ISBN 8090:ISBN 8067:ISBN 8048:ISBN 8029:ISBN 8005:2008 7767:Hugo 7713:2008 7691:2006 7665:2008 7643:2008 7621:2008 7486:2023 6924:2011 6898:2006 6882:And 6859:2008 6833:2008 6789:2008 6424:2008 5828:2017 5812:2016 5796:2015 5780:2015 5764:2014 5745:2014 5740:TSR 5729:1987 5724:TSR 5713:1987 5708:TSR 5697:1987 5692:TSR 5681:1986 5660:1985 5642:1973 5624:1967 5610:Year 5169:Hugo 5128:blog 5035:and 4997:and 4928:and 4912:and 4880:and 4845:and 4822:and 4806:and 4727:and 4688:'s " 4653:and 4621:and 4558:and 4538:and 4511:and 4451:and 4443:and 4292:'s " 4284:'s " 4155:and 4109:77/3 4081:77/2 4049:77/1 4044:76/4 4037:76/3 4023:76/2 4018:76/1 3978:75/1 3882:74/3 3879:74/2 3876:74/1 3865:73/3 3862:73/2 3859:73/1 3820:72/2 3811:72/1 3807:71/5 3801:71/4 3787:71/3 3778:71/2 3769:71/1 3760:70/3 3746:70/2 3737:70/1 3689:69/3 3673:69/2 3660:69/1 3651:68/9 3640:68/8 3637:68/7 3634:68/6 3631:68/5 3628:68/4 3625:68/3 3622:68/2 3619:68/1 3599:67/8 3596:67/7 3593:67/6 3590:67/5 3587:67/4 3584:67/3 3581:67/2 3578:67/1 3569:66/9 3558:66/7 3555:66/6 3552:66/5 3549:66/4 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