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191:. Through his technical excellence and sense of composition and his use of naturalistic colours, he soon became famous also outside The Hague. In 1819 he was awarded the Gold Medal at the exhibition in Antwerp. In 1818 he became a member of the Royal Academy for Visual Arts of Amsterdam. He reputation continued to grow and in 1822 he was given the rank of Fourth Class Correspondent of the Royal Dutch Institute. From then on, one exhibition followed after another.
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Initially
Schelfhout painted mainly summer scenes, beach scenes, and animal paintings. But as his initial winter scenes even had more success, he began to include them in his exhibitions. He was mainly a studio artist, relying on his sketches done
203:(Book of Truth) shows that he made about twenty paintings a year, among them a few foreign views. This indicated that he travelled abroad around 1825. In later years he visited France in 1833, England in 1835 (especially to study the works of
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Schelfhout started as a house painter in the framing business of his father. He already started painting pictures in his spare time. After a well-received first exhibition in The Hague, his father sent him to receive proper training to
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291:. Weissenbruch and Jongkind are especially recognized as masters of the technique. Schelfhout encouraged Weissenbruch and invited him to take lessons from him, but it is not clear whether Weissenbruch ever did.
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At the end of his career
Schelfhout put together a series of eighty landscape drawings, mainly recordings of previous paintings and watercolours. They were drawn in chalk and lightly coloured.
163:. His Dutch winter scenes and frozen canals with skaters were already famous during his lifetime. He became one of the most influential Dutch landscape artists of his century.
176:(1772–1856), a stage designer, in The Hague. He learned not only the technical aspects of painting, but also made detailed studies of the 17th-century Dutch landscape artists
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Schelfhout's death marked the end of the
Romantic period in Holland. He is considered a precursor of the Hague School.
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Een Haagse schildersfamilie uit de negentiende eeuw: Hendrikus, Gerardine, en Julius van de Sande
Bakhuyzen
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Schelfhout provided training to many painters who would become famous in their own right :
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In 1815, Schelfhout started his own workshop and became a member of the
152:(1787–1870) was a Dutch painter, etcher and lithographer, known for his
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many free images of paintings, drawings and prints of A. Schelfhout
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His paintings are on display in several leading museums :
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Leeuw, Ronald de; Sillervis, John and Dumas, Charles (1983):
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The Hague School: Dutch
Masters of the Nineteenth Century
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sketching. His watercolours greatly influenced
Jongkind,
689:. Zwolle: Haags Historisch Museum, Uitgeverij Waanders.
211:, and in 1844 he was awarded an honorary membership in
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Figures and cattle beside a lake in a wooded landscape
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596:, undated; pen, Indian ink and watercolor on paper
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222:(one of the forerunners of the Impressionists),
207:) and Germany. In 1839 he was awarded the title
269:Schelfhout advocated the use of watercolour in
262:. He also occasionally painted with his friend
143:Winter Landscape with 'koek en zopie' at night
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472:Winter met schaatsers / Winter with skaters
732:biography facts and dates of A. Schelfhout
209:Ridder in de orde van de Nederlandse Leeuw
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16:Dutch painter and lithographer (1787-1870)
734:, in the Dutch R.K.D. Archive, The Hague
727:Artist biography at Burlington Paintings
612:, undated; brown pen and pencil on paper
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527:Winter landscape with horses on the ice
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283:, the latter pair associated with the
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659:, Weidenfeld and Nicolson, London,
642:A Wooded Landscape Near Beekhuizen
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578:Landscape with Ruin and Mountains
685:Liefde-van Brakel, Tiny (1997).
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311:Museum Boymans-van Beuningen
287:of painting and students of
774:19th-century Dutch painters
628:, undated; pencil on paper
594:Figures outside a farmstead
580:, 1858; watercolor on paper
38:Eugène Joseph Verboeckhoven
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439:, c. 1820-30; oil on paper
159:Schelfhout belongs to the
228:Johannes Josephus Destree
35:Andreas Schelfhout, after
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784:Dutch landscape painters
403:, c. 1818; oil on panel
277:Jan Hendrik Weissenbruch
564:, 1852; pastel on paper
437:Boerenschuur / Farmyard
423:, c. 1824; oil on panel
244:Johannes Gijsbert Vogel
232:Jan Willem van Borselen
789:Artists from The Hague
492:with windmill and the
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529:, 1844; oil on panel
509:A. Schelfhout, 1841:
488:River landscape near
474:, 1838; oil on canvas
380:Tyne and Wear Museums
174:Joannes Breckenheimer
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548:, 1851; oil-painting
497:, 1839; oil on panel
458:, 1837; oil on panel
779:Dutch male painters
713:pp. 23, 44, 56, 275
316:Dordrechts museum,
258:and his son-in-law
252:Hudson River School
236:Nicholas Roosenboom
154:landscape paintings
494:ruins of Brederode
374:Wallace Collection
213:Kunst zij ons doel
182:Jacob van Ruisdael
150:Andreas Schelfhout
147:
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23:Andreas Schelfhout
665:978-0-297-78219-3
453:Ship stranded at
256:Louis Rémy Mignot
199:. His sketchbook
161:Romantic movement
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106:Romantic movement
55:February 16, 1787
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178:Meindert Hobbema
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71:(1870-04-19)
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562:Rocky coast
336: [
313:, Rotterdam
307:, Amsterdam
305:Rijksmuseum
82:Nationality
748:Categories
672:References
240:Margaretha
51:1787-02-16
709:De Leeuw
421:, Belgium
351:, Antwerp
318:Dordrecht
167:Biography
76:The Hague
59:The Hague
376:, London
369:, London
363:, Brugge
254:Painter
102:Movement
96:Painting
764:Etchers
545:Haarlem
490:Haarlem
327:Haarlem
693:
663:
357:, Gent
145:, 1849
134:, 1845
123:, 1838
711:et al
340:]
86:Dutch
691:ISBN
661:ISBN
372:The
349:KMSK
279:and
180:and
118:The
66:Died
45:Born
419:Huy
355:MSK
344:Oss
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338:nl
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