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jewellery firm, which is believed to be the world's oldest jeweller as well as Europe's oldest family-owned company. As of 2013, it was celebrating its 400th anniversary, having been founded in northern Italy in 1613, and is in its 14th generation of family ownership and continuous operation.
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In
Mellerio's catalogue of Redon's graphic work, published in 1913, Mellerio described Redon as a "mystic" who sought to show the "vague unknown that we sense beneath contingent appearances."
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Mellerio married
Isabelle Leroux, and they had three daughters, Thérèse (1892–?), Marcel (1894–?) and Marthe (1896–?), all shown in the 1897 painting by Denis.
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Mellerio was a particular promoter of Redon, whom he first met in 1889. He wrote the preface to the catalogue for the exhibition of Redon's work at the
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Mellerio's papers, which include a great deal of biographical information about Redon, are now in the
Ryerson and Burnham Archives at the
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in 1894. Mellerio claimed that Redon was unusual among modern artists in not belonging to any group.
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268:"World's Oldest Family Jeweler Celebrates 400 Years With High Jewelry Collection"
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56:(1862–1943) was a French art critic who promoted the cause of
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Exposition des
Peintres du Groupe Impressionniste et Synthétiste
315:, issue 52, 25-35, Paris: Fall 2014. Retrieved 13 December 2016
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by
Maurice Denis, 1897. Oil on canvas. Musée d'Orsay, Paris.
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The Art
Institute of Chicago, 2014. Retrieved 18 June 2014.
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Mellerio was a member of the family that owns the
Parisian
309:, "L'Estampe et l'Affiche, une revue méconnue", in
60:and "idealist" art and appeared in two pictures by
176:. Paris, Editions de l'Estampe et l'Affiche, 1898.
163:, an illustrated art magazine (Paris, 1897-1899).
92:Mellerio elaborated the rise of "idealist art" in
19:"Mellerio" redirects here. For other uses, see
64:. He was the biographer, and great friend, of
187:Odilon Redon: Peintre, dessinateur et graveur
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297:Musée d'Orsay, 2014. Retrieved 25 June 2014.
213:Musée d'Orsay, 2006. Retrieved 17 June 2014.
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174:La Lithographie originale en couleurs
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168:Le Mouvement idéaliste en peinture
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330:Odilon Redon: Fantasy and Colour
108:, and attributed its origins to
375:French male non-fiction writers
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159:, was the editor in chief of
16:French art critic (1862–1943)
190:. Paris, Henri Floury, 1923.
385:20th-century French writers
380:19th-century French writers
182:. Paris, Secretariat, 1913.
106:Café Volpini in Paris, 1889
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239:. Retrieved 18 June 2014.
118:Pierre Puvis de Chavannes
21:Mellerio (disambiguation)
145:Art Institute of Chicago
237:Oxford University Press
161:L'Estampe et l'Affiche
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252:André Mellerio Papers
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78:Mellerio dits Meller
342:Jullian, P. (1973)
312:La Revue des revues
294:La famille Mellerio
231:"Mellerio, André."
130:Durand Ruel gallery
34:The Mellerio Family
370:French art critics
328:Berger, K. (1965)
157:Noël Clément-Janin
120:and Odilon Redon.
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32:André Mellerio in
335:Hobbs, R. (1977)
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339:. New York.
354:Categories
272:Forbes.com
195:References
346:. London.
332:. London.
58:Symbolism
277:25 June
104:at the
100:of the
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