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320:, and the republican enthusiasm displayed is not genuine. Little more successful was Grétry in his dealings with classical subjects. His genuine power lay in the delineation of character and in the expression of tender and typically French sentiment. The structure of his concerted pieces on the other hand is frequently flimsy, and his instrumentation so feeble that the orchestral parts of some of his works had to be rewritten by other composers, in order to make them acceptable to modern audiences. During the
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352:. Fifteen years after his death Grétry's heart was transferred to his birthplace, permission having been obtained after a protracted lawsuit. In 1842 a large bronze statue of the composer was set up at Liège. His heart remains in it, while his body is buried in Paris at the
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Grétry lost much of his property, but the successive governments of France vied in favouring the composer, regardless of political differences. From the old court he received distinctions and rewards of all kinds; the republic made him an inspector of the conservatoire;
117:, for keyboard and composition and of Henri Moreau, music master at the collegiate church of St. Paul. But of greater importance was the practical tuition he received by attending the performance of an Italian opera company. Here he heard the operas of
164:'s operas, lent to him by a secretary of the French embassy in Rome, decided Grétry to devote himself to French comic opera. On New Year's Day 1767 he accordingly left Rome, and after a short stay at
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speculated that Grétry was exposed to the instrument while in Italy, and said "he makes use of it upon various occasions, in this instance with a telling and marked impression."
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There for two years he had to contend with the difficulties attendant on poverty and obscurity. He was, however, not without friends, and by the intercession of Count
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220:—the first produced in 1771, the second in 1784. The latter in an indirect way became connected with a great historic event. In it occurs the celebrated romance,
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187:, which he set to music in less than six weeks, and which, on its performance in August 1768, met with unparalleled success. The name of the opera was
125:, and other masters; and the desire of completing his own studies in Italy was the immediate result. To find the necessary means he composed in 1759 a
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145:. His proficiency in harmony and counterpoint was, however, according to his own confession, at all times very moderate.
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The composer himself was influenced by the great events he witnessed, and the titles of some of his operas, such as
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not long afterwards became the reply of the people to the expression of loyalty borrowed from Grétry's opera.
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Grétry was the first to write for the "tuba curva", an instrument that existed from Roman times as the
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79:), who worked from 1767 onwards in France and took French nationality. He is most famous for his
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in Rome and received with universal applause. It is said that the study of the score of one of
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The guitar and mandolin, Biographies of celebrated players and composers for these instruments
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exoticism in harp and triangle accompaniment, is a rescue adventure along the lines of
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363:. It was commissioned in 1804 by Hippolyte, comte de Livry, and placed in the
71:; baptised 11 February 1741; died 24 September 1813) was a composer from the
555:. Vol. 12 (11th ed.). Cambridge University Press. pp. 583–584.
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L'ami de la maison : comédie en trois actes et en vers mêlée d'ariettes
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251:. He used the tuba curva in music that he composed for the funeral of
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This article incorporates text from a publication now in the
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Grétry took students in opera composition, including his daughter
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Altogether he composed some fifty operas. His masterpieces are
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in 1783, it remained in the French repertory for fifty years.
105:, his father being a poor musician. He was a choirboy at the
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During his life, a commemorative statue was made of him by
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Grétry also made use of the mandolin in his compositions.
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Plaque in memory of André Grétry, 29-31 Grand Rue, Geneva.
489:"A Statue of the Composer Grétry by Jean-Baptiste Stouf"
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Grove's
Dictionary of Music and Musicians, 5th ed, 1954.
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Notice historique sur la vie et les ouvrages de Grétry
508:"Grétry Encore: A Portrait Drawing by François Dumont"
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was translated and adapted for the
English stage by
224:, which was sung at the banquet – "fatal as that of
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113:and later of the organist at St-Pierre de Liège,
172:, and produced another operetta) went to Paris.
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30:"Grétry" redirects here. For other uses, see
27:Composer from present-day Belgium (1741–1813)
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179:, the Swedish ambassador, Grétry obtained a
93:both of whom wrote variations on his works.
222:O Richard, O mon Roi, l'univers t'abandonne
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641:, 1775 publication, French, digitized by
633:International Music Score Library Project
434:(Cambridge University Press, 1986), p. 19
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148:His first great success was achieved by
931:Directors of the Conservatoire de Paris
493:The Metropolitan Museum of Art Bulletin
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378:Statue of Grétry (1804–08), marble, by
597:Grétry and the Growth of Opéra-Comique
432:Grétry and the Growth of Opéra Comique
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605:Jean-Marc Warszawski, "André Grétry"
901:Prince-Bishopric of Liège musicians
168:(where he made the acquaintance of
951:19th-century French male musicians
476:, Schott and Company, London, 1914
393:Grétry was married to the painter
301:Grétry wearing his medal from the
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936:Burials at Père Lachaise Cemetery
916:French Classical-period composers
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506:James David Draper (May 1974).
487:James David Draper (May 1970).
413:Category:Operas by André Grétry
109:. In 1753 he became a pupil of
590:Notice biographique sur Grétry
407:List of operas by André Grétry
344:. He died at the Hermitage in
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911:18th-century French composers
329:granted him the cross of the
267:Die Entführung aus dem Serail
926:Belgian male opera composers
547:Grétry, André Ernest Modeste
906:Belgian classical composers
512:Metropolitan Museum Journal
152:, an Italian intermezzo or
123:Giovanni Battista Pergolesi
107:church of St. Denis (Liège)
60:André Ernest Modeste Grétry
18:André Ernest-Modeste Grétry
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384:Metropolitan Museum of Art
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367:in 1809. It is now in the
129:which he dedicated to the
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162:Pierre-Alexandre Monsigny
73:Prince-Bishopric of Liège
348:, formerly the house of
143:Giovanni Battista Casali
946:French ballet composers
574:A Grétry (his nephew),
552:Encyclopædia Britannica
310:La rosière républicaine
185:Jean-François Marmontel
85:. His music influenced
32:Grétry (disambiguation)
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354:Père Lachaise Cemetery
318:pièces de circonstance
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286:While all are sleeping
111:Jean-Pantaléon Leclerc
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836:Richard Coeur-de-lion
828:L'épreuve villageoise
796:Aucassin et Nicolette
716:Les mariages samnites
629:Free scores by Grétry
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217:Richard Coeur-de-lion
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820:La caravane du Caire
780:Le jugement de Midas
625:at Wikimedia Commons
395:Jeanne-Marie Grandon
314:La fête de la raison
288:from Grétry's opera
258:La caravane du Caire
238:Richard Cœur de Lion
177:Gustaf Philip Creutz
812:Colinette à la cour
560:See Michel Brenet,
514:. pp. 233–235.
495:. pp. 377–387.
380:Jean-Baptiste Stouf
361:Jean-Baptiste Stouf
255:. His opera-ballet
156:, composed for the
119:Baldassarre Galuppi
772:Céphale et Procris
732:Le tableau parlant
567:Joach. le Breton,
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202:Le tableau parlant
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621:Media related to
599:(Cambridge, 1986)
581:Felix van Hulst,
576:Grétry en famille
284:was the serenade
150:La vendemmiatrice
16:(Redirected from
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331:legion of honour
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158:Aliberti theatre
139:Collège de Liège
115:Nicolas Rennekin
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211:Zémire et Azor
193:. Two others,
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43:Portrait by
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896:1813 deaths
891:1741 births
371:, New York.
346:Montmorency
228:," remarks
885:Categories
804:Andromaque
557:Endnotes:
523:References
411:See also:
322:Revolution
588:L. D. S.
263:turquerie
97:Biography
91:Beethoven
871:Category
708:Le Huron
388:New York
350:Rousseau
327:Napoleon
253:Voltaire
226:Thyestes
190:Le Huron
181:libretto
170:Voltaire
154:operetta
740:Silvain
635:(IMSLP)
631:at the
540::
230:Carlyle
133:of the
77:Belgium
64:French:
855:(1791)
847:(1790)
839:(1784)
831:(1784)
823:(1783)
815:(1782)
807:(1780)
799:(1779)
791:(1778)
783:(1778)
775:(1773)
767:(1773)
759:(1771)
751:(1770)
743:(1770)
735:(1769)
727:(1769)
724:Lucile
719:(1768)
711:(1767)
700:Operas
583:Grétry
534:
401:Operas
338:Lucile
196:Lucile
166:Geneva
131:canons
87:Mozart
47:, 1785
418:Notes
249:cornu
183:from
103:Liège
340:and
312:and
214:and
199:and
127:mass
89:and
643:BYU
549:".
887::
510:.
491:.
439:^
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356:.
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