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American Realism

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540: 753: 734: 421: 671: 997: 378:(1865–1921) was an important American Realist and a member of The Ashcan School. Henri was interested in the spectacle of common life. He focused on individuals, strangers, quickly passing in the streets in towns and cities. His was a sympathetic rather than a comic portrayal of people, often using a dark background to add to the warmth of the person depicted. Henri's works were characterized by vigorous brushstrokes and bold impasto which stressed the materiality of the paint. Henri influenced Glackens, Luks, Shinn and Sloan. In 1906, he was elected to the 830:(1893) is one of the best, if not the earliest, naturalistic American novel. It is the harrowing story of a poor, sensitive girl whose uneducated, alcoholic parents utterly fail her. In love, and eager to escape her violent home, she allows herself to be seduced into living with a young man, who soon deserts her. When her self-righteous mother rejects her, Maggie becomes a prostitute to survive, but soon dies. Crane's earthy subject matter and his objective, scientific style, devoid of moralizing, earmark Maggie as a naturalist work. 712: 285: 1086:. "In the Evening by the Moonlight" and "Golden Slippers" are well-known songs that he wrote, and he wrote other hits of the period, including "In the Morning by the Bright Light" and "De Golden Wedding". Bland wrote most of his songs from 1879 to 1882; in 1881, he left the U.S. for England with Haverly's Genuine Colored Minstrels. Bland found England more rewarding than the United States and stayed there until 1890; either he stopped writing songs during this period or he was unable to find an English publisher. 41: 142: 460: 905:. Twain's style, based on vigorous, realistic, colloquial American speech, gave American writers a new appreciation of their national voice. Twain was the first major author to come from the interior of the country, and he captured its distinctive, humorous slang and iconoclasm. For Twain and other American writers of the late 19th century, realism was not merely a literary technique: It was a way of speaking truth and exploding outworn conventions. Twain is best known for his works 491: 690: 61: 76: 238: 357: 531:. He disliked the category of Ashcan School and expressed his annoyance with art historians who identified him as a painter of the American Scene: "Some of us used to paint little rather sensitive comments about the life around us. We didn't know it was the American Scene. I don't like the name...A symptom of nationalism, which has caused a great deal of trouble in this world." 408:(1876–1953), a member of the Ashcan School, was famous for his numerous paintings of New York and the theater, and of various aspects of luxury and modern life inspired by his home in New York City. He painted theater scenes from London, Paris and New York. He found interest in the urban spectacle of life, drawing parallels between the theater and crowded seats and life. Unlike 939:
incompetency of the officers; the periodic lapses of morale; the uncertainty and meagerness of rations; and the wearying grind of army routine. His accounts of battle make frequent reference to the dreadful screaming of shells, the awful horror of mutilated bodies, and the agonizing cries of the wounded. War as detailed by his pen was a cruel and sordid business.
482:. He also was a successful commercial illustrator, producing numerous drawings and watercolors for contemporary magazines that humorously portrayed New Yorkers in their daily lives. Later in life, he was much better known as "the American Renoir" for his Impressionist views of the seashore and the French Riviera. 206:
and the life of ordinary Americans at home. Artists used the feelings, textures and sounds of the city to influence the color, texture and look of their creative projects. Musicians noticed the quick and fast-paced nature of the early 20th century and responded with a fresh and new tempo. Writers and
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From the late 19th to the early 20th centuries, the United States experienced huge industrial, economic, social and cultural change. A continuous wave of European immigration and the rising potential for international trade brought increasing growth and prosperity to America. Through art and artistic
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Art Young, who died in this city Wednesday night at the age of 77, wouldn't have liked to have it said that he was a lovable soul in spite of his sometimes heterodox opinions. He valued his opinions. He had worked them out for himself, and for them he had sacrificed the chance to accumulated a fair
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composer and musician, often known as the "Father of the Blues". Handy remains among the most influential of American songwriters. Although he was one of many musicians who played the distinctively American form of music known as the blues, he is credited with giving it its contemporary form. While
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journalist, photographer, and social reformer, was born in Ribe, Denmark. He is known for his dedication to using his photographic and journalistic talents to help the less fortunate in New York City, which was the subject of most of his prolific writings and photographic essays. He helped with the
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wrote that many Romantics "wrote like exiled English colonials from an England of which they were never a part to a newer England that they were making...They did not use the words that people have always used in speech, the words that survive in language." In the same essay, Hemingway stated that
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Hopper's teacher Robert Henri encouraged his students to use their art to "make a stir in the world". He also advised his students "It isn’t the subject that counts but what you feel about it" and "Forget about art and paint pictures of what interests you in life". In this manner, Henri influenced
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C.A. White (1829–1892) wrote the hit song "Put Me in My Little Bed" in 1869, establishing him as a major songwriter. White was a songwriter of serious aspirations: Many of his songs were written for vocal quartets. He also made several attempts at opera. As half-owner of the music publishing firm
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was a style in art, music and literature that depicted contemporary social realities and the lives and everyday activities of ordinary people. The movement began in literature in the mid-19th century, and became an important tendency in visual art in the early 20th century. Whether a cultural
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of his pages are not all heroes. Soldier life as portrayed by Watkins had more of the dullness and suffering than of excitement and glory. He tells much of the crushing fatigue of long marches; the boredom and discomfort of the long winter lulls; the caprice and harshness of discipline; the
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was a group of New York City artists who sought to capture the feel of early-20th-century New York City through realistic portraits of everyday life. These artists preferred to depict the richly and culturally textured lower class immigrants, rather than the rich and promising
391: 447:(1905), he shows children being entertained by a man with a toy while a woman and shopkeeper have a conversation in the background. The viewer is among the crowd rather than above it. Luks puts a positive spin on the Lower East Side by showing two young girls dancing in 934:. He "talked in a slow humorous drawl" and demonstrated unusual prowess as a storyteller. One of the book's commendable qualities is its realism. In an age noted for romanticizing "the war" and the men who fought it, he wrote with surprising frankness. The 823:
was published to great acclaim in 1895, but he barely had time to bask in the attention before he died at 28, having neglected his health. He has enjoyed continued success since his death—as a champion of the common man, a realist, and a symbolist. Crane's
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juvenile novels that followed the adventures of bootblacks, newsboys, peddlers, buskers, and other impoverished children in their rise from humble backgrounds to lives of respectable middle-class security and comfort. His novels, of which
382:, but when painters in his circle were rejected for the academy's 1907 exhibition, he accused fellow jurors of bias and walked off the jury, resolving to organize a show of his own. He later referred to the academy as "a cemetery of art". 812:
era, soldiers, clergymen, sheriffs, judges, and farmers who had lived a century earlier. Primarily a journalist who also wrote fiction, essays, poetry, and plays, Crane saw life at its rawest in slums and on battlefields. His haunting
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in his compositions. He was scrupulous in documenting the sources of his works, which frequently combined stylistic influences from several performers. He loved this folk-musical form and brought a transforming touch to it.
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In the U.S. at the beginning of the 20th century a new generation of painters, writers and journalists were coming of age. Many of the painters felt the influence of older U.S. artists such as
1574: 888:. Early 19th-century American writers tended to be flowery, sentimental, or ostentatious—partially because they were still trying to prove that they could write as elegantly as the English. 451:
which is a type of dance among working-class immigrants; despite the poverty, children dance on the street. He looks for the joy and beauty in the life of the poor rather than the tragedy.
711: 133:. However they were interested in creating new and more urbane works that reflected city life and a population that was more urban than rural in the U.S. as it entered the new century. 523:, as in his paintings, he focused on the everyday lives of people. He depicted the leisure of the working class with an emphasis on female subjects. Among his better known works are 1143:
music and remains the best-known figure. His music enjoyed a considerable resurgence of popularity and critical respect in the 1970s, especially for his most famous composition "
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ideas, and by 1906 or so, considered himself a socialist. He became politically active; by 1910, racial and sexual discrimination and the injustices of the
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Party in 1910. Originally from Philadelphia, he worked in New York after 1904. From 1912 to 1916, he contributed illustrations to the socialist monthly
1210: 689: 596:(c. 1904). During his student years, Hopper also painted dozens of nudes, still lifes, landscapes, and portraits, including his self-portraits. 270:
socialites. One critic of the time did not like their choice of subjects, which included alleys, tenements, slum dwellers, and in the case of
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authors told a new story about Americans; boys and girls real Americans could have grown up with. Pulling away from fantasy and focusing on
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from a not very well known regional music style to one of the dominant forces in American music. Handy was an educated musician who used
568:. In both his urban and rural scenes, his spare and finely calculated renderings reflected his personal vision of modern American life. 511:(1871–1951) was an early-20th-century Realist of the Ashcan School, whose concerns with American social conditions led him to join the 1717: 901: 1732: 1647: 1468: 1395: 1349: 1333: 1317: 1301: 1285: 420: 1687: 723: 1712: 1707: 841:(1837–1920) wrote fiction and essays in the realist mode. His ideas about realism in literature developed in parallel with his 211:
American Realism presented a new gateway and a breakthrough—introducing modernism, and what it means to be in the present. The
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Shinn, Everett. "Everett Shin on George Luks: An Unpublished Memoir". Archives of American Art. 6.2 (Apr., 1966).
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portrayal or a scenic view of downtown New York City, American realist works attempted to define what was real.
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boldness and a willingness to take risks. He had a fascination with violence as seen in his 1909 painting
178: 126: 110: 441:(1866–1933) was an Ashcan school artist who lived on the Lower East Side of Manhattan. In Luks' painting 1144: 894: 216: 166: 162: 146: 130: 1033:" in New York with the help of humanitarian Lawrence Veiller. As one of the early photographers to use 1585:
Handy, William Christoper (1941). Father of the Blues: An Autobiography. New York: Macmillan. p. 140.
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Art Center Information Presents the Ashcan School~Apostles of Ugliness Â» Art Center Information
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Gail Levin, Edward Hopper: An Intimate Biography, Alfred A. Knopf, New York, 1995, p. 38,
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Gail Levin, Edward Hopper: An Intimate Biography, Alfred A. Knopf, New York, 1995, p. 19,
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depicts a city-scape that is not one particular view but a composite of many views.
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attempted to portray the exhaustion and cultural exuberance of the figurative
1048:(1866–1943) was an American cartoonist and writer. He is most famous for his 1478: 1441: 1373:
Cylinder of Fiction. - The Fiction and Journalistic Writing of Stephen Crane
1177: 1059: 1049: 1045: 1025: 842: 584:, another teacher of Hopper, became members of The Eight, also known as the 512: 198:
expression (through all mediums including painting, literature and music),
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The Incredible Story of America's First Pop Star - Polyphonic on YouTube
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Handy was not the first to publish music in the blues form, he took the
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Music for the Nation: American Sheet Music, ca. 1870 to 1885 | loc.gov
592:. His first existing oil painting to hint at his famous interiors was 332:(1882–1925), painted city life in New York City. His paintings had an 808:(1871–1900), born in Newark, New Jersey, had roots going back to the 1017:, considered the most crime-ridden, dangerous part of New York City. 274:, taverns frequented by the working class. They became known as the 1312:
Sherry Maker, Edward Hopper, Brompton Books, New York, 1990, p. 9,
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Sherry Maker, Edward Hopper, Brompton Books, New York, 1990, p. 8,
1139:(c. 1867/68–1917) was an African-American musician and composer of 1115: 995: 538: 489: 458: 419: 409: 389: 355: 283: 236: 140: 59: 39: 412:, Shinn depicted interaction between the audience and performer. 560:(1882–1967) was a prominent American realist painter and 478:(1870–1938) painted the neighborhood surrounding his studio in 1545: 1543: 1502:
James Davidson and Mark Lytle, “The Mirror with a Memory, ”
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cartoons, especially those drawn for the radical magazine
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is a typical example, were hugely popular in their day.
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American Paintings in The Metropolitan Museum of Art
899:all American fiction comes from Mark Twain's novel 1387:A companion to the regional literatures of America 727:, c. 1904–1908, charcoal and pastel on brown paper 1654:Framing America: A Social History of American Art 1623:Doezema, Marianne, and Elizabeth Milroy (1998). 1679:, a fully digitized 3 volume exhibition catalog 1627:. New Haven: Yale University Press. (pps. 311) 1504:After the Fact: The Art of Historical Detection 1037:, he is considered a pioneer in photography. 880:(1835–1910), better known by his pen name of 215:also known as The Eight and the group called 8: 1375:. Baton Rouge: Louisiana State UP, 1972. 37. 1066:system became prevalent themes in his work. 930:which recounts his life as a soldier in the 1551:"Hall of Fame Retrieved January 14, 2009" 1390:. Malden, MA: Blackwell Pub., 2003: 92. 1280:, Brompton Books, New York, 1990, p. 6, 845:attitudes. In his role as editor of the 74: 1203: 666: 1013:. This image is Bandit's Roost at 59½ 1723:Cultural history of the United States 1683:Music: New Generations of Songwriters 857:, and as the author of books such as 7: 947:Other writers of this sort included 913:The Adventures of Huckleberry Finn 902:The Adventures of Huckleberry Finn 884:, grew up in the frontier town of 25: 137:America in the early 20th century 759:The Old Ships Draw to Home Again 751: 732: 710: 688: 669: 1024:(1849–1914), a Danish-American 529:Sunday, Women Drying Their Hair 1506:(New York: McGraw Hill, 2000). 1224:Robert Henri: his life and art 552:Whitney Museum of American Art 55:Whitney Museum of American Art 1: 1640:John Sloan: Painter and Rebel 1084:Carry me Back to Old Virginny 827:Maggie: A Girl of the Streets 1693:Literature: American Realism 1688:Literature: American Realism 1535:share of this world's goods. 594:Solitary Figure in a Theater 572:Hopper, as well as students 219:created the core of the new 86:'s Philadelphia Studio, 1898 1249:Loughery, 1997, pp. 144–46. 227:Ashcan School and The Eight 1749: 1097:White, Smith & Company 810:American Revolutionary War 603: 380:National Academy of Design 230: 29: 1718:American realist painters 1652:Pohl, Frances K. (2002). 1616:Brooks, Van Wyck (1955). 1455:Watkins, Sam R. (1994) . 1029:implementation of "model 503:Detroit Institute of Arts 339:Both Members of This Club 297:, 1909, oil on canvas, 45 294:Both Members of This Club 1733:Culture of New York City 1228:Retrieved August 9, 2010 1114:(1873–1958) was a 1010:How the Other Half Lives 866:The Rise of Silas Lapham 820:The Red Badge of Courage 744:Brooklyn Bridge at Night 468:Coney Island Fruit Stand 276:revolutionary black gang 1638:Loughery, John (1997). 1159:(includes "naturalism") 932:Confederate States Army 369:National Gallery of Art 367:, 1902, oil on canvas, 319:National Gallery of Art 82:artists and friends at 1713:American art movements 1708:Realism (art movement) 1188:Visual arts of Chicago 1018: 746:, 1909, oil on canvas 740:Edward Willis Redfield 627:Edward Willis Redfield 554: 505: 480:Washington Square Park 471: 435: 402: 372: 321: 317:in. (115 Ă— 160.5 cm), 258: 194: 179:Edmund Charles Tarbell 127:Thomas Pollock Anshutz 111:James McNeill Whistler 87: 72: 57: 1459:. With an introd. by 1438:Green Hills of Africa 1407:Criticism and Fiction 999: 895:Green Hills of Africa 681:Winter – Fifth Avenue 542: 493: 474:Early in his career, 462: 423: 393: 359: 287: 280:apostles of ugliness. 240: 217:Ten American Painters 163:William Merritt Chase 147:Ten American Painters 144: 131:William Merritt Chase 78: 63: 43: 27:American art movement 1625:Reading American Art 1361:Horatio Alger online 1267:Brooks, 1955, p. 73. 1258:Brooks, 1955, p. 79. 1222:Bennard B. Perlman, 839:William Dean Howells 834:William Dean Howells 600:Other visual artists 416:George Benjamin Luks 223:in the visual arts. 183:Thomas Wilmer Dewing 1620:. New York: Dutton. 1525:. December 31, 1943 1226:pp74-79 Dover, 1991 175:Frank Weston Benson 107:John Singer Sargent 1642:. New York: Holt. 1522:The New York Times 1168:American modernism 1019: 886:Hannibal, Missouri 784:Horatio Alger, Jr. 779:Horatio Alger, Jr. 705:, 1904, photograph 683:, 1893, photograph 555: 506: 472: 436: 403: 373: 322: 259: 244:artists, c. 1896, 221:American Modernism 204:American landscape 195: 88: 73: 58: 36:American Modernism 1591:978-0-306-80421-2 1434:Hemingway, Ernest 1384:Crow, Charles L. 1075:James Allen Bland 1022:Jacob August Riis 860:A Modern Instance 854:Harper's Magazine 702:Flatiron Building 643:Gertrude Käsebier 606:291 (art gallery) 548:New York Interior 495:John French Sloan 256:John French Sloan 84:John French Sloan 50:Dempsey and Firpo 16:(Redirected from 1740: 1605: 1600: 1594: 1583: 1577: 1572: 1566: 1565: 1563: 1562: 1553:. 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Luks 417: 414: 387: 384: 353: 350: 345:Cliff Dwellers 330:George Bellows 326: 325:George Bellows 323: 289:George Bellows 231:Main article: 228: 225: 191:Edward Simmons 138: 135: 65:George Bellows 45:George Bellows 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 1745: 1734: 1731: 1729: 1726: 1724: 1721: 1719: 1716: 1714: 1711: 1709: 1706: 1705: 1703: 1694: 1691: 1689: 1686: 1684: 1681: 1678: 1677: 1673: 1672: 1668: 1663: 1659: 1655: 1651: 1649: 1648:0-8050-5221-6 1645: 1641: 1637: 1634: 1630: 1626: 1622: 1619: 1615: 1614: 1610: 1604: 1599: 1596: 1592: 1588: 1582: 1579: 1576: 1571: 1568: 1557:on 2009-03-03 1556: 1552: 1546: 1544: 1540: 1536: 1524: 1523: 1518: 1512: 1509: 1505: 1499: 1496: 1493: 1488: 1485: 1480: 1476: 1472: 1470:0-916107-43-4 1466: 1462: 1458: 1451: 1448: 1444:. p. 22. 1443: 1439: 1435: 1429: 1426: 1421: 1415: 1412: 1408: 1403: 1400: 1397: 1396:0-631-22631-1 1393: 1389: 1388: 1381: 1378: 1374: 1368: 1365: 1362: 1357: 1354: 1351: 1350:0-394-54664-4 1347: 1341: 1338: 1335: 1334:0-394-54664-4 1331: 1325: 1322: 1319: 1318:0-517-01518-8 1315: 1309: 1306: 1303: 1302:0-517-01518-8 1299: 1293: 1290: 1287: 1286:0-517-01518-8 1283: 1279: 1278:Edward Hopper 1273: 1270: 1264: 1261: 1255: 1252: 1246: 1243: 1237: 1235: 1231: 1227: 1225: 1218: 1215: 1212: 1207: 1204: 1198: 1194: 1191: 1189: 1186: 1184: 1183:Ashcan School 1181: 1179: 1176: 1174: 1171: 1169: 1166: 1164: 1161: 1158: 1155: 1154: 1150: 1148: 1146: 1142: 1138: 1131: 1129: 1126: 1125:folk material 1122: 1117: 1113: 1106: 1104: 1102: 1098: 1089: 1087: 1085: 1081: 1074: 1069: 1067: 1065: 1061: 1057: 1056: 1051: 1047: 1040: 1038: 1036: 1032: 1027: 1023: 1016: 1012: 1011: 1007:, 1888, from 1006: 1002: 998: 991: 986: 984: 982: 978: 974: 973:Edith Wharton 970: 966: 962: 958: 954: 950: 942: 940: 937: 933: 929: 925: 918: 916: 914: 910: 909: 904: 903: 897: 896: 891: 887: 883: 879: 872: 870: 868: 867: 862: 861: 856: 855: 850: 849: 844: 840: 833: 831: 829: 828: 822: 821: 816: 811: 807: 806:Stephen Crane 801:Stephen Crane 800: 798: 796: 795: 789: 785: 778: 773: 768: 764: 760: 754: 749: 745: 741: 735: 730: 726: 725: 719: 713: 708: 704: 703: 697: 691: 686: 682: 678: 672: 667: 665: 664: 660: 656: 655:E. J. Bellocq 652: 648: 644: 640: 636: 632: 628: 624: 620: 616: 615:Joseph Stella 611: 607: 599: 597: 595: 591: 587: 586:Ashcan School 583: 579: 578:Rockwell Kent 575: 569: 567: 563: 559: 558:Edward Hopper 553: 549: 545: 544:Edward Hopper 541: 535:Edward Hopper 534: 532: 530: 526: 522: 518: 514: 510: 504: 500: 496: 492: 485: 483: 481: 477: 469: 465: 461: 454: 452: 450: 449:The Spielers, 446: 445: 444:Hester Street 440: 434: 430: 429:Hester Street 426: 422: 415: 413: 411: 407: 406:Everett Shinn 400: 399:Self-portrait 396: 395:Everett Shinn 392: 386:Everett Shinn 385: 383: 381: 377: 370: 366: 362: 358: 351: 349: 347: 346: 341: 340: 335: 334:expressionist 331: 324: 320: 296: 295: 290: 286: 282: 281: 277: 273: 269: 264: 263:Ashcan School 257: 253: 249: 248:Everett Shinn 243: 242:Ashcan School 239: 234: 233:Ashcan School 226: 224: 222: 218: 214: 213:Ashcan School 210: 205: 201: 192: 188: 187:Joseph DeCamp 184: 180: 176: 172: 168: 164: 160: 159:J. Alden Weir 156: 155:Childe Hassam 152: 149:in 1908. The 148: 143: 136: 134: 132: 128: 124: 123:J. Alden Weir 120: 119:Childe Hassam 116: 115:Winslow Homer 112: 108: 104: 100: 99:Thomas Eakins 95: 92: 85: 81: 80:Ashcan School 77: 70: 66: 62: 56: 52: 51: 46: 42: 37: 33: 32:Ashcan School 19: 1674: 1653: 1639: 1624: 1617: 1598: 1581: 1570: 1559:. Retrieved 1555:the original 1533: 1527:. Retrieved 1520: 1511: 1503: 1498: 1487: 1456: 1450: 1440:. 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Handy 1090:C.A. White 1064:capitalist 1055:The Masses 1001:Jacob Riis 992:Jacob Riis 987:Journalism 928:Co. Aytch, 908:Tom Sawyer 882:Mark Twain 873:Mark Twain 635:Leon Kroll 604:See also: 582:John Sloan 562:printmaker 521:The Masses 517:The Masses 509:John Sloan 486:John Sloan 272:John Sloan 30:See also: 1442:Scribners 1178:Modernism 1060:left wing 1050:socialist 1046:Art Young 1041:Art Young 1031:tenements 1026:muckraker 843:socialist 815:Civil War 763:Jonas Lie 623:Jonas Lie 513:Socialist 1479:34464004 1436:(1935). 1151:See also 761:, 1920, 501:, 1912, 431:, 1905, 246:l to r, 209:the now, 69:New York 53:(1924), 1611:Sources 1141:ragtime 774:Writers 566:etching 312:⁄ 302:⁄ 1660:  1646:  1631:  1589:  1477:  1467:  1394:  1348:  1332:  1316:  1300:  1284:  979:, and 943:Others 817:novel 470:, 1898 401:, 1901 189:, and 129:, and 71:(1911) 1121:blues 1116:blues 1070:Music 1035:flash 410:Degas 153:were 1658:ISBN 1644:ISBN 1629:ISBN 1587:ISBN 1475:OCLC 1465:ISBN 1392:ISBN 1346:ISBN 1330:ISBN 1314:ISBN 1298:ISBN 1282:ISBN 911:and 863:and 851:and 722:The 700:The 608:and 576:and 527:and 307:Ă— 63 278:and 261:The 145:The 34:and 1147:". 892:in 588:of 1704:: 1542:^ 1532:. 1519:. 1473:. 1233:^ 1003:, 983:. 975:, 971:, 967:, 963:, 959:, 955:, 951:, 915:. 765:, 742:, 720:, 698:, 679:, 661:, 657:, 653:, 649:, 645:, 641:, 637:, 633:, 629:, 625:, 621:, 617:, 546:, 497:, 466:, 427:, 397:, 363:, 291:, 254:, 250:, 185:, 181:, 177:, 173:, 169:, 165:, 161:, 157:, 151:10 125:, 121:, 117:, 113:, 109:, 105:, 101:, 67:, 47:, 1664:. 1635:. 1593:. 1564:. 1481:. 1422:. 314:8 310:1 304:4 300:1 193:. 20:)

Index

American realism
Ashcan School
American Modernism

George Bellows
Dempsey and Firpo
Whitney Museum of American Art

George Bellows

Ashcan School
John French Sloan
Thomas Eakins
Mary Cassatt
John Singer Sargent
James McNeill Whistler
Winslow Homer
Childe Hassam
J. Alden Weir
Thomas Pollock Anshutz
William Merritt Chase

Ten American Painters
Childe Hassam
J. Alden Weir
William Merritt Chase
Robert Reid
Willard Metcalf
Frank Weston Benson
Edmund Charles Tarbell

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