Knowledge (XXG)

And the Band Played Waltzing Matilda

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359:, an engineering and construction unit comprising 350 men, of whom none were killed during the initial landing and two by the time the campaign was abandoned eleven months later. Bogle states that he substituted "Suvla" for "Anzac" because at the time he wrote the song (1971) there was a "deeply ingrained misconception" amongst Australians that all their troops had fought entirely at Suvla. He also states that it was easier to incorporate the word "Suvla" into the lyric. 373: 261:
A lot of people now think the song is traditional. And a lot of people think that I died in the war, and penned it in blood as I expired in the bottom of a trench. I never thought the song would outlast me, but I have decided now there's no doubt it will. For how long, I have no idea. Nothing lasts
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parades from his porch. As the war falls out of living memory, young people question the purpose of the observances, and he finds himself doing the same. With each passing year, the parades become smaller, as "more old men disappear", and he observes that "some day, no one will march there at all".
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I sang the first song and got polite applause. Then I did Matilda, and for the first time, and thankfully not the last, there was a second's silence after I finished. I thought, "I've fucked it here." I hadn't sung it very well. Then this storm of applause broke out and I thought, "Ovation guitar,
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which was in full swing... but while boys from Australia were dying there, people had hardly any idea where Vietnam was. Gallipoli was a lot closer to the Australian ethos – every schoolkid knew the story, so I set the song there. ... At first the
215:. Bogle was inspired by the photography and felt a sense of "...the enormity of the conflict and its individual toll". In his teens he was a voracious reader of everything on the war and already knew much about the 292:
The judges awarded the song third place but their decision caused a small storm of protest, focusing more attention on the song, Bogle thought, than outright victory would have done. Jane Herivel from the
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of the First World War. The protagonist, who had travelled across rural Australia before the war, is emotionally devastated by the loss of his legs in battle. As the years pass he notes the death of other
305:. Unknown to Bogle, the song became famous in the UK and North America; so when Bogle was in the UK in 1976 he was surprised to be asked to perform at a local folk club on the strength of the song. 390: 262:
forever. Hopefully it'll be sung for quite a few years down the track, especially in this country. And hopefully it will get to the stage where everyone forgets who wrote it.
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and all these people didn't accept it at all; they thought it was anti-soldier, but they've come full circle now and they see it's certainly anti-war but not anti-soldier.
118:, while the younger generation becomes apathetic to them and their cause. At its conclusion, the song incorporates the melody and a few lines of lyrics of the 1895 song " 176:
are carried down the gangway to the same popular music, the people watch in silence and turn their faces away. As an old man, he now watches his comrades march in
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in 1971. The song describes war as futile and gruesome, while criticising those who seek to glorify it. This is exemplified in the song by the account of a young
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The song was originally eight verses long but Bogle pared it down to five verses. In 1974 Bogle, entered the National Folk Festival songwriting competition, in
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had heard Bogle sing at the festival and requested Bogle to send her a recording. She sang it at a festival in the south of England where folk-singer
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The song is an account of the memories of an old Australian man who, as a youngster, had travelled across rural Australia as a
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and the song was the result of that event. The song was written in the space of two weeks in 1971. Interviewed in 2009 for
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Walsh (2018) suggests that the line "they marched me away to the war" implies compulsion in the form of
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when ANZAC Day (25 April) has fallen on a Saturday and has also performed his own adaptation titled
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And of how in that hell that they called Suvla Bay, we were butchered like lambs at the slaughter.
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is invited to sing the song at the annual ANZAC Day service held at the Gallipoli Memorial at the
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come to daddy!" Well, that wasn't my first thought, but it was pretty close to my first thought.
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The vast majority of the 16,000 Australian and New Zealand troops landed not at Suvla but at
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of the song have been performed and recorded, as well as many versions in foreign languages.
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And how well I remember that terrible day, how our blood stained the sand and the water.
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The first release of the song was by John Currie on the Australian label M7 in 1975.
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When the ship carrying the young soldiers had left Australia, the band played "
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in 1988, and borrowed the first line for the title of his 2002 autobiography,
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A couple of years after arriving in Australia, Bogle found himself at a
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Official History of Australia in the War of 1914–1918, Volume IX
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heard it and later recorded it for her 1976 debut solo album
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role at Gallipoli before he emigrated to Australia in 1969.
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were not issued to British and Empire troops at Gallipoli.
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Eric Bogle, Music and the Great War: 'An Old Man's Tears';
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lyrics at ericbogle.net, the writer's official website
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In 1986 the song was given a Gold Award 1986 by the
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in 1956, he had purchased a set of bound volumes of
211:propaganda sheet", which had been published during 81: 67: 54: 46: 39: 34: 195:in 2002, Bogle said that as a 12-year-old boy in 174:"the legless, the armless, the blind, the insane" 432:of the song have been performed and recorded by 341: 762:The Band Played Waltzing Matilda (Remastered) 8: 888:"Et l'orchestre jouait la valse de Mathilde" 576:And the Band Played The Star-Spangled Banner 936:"The songs that resonate through the years" 970:. Apra Amcos. 15 July 2014. 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Index

And The Band Played Waltzing Matilda
Song
Genre
Anti-war
Composer(s)
Eric Bogle
Lyricist(s)
Eric Bogle
Eric Bogle
Australian serviceman
Gallipoli Campaign
veterans
Waltzing Matilda
Banjo Paterson
cover versions
swagman
swag
the bush
Outback
Australian armed forces
Gallipoli
Waltzing Matilda
Anzac Day
The Sydney Morning Herald
Peebles
Scotland
penny dreadful
World War I
Anzacs'
Remembrance Day

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