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Andrew McKinley

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1047: 374:; including McKinley who was cast in the role of King Kaspar. Menotti's story portrayed Kaspar as being hard of hearing and once joked that he had written it so because his brother "had always believed one of the kings was deaf since he never got all the presents he’d asked for". McKinley continued to play Kaspar, along with the other original adult cast members, for annual live television broadcasts up through 1964. They also gave annual national tours of 110:(now the Juilliard School) as a violin major in 1922. He later joined the violin faculty of the school's pre-college division in the early 1930s; remaining as an instructor at Juilliard until 1970. While a student at Juilliard he began performing as a violinist, mainly in orchestras and chamber ensembles. He continued to play the violin for the rest of his life. 113:
Although his performance career started and finished as a violinist, McKinley became more well known to audiences internationally for his work as a singer. He began his singing career as a concert singer in the United States, but had his first major successes when he branched out into opera in the
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Nathaniel Usdan Center for the Creative and Performing Arts, a summer music camp in Wheatley Heights, Long Island. He remained involved with the camp up into the latter years of his life. He notably helped establish a 40-concert summer festival sponsored by the Center. He died at the age of 92 at
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After retiring from his singing career in the mid-1960s, McKinley continued to perform occasionally as an ensemble player on the violin. In 1958 he resigned from his post as director of the Bronx House Music School (a position he had held since 1923). That same year he founded the Suzanne and
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was a triumph for the NBC Opera Theatre, and McKinley was soon engaged by NBC to perform in several other opera broadcasts on the television program
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alternating in the role of Santuzza. In 1950 he returned to Philadelphia to create the role of Nika Magadoff in the world premiere of
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for almost four decades and in 1968 founded the Usdan Center for the Creative and Performing Arts in Wheatley Heights, Long Island.
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of 1951 in a national broadcast to millions. For this production, Menotti enlisted the forces of many of the singers from
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from the 1940s through the 1960s. His repertoire spanned a wide range, from leading tenor parts to character roles.
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as the soprano soloist. He later sang Verdi's Requiem with Yeend again for his debut performance with the
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As a performer McKinley is best remembered for creating roles in the world premieres of two operas by
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in Manhattan. He was married to the concert pianist and academic Lily Miki McKinley.
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to compose an opera for television which was to be performed by the newly created
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Weldon Wallace (January 1, 1956). "Music Notes 'Merry Widow', Concert Version".
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Choreography by George Balanchine: a catalogue of works, Viking Press, 1984
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Weldon Wallace (March 18, 1954). "Music Notes: 'Damnation Of Faust'".
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in both the United States and Europe during his career, including the
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that year; including singing Prince Shuisky to the Boris of
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McKinley as the magician Nika Magadoff from an article in
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In 1954 McKinley sang in the very first season of the
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In 1952 McKinley made his first appearance with the
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Fifty years of Glyndebourne: an illustrated history
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He appeared with several leading 469: 169:. In 1946–1947 he was committed to the 878:. W. W. Norton & Company. p.  498:"Andrew McKinley, Versatile Tenor, 92" 1112:Classical musicians from Pennsylvania 850: 848: 492: 490: 488: 486: 7: 459:St. Luke's-Roosevelt Hospital Center 452:Later life and career as an educator 578:. Hal Leonard Corporation. p.  171:Philadelphia La Scala Opera Company 1015:Raymond Ericson (March 19, 1961). 14: 809:. Dolph Simons. December 31, 1957 295:and the title part in Berlioz's 122:where he was seen as Malcolm in 574:Arturo Toscanini: the NBC years 438:(1956), and Prince Shuisky in 345:After the critical success of 76:(1950) and King Kaspar in the 1: 532:The Christian Science Monitor 326:in Lawrence, Kansas with the 806:Lawrence Daily Journal-World 529:"Closing Symphony Concert". 519:by John Julius Norwich, 1985 386:NBC Television Opera Theatre 382:Amahl and the Night Visitors 363:Amahl and the Night Visitors 289:Baltimore Symphony Orchestra 83:Amahl and the Night Visitors 1107:Educators from Pennsylvania 857:"Three Kings in 50 Minutes" 120:Glyndebourne Festival Opera 1128: 1043:Internet Broadway Database 570:Mortimer H. Frank (2002). 210:Chicago Symphony Orchestra 349:, Menotti was invited by 277:; appearing as Grumio in 137:Boston Symphony Orchestra 92:Juilliard School of Music 1092:American operatic tenors 1087:Juilliard School faculty 328:Kansas City Philharmonic 212:as the tenor soloist in 157:in 1951 under conductor 108:Institute of Musical Art 1097:Singers from Pittsburgh 1082:Juilliard School alumni 480:, Doubleday Press, 1985 430:Wolfgang Amadeus Mozart 366:which was premiered on 284:The Taming of the Shrew 106:, McKinley entered the 66:: Nika Magadoff in the 898:Andrew McKinley opera. 598:Andrew McKinley tenor. 428:(1954), Monostatos in 275:Lyric Opera of Chicago 163:NBC Symphony Orchestra 155:Philadelphia Orchestra 30: 831:(December 25, 1951). 652:. September 10, 1950. 549:(November 28, 1951). 478:The Stages of Menotti 298:La damnation de Faust 226:with fellow soloists 98:Early life and career 22: 16:American opera singer 961:(October 20, 1952). 937:(November 7, 1955). 913:(February 8, 1953). 870:Paul Gruber (1993). 214:Ludwig van Beethoven 176:Cavalleria rusticana 703:(August 11, 1952). 672:. January 23, 1951. 506:. January 13, 1996. 418:(1952), Herodes in 254:Tanglewood Festival 57:symphony orchestras 1022:The New York Times 992:The New York Times 968:The New York Times 944:The New York Times 920:The New York Times 838:The New York Times 753:www.lyricopera.org 734:The New York Times 710:The New York Times 669:The New York Times 649:The New York Times 630:The New York Times 556:The New York Times 503:The New York Times 320:The Invisible Fire 268:Metropolitan Opera 205:in Milan in 1951. 189:Gian Carlo Menotti 64:Gian Carlo Menotti 49:arts administrator 31: 855:Mitchell Hadley. 786:The Baltimore Sun 769:The Baltimore Sun 727:(March 1, 1953). 535:. April 19, 1946. 440:Modest Mussorgsky 355:NBC Opera Theatre 279:Vittorio Giannini 88:NBC Opera Theatre 1119: 1049: 1027: 1026: 1012: 1006: 1003: 997: 996: 979: 973: 972: 955: 949: 948: 931: 925: 924: 907: 901: 900: 894:Internet Archive 877: 867: 861: 860: 852: 843: 842: 825: 819: 818: 816: 814: 797: 791: 790: 780: 774: 773: 763: 757: 756: 745: 739: 738: 721: 715: 714: 697: 691: 690: 689:. July 27, 1952. 680: 674: 673: 660: 654: 653: 640: 634: 633: 632:. 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Index


Harper's Bazaar
operatic
tenor
violinist
arts administrator
music educator
symphony orchestras
Gian Carlo Menotti
Pulitzer Prize
The Consul
Peabody Award
Amahl and the Night Visitors
NBC Opera Theatre
Juilliard School of Music
Pittsburgh
Institute of Musical Art
opera houses
Glyndebourne Festival Opera
Giuseppe Verdi
Macbeth
Boston Symphony Orchestra
Giuseppe Verdi
Messa da Requiem
Frances Yeend
Philadelphia Orchestra
Eugene Ormandy
NBC Symphony Orchestra
Arturo Toscanini
Philadelphia La Scala Opera Company

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