335:(2021) — for which he received the MASH FICA award for New Media Artist — Grover transformed a family archive of pictures into a narrative about the 1947 Partition. The images experienced visual glitches when individual stories were added to the ASCII representations of the scanned images, presenting “brilliant hues of intentionally glitched, wounded photographs.” As a special commission for the third edition of the Chennai Photo Biennale, Grover created a series of imageless photographs drawn entirely from his imagination and memory titled
319:, a cyber-play that centres around a missing poet in a dystopian society, making references to the political threats that writers and artists encounter. The show took place on the web, in which the audience were taken into a 3-D virtual city and provided with options to choose different spaces, called rooms, in which they watched live performances. The show was described as “India’s first theatre-for-the-internet” by India Art Review.
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285:(2016–17) in which he went undercover in a technology company to work as an IT professional for a duration of six months. During his employment, in addition to his job he produced performances, CCTV-art, and a film. The art-works produced in this series was shown in an exhibition tilted ‘Hangar for the Passerby’ curated by Akansha Rastogi and commissioned by the
25:
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stated that the show is "an eternal refuge for wrecked souls," and Mumbai
Theatre Guide described it as "bold, intense, and thought-provoking." The show premiered at SA Virtual Festival and was later shown at the Tata Literature Live Festival 2021. It was the official entry at IMPACT 21 Festival held
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Grover used billboard as a medium to express ideas of protest and dissent through action-poems. A large billboard is erected on
Kasturba Gandhi Marg in central Delhi, where Grover’s board-poems can be read till date. The Art Newspaper called it “a new way of understanding India’s modern and
304:(2019-ongoing), which followed soon after, presents the personal strife and the public triumph of an artist working in such a society. The show, directed and performed by Grover himself, used archival and edible elements to focus on the life of the popular Indian playwright and director
215:. He earned a scholarship to study at National School of Drama, New Delhi in 2001, where he completed M.A. (Diploma) in Theatre Direction. In 2005, he received the Charles Wallace Scholarship to study in London, where he completed M.A. in Theatre and Performance from the
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contemporary art” and the billboard got nominated as one of 250 most important artworks of modern India in the book, "Moving Focus, India: New
Perspectives on Modern and Contemporary Art" edited by Mortimer Chaterjee and published by ACC Art Books, USA & Canada.
190:
for his contribution to the field of theatre direction. He has been described as “one of the leading theatre makers in India” by The
Charles Wallace India Trust and his work has been described as one that “transcends the boundaries of conventional theatre” by
265:. Held over the course of several nights in multiple locations in New Delhi and Berlin, the audience was lulled into sleep with a set of carefully curated performances, participatory acts, and live-improvisations. The show was nominated for the
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mourner to stage an unscripted interview about the rituals and processes of expressing grief in India. The show travelled to various festivals in India and Europe. Extending real-life performances into his own life, he created
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250:(2010), in which motion tracking, real-time video feed and multimedia were integral elements of the performances. Ever since, his hybrid creations have gained a growing dedicated audience in India.
257:(2010–12) was an event Grover created in collaboration with British artist Alex Fleetwood, which connected audiences in different countries in real time through a series of social tasks and games.
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Grover is known for his innovative work in the field of theatre and performance. His work first attracted attention for integrating digital technology in live performances. In 2007, he directed
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He gained acclaim for his “real-life” performances. Moving away from conventional theatre, Grover created participatory performances that brought real life and real people into the theatre.
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Cacchione, Orianna; Jaishankar, Nandita; Vats, Arushi; Banerjee, Trina
Nileena; Bernaus, Leticia; Nyen, Ho Tzu; Iweala, Uzodinma; Jagoda, Patrick; Kandasamy, Meena (eds.).
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Imaginable Worlds: Art, Crisis, and Global
Futures, Ed. Orianna Cacchione, Nandita Jaishankar, and Arushi Vats, Smart Museum of Art, The University of Chicago
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illustrating the failing values in post-Independence Indian society, is seen as a return to story-telling and conventional theatre in his career. His show
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Set in an abandoned building, it is a collection of multiple stories performed by actors and real-life professionals that presents a layered critique of
339:. This work was shown as part of the digital showcase running across 2021—22 on the biennale platform as well as galleries and exhibitions across India.
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261:(2013–14) was a one-week long performance event of collective sleeping energies curated by Grover and his collaborators Frank Oberhausser and
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Moving Focus: New
Perspectives on Modern & Contemporary Art, Ed. Mortimer Chaterjee, ISBN 9781788841733, ACC Art Books, USA & Canada
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in which live camera feed, TV-sets and projections were used along with actors on stage. Other theatre presentations of his include
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402:. He has been selected for artist residencies at PACT Zollverein (Germany), Tokyo Culture Creation Project (Japan), and
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315:, when theatres were shut down in India, Grover turned to the digital space to create his work. In 2020, he created
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698:"Against a hierarchy of expressive means; arguments for new pedagogies in performer education in India and the UK"
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1722:"In an abandoned building in Goa, Amitesh Grover creates a layered piece on capitalism, titled The Money Opera"
1589:"In an abandoned building in Goa, Amitesh Grover creates a layered piece on capitalism, titled The Money Opera"
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1740:"As cultural festivals go digital, organisers aim for global reach, hybrid online-offline presence in future"
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1212:"Creative selection: Creative isolation worked wonders for some, led to huge loss of creativity in others"
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382:(Berlin), Segal Center Festival on Theatre and Performance (USA), Foundation of Indian Contemporary Art,
371:, the show premiered in Goa at the Serendipity Arts Festival in 2022 and travelled to New Delhi in 2023.
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837:"When art is not restricted by medium: Exploring the oeuvre of interdisciplinary artist Amitesh Grover"
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Why Curate Live Arts? TURBA, The
Journal for Global Practices in Live Arts Curation, Ed. Dena Davida,
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for 2020 and 2021 and the Ranga
Shankara Festival, Bangalore in 2021. He has given artist talks at
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2013:
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at MT Space for
Performing Arts, Canada and the Segal Festival of Theatre & Film, USA.
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406:. He has been commissioned by the Chennai Photo Biennale and by Australia's Sydney-based
1294:"'The actors ask questions and the audience decides what they want to see': Atul Kumar"
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1440:"Amitesh Grover's 'imageless photographs' occupy the crowded frame of text and memory"
1163:"Table Radica: A unique recreation of Habib Tanvir's radical life on stage and beyond"
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182:. He is known for his experimental theatre, performances, and installations. In 2008,
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2180:"Search results for issue11 - The Ngee Ann Kongsi Library Institutional Repository"
1615:"The Money Opera: A new immersive theatrical production offers much to think about"
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228:
1062:"Exploring relationships between geographies, biographies and forgotten histories"
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Pandemic of Perspectives, Ed. Rimple Mehta, Sandali Thakur, Debaroti Chakraborty,
1673:"Watch A Groundbreaking Theatrical Exploration Of Greed, Morality, & Desire"
1515:"All the world a stage: Artist urges protest through KG Marg billboard in Delhi"
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1466:"Empty frames of 'All That We Saw' by Amitesh Grover stimulate viewer's memory"
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Performance Making and the Archive, Ed. Ashutosh Potdar & Sharmistha Saha,
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Improvised Futures: Encountering the Body in Performance, Ed. Ranjana Dave,
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1319:"Interview With Amitesh Grover Interview : www.MumbaiTheatreGuide.com"
1273:"The Last Poet: A Dystopian Journey from Amitesh Grover - India Art Review"
1113:"Kiran Nadar Museum of Art is pleased to present Hangar for the Passerby"
192:
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1391:"Narrating the Body in/as Data: WOUNDING, an Episode by Amitesh Grover"
685:
https://nsd.gov.in/delhi/wp-content/uploads/2014/09/NSD-GRADUATES1.pdf
24:
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1564:"The Immersive Theatre Experience Of Amitesh Grover's 'Money Opera'"
98:
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may have been created or edited in return for undisclosed payments
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Improvised Futures: Encountering the Body in Performance, No. 2
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Postdramatic Theatre and India: Theatre-Making Since the 1990s
558:
The Indian Express - A Voice, Under 35: The Murder of A Scene
331:
Grover is also known for conceptual art and installations. In
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2014:"ARTE LAGUNA PRIZE 12th Edition by Arte Laguna Prize - Issuu"
1876:"How to do things with words when publishing on performance?"
163:
421:(Singapore), Asian Performing Arts Market (Australia) and
40:. It may require cleanup to comply with Knowledge (XXG)'s
811:"Prithvi's all decked up for its annual theatre festival"
581:"I make the audience complicit in my art: Amitesh Grover"
276:(2013–16), Grover worked with a professional traditional
1237:"The Last Poet cyber theatre directed by Amitesh Grover"
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swissinfo.ch, <Anand Chandrasekhar> (2016-07-21).
1698:"The Money Opera comes to Delhi with new characters"
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Postdramatic Theatre and India, Ed. Ashis Sengupta,
1490:"An artist nudges Delhi with verses on a billboard"
178:director and Professor of theatre direction at the
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2258:Imaginable Worlds: Art, Crisis, and Global Futures
2134:"There Will Be Trouble: Curating Theater in India"
2084:"Pandemic of Perspectives: Creative Re-imaginings"
1850:"ANCER Conference 2020: Disruption as Opportunity"
2261:. Smart Museum of Art, The University of Chicago.
1832:"Ranga Shankara theatre festival opens on Oct 27"
1416:"Between Memory and History: Annalisa Mansukhani"
696:Ananthakrishnan, B.; Collins, Jane (2019-05-04).
435:Ustad Bismillah Khan National Award For Direction
363:. Described as “the 3-hour-long magnum opus” by
1255:"A digital festival that responds to the times"
128:The Money Opera, The Last Poet, Velocity Pieces
2309:Academic staff of the National School of Drama
963:"If you have tears, prepare to shed them now"
442:Swiss Residency Award for South Asian Artist
8:
517:, Berghahn Journals, New York & Berlin
2273:"A voice, under 35: The murder of a scene"
1952:The Foundation for Indian Contemporary Art
1371:The Foundation for Indian Contemporary Art
74:
63:
1972:"South Asian artists awarded residencies"
528:, LaSalle College of the Arts, Singapore
2231:"Directing Raag Darbari: Amitesh Grover"
2039:"A Project By Amitesh Grover – Forecast"
415:International Theatre Festival of Kerala
367:and "theatre that defies convention" by
568:
352:His most recent theatre production is
296:based on the satirical Hindi novel by
7:
2203:Dave, Ranjana, ed. (February 2022).
2060:"Performance Making and the Archive"
1187:"Table Talk: A feast for the senses"
736:"Meet the brave new digital theatre"
574:
572:
462:Prix Ars Electronica Award (Austria)
408:4A Centre for Contemporary Asian Art
374:Grover's work has been shown at the
342:In a public art installation titled
386:, TATA Literature Festival Mumbai,
36:, a violation of Knowledge (XXG)'s
1696:Khan, Mohd Shehwaaz (2023-09-21).
702:Studies in Theatre and Performance
207:, he completed his schooling from
188:Ustad Bismillah Khan Yuva Puraskar
153:Ustad Bismillah Khan Yuva Puraskar
14:
1904:Australian Performing Arts Market
1671:Vasanthan, Sobhika (2023-09-25).
1638:Mankatalia, Dhriti (2023-09-29).
1613:Chawla, Noor Anand (2023-09-30).
1161:Banerjee, Kaushani (2019-05-20).
579:Nath, Parshathy J. (2020-01-16).
413:He was the Artistic Director for
2109:"Postdramatic Theatre and India"
989:"The sleep of the grateful dead"
520:ISSUE, Ed. Venka Purushothaman,
23:
2314:National School of Drama alumni
1790:"China Daily Lifestyle Premium"
344:Velocity Pieces (2019—ongoing),
2132:Grover, Amitesh (2022-03-01).
1088:"A Model for Invisible Growth"
910:Sengupta, Ashis (2022-01-27).
1:
1794:China Daily Lifestyle Premium
714:10.1080/14682761.2018.1429758
542:Hakara, Ed. Ashutosh Potdar,
445:Charles Wallace Award (U.K.)
323:called it “a bold new work,”
217:University of the Arts London
109:University of the Arts London
1640:"A layered tale about money"
1367:"WOUNDING by Amitesh Grover"
1086:Singh, Adwait (2019-11-19).
760:Razdan, Arjun (2007-09-22).
398:, Prithvi Theatre Festival,
2000:Charles Wallace India Trust
1948:"Mash FICA New Media Grant"
641:Charles Wallace India Trust
419:Lasalle College of the Arts
2345:
1414:adminhakara (2021-11-17).
1137:"Vikas Has Missed the Bus"
1066:Architectural Digest India
439:MASH FICA New Media Award
380:Haus der Kulturen der Welt
269:award in Austria in 2016.
2150:10.3167/turba.2022.010109
2088:Routledge & CRC Press
2064:Routledge & CRC Press
916:. Bloomsbury Publishing.
466:Forecast Award (Germany)
400:Serendipity Arts Festival
388:Kiran Nadar Museum of Art
376:National Theatre (London)
287:Kiran Nadar Museum of Art
164:https://amiteshgrover.com
118:Theatre & Performance
73:
2304:Indian theatre directors
1619:The Sunday Guardian Live
506:, Bloomsbury Publishing
484:, Routledge India, 2022
199:Early life and education
180:National School of Drama
16:Indian theatre director
1814:"Celebrating Otherness"
1343:"All the web's a stage"
662:"All the web's a stage"
404:Berliner Theatertreffen
1976:Pro Helvetia New Delhi
1874:csgchku (2023-06-20).
1323:MumbaiTheatreGuide.com
1167:The New Indian Express
1111:OpenArt (2017-05-13).
1042:www.telegraphindia.com
211:and his graduation at
209:Sardar Patel Vidyalaya
1540:"Moving Focus, India"
1018:www.millenniumpost.in
384:Arts Centre Melbourne
378:, MT Space (Canada),
184:Sangeet Natak Akademi
46:neutral point of view
2324:Installation artists
2184:drlib.lasalle.edu.sg
1038:"I into You into Me"
835:admin (2022-01-18).
762:"The future is here"
423:Hong Kong University
392:Bharat Rang Mahotsav
267:Prix Ars Electronica
1728:. 21 December 2022.
886:"The Bridge Player"
2277:The Indian Express
1924:"English Releases"
1818:The Indian Express
1765:"Bonsai Gone Wild"
1726:The Indian Express
1593:The Indian Express
1519:The Indian Express
1261:. 4 December 2020.
1141:The Indian Express
1012:PTI (2015-02-10).
967:The Indian Express
942:The Indian Express
890:The Indian Express
865:The Indian Express
790:The Indian Express
613:"English Releases"
495:, Routledge India
396:Cornell University
321:The Indian Express
174:(born 1980) is an
2216:978-81-945348-2-2
1996:"Amitesh's story"
1769:Open The Magazine
1470:www.stirworld.com
1092:Take Art Magazine
1014:"Art of grieving"
938:"Close Your Eyes"
923:978-1-350-15410-0
861:"The Show Begins"
637:"Amitesh's story"
537:978-81-945348-2-2
456:Arte Laguna Prize
274:Songs of Mourning
259:The Sleep Concert
237:Memorable Equinox
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