327:. Wahnotee, accused by the members of Captain Ratts’ ship of killing Paul, is about to be lynched. George defends him and demands a fair trial, while M’Closky reluctantly takes the role of prosecution. Searching him, George finds the letter which resolves the conflict of Terrebonne's future. A plate from George's camera is presented, showing both Paul sitting, and M’Closky murdering him is presented and proves M'Closky's guilt. Pete pleads for M’Closky to not be lynched, so George demands that M'Closky be taken away, not revenged by Wahnotee, but M'Closky escapes and sets fire to the boat. Wahnotee murders M’Closky. Assistant announces that the boat explodes.
372:
grandfather. Boucicault portrayed
Wahnotee, and in his play Jacobs-Jenkins explores the connection between a person and their identity as artist. Jacobs-Jenkins looks at the consequences of putting oneself onstage in their own work, if it is a real self or a fake self, which Jacobs-Jenkins embodied himself in the roles of Br'er Rabbit and Captain Ratts.
459:), choreography by David Neumann, set design by Mimi Lien, and lighting design by Matt Frey. The cast featured Chris Myers as BJJ, in triple roles: the black playwright, George Peyton and M'Closky; Danny Wolohan as Dion Boucicault, Zoë Winters as Dora, and Amber Gray as Zoe. Jacobs-Jenkins himself took on the role of Br'er Rabbit and Captain Ratts.
296:
At the
Plantation Terrebonne in Louisiana, Dido and Minnie chat about the arrival of George, and the passing of his uncle, their previous master. Pete, George, and Dora acquaint themselves when Zoe enters to meet George. M’Closky announces that Terrebonne is for sale and plots to steal Zoe; because
434:
published an email from cast member Karl Allen who wrote, "the play has transformed from an engaging piece of contemporary theatre directed by Gavin Quinn to a piece of crap that wouldn't hold a candle to some of the community theater I did in high school". Vallejo
Gantner, artistic director of PS
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as an inspiration for his approach to melodrama. Brooks' idea is that melodrama is about binaries and opposites, where there is always good and bad with no gray area. This led Jacobs-Jenkins to see doubles and pairs in
Boucicault's play, through relationships between characters e.g. Pete is Paul's
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George photographs Dora with his camera while she and Zoe plot to make George marry her. Pete sends Paul to go find a letter that would promise enough money to save
Terrebonne. Zoe and George are alone, and George confesses his love for her. Paul—with the mailbags—stops to take a photo of himself
375:
The sensation scene of the original play is deconstructed in act four. Following the act three climax: the plot lines must converge, the moral is made clear, and the audience has to be hit with a "theatre trick" which overwhelms the audience with technical elements. Rather than execute this, the
427:
from June 19 – July 3, 2010, featuring Travis York, Karl Allen, Chris Manley, Ben
Beckley, Gabe Levey, Jake Hart, Margaret Flanagan, Amber Gray, Mary Wiseman, LaToya Lewis, Kim Gainer, and Sasheer Zamata. It was originally directed by Gavin Quinn of the Irish theatre company Pan Pan, but
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Minnie and Dido realize all the other slaves ran away. Lafouche comes to run the auction of the property and announces Zoe will be sold. George proposes to Dora, but Zoe confesses their love, which turns off Dora. The auction begins and M’Closky aggressively bids on Zoe, winning her.
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linked in the exploration of theatre, genre, and how theatre interacts with questions of identity, along with how these questions (such as "Why do we think of a social issue as something that can be solved?") transform as a part of life. In a 2018 poll by critics from
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Zoe heads out to the slave quarters to ask Dido for poison. Zoe calls Dido Mammy, and she puts on a mammy character as they argue. Eventually, Zoe takes the poison and runs off. Minnie comforts Dido and they look forward to their new lives on
Captain Ratts’ boat.
288:, but runs into issues staging it because the white actors quit, so he applies whiteface in order to play them himself. Playwright taunts BJJ, and laments how theatre has changed since his death. Then Playwright and Assistant put on redface and blackface paint.
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called the play “this decade's most eloquent theatrical statement on race in
America today.” The production transferred to Theatre for A New Audience's Polonsky Shakespeare Center in Brooklyn and ran from February 14, 2015 to March 29, 2015.
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By presenting characters in whiteface, blackface, and redface, Jacobs-Jenkins can look at "blackness and how to represent social constructs onstage that are so tied to a specific culture of nation." This examination of race as a
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Jacobs-Jenkins recommends the play be performed with 8 or 9 actors, with male characters played using blackface/whiteface/redface, and female characters portrayed by actresses that match the characters' race.
380:, the projection of a "lynching photograph" is an attempt towards an actual experience of finality. A photograph of a real murdered human contrasts with the original play's use of a photograph for justice.
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The play begins with BJJ, in a black box telling the audience a conversation he and his therapist had, to get him excited about playwriting and to overcome depression. BJJ is focused on a play,
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114:, which premiered in 1859. Jacobs-Jenkins reframes Boucicault's play using its original characters and plot, speaking much of Boucicault's dialogue, and critiques its portrayal of race using
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and found an unfinished essay at the New York Public
Library saying that theatre is a place for dramatic illusion—the most believable illusion of suffering—and catharsis. Present in
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122 along with theatre critics
Elisabeth Vincentelli and Adam Feldman, argued that although it was not unethical to publish the email, it may not have been "nice" to publish it.
228: – the titular octoroon. She is the daughter of George's Uncle and a slave. Zoe grew up in the house, was educated, and has an affection for the slaves, who appreciate her
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actors explain and act out what happens. BJJ clarifies that in the time of the play, a photograph was a novel/innovative/contemporary way for the plot to be resolved. In
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Through Brechtian elements such as direct address, Jacobs-Jenkins explores "the idea that you could feel something and then be aware that you're feeling it".
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Jacobs-Jenkins took over the role after Quinn quit several weeks into rehearsals. Prior to the first performance, Alexis Soloski for
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BJJ stops the action of the play. BJJ, Playwright, and Assistant explain the significance of the fourth act, the sensation scene in
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952:"Soho Rep Reading of Branden Jacobs-Jenkins' An Octoroon to Feature Saycon Sengbloh and William Jackson Harper | Playbill"
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was staged by the Georgia Southern University Theatre & Performance Program from November 8 to November 15, 2017.
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in a production directed by Ned Bennett and designed by Georgia Lowe. Subsequently the production transferred to the
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on April 23, 2014 and closed on June 8. Directed by Sarah Benson, featuring music by CĂ©sar Alvarez (of
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with George's camera. While posing, M’Closky comes from behind and kills Paul to take the letter.
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for its 2017 season. The show was directed by Peter Hinton and designed by Gillian Gallow.
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in the title role. The limited season at Peet's Theatre ran from June 23 to July 29, 2017.
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she is an octoroon, she is a piece of property and therefore a part of the estate.
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staged a workshop production of the play featuring Saycon Sengbloh in April 2012.
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720:"The Great Work Continues: The 25 Best American Plays Since 'Angels in America'"
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For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf
904:"Disgruntled Cast Member Issues Invite to P.S.122's Troubled Octoroon"
1315:"Georgia Southern Theatre & Performance to Present "An Octoroon""
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from October 21, 2016 to November 13, 2016, directed by Nathan Motta
1033:"Review: 'An Octoroon,' a Branden Jacobs-Jenkins Comedy About Race"
159: – the white heir to the Plantation Terrebonne, a photographer
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from March 16, 2016 to April 10, 2016, directed by Joanna Settle.
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for best new American play in 2014 (a tie with his previous play,
165: – an evil white overseer who plots to buy Terrebonne and Zoe
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Jacobs-Jenkins researched Boucicault heavily while working on
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character. The actor playing Br'er Rabbit can also double as:
1274:"An Octoroon is taboo ridden, but thoughtful (Shaw Festival)"
234: – a wealthy white woman who sets her eyes on George
1583:
A Very Merry Unauthorized Children's Scientology Pageant
498:
Company One Theatre in Boston co-produced the play with
879:"Branden Jacobs-Jenkins Tries to Revive The Octoroon"
153: – a black playwright who plays the characters:
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The production was critically acclaimed, winning an
268: – the owner of a ship that comes to buy slaves
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360:is the illusion of suffering and actual suffering.
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853:"The Octoroon Delayed – Opens This Week at PS122"
1329:"2017 Results | Critics' Circle Theatre Awards"
1205:"Cast announced for An Octoroon at Orange Tree"
1361:
8:
1489:Sister Mary Ignatius Explains It All For You
578:, located in Portland, Oregon, was to stage
1228:"Review: An Octoroon (Orange Tree Theatre)"
828:"The Octoroon – Performance Space 122"
808:FEED – Writer & Director of An Octoroon
696:"Branden Jacobs-Jenkins: Feel That Thought"
280:The Art of Dramatic Composition: A Prologue
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1180:"BERKELEY REPERTORY THEATRE | An Octoroon"
771:"Amber Gray on 'An Octoroon,' at Soho Rep"
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413:while he was a Dorothy Strelsin Fellow at
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1123:wilmatheater.org, accessed April 13, 2016
1251:"Review: An Octoroon (National Theatre)"
16:2014 play, an adaptation of The Octoroon
928:"The Email That Shook Downtown Theater"
651:
1405:Six Characters in Search of an Author
1377:Obie Award for Best New American Play
1249:Peschier, Francesca (June 15, 2018).
1144:dobama.org, accessed November 1, 2016
663:"Branden Jacobs-Jenkins' An Octoroon"
582:from September 3 to October 1, 2017.
519:in Cleveland Heights, Ohio presented
409:Jacobs-Jenkins developed his take on
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1613:The Elaborate Entrance of Chad Deity
979:sohorep.org, accessed April 13, 2016
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246: – a slave, friends with Minnie
1272:Nestruck, J Kelly (July 30, 2017).
1445:The Basic Training of Pavlo Hummel
1154:Edalatpour, Jeffrey (2017-07-10).
405:Development and production history
118:devices. Jacobs-Jenkins considers
14:
1695:What the Constitution Means to Me
561:from June 7th - July 18th, 2018.
526:The first West Coast premiere of
487:directed the first production of
1465:When You Comin' Back, Red Ryder?
902:Soloski, Alexis (18 June 2010).
877:Soloski, Alexis (15 June 2010).
754:Jacobs-Jenkins, Branden (2014).
1226:Trueman, Matt (July 14, 2017).
1203:Ludmon, Mark (April 19, 2017).
1749:Plays about race and ethnicity
1156:"An Octoroon in a White World"
769:Soloski, Alexis (2014-04-23).
505:The play was presented at the
258: – a presentation of the
173: – a characterization of
1:
992:theatermania.com, May 4, 2014
625:Critics’ Circle Theatre Award
534:, directed by Eric Ting with
423:had a workshop production at
1599:Circle Mirror Transformation
1031:Brantley, Ben (2015-02-26).
541:From May 18 to July 1, 2017
369:The Melodramatic Imagination
694:Bent, Eliza (15 May 2014).
493:Mixed Blood Theatre Company
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1575:The Romance of Magno Rubio
1429:The Indian Wants the Bronx
597:Original London production
532:Berkeley Repertory Theatre
363:Jacobs-Jenkins also cites
89:A black box, and Louisiana
1673:Underground Railroad Game
1561:Hedwig and the Angry Inch
1527:Love! Valour! Compassion!
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630:Most Promising Playwright
576:Artists Repertory Theatre
564:The Canadian premiere of
491:outside of New York with
104:. It is an adaptation of
1744:Obie Award-winning plays
1397:Who'll Save the Plowboy?
805:Soho Rep. (2014-04-30),
252: – a pregnant slave
184:who plays the roles of:
1184:tickets.berkeleyrep.org
990:"Review. 'An Octoroon'"
417:in the 2009/10 season.
1535:How I Learned to Drive
635:Branden Jacobs-Jenkins
592:Awards and nominations
141:Characters and casting
102:Branden Jacobs-Jenkins
31:Branden Jacobs-Jenkins
1711:Dark Disabled Stories
1547:The Vagina Monologues
832:Performance Space 122
545:was performed at the
495:in the fall of 2015.
425:Performance Space 122
240: – a house slave
196: – an auctioneer
100:is a play written by
1764:Blackface minstrelsy
1759:Self-reflexive plays
1003:"2014 | Obie Awards"
568:was produced by The
470:. In his review for
180:s Caucasian author,
122:and his other works
1754:Plays about slavery
1459:The Hot l Baltimore
1437:What the Butler Saw
547:Orange Tree Theatre
1687:Describe the Night
1300:2017-11-23 at the
1140:2016-10-31 at the
1037:The New York Times
988:Stewart, Zachary.
775:The New York Times
724:The New York Times
473:The New York Times
134:The New York Times
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1665:Guards at the Taj
1207:. British Theatre
758:. On Stage Press.
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431:The Village Voice
220:-type young slave
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859:. 21 June 2010
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726:. 2018-05-31.
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1095:"An Octoroon"
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1065:"An Octoroon"
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1013:on 2018-08-09
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1643:Appropriate
1413:Home Movies
1253:. The Stage
1134:An Octoroon
1120:An Octoroon
1099:Company One
1069:Mixed Blood
1007:Obie Awards
976:An Octoroon
857:Culture Bot
756:An Octoroon
586:An Octoroon
580:An Octoroon
566:An Octoroon
543:An Octoroon
528:An Octoroon
521:An Octoroon
500:ArtsEmerson
489:An Octoroon
445:An Octoroon
421:An Octoroon
395:Appropriate
393:is also in
384:Stereotypes
378:An Octoroon
358:An Octoroon
354:An Octoroon
124:Appropriate
120:An Octoroon
97:An Octoroon
80:Metatheatre
22:An Octoroon
1734:2014 plays
1728:Categories
1621:4000 Miles
1605:The Aliens
1473:Short Eyes
1453:Bad Habits
1389:The Blacks
1335:2020-12-06
1189:2017-07-28
1165:2021-06-20
1050:2016-04-05
1017:2016-04-05
961:2016-06-03
937:2016-04-26
913:2016-04-26
888:2016-04-26
863:2018-01-24
838:2016-04-26
814:2016-04-26
788:2016-04-26
737:2020-04-17
705:2016-04-26
673:2016-04-26
646:References
464:Obie Award
447:premiered
218:pickaninny
216: – a
171:Playwright
27:Written by
1160:SF Weekly
1045:0362-4331
783:0362-4331
732:0362-4331
667:HowlRound
610:Category
457:The Lisps
399:Neighbors
348:Melodrama
325:melodrama
202:Assistant
128:Neighbors
116:Brechtian
76:Melodrama
1657:Hamilton
1298:Archived
1280:July 31,
1234:July 15,
1138:Archived
1104:25 April
1079:25 April
956:Playbill
613:Nominee
551:Richmond
453:Soho Rep
415:Soho Rep
194:Lafouche
188:Wahnotee
163:M'Closky
57:New York
49:Soho Rep
1703:English
1629:Detroit
1505:Cloud 9
1257:Aug 21,
1211:June 8,
616:Result
310:Act III
86:Setting
67:English
1714:(2024)
1706:(2023)
1698:(2019)
1690:(2018)
1682:(2017)
1668:(2016)
1660:(2015)
1652:(2014)
1638:(2013)
1624:(2012)
1616:(2011)
1608:(2010)
1594:(2009)
1591:Ruined
1586:(2004)
1578:(2003)
1564:(1998)
1550:(1996)
1530:(1995)
1516:(1989)
1508:(1982)
1500:(1980)
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1392:(1961)
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607:Award
555:London
319:Act IV
301:Act II
238:Minnie
157:George
1513:Spunk
621:2017
604:Year
331:Act V
292:Act I
250:Grace
178:'
72:Genre
1679:Oslo
1602:and
1541:Rent
1282:2017
1259:2023
1236:2017
1213:2017
1106:2016
1081:2016
1041:ISSN
932:WNYC
779:ISSN
728:ISSN
639:Won
397:and
275:Plot
244:Dido
232:Dora
214:Paul
208:Pete
126:and
1569:Bug
1497:FOB
549:in
509:in
451:at
226:Zoe
151:BJJ
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