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326:, regions of Rajasthan and so on, and to different communities. The tribal collection displays the cultural value given to jewellery in tribal and nomadic cultures. Ornaments were not just adornments but sources of wealth that could be easily carried and remained secure as part of one's attire. The exhibited ornaments have been curated to give a glimpse of the rich repertoire of types of ornaments that were used to bedeck the entire body from head to toe including ornaments for the head, ears, nose, neck, arms, waist, ankle and feet. The silver ornaments collection includes a 19th-century mirror work necklace in emerald green and white, a silver
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pieces that belonged to the royal families or adorned deities in temples, many ornaments are from the tribal communities which they used in their everyday lives. Although the museum has a rich collection from
Rajasthan almost all regions of India are represented adequately. The jewellery of different eras form a historical overview besides giving a perspective on the regional variations and community affiliation through jewellery. There are both silver and gold sections. Some remarkable objects, luxury items, decorative objects, and men's jewellery have also been displayed.
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used in the museum and only when visitors are there to minimise damage through light. The space has been used very judiciously as many artefacts are placed in closed drawers. These drawers are customised to light up when they open noiselessly and illuminate the objects inside them. Care is taken to design the position of objects in such a way that the hooks on which they are suspended remain concealed. Sometimes a magnifying glass is placed behind an object to showcase the craftsmanship of both anterior and posterior sides for the visitors without disturbing the object.
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experts. They began to recognise the intrinsic value of art and felt a need to share the outcome of their pursuit with connoisseurs and lay public as a service to disseminate artistic sensibilities. Thus, Amrapali Museum opened in
January 2018 after documentation and research of the collections. As a unique cultural heritage, it has garnered global attention for its collection and its many notable objects.
159:, Rajiv Arora and Rajesh Ajmera. Located in Jaipur at Ashok Marg, C-scheme, the museum premises are spread over 6,500 sq ft. It is also the office headquarters of Amrapali Jewels. The museum's collection has been arranged from the ground floor to the basement. It has a collection of 4000 objects. Over 800 objects are displayed over two floors while the remaining objects are kept in visual storage.
235:, Temple jewellery are illustrated through representative pieces. The museum presents a plethora of designs from the repertoire of Indian craftsmen that have evolved over time. Besides jewellery, the museum has a large collection of sundry silver objects ranging from utilitarian to decorative to luxurious items.
239:, rosewater sprinklers, and betel leaf sets are small objects; plates, tea sets, and assortments of boxes in every shape, size and type of craftsmanship are medium-sized objects; personal accessories as small as a toothpick are tiny, while elaborately made silver shoe covers are very heavy; and there is also a
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Amrapali Museum has resulted from the labour of its founders Rajiv Arora and Rajesh Ajmera. Rare jewellery pieces and other collectibles have been curated by the duo over a long span of over four decades. Arora and Ajmera were college friends with a common interest in historical, artistic handcrafted
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The objects shown in this section have a wide range but are thematically linked to beauty and adornment. It contains many objects, mostly ornaments from all the regions of India. Jewellery objects very frequently were connected to rituals of marriage. They were either gifted during weddings, or worn
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and was used by followers of
Jainism, perhaps, for religious processions. It has an elaborately carved wooden structure that is completely overlaid with sheets of silver. Extensive Jain iconography has been used in the motifs engraved on the surface of the chariot. As one enters the museum the first
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Even though the
Amrapali collection is predominantly devoted to silver artefacts, gold objects displayed in this section represent the element of luxury and beautification beyond the mundane and utilitarian aspects of Indian jewellery. The jewellery worn by the members of royal families brings to
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The display and exhibit has been designed to meet international standards. The use of concealed lighting illuminates each artefact in every niche. Instead of velvet fabric, grey fabric is used to neutralise the reflection of light because velvet is apprehended to gather dust. Lights are sparingly
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in the city. Jaipur's connection with heritage and history became a natural inspiration for them. They travelled far and wide in India to collect pieces of art and heritage. During these travels, they saw that once common designs of jewellery were vanishing fast due to changing tastes. The metals
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The museum is spread over two floors that are divided thematically into many different sections. The ground floor is arranged on the theme of beauty and adornment and focuses mainly on jewellery and ornaments. The section displays ornaments for all body parts - head to toe. While there are many
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While they were collecting pieces out of general love of the art, for design inspiration and for business requirements, the idea of starting a museum had not crossed their minds. In their long journey, they had extensive interactions with craftsmen, silversmiths, art enthusiasts, scholars, and
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The museum has fine jewellery, hand-crafted antiques, and exquisite curios to showcase the craftsmanship and rich tradition of Indian jewellery. Several different types of Indian jewellery at the museum constitute a visual representation of history of art and process of jewellery making. The
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region of
Rajasthan. The grass kept the betel leaves aired so that they would not rot while the silver beautified the container. Towards the left is a highlight display where unique pieces from the collection have been displayed. Other notable objects include palanquin head from
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life the opulence and grandeur of the era of
Maharajas and Maharanis. A unique section of God jewellery represents the jewellery worn by deities in temples across India. Jewellery from south predominate the gold section with traditional necklace,
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Pattanaik has written about the complex embedded meanings of the museum objects. The museum has published a small brochure and a detailed catalogue in the form of a coffee table book to document and present the details of many exquisite pieces.
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The basement houses a collection that attempts to showcase design inspirations available to the Indian craftsmen. Several designs are displayed in jewellery and other silver objects of the collection. The genesis of terms and categories such as
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and a range of objects made for the Gods including elements of shrines and temples, utensils used in worship, jewellery used for deities, and the statues of deities themselves. Some special pieces include gold and turquoise necklace of Lord
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collection ranges from tribal jewellery, in wood and metal, to silver and gold pieces. It is an extensive collection that shows how the traditional craftsmanship has impacted modern and contemporary design sensibilities.
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A separate section is dedicated to heirloom textiles that are embellished with gold and silver to show the use of gold and silver in textiles. The textiles are mounted on the walls and display rich specimens of
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objects. They both lived in Jaipur, a city that boasted of a history of engagement with industrial arts in the 19th and 20th centuries. The great Jaipur
Exhibition of 1883 had led to the establishment of the
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made in both gold and silver. The diversity in the designs of hookah mouthpieces show the capricious and whimsical ideas of the patrons executed with finesse by the artists. These are locally called
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Although jewellery is usually associated with women, many tribal pieces were unisex or belonged to men. Many uniquely male jewellery is also exhibited in the museum. For instance an ornament called
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This section displays several accessory containers shaped in varying mango and fish forms. Mango shaped containers are mainly used as lime containers and fish shaped containers to store
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were melted and reused and the vintage artistic pieces were lost forever. They started collecting the pieces to preserve the traditional aesthetics and founded
Amrapali Jewels in 1978.
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1158:"CULTURAL AND HISTORICAL IMPLICATION OF MUSEUM COLLECTION: REPRESENTATION OF REGIONS AND TRIBES IN THE NOSE RINGS OF AMRAPALI MUSEUM OF JAIPUR, INDIA"
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necklace with diamond inlay is quite notable with the sacred Parsi words included in its design. The 1929 necklace has diamond inlaid words that read
1352:"Mythologist Devdutt Pattanaik turns his attention to sacred objects from the Amrapali museum's collection in his new book The Adornment of Gods"
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At the entrance of the museum, a huge chariot, entirely enamelled with silver, is displayed. The chariot belongs to the mid 20th-century
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etc. Extra care has been taken to keep this part of the museum dimly lit as harsh light can be detrimental to the longevity of fabrics.
1226:"Amrapali Museum in Jaipur pays tribute to the centuries-old art form that is the intricate design and workmanship of Indian jewellery"
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for the eyes. Mangoes and fish have remained in use as traditional designs in many jewellery forms. It also displays eclectic buttons,
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heirloom textiles. Many of the textile pieces have been embellished with traditional embroidery in gold and silver like salma sitara,
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The basement section is dedicated to showcase the range of designs in the Indian artistry and its application by the craftsmen.
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covered with silver. All the objects seem to have been selected on the basis of their fine artistry irrespective of the size.
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exhibit displays the equipments of the founders accompanied by the first object of this collection acquired by them. It is a
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The museum has kept its reserve collections in a visual store, effectively making everything available for visitors to see.
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Many prominent personalities and celebrities have visited the
Amrapali Museum and shown their appreciation such as
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493:. He can be identified because of his emblem rhinoceros in the center of plinth. It is made with the plinth in
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and decorative objects. It was inaugurated on 20 January 2018. The museum is an enterprise of the founders of
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and
Hinduism. The first one displays outer covering for the sacred statue of Jainism's 11th
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Many silver ornaments are showcased here that belong to different parts of India such as
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kit, toiletry kits for grooming such as ear and tongue cleaners and more. A wine flask (
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that shows many mythological iconographic featutres. The other section displays
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Silver and enamelled earcovers from Chamba, Himachal Pradesh, Amrapali Museum
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1329:. Westland Books, a division of Nasadiya Technologies Private Limited.
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has authored a book based on the objects of the Amrapali Museum titled
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Silver and Bamboo Coral Earrings from Ladakh or Tibet, Amrapali Museum
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The Adornment of Gods - Rare Objects from the Amrapali Jewels Museum.
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893:"Everything you need to know about the Amrapali Museum of Jewellery"
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The Adornment of Gods: Rare Objects from the Amrapali Jewels Museum
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Fodor's Essential India: with Delhi, Rajasthan, Mumbai & Kerala
842:"All That Glitters: Visit India's First Jewellery Museum In Jaipur"
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Silver enamelled Mathapatti from Himachal Pradesh, Amrapali Museum
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298:– mostly by women after marriage as symbols of their status.
1277:"The 10 pieces you need to see at Jaipur's Amrapali Museum"
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America, Illuminating Engineering Society of North (1996).
1009:"The 10 pieces you need to see at Jaipur's Amrapali Museum"
334:(head ornaments in the form of bands, mostly for brides),
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Museum and Art Gallery Lighting: A Recommended Practice
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Museum Lighting: A Guide for Conservators and Curators
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Silver Necklace from Himachal Pradesh, Amrapali Museum
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Silver Anklets (Kadiyan) of Rajasthan, Amrapali Museum
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1156:Mathur, Surbhi; Chaturvedi, Neekee (8 May 2023).
1162:ShodhKosh: Journal of Visual and Performing Arts
808:"Amrapali Museum to open next January in Jaipur"
655:Fish-Shaped Design in Jewellery, Amrapali Museum
524:) and a gold covered Jain religious manuscript.
481:This section has been divided into two parts -
202:and personal museum guides are also available.
763:Gold nose ring from Rajasthan, Amrapali Museum
399:or precious stones embedded hair ornaments of
1115:"Amrapali Museum: an ode to Indian jewellery"
8:
1350:Balakrishnan, Dr Usha R. (12 January 2023).
643:Display with in-lit Drawers, Amrapali Museum
437:were used to enhance the headgear of groom.
431:adorned the turbans of powerful men. Silver
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386:Gold Nath from Uttaranchal, Amrapali Museum
453:The last section displays a collection of
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395:Karnataka and diamond-studded armlets of
1385:"SHOP BROCHURE – Amrapali Museum Jaipur"
1197:Guides, Fodor's Travel (12 March 2019).
727:Necklace from Jaiselmer, Amraplai Museum
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1303:"TESTIMONIALS – Amrapali Museum Jaipur"
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691:Silver Enamel Bracelet, Amrapali Museum
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667:In-lit Drawer Display, Amrapali Museum
806:Stephen, Rosella (11 December 2017).
679:Bracelets from Assam, Amrapali Museum
413:Good thoughts, good words, good deeds
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924:Journal of the Royal Asiatic Society
703:Enamelled Bracelets, Amrapali Museum
218:Collections, Amrapali Museum, Jaipur
1087:Saunders, David (12 January 2021).
370:(forehead ornaments) from Gujarat,
193:Display at Amrapali Museum, Jaipur
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1175:10.29121/shodhkosh.v4.i1.2023.353
1429:2018 establishments in Rajasthan
984:"Journey of Rajiv l Rajiv Arora"
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787:Parsi Necklace, Amrapali Museum
151:, which is dedicated to Indian
1250:Madan, Shilpi (1 April 2018).
1224:Sahay, Rajni (18 April 2018).
1061:Madan, Shilpi (1 April 2018).
866:Madan, Shilpi (1 April 2018).
631:God Jewellery, Amrapali Museum
465:and have very quirky designs.
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589:Testimonials and publications
255:Jain Chariot, Amrapali Museum
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293:Beauty and adornment section
1434:Museums established in 2018
1323:Pattanaik, Devdutt (2022).
350:(cummerbund or waistband),
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1281:Condé Nast Traveller India
1013:Condé Nast Traveller India
338:(earrings and ear cuffs),
1252:"Treasures from the past"
1063:"Treasures from the past"
918:Tillotson, Giles (2004).
868:"Treasures from the past"
469:Journey of Design section
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46:20 January 2018
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1136:"Amrapali Museum Jaipur"
449:Hookahs, Amrapali Museum
276:. It was procured from
143:is a museum located in
16:Museum in Jaipur, India
1093:. Getty Publications.
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99:26.91524°N 75.80142°E
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427:and another called
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1203:. Fodor's Travel.
988:www.rajivarora.com
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346:(foot jewellery),
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174:Albert Hall Museum
104:26.91524; 75.80142
1424:Museums in Jaipur
1336:978-93-95073-36-3
1210:978-1-64097-123-3
1100:978-1-60606-728-4
1047:978-0-87995-132-0
899:. 19 January 2018
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605:etc. Mythologist
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