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organs", praising them, as elements of the record, as being 'overwhelming in the best way.' Nick James Scavo, writing for Tiny Mix Tapes, commented that 'the beauty of
Crampton's art is that it gorgeously describes a drifting, transitional nature — to pin it down is to forget its essence, to rob it
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of movement.' Scavo also stated that the album artistically "evoke the biologically self-queering nature of the "sublime" approaches the "opening" of
Crampton’s sound as a trans-ontology".
505:, described American Drift as artistically evoking "a hillside that's been worn away by erosion to reveal a sedimentary record of the millennia". He also commented on the album's use of '
443:. These sounds are often arranged atmospherically or rhythmically in juxtaposition with the otherwise polyphonic and minimalist tone of the music, and in particular, Crampton's style of
355:
approach. The title track, written for and spoken by her collaborator Money Allah (who also appears on "Wing"), is set as a transevangelistic prayer. Lyrically, it references
447:
with such samples has been dubbed as "epic collage". Crampton's collaborator, Money Allah, who speaks and sings on the title track and "Wing", is described as a "thug dove".
201:, after her previous work under the name E+E. It was released on August 7, 2015, on Blueberry Records and was released to high critical acclaim from various critics.
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samples are interspersed with rhythms recalling Andean khantus music. The album is punctuated with vocal samples and synths that refer back to
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383:, intended as a depiction of "an encounter between mountain and vehicle, interactions of non-human objects touching one another in a
403:, whose piano pieces were formulative on the album among Crampton's influences. "Axacan" is named for and musically depicts the
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In press photos for
American Drift, Crampton was often depicted in forest settings, as well as holding a copy of Stacy Alaimo's
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where all things have agency." "Wing" is a piece in two parts based on particular natural cycles in prehistory; it portrays an
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363:", and depicts the "wildly disanthropocentric" transformation of natural settings. "Petrichrist"'s name is a portmanteau of
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saying "yeahhh!", "what!" and "okayyy!". In correlation, the second section of "Wing" is described as a '
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keyboards appear throughout, as well as similarly electronic-sounding bells, chimes and
752:"Elysia Crampton Announces Her Debut Album With A Track From Another World | The Fader"
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in 2014. The album was created as part of a project to describe the experience of
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is the first studio album by
American electronic musician and composer
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Alongside the influences laid out in the press release of the album,
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ballad'. Guitars, flutes and horns that appear to be played on
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that, according to Nick James Scavo of Tiny Mix Tapes, set an
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On "Petrichrist" and "Wing", rhythm samples reminiscent of
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Bodily
Natures: Science, Environment, and the Material Self
371:, and musically documents Crampton herself driving in her
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served as a geographical and geological inspiration for
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687:"Elysia Crampton announces debut album American Drift"
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817:"Elysia Crampton: American Drift Review"
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16:2015 studio album by Elysia Crampton
773:"RA: Breaking through: Elysia Crampton"
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301:tapes. She also cited late writer
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815:Kevin Lozano (August 12, 2015).
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435:, explosions, alerts, gunshots,
411:in Virginia occurred violently.
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209:Crampton began composing
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634:"Wing (ft. Money Allah)"
271:trival/tribal-guarachero
257:, Bolivian and Peruvian
235:African-American history
213:in 2012 while living in
52:August 7, 2015
853:Elysia Crampton albums
725:SCVSCV (August 2015).
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883:Sound collage albums
873:Minimal music albums
858:2010s concept albums
527:Professional ratings
781:. September 4, 2015
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454:are used alongside
429:stock sound effects
377:Shenandoah Mountain
330:Shenandoah Mountain
287:neo-classical music
863:Folktronica albums
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409:Spanish settlement
407:, where the first
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303:José Esteban Muñoz
219:Richmond, Virginia
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393:photosynthesis
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824:. Retrieved
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783:. Retrieved
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734:. Retrieved
699:December 26,
697:. Retrieved
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492:ambient pads
464:Southern rap
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420:
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389:impact event
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361:Rock of Ages
357:Paul Claudel
353:evangelistic
348:as taking a
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106:epic collage
86:Andean music
37:Studio album
515:coruscating
509:rhythms', "
496:Appalachian
441:evil laughs
433:vocal bites
415:Composition
397:fern spikes
373:Ford Ranger
291:avant-garde
279:early blues
231:prehistoric
101:psychedelic
96:progressive
91:avant-garde
842:Categories
826:October 6,
758:2016-10-07
736:October 6,
656:References
452:Baile funk
431:including
205:Background
156:chronology
81:Electronic
56:2015-08-07
821:Pitchfork
507:woodblock
503:Pitchfork
365:petrichor
307:brownness
67:2012–2014
645:"Axacan"
484:Kurzweil
425:keyboard
385:Worlding
381:Virginia
334:Virginia
247:ontology
142:Producer
64:Recorded
49:Released
39: by
498:scene.
472:Lil Jon
375:up the
320:Concept
227:Bolivia
215:Roanoke
182:(2016)
173:(2015)
54: (
604:Length
550:8.1/10
540:Rating
537:Source
488:Yamaha
480:huayno
456:cumbia
369:Christ
299:cumbia
295:huayno
285:, and
223:La Paz
115:Length
637:10:20
601:Title
476:crunk
468:crunk
437:beeps
350:trans
267:psych
263:metal
255:crunk
132:Label
73:Genre
828:2016
787:2018
738:2016
701:2018
648:9:39
626:6:19
615:4:10
511:trap
486:and
466:and
439:and
367:and
328:The
297:and
277:and
265:and
259:prog
253:and
245:and
237:and
217:and
597:No.
379:in
332:in
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
