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did elsewhere. Many ARCos are anonymous, though just as many if not more do carry an accurate credit as to the performer. Collectors of early records do value ARCOs; while not as common as early
Columbias or Victors, they survive in decent numbers, especially when compared to discs on labels that they provided masters to, such as Busy Bee, Kalamazoo and Peerless. In Europe, their releases appeared on Pelican, Leader, American Odeon and Odeon.
105:") was founded by Ellsworth A. Hawthorne and Horace Sheble, formerly designers of accessories for Edison Records machines at their Philadelphia-based bicycle shop; in a previous venture, they had issued a small run of brown-wax cylinders in the mid-1890s. Hawthorne and Sheble partnered with John O. Prescott, whose brother Frederick worked with International Talking Machine in Berlin, which marketed
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and was responsible for most of the remaining instrumental selections on the label, in addition to providing accompaniments to singers. Other performers were mainly drawn from the ranks of singers that worked for Victor, Columbia and the cylinder companies, recording many of the same songs that they
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of undetermined manufacture; American Record
Company advertising commonly marketed them as "Indian Records". Several variations of the "Indian" label exist, differing only in minor details. Most ARCo records are single sided; with their double-sided records, apparently the combination of sides were
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Unlike most
American producers of discs apart from Victor and Columbia in the first decade of the twentieth century, American Record Company made their own recordings in direct contravention to existing patents. The most important contribution made by ARCo to the history of recorded sound is that
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which reputedly delivered better sound quality than standard black shellac. The records appear to have been numbered using a sequence which began at 030000; the highest number known is 031435. The records exist in 7-inch, 10-inch and 10.75-inch sizes, with the latter size being derived from its
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connection with Odeon, which also used that size. The seven-inch discs used a different numbering sequence and seem to have only been produced for a short time. Some export pressings for
Britain carried the "American Odeon Record" logo.
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randomly chosen. The company would press any two sides paired, if the buyer met the minimum-order qualification. These records are notable for being blue in color, rather than the usual black, pressed from a shellac compound called
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324:"American Record (Hawthorne, Sheble & Prescott) Ads, 1904–1905 – 78-RPM RECORDS, CYLINDER RECORDS & PHONOGRAPHS"
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on blue shellac, although two-sided issues and standard, black shellac appeared towards the end of the company's run.
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they made the earliest surviving records of
Hawaiian music in several discs credited to the
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Mainspring Press Blog, "American Record (Hawthorne, Sheble & Prescott) Ads, 1904–1905"
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A listing of some of the artists that appeared on
American Record Company.
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156:; this was a group led by July Paka. The house band was called the
299:"Lynn Bilton, "Hawthorne & Sheble: Forgotten Giant""
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The
American Record Company (commonly abbreviated as "
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The label of the discs featured artwork depicting a
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504:Entertainment companies of the United States
426:"American Record Company, by Matrix numbers"
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484:Defunct record labels of the United States
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489:Defunct companies based in Massachusetts
93:that was in business from 1904 to 1906.
499:1906 disestablishments in Massachusetts
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454:American Record Company on Shellac.org
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494:1904 establishments in Massachusetts
479:Record labels disestablished in 1906
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474:Record labels established in 1904
133:listening to a front-mount disc
326:. 27 April 2015. Archived from
243:Regimental Band of the Republic
158:Regimental Band of the Republic
109:. The new company was based in
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277:, Brian Rust, Da Capo, 1984.
21:American Record Corporation
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275:American Record Label Book
246:Royal Hawaiian Troubadours
154:Royal Hawaiian Troubadours
111:Springfield, Massachusetts
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396:"American Record Company"
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26:Not to be confused with
19:Not to be confused with
179:Arthur Collins (singer)
87:American Record Company
34:American Record Company
469:American record labels
52:Privately held company
234:Steve Porter (singer)
221:Billy Murray (singer)
16:American record label
206:Invincible Quartette
23:, also known as ARC.
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28:American Recordings
354:2015-04-27 at the
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328:the original
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239:Dan W. Quinn
189:Billy Golden
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76:Headquarters
48:Company type
400:Shellac.org
260:Harry Tally
250:Len Spencer
198:Billy Heins
463:Categories
435:4 February
405:4 February
377:4 February
334:4 February
308:4 February
282:References
225:J.W. Myers
174:Henry Burr
135:phonograph
210:Ada Jones
202:Anna Held
352:Archived
140:Empedite
129:with a
97:History
68:Defunct
58:Founded
165:Roster
147:Legacy
437:2019
407:2019
379:2019
336:2019
310:2019
121:Logo
103:ARCo
85:The
71:1906
61:1904
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