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Japan–British Exhibition

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The final stage of the Exhibition was the disposal of the exhibits. These fell into three categories: those to be sent back to Japan (400 boxes in three separate shipments), those to be presented to various institutions (over 200 boxes divided between thirty recipients), and those to be sent to
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A number of the Japanese visitors felt that the display showing a “typical Japanese village” to be an embarrassment, depicting as it did the life of peasants in northeast Japan. Although not far from the truth, this was not the impression that Japan wished to convey to the Western public. These
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One of the many aims of the Exhibition was to introduce the civilization of Japan to the western world, showing past, recent present and projected future. The intent was to show that Japan was not a country that had suddenly leapt from a state of semi-barbarism to one of high civilization in the
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Some Japanese correspondents in London also stated that certain exotic and entertaining 'attractions', in the shape of sideshows organized by the entrepreneur who organized the Exhibition were vulgar, and had been calculated to bring discredit to Japan. Moreover, the exhibition of the Ainu and
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The negative views of the Exhibition in Japanese newspapers were in contrast to those of almost all British newspapers, which gave wide and detailed coverage and contained favorable reviews, especially on some of the exhibits of fine arts and the gardens.
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on January 25, 1911 disapproving of the exhibition. The Japanese were most concerned with how best Japan could convince the British public that it was worthy to be considered a modern and civilized ally and equal to any western nation.
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had to be constructed from scratch at the Exhibition site. Since authenticity was regarded as of the utmost importance, trees, shrubs, wooden buildings, bridges, and even stones were brought in from Japan.
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An Illustrated Catalogue of Japanese Old Fine Arts Displayed at The Japan-British Exhibition London & An Illustrated Catalogue of Japanese Modern Fine Arts Displayed at The Japan-British Exhibition
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Almost 500 Japanese firms sent items to London. Care was taken only to display the highest possible quality, to offset popular images that Japanese products were cheaply made and tawdry.
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voted an enormous sum to sponsor the Exhibition in 1909, despite the fact that the Treasury had been drained from the Russo-Japanese War, and the economy was on the verge of bankruptcy.
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were meant to demonstrate that Japan was following in Great Britain's footsteps as an imperial power to improve the lives of the ‘natives’ in its colonies.
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Consequently, in Japanese history, mention of the Japan–British Exhibition of 1910 is often neglected in favor of other events that year, such as Captain
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The Exhibition was widely known in London as 'the Japanese Exhibition' rather than 'the Japan–British Exhibition', as there was minimal British content.
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had ever participated in and was driven by a desire of Japan to develop a more favorable public image in Britain and Europe following the renewal of the
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International Rubber, Tropical Products and Allied Industries ExhibitionInternational Exhibition of Rubber and Other Tropical Products
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caused the opening to be delayed until 14 May. By the time the event closed on 29 October, over 8 million visitors had attended.
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Hennessey, John L. "Moving up in the world: Japan’s manipulation of colonial imagery at the 1910 Japan–British Exhibition."
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John L. Hennessey, "Moving up in the world: Japan’s manipulation of colonial imagery at the 1910 Japan–British Exhibition."
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comments dominated in Japanese newspapers leading to the prevalent negative opinion that 'the exhibition was a failure'.
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The Japanese display covered 242,700 square feet (22,550 m), three times the space Japan occupied at the previous
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An illustrated catalogue of Japanese modern fine arts displayed at the Japan-British exhibition, London, 1910
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in mid-March, in advance of the opening, added publicity and royal prestige to the Exhibition. The death of
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to celebrate and reinforce the Anglo-Japanese Alliance on a grass-roots level. It was strongly supported by
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An illustrated catalogue of Japanese old fine arts displayed at the Japan-British Exhibition, London, 1910
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Splendors of Meiji : treasures of imperial Japan : masterpieces from the Khalili Collection
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Taiwanese natives together with their native dwellings was regarded as controversial and demeaning.
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and to stress that Japan was a formidable military power worthy of partnership with Great Britain.
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other cities in Europe where international exhibitions were projected for the near future (
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was only a natural progression. This was illustrated with twelve impressively full-sized
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Japanese calligraphy, the word "peace" and the signature of the calligrapher, Baron
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middle of the nineteenth century, but had always been “progressive”, and that the
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Japan To-day. A Souvenir of the Anglo-Japanese Exhibition held in London, 1910.
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Japan To-day. A Souvenir of the Anglo-Japanese Exhibition held in London, 1910,
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The Japan-British Exhibition of 1910: gateway to the island empire of the East
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Each of the Japanese government ministries was represented, along with the
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in Great Britain from 14 May 1910 to 29 October 1910. It was the largest
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Photographs and illustrations from the Japan-British Exhibition of 1910
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International Exhibition of Arts and Manufactures (Dublin, 1874)
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Lost Histories: Recovering the Lives of Japan's Colonial Peoples
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International Exhibition of Navigation, Commerce and Industry
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A proposal was made in 1908 for an Exhibition to be held in
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among others to travel on the mono-rail in early November.
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In addition to manufactured goods, traditional and modern
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Scottish Exhibition of National History, Art and Industry
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Company won a gold medal for a set of metalwork pieces.
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History of the London Borough of Hammersmith and Fulham
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International Exhibition of Science, Art & Industry
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The most remarkable British exhibit was the full sized
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Dublin Exhibition of Arts, Industries and Manufactures
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of the Works of Industry of All Nations (London, 1851)
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British Press and the Japan-British Exhibition of 1910
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International Exhibition of Science, Art and Industry
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International Agricultural Exhibition (Kilburn, 1879)
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International Exhibition of Industry, Science and Art
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Index

Anglo-Japanese Exhibition of 1910
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introducing
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White City, London
international exposition
Empire of Japan
Anglo-Japanese Alliance

Ōura Kanetake
London
Japanese Foreign Minister
Jutaro Komura
Boxer Rebellion
Russo-Japanese War
Japanese Diet
Ōura Kanetake
Minister of Agriculture and Commerce
Henry Fitzalan-Howard, 15th Duke of Norfolk
Paris Exhibition of 1900
Japanese gardens
Imperial Japanese Navy
cruiser
Ikoma
Gravesend
Kent
naval alliance

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