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uncompromising and passionate recordings. For those inclined towards more adventurous fare, this is essential listening" and Nic Jones observed The very idea of a two–tenor front line is potentially fraught with complication but Pavone has been scrupulous with regards to who occupies the roles. There's enough contrast in the respective approaches of Jimmy Greene and Tony Malaby to ensure that the feeling of sameness doesn't set in. Malaby's work is the more fractious of the two whilst Greene, working a freer seam than the one he might be more readily associated with, brings to his work a kind of agitated grace which is symptomatic of a multi-faceted musician who's really coming into his own" For
422:, Chris Kelsey wrote "Mario Pavone is a splendid composer and bandleader, as well. His group plays a highly evolved postbop, his compositions (arranged by Steven Bernstein, Dave Ballou and Michael Musillami) combining odd-time vamps, intricate melodies and knotty chord progressions with an open-ended modality that provides the soloists maximum freedom ... The band does a terrific job of interpreting Pavone’s highly complex tunes. This is sophisticated, exciting musi".
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stated "Bassist Mario Pavone just keeps on keeping on with yet another fine recording in his expanding and substantive discography ... While Pavone's recordings are generally reliable and pointedly original, this effort is close to his very best, and deserves consideration for best jazz CD of 2008".
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by Mario Pavone's Double Tenor
Quintet has caught lightning in a bottle, but this is indeed a potent feat of extraordinary music making ... Pavone's energy and pace may be challenging, but trying to keep up is a thing of beauty". On the same site Troy Collins called it "one of Pavone's most
433:, is no exception ... This is jazz and so there is certainly spontaneity: the drums crackle; the horns squawk and blare; and the bass pulses. But it all sounds exactly like you’d expect it to sound, the aural equivalent of a textbook on modern jazz techniques. The rest of
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critic
Michael Kabran, however, was less enthused stating "Pavone’s second career as a bandleader and composer has by-and-large resulted in music that is intellectually stimulating and technically challenging but ultimately devoid of feeling. Pavone’s latest effort,
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can be similarly characterized. As an intellectual exercise, the album is first rate. As a work of great emotional depth, it leaves something to be desired."
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2008 studio album by Mario Pavone Double Tenor
Quintet
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recorded in 2008 and released on the
Playscape label.
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445:All compositions by Mario Pavone.
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69:Systems Two, Brooklyn, NY
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559:Nastos, Michael G..
545:Mario Pavone discography
464:"Beige Structure" – 1:20
461:"Arc for Puppy" – 7:56
616:All About Jazz Review
600:All About Jazz Review
584:All About Jazz Review
728:Seven Standards 1995
452:"Strata Blue" – 5:50
174:Professional ratings
44:Double Tenor Quintet
804:Mario Pavone albums
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142:Arc Suite T/Pi T/Po
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458:"Iskmix" – 7:08
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455:"Tomes" – 6:00
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692:Mario Pavone
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494:Jimmy Greene
481:Mario Pavone
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111:Mario Pavone
105:Mario Pavone
42:Mario Pavone
37:Studio album
799:2008 albums
614:Jones, N.,
507:Tony Malaby
793:Categories
532:References
425:PopMatters
340:PopMatters
113:chronology
94:PSR#011508
776:Ancestors
562:Ancestors
475:Personnel
435:Ancestors
431:Ancestors
419:JazzTimes
413:Ancestors
169:Reception
158:Ancestors
133:Ancestors
91:Playscape
22:Ancestors
768:Trio Arc
648:Archived
568:AllMusic
564:– Review
489:arranger
404:Allmusic
193:Allmusic
124:Trio Arc
101:Producer
58:Recorded
50:Released
39: by
723:, 1993)
146:(2010)
137:(2008)
128:(2008)
779:(2008)
771:(2007)
763:(2005)
755:(2003)
747:(2003)
744:Orange
739:(2001)
736:Mythos
719:(with
708:Albums
187:Rating
184:Source
66:Studio
716:Duets
526:drums
517:piano
87:Label
75:Genre
752:Boom
485:bass
80:Jazz
53:2008
566:at
407:On
795::
623:^
607:^
591:^
575:^
552:^
524:–
515:–
500:,
496:–
487:,
483:–
684:e
677:t
670:v
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