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de Rouen. He is also listed in the Paris Opéra archives as a violinist at the Foire St
Laurent and the Foire St Germain that year. His name is among the Opéra orchestra in 1749 and the Concert Spirituel orchestra in 1751, and he remained a violinist in both until his death. In 1758 he became an
93:. Its popularity was kept alive with a variety of texts; it even became the tune for a revolutionary song, Arbre heureux. It appeared in innumerable collections of airs and instrumental method books, often with variations.
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As a composer, Exaudet is best remembered by a celebrated minuet (op.2 no.1, finale). Within a year of its publication
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ordinaire de la musique de la chambre du roi. Exaudet also served as maître de violon in the court of the
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announced the publication of six violin sonatas, mentioning that
Exaudet was then first violinist of the
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Dictionnaire de la musique en France aux xvii et xviii siècles
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had added a text and incorporated it into his opera
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102:Concerto à cinq instruments en Mi bémol majeur
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127:, Paris, Fayard, 1992, pp. 280–281.
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181:18th-century French male musicians
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156:18th-century French composers
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