434:
469:. While James was tripping backstage after his set, Darby and Middleton were able to convince James to release the record. Darby later said "I think if he had not done that trip that night there may have never been any Aphex Twin." James has given a similar account: "they made me sign the contract when I was off my face. I was tripping and they're waving this money and a pen at me. It’s a bit clichéd but it's the way they got me to sign."
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of his music since his school days, which then circulated amongst his friends. He also included tracks of his own music in his early DJ performances. He has often said that during this period he had little inclination to release his music. James preferred to keep his music exclusively for playing at
429:
of James' music over the shop's sound system. Darby was eager to release music from it. He later commented: "I couldn’t believe it: it was like nothing I’d ever heard before." James was very reluctant to release a record on Darby's fledgling label. Darby stated that it took "around three months" to
538:
described it as "one of those timeless tracks that convey incredible emotional depth" and noted that "it still stands as a gold standard for electronic music nearly 30 years after its initial release." It has often been cited as one of the best compositions in James' extensive discography.
42:
542:
Simon
Reynolds observed that the rest of the EP "revealed that James was no slouch when it came to industrial-strength hardcore." In contrast to the ambient sound of the title track, the industrial, menacing sound of "Isopropophlex" was described as
347:
The initial pressing of 1000 copies sold out in less than a week; it was followed by further pressings of several thousand each. The title track was later described as "one of the most perfect tracks ever written" by the influential publication
525:
wrote of its "fluttery, diaphanous riff-pattern and hazy yet crystalline production". James' friend and fellow producer Tom
Middleton considers it as "like pure emotion in sound". The influential publication
1302:
480:) records was distributed by Darby's friends, taking copies to record shops around London, and it quickly sold out. Further pressings of several thousand each followed soon after.
547:" and suggestive of "a nasty corrosive fluid". Critic Ira Robbins, writing in 1997, referred to its "aggressively sequenced dance rhythms". In an examination of James' work,
417:
in
January 1991. Like many independent record shops, it became an unofficial place for musicians and DJs to hang out, and was a focal point for the rave scene in the
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1994:
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89:
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in the UK about Aphex Twin, and on release won immediate acclaim, quickly earning the artist a cult following. It was heavily played on the many
1110:
553:
described the track as "restless, a pounding bass line fighting it out with synths that stab through the arrangement with purposeful malice."
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amongst his friends, and he would include his tracks in his set when DJing. His reluctance was eventually overcome while he was
1334:
810:
1393:
609:
The record went on to be hugely influential. Its title track was described as a "redrawing of ambient techno aesthetics" by
521:
called the track "Analogue
Bubblebath" "a classic tune by the best electronic producer in the world." The author and critic
1021:
321:. Its release has been described as a key event in the history of dance music. It is the first release in what became the
244:
1856:
880:
756:
1989:
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169:
615:. The author Simon Reynolds said that its sound "announced a new... direction in techno". The musician and
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heard the record and then contacted James, which led to the releases James put out on that label in 1992.
462:
333:
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2518:
2388:
2285:
1689:
The
Trouser Press guide to '90s rock : the all-new fifth edition of The Trouser Press record guide
1179:
623:
said the record "was like a completely new
English techno, completely inspired by his own influences."
309:
in
September 1991. It was the inaugural release for the label, which at the time was a record shop in
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373:. The record quickly gained James a cult following in the techno underground, and one of the early
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994:
2557:
2292:
2120:
1895:(Interview) (in German). Interviewed by Schäfer, Sven. Wuppertal: FAZE Music & Verlags GmbH.
1861:
1582:
1499:"A history of dance music: Aphex Twin's first single Bubblebath released by Mighty Force records"
1258:
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418:
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James previously had little inclination to release his music, though it had long circulated on
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1016:
1888:
1857:"Paul White salutes the world-building genius of Aphex Twin's Selected Ambient Works 85-92"
2591:
2339:
1833:
1648:
1640:
133:
1675:
313:. The record was hugely influential on the development of electronic music, particularly
17:
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84:
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1978:
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in London. It also had playlist support from influential London radio station
556:
The tracks "Analogue
Bubblebath" and "Isopropophlex" can also be found on the
544:
406:
302:
294:
145:
138:
54:
1153:
2299:
1654:
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510:, along with a flanged and filtered voice sample. The musician and producer
2500:
1768:
1573:
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named its release one of the "key events in the history of dance music".
458:
442:
395:
207:
354:, and has often been called one of the best tracks in James' catalogue.
344:
where he was performing, where he finally agreed to release the record.
2305:
2127:
2092:
514:
collaborated on "En Trance to Exit" under the pseudonym
Schizophrenia.
473:
1119:(Interview). Interviewed by Marcus, Tony. London: EMAP. Archived from
2039:
1400:(Interview). Interviewed by Ressler, Darren. Brooklyn. Archived from
1184:
1115:
528:
414:
350:
314:
310:
1019:(2004). "Aphex Twin". In Brackett, Nathan; Hoard, Christian (eds.).
1891:[The Forgotten Interview: Marc Acardipane on Aphex Twin].
1537:
963:
Energy Flash : a
Journey Through Rave Music and Dance Culture
432:
2046:
1795:
Wren, David; Jacobs, Daniel; Moyse, Scott (2003). "Aphex Twin".
446:
341:
1951:
1429:
1330:"'Mindphuqed by Rich!' – Digging into the Aphex Twin Archives"
504:. The track "Isopropophlex" uses samples from the arcade game
1947:
1276:
01. The Aphex Twin 'Analogue Bubblebath' (Mighty Force, 1991)
966:(2nd ed.). London: Faber & Faber. pp. 165–166.
1358:"The Wheal Thing: Aphex Twin's Alternative Cornish Language"
1889:"Das Vergessene Interview: Marc Acardipane über Aphex Twin"
594:, and was played frequently by DJ Colin Dale. The original
1394:"Tom Middleton on his Bedroom Studio Days with Aphex Twin"
472:
The original record was mastered from the C90 tape onto a
532:
called it "one of the most perfect tracks ever written".
851:(4th ed.). New York: Simon & Schuster. p.
445:. The agreement to release the record was made during a
1505:. London: Guardian News & Media Ltd. Archived from
919:"A beginner's guide to the many sounds of Aphex Twin"
2567:
2528:
2510:
2489:
2433:
2405:
2377:
2349:
2267:
2235:
2172:
2056:
2003:
1920:"Chewed Corners: Mike Paradinas' Favourite Records"
1070:"The Mighty Force from the Bubblebath to Fog City!"
693:
685:
649:
641:
570:in the US in 1994 on both CD and 12" vinyl format.
453:Darby had booked James to perform at a rave at the
144:
132:
120:
104:
76:
61:
48:
34:
1799:(3rd ed.). London: Rough Guides. p. 35.
1716:(4th ed.). Edinburgh: Canongate. p. 23.
1691:(5th ed.). Simon & Schuster. p. 46.
845:Brackett, Nathan; Hoard, Christian, eds. (2004).
1248:
1246:
476:tape. The initial pressing of one thousand (12"
2581:Acoustica: Alarm Will Sound performs Aphex Twin
1492:
1490:
1211:
1209:
1207:
293:, is the first record by musician and producer
1461:"Aphex Twin: Selected Ambient Works Volume II"
357:On release it was frequently played by London
212:
1963:
1078:(Interview). London: Diamond Publishing Ltd.
602:. Renaat Vandepapeliere of the Belgian label
8:
2156:Blackbox Life Recorder 21f / In a Room7 F760
2135:Computer Controlled Acoustic Instruments pt2
1530:"The Record Buyer's Guide to The Aphex Twin"
1286:
1284:
952:
950:
948:
946:
944:
942:
874:
872:
773:. April 1993. pp. 22–23. Archived from
425:frequented the shop, and played Darby a C90
381:, leading to James' releases on that label.
250:
1351:
1349:
1254:"The 50 best Aphex Twin tracks of all time"
1180:"9 killer tracks from 9 Aphex Twin aliases"
1173:
1171:
1101:
1099:
1097:
751:
749:
747:
2613:Warp Works & Twentieth Century Masters
1970:
1956:
1948:
1262:. The Vinyl Factory Group. 14 April 2017.
1060:
1058:
1056:
1054:
1052:
1050:
187:
40:
31:
912:
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908:
840:
838:
836:
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797:
795:
1741:. London: Rough Guides Ltd. p. 13.
679:
635:
409:organiser and rave promoter, opened the
394:his performances, similar to the use of
743:
723:
27:First record by the musician Aphex Twin
1865:. London: Vinyl Factory Publishing Ltd
1152:(Interview). WATMM.com. Archived from
1855:Fintoni, Laurent (12 February 2017).
1609:Beaumont-Thomas, Ben (4 April 2014).
724:
193:
7:
365:and by the then newly-legal station
1932:from the original on 26 August 2020
1687:Robbins, Ira (1997). "Aphex Twin".
1356:Snapes, Laura (13 September 2016).
1238:1. AFX – Analogue Bubblebath (1991)
1218:"Aphex Twin's best songs – ranked!"
214:
1899:from the original on 11 April 2019
1366:. London: Black Sky Thinking Ltd.
1192:from the original on 23 April 2019
995:"Analogue Bubblebath - Aphex Twin"
25:
1611:"Ellen Allien's favourite tracks"
1370:from the original on 11 July 2021
1342:from the original on 19 May 2017.
1305:from the original on 11 July 2021
1291:Smith, Andrew (30 January 1993).
1216:Dayal, Geeta (28 February 2019).
1178:Hinton, Patrick (3 August 2018).
1082:from the original on 4 April 2018
1022:The New Rolling Stone Album Guide
917:Fowle, Kyle (22 September 2014).
848:The new Rolling Stone album guide
252:
2630:
2629:
2019:Selected Ambient Works Volume II
1820:Aitken, Stuart (November 2003).
1776:from the original on 3 July 2017
1762:Turenne, Martin (1 April 2003).
1590:from the original on 9 June 2012
1548:from the original on 2 July 2017
1477:from the original on 7 May 2019.
1423:McCann, Ian (13 February 1993).
1338:. London: Boiler Room (UK) Ltd.
1266:from the original on 4 July 2018
893:from the original on 29 May 2021
461:. During the rave James started
377:copies was heard by the head of
271:
266:
261:
256:
251:
233:
228:
223:
218:
213:
1497:Vine, Richard (14 June 2011).
1150:"Mighty Force Records History"
879:Harrison, Andrew (June 1992).
686:
642:
598:release found distribution in
430:convince James to release it.
1:
2333:Orphaned Deejay Selek 2006–08
1739:Techno : the rough guide
1528:Kirwan, Paul (October 1999).
301:was released under his alias
245:The Rolling Stone Album Guide
2012:Selected Ambient Works 85–92
1918:Clay, Joe (28 April 2014).
1797:Rock : the rough guide
1772:. Toronto: Exclaim! Media.
1764:"Aphex Twin The Contrarian"
1586:. The Vinyl Factory Group.
2687:
2216:Blackbox Life Recorder 21f
1928:. Black Sky Thinking Ltd.
1714:The great rock discography
1653:. Event occurs at 39:48.
702:"En Trance to Exit" (with
2627:
2279:Analogue Bubblebath Vol 3
1985:
713:
698:
690:
665:
654:
646:
566:. The EP was reissued by
201:
198:
152:
39:
18:Analogue Bubblebath Vol I
2026:...I Care Because You Do
1578:"Five Records: DMX Krew"
1433:. London. Archived from
881:"Who is the Aphex Twin?"
2209:MARCHROMT30A edit 2b 96
2202:minipops 67 [120.2]
2072:Analog Bubblebath Vol 2
1712:Strong, Martin (1998).
2033:Richard D. James Album
1830:Centaur Communications
488:The music varies from
450:
389:James had been making
2551:Analogue Bubblebath 5
2519:Expert Knob Twiddlers
2389:Surfing on Sine Waves
2286:Analogue Bubblebath 4
1541:. London: IPC Media.
1392:(23 September 2014).
1301:. London: IPC Media.
1188:. Wasted Talent Ltd.
927:. Chicago: Onion, Inc
658:"Analogue Bubblebath"
578:The record created a
436:
170:Analog Bubblebath Vol
2361:Confederation Trough
1887:(27 November 2014).
1027:Simon & Schuster
307:Mighty Force Records
189:Professional ratings
2575:Universal Indicator
2065:Analogue Bubblebath
1665:on 29 December 2008
1643:(6 December 2005).
1430:New Musical Express
1328:(9 February 2015).
1324:Sepulveda, Manuel;
682:
638:
323:Analogue Bubblebath
287:, also released as
284:Analogue Bubblebath
190:
161:Analogue Bubblebath
65:September 1991
35:Analogue Bubblebath
2671:Ambient techno EPs
2666:Acid techno albums
2558:Melodies from Mars
2293:Hangable Auto Bulb
1737:Barr, Tim (2000).
1156:on 7 November 2019
821:on 7 November 2019
757:"The Aphex Effect"
680:
636:
600:continental Europe
451:
188:
2643:
2642:
2251:26 Mixes for Cash
2163:London 19.08.2023
1457:Sherburne, Philip
1398:Big Shot Magazine
1293:"Double Exposure"
1148:(December 2002).
1107:James, Richard D.
1068:(13 March 2018).
1017:Cross, Charles R.
811:"Mark Darby / DJ"
771:Future Publishing
734:
733:
676:
675:
280:
279:
186:
185:
182:
181:
16:(Redirected from
2678:
2633:
2632:
2619:SoundCloud demos
2597:Chris Cunningham
2568:Related articles
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1885:Acardipane, Marc
1881:
1875:
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1872:
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1852:
1846:
1845:
1843:
1841:
1832:. Archived from
1817:
1811:
1810:
1792:
1786:
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1783:
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1759:
1753:
1752:
1734:
1728:
1727:
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1703:
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1684:
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1672:
1670:
1661:. Archived from
1641:Hobbs, Mary Anne
1637:
1631:
1630:
1628:
1626:
1617:. Archived from
1606:
1600:
1599:
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1570:
1564:
1558:
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1509:on 24 April 2015
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1123:on 17 March 2021
1103:
1092:
1091:
1089:
1087:
1075:Record Collector
1062:
1045:
1044:
1025:(4th ed.).
1013:
1007:
1006:
1004:
1002:
993:DiGravina, Tim.
990:
984:
978:
977:
954:
937:
936:
934:
932:
914:
903:
902:
900:
898:
889:. London: EMAP.
876:
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842:
831:
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826:
817:. Archived from
803:
790:
786:
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688:
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639:
421:. James' friend
370:
295:Richard D. James
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146:Richard D. James
139:Richard D. James
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32:
21:
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2639:
2623:
2592:Rephlex Records
2563:
2524:
2506:
2485:
2429:
2417:Bradley's Robot
2408:Bradley Strider
2401:
2373:
2345:
2340:London 03.06.17
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1836:on 4 March 2016
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1681:
1668:
1666:
1650:The Breezeblock
1645:"We Love Aphex"
1639:
1638:
1634:
1624:
1622:
1621:on 3 April 2017
1608:
1607:
1603:
1593:
1591:
1576:(5 June 2012).
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1048:
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998:
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981:
974:
958:Reynolds, Simon
956:
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930:
928:
916:
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780:
778:
777:on 14 July 2014
755:
754:
745:
740:
735:
725:
677:
669:"Isopropophlex"
633:
604:R&S Records
576:
558:R&S Records
486:
413:record shop in
387:
379:R&S Records
368:
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23:
22:
15:
12:
11:
5:
2684:
2682:
2674:
2673:
2668:
2663:
2661:Aphex Twin EPs
2658:
2656:1991 debut EPs
2648:
2647:
2641:
2640:
2628:
2625:
2624:
2622:
2621:
2616:
2609:
2604:
2602:Monkey Drummer
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2512:
2511:Collaborations
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2480:Caustic Window
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2440:
2438:
2436:Caustic Window
2431:
2430:
2428:
2427:
2424:Bradley's Beat
2420:
2412:
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2403:
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1822:"Rephlexology"
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1459:(5 May 2019).
1448:
1437:on 6 June 2021
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1390:Middleton, Tom
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621:Mike Paradinas
575:
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523:Simon Reynolds
494:ambient techno
485:
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405:Mark Darby, a
386:
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319:ambient techno
303:The Aphex Twin
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96:ambient techno
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55:The Aphex Twin
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2181:Come to Daddy
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2121:Come to Daddy
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2016:
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2009:
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2004:Studio albums
2002:
1996:
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1583:FACT Magazine
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920:
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726:Total length:
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704:Schizophrenia
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631:Track listing
630:
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612:Rolling Stone
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550:The A.V. Club
546:
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512:Tom Middleton
509:
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449:at the venue.
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423:Tom Middleton
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290:Aphex Twin ep
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2611:
2587:Warp Records
2579:
2556:
2549:
2542:
2537:Q-Chastic EP
2535:
2517:
2499:
2491:
2478:
2471:
2464:
2457:
2452:Joyrex J5 EP
2450:
2445:Joyrex J4 EP
2443:
2435:
2422:
2415:
2407:
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2324:
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2300:Smojphace EP
2298:
2291:
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2269:
2258:Chosen Lords
2256:
2249:
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2236:Compilations
2223:
2188:Windowlicker
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2017:
2010:
1934:. Retrieved
1923:
1913:
1901:. Retrieved
1893:Faze Magazin
1892:
1879:
1867:. Retrieved
1860:
1850:
1838:. Retrieved
1834:the original
1825:
1815:
1796:
1790:
1778:. Retrieved
1767:
1757:
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1732:
1713:
1707:
1688:
1682:
1667:. Retrieved
1663:the original
1649:
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1619:the original
1615:The Guardian
1614:
1604:
1592:. Retrieved
1581:
1568:
1562:
1550:. Retrieved
1536:
1523:
1513:19 September
1511:. Retrieved
1507:the original
1503:The Guardian
1502:
1483:
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1439:. Retrieved
1435:the original
1428:
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1406:. Retrieved
1402:the original
1397:
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1372:. Retrieved
1361:
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1319:
1307:. Retrieved
1298:Melody Maker
1296:
1275:
1268:. Retrieved
1257:
1237:
1230:. Retrieved
1226:the original
1222:The Guardian
1221:
1194:. Retrieved
1183:
1158:. Retrieved
1154:the original
1140:
1125:. Retrieved
1121:the original
1114:
1109:(May 1995).
1084:. Retrieved
1073:
1020:
1011:
1001:19 September
999:. Retrieved
988:
982:
962:
929:. Retrieved
922:
895:. Retrieved
884:
847:
823:. Retrieved
819:the original
814:
779:. Retrieved
775:the original
762:Future Music
760:
625:The Guardian
624:
610:
608:
577:
561:
560:compilation
555:
548:
541:
535:The Guardian
533:
527:
519:Ellen Allien
516:
505:
492:-influenced
487:
471:
452:
411:Mighty Force
404:
400:sound system
388:
356:
349:
346:
327:
322:
289:
288:
283:
282:
281:
243:
168:
160:
159:
127:Mighty Force
29:
2544:Joyrex Tape
2473:Compilation
2466:Joyrex J9ii
2368:Rushup Edge
2114:Girl/Boy EP
1990:Discography
1925:The Quietus
1780:15 November
1669:15 November
1659:BBC Radio 1
1625:15 November
1594:15 November
1552:15 November
1469:. Chicago:
1374:27 February
1363:The Quietus
1335:Boiler Room
1309:15 November
1270:15 November
1232:15 November
1196:15 November
1146:Darby, Mark
1111:"True Lies"
1066:Darby, Mark
1029:. pp.
897:15 November
815:Alpha Radio
807:Darby, Mark
596:white label
568:TVT Records
496:to intense
375:white label
2650:Categories
2529:Unreleased
2459:Joyrex J9i
2195:Avril 14th
2128:Analord 10
2086:Xylem Tube
1979:Aphex Twin
1903:2 December
1869:2 December
1471:Condé Nast
1408:2 December
997:. AllMusic
781:18 January
738:References
545:astringent
517:Berlin DJ
474:Betamax F1
419:south west
407:free party
385:Background
148:chronology
2079:Digeridoo
1826:Mad.co.uk
1574:Upton, Ed
1466:Pitchfork
1160:5 October
617:Planet Mu
402:culture.
396:dubplates
2636:Category
2352:The Tuss
2244:Classics
2149:Collapse
2100:Ventolin
1936:28 April
1930:Archived
1897:Archived
1774:Archived
1769:Exclaim!
1588:Archived
1543:Archived
1475:Archived
1368:Archived
1340:Archived
1303:Archived
1264:Archived
1190:Archived
1080:Archived
960:(2013).
891:Archived
619:founder
588:stations
563:Classics
502:hardcore
463:tripping
459:Plymouth
443:Plymouth
363:stations
334:tripping
325:series.
305:through
208:AllMusic
134:Producer
90:hardcore
62:Released
52: by
2307:Analord
2142:Cheetah
1676:Alt URL
1441:17 June
1134:Alt URL
1127:17 June
825:23 July
788:Alt URL
717:"AFX 2"
592:Kiss FM
507:Berzerk
490:Detroit
455:Academy
439:Academy
178:(1991)
165:(1991)
69:1991-09
67: (
2173:Tracks
2040:Drukqs
1995:Tracks
1803:
1745:
1720:
1695:
1185:Mixmag
1116:Mixmag
1086:7 July
1037:
970:
886:Select
859:
694:Length
681:Side B
650:Length
637:Side A
586:radio
584:pirate
574:Impact
529:Mixmag
415:Exeter
369:
361:radio
359:pirate
351:Mixmag
315:techno
311:Exeter
297:. The
202:Rating
199:Source
172:
105:Length
2396:Quoth
1840:2 May
1546:(PDF)
1538:Muzik
1533:(PDF)
931:2 May
730:19:53
691:Title
647:Title
484:Music
478:vinyl
391:tapes
340:at a
330:tapes
122:Label
78:Genre
2047:Syro
1938:2019
1905:2019
1871:2019
1862:Fact
1842:2020
1801:ISBN
1782:2019
1743:ISBN
1718:ISBN
1693:ISBN
1671:2019
1627:2019
1596:2019
1554:2019
1515:2019
1443:2021
1410:2019
1376:2018
1311:2020
1272:2019
1234:2019
1198:2019
1162:2018
1129:2021
1088:2018
1035:ISBN
1003:2022
968:ISBN
933:2020
899:2020
857:ISBN
827:2019
783:2019
767:Bath
720:5:25
709:4:22
672:5:19
661:4:40
580:buzz
500:and
498:acid
467:acid
447:rave
437:The
427:tape
367:Kiss
342:rave
338:acid
317:and
85:Acid
2501:GAK
2492:GAK
2490:As
2434:As
2406:As
2378:As
2350:As
2270:AFX
2268:As
2057:EPs
1655:BBC
687:No.
643:No.
465:on
457:in
441:in
398:in
336:on
2652::
2319:11
2317:,
2309:s
2226:19
2093:On
1922:.
1859:.
1828:.
1824:.
1766:.
1657:.
1647:.
1613:.
1580:.
1535:.
1501:.
1489:^
1473:.
1463:.
1427:.
1396:.
1360:.
1348:^
1332:.
1295:.
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1274:.
1256:.
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1236:.
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1182:.
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1113:.
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1072:.
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1033:.
1031:21
941:^
921:.
907:^
883:.
871:^
855:.
853:21
835:^
813:.
809:.
794:^
769::
765:.
759:.
746:^
714:4.
699:3.
666:2.
655:1.
371:FM
299:EP
114:53
110:19
50:EP
2315:9
2313:–
2311:1
2228:"
2224:#
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2179:"
1971:e
1964:t
1957:v
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1005:.
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829:.
785:.
706:)
543:"
174:2
112::
71:)
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
